From: Petter Reinholdtsen Date: Mon, 30 Jul 2012 18:42:51 +0000 (+0200) Subject: Update with indexes and translate a bit. X-Git-Tag: edition-2015-10-10~1985 X-Git-Url: https://pere.pagekite.me/gitweb/text-free-culture-lessig.git/commitdiff_plain/332f3c4dadef0c78ef31090926427626a90a3c8f?ds=sidebyside Update with indexes and translate a bit. --- diff --git a/freeculture.nb.po b/freeculture.nb.po index 2bd8f0c..48da77f 100644 --- a/freeculture.nb.po +++ b/freeculture.nb.po @@ -6,7 +6,7 @@ msgid "" msgstr "" "Project-Id-Version: Free Culture by Lawrence Lessig\n" -"POT-Creation-Date: 2012-07-30 19:50+0300\n" +"POT-Creation-Date: 2012-07-30 20:27+0300\n" "PO-Revision-Date: 2012-07-13 21:50+0200\n" "Last-Translator: Petter Reinholdtsen \n" "Language-Team: Norwegian Bokmål \n" @@ -2883,6 +2883,10 @@ msgid "CHAPTER TWO: \"Mere Copyists\"" msgstr "Kapittel to: \"Kun etter-apere\"" #. type: Content of: +msgid "photography" +msgstr "fotografering" + +#. type: Content of: msgid "Daguerre, Louis" msgstr "Daguerre, Louis" @@ -2894,15 +2898,21 @@ msgid "" "and the field was thus limited to professionals and a few zealous and " "wealthy amateurs. (There was even an American Daguerre Association that " "helped regulate the industry, as do all such associations, by keeping " -"competition down so as to keep prices up.)" +"competition down so as to keep prices up.) " msgstr "" "I 1839 fant Louis Daguerre opp den første praktiske teknologien for å " "produsere det vi ville kalle \"fotografier\". Rimelig nok ble de kalt " "\"daguerreotyper\". Prosessen var komplisert og kostbar, og feltet var " "dermed begrenset til profesjonelle og noen få ivrige og velstående " -"amatører. (Det var til og med en amerikansk Daguerre-forening som " -"hjalp til med å regulere industrien, slik alle slike foreninger gjør, " -"ved å holde konkurransen ned slikat prisene var høye.)" +"amatører. (Det var til og med en amerikansk Daguerre-forening som hjalp til " +"med å regulere industrien, slik alle slike foreninger gjør, ved å holde " +"konkurransen ned slikat prisene var høye.) " + +#. type: Content of: +msgid "Talbot, William" +msgstr "Talbot, William" #. type: Content of: msgid "" @@ -2913,17 +2923,18 @@ msgid "" "still remained expensive and cumbersome. In the 1870s, dry plates were " "developed, making it easier to separate the taking of a picture from its " "developing. These were still plates of glass, and thus it was still not a " -"process within reach of most amateurs." +"process within reach of most amateurs. " msgstr "" "Men til tross for høye priser var etterspørselen etter daguerreotyper " -"sterk. Dette inspirerte oppfinnere til å finne enklere og billigere " -"måter å lage \"automatiske bilder\". William Talbot oppdaget snart en " -"prosess for å lage \"negativer\". Men da negativene var av glass, og " -"måtte holdes fuktige, forble prosessen kostbar og tung. På " -"1870-tallet ble tørrplater utviklet, noe som gjorde det enklere å " -"skille det å ta et bilde fra å fremkalle det. Det var fortsatt plater " -"av glass, og dermed var det fortsatt ikke en prosess som var innenfor " -"rekkevidden til de fleste amatører." +"sterk. Dette inspirerte oppfinnere til å finne enklere og billigere måter å " +"lage \"automatiske bilder\". William Talbot oppdaget snart en prosess for å " +"lage \"negativer\". Men da negativene var av glass, og måtte holdes " +"fuktige, forble prosessen kostbar og tung. På 1870-tallet ble tørrplater " +"utviklet, noe som gjorde det enklere å skille det å ta et bilde fra å " +"fremkalle det. Det var fortsatt plater av glass, og dermed var det fortsatt " +"ikke en prosess som var innenfor rekkevidden til de fleste amatører. " +"" #. type: Content of: msgid "Eastman, George" @@ -2931,7 +2942,6 @@ msgstr "Eastman, George" #. PAGE BREAK 45 #. type: Content of: -#, mtrans, fuzzy msgid "" "The technological change that made mass photography possible didn't happen " "until 1888, and was the creation of a single man. George Eastman, himself an " @@ -2942,14 +2952,15 @@ msgid "" "photography down substantially. By lowering the costs, Eastman expected he " "could dramatically broaden the population of photographers." msgstr "" -"teknologiske endringen som gjorde det mulig masse fotografering skje ikke " -"før 1888, og var etableringen av en enkelt mann. George eastman, selv en " -"amatør fotograf, var frustrert av fotografier som er laget med plater-" -"teknologi. i en flash av innsikt (så å si), så eastman at hvis filmen kan " -"gjøres for å være fleksibel, kunne det bli avholdt på en enkelt spindel. at " -"roll kunne deretter sendes til en utvikler, senke kostnadene for " -"fotografering vesentlig. ved å senke kostnadene, forventet eastman han kan " -"dramatisk utvide befolkningen av fotografer." +"Den teknologiske endringen som gjorde masse-fotografering mulig " +"skjedde ikke før i 1888, og det var takket være en eneste mann. " +"George Eastman, selv en amatørfotograf, var frustrert over den " +"plate-baserte fotografi-teknologien. I et lysglimt av innsikt (for å " +"si det slik), forsto Eastman at hvis filmen kunne gjøres bøybar, så " +"kunne den holdes pæ en enkel rull. Denne rullen kunne så sendes til " +"en fremkaller, og senke kostnadene til fotografering vesentlig. Ved å " +"reduseere kostnadene, forventet Eastman at han dramatisk kunne utvide " +"andelen fotografer." #. f1 #. type: Content of: diff --git a/freeculture.pot b/freeculture.pot index f48ebf1..f30be55 100644 --- a/freeculture.pot +++ b/freeculture.pot @@ -7,7 +7,7 @@ msgid "" msgstr "" "Project-Id-Version: PACKAGE VERSION\n" -"POT-Creation-Date: 2012-07-30 19:50+0300\n" +"POT-Creation-Date: 2012-07-30 20:27+0300\n" "PO-Revision-Date: YEAR-MO-DA HO:MI+ZONE\n" "Last-Translator: FULL NAME \n" "Language-Team: LANGUAGE \n" @@ -413,12 +413,12 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:365 freeculture.xml:12745 +#: freeculture.xml:365 freeculture.xml:12750 msgid "CodePink Women in Peace" msgstr "" #. type: Content of: -#: freeculture.xml:376 freeculture.xml:386 freeculture.xml:12758 +#: freeculture.xml:376 freeculture.xml:386 freeculture.xml:12763 msgid "Safire, William" msgstr "" @@ -552,12 +552,12 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:471 freeculture.xml:484 freeculture.xml:515 freeculture.xml:534 freeculture.xml:935 freeculture.xml:952 freeculture.xml:998 freeculture.xml:8773 freeculture.xml:12145 freeculture.xml:12849 +#: freeculture.xml:471 freeculture.xml:484 freeculture.xml:515 freeculture.xml:534 freeculture.xml:935 freeculture.xml:952 freeculture.xml:998 freeculture.xml:8778 freeculture.xml:12150 freeculture.xml:12854 msgid "Causby, Thomas Lee" msgstr "" #. type: Content of: -#: freeculture.xml:472 freeculture.xml:485 freeculture.xml:516 freeculture.xml:535 freeculture.xml:936 freeculture.xml:953 freeculture.xml:999 freeculture.xml:8774 freeculture.xml:12146 freeculture.xml:12850 +#: freeculture.xml:472 freeculture.xml:485 freeculture.xml:516 freeculture.xml:535 freeculture.xml:936 freeculture.xml:953 freeculture.xml:999 freeculture.xml:8779 freeculture.xml:12151 freeculture.xml:12855 msgid "Causby, Tinie" msgstr "" @@ -955,7 +955,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:792 freeculture.xml:1807 freeculture.xml:1818 +#: freeculture.xml:792 freeculture.xml:1811 freeculture.xml:1822 msgid "Brandeis, Louis D." msgstr "" @@ -986,7 +986,7 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:804 freeculture.xml:9315 +#: freeculture.xml:804 freeculture.xml:9320 msgid "Litman, Jessica" msgstr "" @@ -1102,7 +1102,7 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:899 freeculture.xml:14112 +#: freeculture.xml:899 freeculture.xml:14117 msgid "Netanel, Neil Weinstock" msgstr "" @@ -1301,7 +1301,7 @@ msgid "\"PIRACY\"" msgstr "" #. type: Content of: -#: freeculture.xml:1049 freeculture.xml:4668 +#: freeculture.xml:1049 freeculture.xml:4673 msgid "Mansfield, William Murray, Lord" msgstr "" @@ -1402,7 +1402,7 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:1132 freeculture.xml:6765 +#: freeculture.xml:1132 freeculture.xml:6770 msgid "Zittrain, Jonathan" msgstr "" @@ -1990,7 +1990,7 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:1574 freeculture.xml:2759 freeculture.xml:4374 freeculture.xml:4601 freeculture.xml:7160 freeculture.xml:8231 +#: freeculture.xml:1574 freeculture.xml:2764 freeculture.xml:4379 freeculture.xml:4606 freeculture.xml:7165 freeculture.xml:8236 msgid "Vaidhyanathan, Siva" msgstr "" @@ -2122,12 +2122,17 @@ msgid "CHAPTER TWO: \"Mere Copyists\"" msgstr "" #. type: Content of: -#: freeculture.xml:1665 +#: freeculture.xml:1666 +msgid "photography" +msgstr "" + +#. type: Content of: +#: freeculture.xml:1676 msgid "Daguerre, Louis" msgstr "" #. type: Content of: -#: freeculture.xml:1667 +#: freeculture.xml:1669 msgid "" "In 1839, Louis Daguerre invented the first practical technology for " "producing what we would call \"photographs.\" Appropriately enough, they " @@ -2135,11 +2140,17 @@ msgid "" "and the field was thus limited to professionals and a few zealous and " "wealthy amateurs. (There was even an American Daguerre Association that " "helped regulate the industry, as do all such associations, by keeping " -"competition down so as to keep prices up.)" +"competition down so as to keep prices up.) " +msgstr "" + +#. type: Content of: +#: freeculture.xml:1688 +msgid "Talbot, William" msgstr "" #. type: Content of: -#: freeculture.xml:1676 +#: freeculture.xml:1679 msgid "" "Yet despite high prices, the demand for daguerreotypes was strong. This " "pushed inventors to find simpler and cheaper ways to make \"automatic " @@ -2148,17 +2159,18 @@ msgid "" "the process still remained expensive and cumbersome. In the 1870s, dry " "plates were developed, making it easier to separate the taking of a picture " "from its developing. These were still plates of glass, and thus it was still " -"not a process within reach of most amateurs." +"not a process within reach of most amateurs. " msgstr "" #. type: Content of: -#: freeculture.xml:1687 +#: freeculture.xml:1691 msgid "Eastman, George" msgstr "" #. PAGE BREAK 45 #. type: Content of: -#: freeculture.xml:1690 +#: freeculture.xml:1694 msgid "" "The technological change that made mass photography possible didn't happen " "until 1888, and was the creation of a single man. George Eastman, himself an " @@ -2172,14 +2184,14 @@ msgstr "" #. f1 #. type: Content of: -#: freeculture.xml:1707 +#: freeculture.xml:1711 msgid "" "Reese V. Jenkins, Images and Enterprise (Baltimore: " "Johns Hopkins University Press, 1975), 112." msgstr "" #. type: Content of: -#: freeculture.xml:1702 +#: freeculture.xml:1706 msgid "" "Eastman developed flexible, emulsion-coated paper film and placed rolls of " "it in small, simple cameras: the Kodak. The device was marketed on the basis " @@ -2189,19 +2201,19 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:1725 freeculture.xml:1748 +#: freeculture.xml:1729 freeculture.xml:1752 msgid "Coe, Brian" msgstr "" #. type: Content of:
-#: freeculture.xml:1723 +#: freeculture.xml:1727 msgid "" "Brian Coe, The Birth of Photography (New York: " "Taplinger Publishing, 1977), 53. " msgstr "" #. type: Content of:
-#: freeculture.xml:1712 +#: freeculture.xml:1716 msgid "" "The principle of the Kodak system is the separation of the work that any " "person whomsoever can do in making a photograph, from the work that only an " @@ -2215,18 +2227,18 @@ msgstr "" #. f3 #. type: Content of: -#: freeculture.xml:1741 +#: freeculture.xml:1745 msgid "Jenkins, 177." msgstr "" #. f4 #. type: Content of: -#: freeculture.xml:1745 +#: freeculture.xml:1749 msgid "Based on a chart in Jenkins, p. 178." msgstr "" #. type: Content of: -#: freeculture.xml:1730 +#: freeculture.xml:1734 msgid "" "For $25, anyone could make pictures. The camera came preloaded with film, " "and when it had been used, the camera was returned to an Eastman factory, " @@ -2243,12 +2255,12 @@ msgstr "" #. f5 #. type: Content of: -#: freeculture.xml:1763 +#: freeculture.xml:1767 msgid "Coe, 58." msgstr "" #. type: Content of: -#: freeculture.xml:1752 +#: freeculture.xml:1756 msgid "" "The real significance of Eastman's invention, however, was not economic. It " "was social. Professional photography gave individuals a glimpse of places " @@ -2263,7 +2275,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:1767 +#: freeculture.xml:1771 msgid "" "In this way, the Kodak camera and film were technologies of expression. The " "pencil or paintbrush was also a technology of expression, of course. But it " @@ -2279,7 +2291,7 @@ msgstr "" #. f6 #. type: Content of: -#: freeculture.xml:1789 +#: freeculture.xml:1793 msgid "" "For illustrative cases, see, for example, Pavesich " "v. N.E. Life Ins. Co., 50 S.E. 68 (Ga. 1905); " @@ -2289,7 +2301,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:1780 +#: freeculture.xml:1784 msgid "" "What was required for this technology to flourish? Obviously, Eastman's " "genius was an important part. But also important was the legal environment " @@ -2303,7 +2315,7 @@ msgstr "" #. PAGE BREAK 47 #. type: Content of: -#: freeculture.xml:1797 +#: freeculture.xml:1801 msgid "" "The arguments in favor of requiring permission will sound surprisingly " "familiar. The photographer was \"taking\" something from the person or " @@ -2314,12 +2326,12 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:1819 +#: freeculture.xml:1823 msgid "Warren, Samuel D." msgstr "" #. type: Content of: -#: freeculture.xml:1816 +#: freeculture.xml:1820 msgid "" "Samuel D. Warren and Louis D. Brandeis, \"The Right to Privacy,\" " "Harvard Law Review 4 (1890): 193. -#: freeculture.xml:1809 +#: freeculture.xml:1813 msgid "" "On the other side was an argument that should be familiar, as well. Sure, " "there may be something of value being used. But citizens should have the " @@ -2342,7 +2354,7 @@ msgstr "" #. f8 #. type: Content of: -#: freeculture.xml:1836 +#: freeculture.xml:1840 msgid "" "See Melville B. Nimmer, \"The Right of Publicity,\" Law and " "Contemporary Problems 19 (1954): 203; William L. Prosser, " @@ -2353,7 +2365,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:1826 +#: freeculture.xml:1830 msgid "" "Fortunately for Mr. Eastman, and for photography in general, these early " "decisions went in favor of the pirates. In general, no permission would be " @@ -2367,7 +2379,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:1844 +#: freeculture.xml:1848 msgid "" "We can only speculate about how photography would have developed had the law " "gone the other way. If the presumption had been against the photographer, " @@ -2385,7 +2397,7 @@ msgstr "" #. PAGE BREAK 48 #. type: Content of: -#: freeculture.xml:1861 +#: freeculture.xml:1865 msgid "" "But though we could imagine this system of permission, it would be very hard " "to see how photography could have flourished as it did if the requirement " @@ -2412,7 +2424,7 @@ msgstr "" #. f9 #. type: Content of: -#: freeculture.xml:1893 +#: freeculture.xml:1898 msgid "" "H. Edward Goldberg, \"Essential Presentation Tools: Hardware and Software " "You Need to Create Digital Multimedia Presentations,\" cadalyst, February " @@ -2421,7 +2433,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:1887 +#: freeculture.xml:1892 msgid "" "These buses are not cheap, but the technology they carry is increasingly " "so. The cost of a high-quality digital video system has fallen " @@ -2435,12 +2447,12 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:1910 +#: freeculture.xml:1915 msgid "Yanofsky, Dave" msgstr "" #. type: Content of: -#: freeculture.xml:1905 +#: freeculture.xml:1910 msgid "" "\"Media literacy,\" as Dave Yanofsky, the executive director of Just Think!, " "puts it, \"is the ability . . . to understand, analyze, and deconstruct " @@ -2450,7 +2462,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:1913 +#: freeculture.xml:1918 msgid "" "This may seem like an odd way to think about \"literacy.\" For most people, " "literacy is about reading and writing. Faulkner and Hemingway and noticing " @@ -2459,7 +2471,7 @@ msgstr "" #. f10 #. type: Content of: -#: freeculture.xml:1923 +#: freeculture.xml:1928 msgid "" "Judith Van Evra, Television and Child Development " "(Hillsdale, N.J.: Lawrence Erlbaum Associates, 1990); \"Findings on Family " @@ -2467,7 +2479,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:1919 +#: freeculture.xml:1924 msgid "" "Maybe. But in a world where children see on average 390 hours of television " "commercials per year, or between 20,000 and 45,000 commercials " @@ -2479,7 +2491,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:1934 +#: freeculture.xml:1939 msgid "" "A growing field of academics and activists sees this form of literacy as " "crucial to the next generation of culture. For though anyone who has written " @@ -2492,7 +2504,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:1944 +#: freeculture.xml:1949 msgid "" "It took filmmaking a generation before it could do these things well. But " "even then, the knowledge was in the filming, not in writing about the " @@ -2503,22 +2515,22 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:1951 +#: freeculture.xml:1956 msgid "Crichton, Michael" msgstr "" #. type: Content of: -#: freeculture.xml:1965 freeculture.xml:2025 freeculture.xml:2032 freeculture.xml:2467 +#: freeculture.xml:1970 freeculture.xml:2030 freeculture.xml:2037 freeculture.xml:2472 msgid "Barish, Stephanie" msgstr "" #. type: Content of: -#: freeculture.xml:1966 +#: freeculture.xml:1971 msgid "Daley, Elizabeth" msgstr "" #. type: Content of: -#: freeculture.xml:1963 +#: freeculture.xml:1968 msgid "" "Interview with Elizabeth Daley and Stephanie Barish, 13 December 2002. " " -#: freeculture.xml:1977 +#: freeculture.xml:1982 msgid "" "See Scott Steinberg, \"Crichton Gets Medieval on PCs,\" E!online, 4 November " "2000, available at link " @@ -2536,7 +2548,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:1953 +#: freeculture.xml:1958 msgid "" "This grammar has changed as media has changed. When it was just film, as " "Elizabeth Daley, executive director of the University of Southern " @@ -2554,12 +2566,12 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:1984 +#: freeculture.xml:1989 msgid "computer games" msgstr "" #. type: Content of: -#: freeculture.xml:1986 +#: freeculture.xml:1991 msgid "" "This skill is precisely the craft a filmmaker learns. As Daley describes, " "\"people are very surprised about how they are led through a film. [I]t is " @@ -2569,7 +2581,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:1993 +#: freeculture.xml:1998 msgid "" "Yet the push for an expanded literacy—one that goes beyond text to " "include audio and visual elements—is not about making better film " @@ -2578,7 +2590,7 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:2000 +#: freeculture.xml:2005 msgid "" "From my perspective, probably the most important digital divide is not " "access to a box. It's the ability to be empowered with the language that " @@ -2587,25 +2599,25 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2008 +#: freeculture.xml:2013 msgid "" "\"Read-only.\" Passive recipients of culture produced elsewhere. Couch " "potatoes. Consumers. This is the world of media from the twentieth century." msgstr "" #. type: Content of: -#: freeculture.xml:2024 +#: freeculture.xml:2029 msgid "Interview with Daley and Barish. " msgstr "" #. f31 #. type: Content of:
-#: freeculture.xml:2029 freeculture.xml:3745 freeculture.xml:4787 freeculture.xml:7955 +#: freeculture.xml:2034 freeculture.xml:3750 freeculture.xml:4792 freeculture.xml:7960 msgid "Ibid." msgstr "" #. type: Content of: -#: freeculture.xml:2013 +#: freeculture.xml:2018 msgid "" "The twenty-first century could be different. This is the crucial point: It " "could be both read and write. Or at least reading and better understanding " @@ -2619,7 +2631,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2034 +#: freeculture.xml:2039 msgid "" "As with any language, this language comes more easily to some than to " "others. It doesn't necessarily come more easily to those who excel in " @@ -2633,7 +2645,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2046 +#: freeculture.xml:2051 msgid "" "The class was held on Friday afternoons, and it created a relatively new " "problem for the school. While the challenge in most classes was getting the " @@ -2644,7 +2656,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2054 +#: freeculture.xml:2059 msgid "" "Using whatever \"free web stuff they could find,\" and relatively simple " "tools to enable the kids to mix \"image, sound, and text,\" Barish said this " @@ -2664,7 +2676,7 @@ msgstr "" #. PAGE BREAK 52 #. type: Content of: -#: freeculture.xml:2073 +#: freeculture.xml:2078 msgid "" "\"But isn't education about teaching kids to write?\" I asked. In part, of " "course, it is. But why are we teaching kids to write? Education, Daley " @@ -2676,7 +2688,7 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:2084 +#: freeculture.xml:2089 msgid "" "What you want is to give these students ways of constructing meaning. If all " "you give them is text, they're not going to do it. Because they can't. You " @@ -2697,7 +2709,7 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:2103 +#: freeculture.xml:2108 msgid "" "That empowers enormously. And then what happens, of course, is eventually, " "as it has happened in all these classes, they bump up against the fact, \"I " @@ -2708,7 +2720,7 @@ msgstr "" #. PAGE BREAK 53 #. type: Content of:
-#: freeculture.xml:2110 +#: freeculture.xml:2115 msgid "" "Because they needed to. There was a reason for doing it. They needed to say " "something, as opposed to just jumping through your hoops. They actually " @@ -2717,7 +2729,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2119 +#: freeculture.xml:2124 msgid "" "When two planes crashed into the World Trade Center, another into the " "Pentagon, and a fourth into a Pennsylvania field, all media around the world " @@ -2730,7 +2742,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2130 +#: freeculture.xml:2135 msgid "" "These retellings had an increasingly familiar feel. There was music scored " "for the intermissions, and fancy graphics that flashed across the " @@ -2741,17 +2753,17 @@ msgid "" msgstr "" #. type: Content of:
-#: freeculture.xml:2137 freeculture.xml:7893 freeculture.xml:8130 +#: freeculture.xml:2142 freeculture.xml:7898 freeculture.xml:8135 msgid "ABC" msgstr "" #. type: Content of: -#: freeculture.xml:2138 +#: freeculture.xml:2143 msgid "CBS" msgstr "" #. type: Content of: -#: freeculture.xml:2140 +#: freeculture.xml:2145 msgid "" "But in addition to this produced news about the \"tragedy of September 11,\" " "those of us tied to the Internet came to see a very different production as " @@ -2768,7 +2780,7 @@ msgstr "" #. PAGE BREAK 54 #. type: Content of: -#: freeculture.xml:2154 +#: freeculture.xml:2159 msgid "" "I don't mean simply to praise the Internet—though I do think the " "people who supported this form of speech should be praised. I mean instead " @@ -2779,7 +2791,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2164 +#: freeculture.xml:2169 msgid "" "But unlike any technology for simply capturing images, the Internet allows " "these creations to be shared with an extraordinary number of people, " @@ -2791,7 +2803,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2173 +#: freeculture.xml:2178 msgid "" "September 11 was not an aberration. It was a beginning. Around the same " "time, a form of communication that has grown dramatically was just beginning " @@ -2803,7 +2815,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2182 +#: freeculture.xml:2187 msgid "" "But in the United States, blogs have taken on a very different character. " "There are some who use the space simply to talk about their private " @@ -2820,7 +2832,7 @@ msgstr "" #. PAGE BREAK 55 #. type: Content of: -#: freeculture.xml:2196 +#: freeculture.xml:2201 msgid "" "That's a strong statement. Yet it says as much about our democracy as it " "does about blogs. This is the part of America that is most difficult for " @@ -2833,7 +2845,7 @@ msgstr "" #. f15 #. type: Content of: -#: freeculture.xml:2222 +#: freeculture.xml:2227 msgid "" "See, for example, Alexis de Tocqueville, Democracy in " "America, bk. 1, trans. Henry Reeve (New York: Bantam Books, " @@ -2841,7 +2853,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2207 +#: freeculture.xml:2212 msgid "" "But democracy has never just been about elections. Democracy means rule by " "the people, but rule means something more than mere elections. In our " @@ -2860,14 +2872,14 @@ msgstr "" #. f16 #. type: Content of: -#: freeculture.xml:2231 +#: freeculture.xml:2236 msgid "" "Bruce Ackerman and James Fishkin, \"Deliberation Day,\" Journal " "of Political Philosophy 10 (2) (2002): 129." msgstr "" #. type: Content of: -#: freeculture.xml:2227 +#: freeculture.xml:2232 msgid "" "Yet even this institution flags in American life today. And in its place, " "there is no systematic effort to enable citizen deliberation. Some are " @@ -2879,14 +2891,14 @@ msgstr "" #. f17 #. type: Content of: -#: freeculture.xml:2246 +#: freeculture.xml:2251 msgid "" "Cass Sunstein, Republic.com (Princeton: Princeton " "University Press, 2001), 65–80, 175, 182, 183, 192." msgstr "" #. type: Content of: -#: freeculture.xml:2239 +#: freeculture.xml:2244 msgid "" "More bizarrely, there is generally not even permission for it to occur. We, " "the most powerful democracy in the world, have developed a strong norm " @@ -2899,7 +2911,7 @@ msgstr "" #. PAGE BREAK 56 #. type: Content of: -#: freeculture.xml:2252 +#: freeculture.xml:2257 msgid "" "Enter the blog. The blog's very architecture solves one part of this " "problem. People post when they want to post, and people read when they want " @@ -2910,7 +2922,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2263 +#: freeculture.xml:2268 msgid "" "But beyond architecture, blogs also have solved the problem of " "norms. There's no norm (yet) in blog space not to talk about politics. " @@ -2921,12 +2933,12 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2275 +#: freeculture.xml:2280 msgid "Dean, Howard" msgstr "" #. type: Content of: -#: freeculture.xml:2271 +#: freeculture.xml:2276 msgid "" "The significance of these blogs is tiny now, though not so tiny. The name " "Howard Dean may well have faded from the 2004 presidential race but for " @@ -2936,19 +2948,19 @@ msgstr "" #. f18 #. type: Content of: -#: freeculture.xml:2289 +#: freeculture.xml:2294 msgid "" "Noah Shachtman, \"With Incessant Postings, a Pundit Stirs the Pot,\" New " "York Times, 16 January 2003, G5." msgstr "" #. type: Content of: -#: freeculture.xml:2292 +#: freeculture.xml:2297 msgid "Lott, Trent" msgstr "" #. type: Content of: -#: freeculture.xml:2278 +#: freeculture.xml:2283 msgid "" "One direct effect is on stories that had a different life cycle in the " "mainstream media. The Trent Lott affair is an example. When Lott " @@ -2964,7 +2976,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2295 +#: freeculture.xml:2300 msgid "" "This different cycle is possible because the same commercial pressures don't " "exist with blogs as with other ventures. Television and newspapers are " @@ -2973,7 +2985,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2302 +#: freeculture.xml:2307 msgid "" "But bloggers don't have a similar constraint. They can obsess, they can " "focus, they can get serious. If a particular blogger writes a particularly " @@ -2984,13 +2996,13 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2311 +#: freeculture.xml:2316 msgid "Winer, Dave" msgstr "" #. PAGE BREAK 57 #. type: Content of: -#: freeculture.xml:2314 +#: freeculture.xml:2319 msgid "" "There's a second way, as well, in which blogs have a different cycle from " "the mainstream press. As Dave Winer, one of the fathers of this movement and " @@ -3003,18 +3015,18 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2324 freeculture.xml:2377 +#: freeculture.xml:2329 freeculture.xml:2382 msgid "CNN" msgstr "" #. f19 #. type: Content of: -#: freeculture.xml:2332 +#: freeculture.xml:2337 msgid "Telephone interview with David Winer, 16 April 2003." msgstr "" #. type: Content of: -#: freeculture.xml:2326 +#: freeculture.xml:2331 msgid "" "These conflicts become more important as media becomes more concentrated " "(more on this below). A concentrated media can hide more from the public " @@ -3032,7 +3044,7 @@ msgstr "" #. f20 #. type: Content of: -#: freeculture.xml:2350 +#: freeculture.xml:2355 msgid "" "John Schwartz, \"Loss of the Shuttle: The Internet; A Wealth of Information " "Online,\" New York Times, 2 February 2003, A28; Staci " @@ -3042,7 +3054,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2342 +#: freeculture.xml:2347 msgid "" "Blog space gives amateurs a way to enter the debate—\"amateur\" not in " "the sense of inexperienced, but in the sense of an Olympic athlete, meaning " @@ -3057,7 +3069,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2369 +#: freeculture.xml:2374 msgid "" "See Michael Falcone, \"Does an Editor's Pencil Ruin a Web Log?\" " "New York Times, 29 September 2003, C4. (\"Not all " @@ -3072,7 +3084,7 @@ msgstr "" #. PAGE BREAK 58 #. type: Content of: -#: freeculture.xml:2362 +#: freeculture.xml:2367 msgid "" "Winer is optimistic about the future of journalism infected with " "blogs. \"It's going to become an essential skill,\" Winer predicts, for " @@ -3088,7 +3100,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2389 +#: freeculture.xml:2394 msgid "" "This speech affects democracy. Winer thinks that happens because \"you don't " "have to work for somebody who controls, [for] a gatekeeper.\" That is " @@ -3105,12 +3117,12 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2405 +#: freeculture.xml:2410 msgid "Brown, John Seely" msgstr "" #. type: Content of: -#: freeculture.xml:2408 +#: freeculture.xml:2413 msgid "" "John Seely Brown is the chief scientist of the Xerox Corporation. His work, " "as his Web site describes it, is \"human learning and . . . the creation of " @@ -3118,7 +3130,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2413 +#: freeculture.xml:2418 msgid "" "Brown thus looks at these technologies of digital creativity a bit " "differently from the perspectives I've sketched so far. I'm sure he would be " @@ -3128,7 +3140,7 @@ msgstr "" #. PAGE BREAK 59 #. type: Content of: -#: freeculture.xml:2420 +#: freeculture.xml:2425 msgid "" "As Brown believes, we learn by tinkering. When \"a lot of us grew up,\" he " "explains, that tinkering was done \"on motorcycle engines, lawnmower " @@ -3142,7 +3154,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2433 +#: freeculture.xml:2438 msgid "" "The best large-scale example of this kind of tinkering so far is free " "software or open-source software (FS/OSS). FS/OSS is software whose source " @@ -3152,7 +3164,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2440 +#: freeculture.xml:2445 msgid "" "This opportunity creates a \"completely new kind of learning platform,\" as " "Brown describes. \"As soon as you start doing that, you . . . unleash a " @@ -3163,7 +3175,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2448 +#: freeculture.xml:2453 msgid "" "In this process, \"the concrete things you tinker with are abstract. They " "are code.\" Kids are \"shifting to the ability to tinker in the abstract, " @@ -3174,7 +3186,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2457 +#: freeculture.xml:2462 msgid "" "This same thing happens with content, too. And it happens in the same " "collaborative way when that content is part of the Web. As Brown puts it, " @@ -3189,7 +3201,7 @@ msgstr "" #. PAGE BREAK 60 #. type: Content of: -#: freeculture.xml:2469 +#: freeculture.xml:2474 msgid "" "Brown is talking about what Elizabeth Daley, Stephanie Barish, and Just " "Think! teach: that this tinkering with culture teaches as well as " @@ -3198,7 +3210,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2477 +#: freeculture.xml:2482 msgid "" "Yet the freedom to tinker with these objects is not guaranteed. Indeed, as " "we'll see through the course of this book, that freedom is increasingly " @@ -3211,7 +3223,7 @@ msgstr "" #. f22 #. type: Content of: -#: freeculture.xml:2493 +#: freeculture.xml:2498 msgid "" "See, for example, Edward Felten and Andrew Appel, \"Technological Access " "Control Interferes with Noninfringing Scholarship,\" " @@ -3220,7 +3232,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2486 +#: freeculture.xml:2491 msgid "" "These restrictions have become the focus of researchers and scholars. " "Professor Ed Felten of Princeton (whom we'll see more of in chapter -#: freeculture.xml:2501 +#: freeculture.xml:2506 msgid "" "\"This is where education in the twenty-first century is going,\" Brown " "explains. We need to \"understand how kids who grow up digital think and " @@ -3241,7 +3253,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2506 +#: freeculture.xml:2511 msgid "" "\"Yet,\" as Brown continued, and as the balance of this book will evince, " "\"we are building a legal system that completely suppresses the natural " @@ -3251,7 +3263,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2514 +#: freeculture.xml:2519 msgid "" "We're building a technology that takes the magic of Kodak, mixes moving " "images and sound, and adds a space for commentary and an opportunity to " @@ -3260,7 +3272,7 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2520 +#: freeculture.xml:2525 msgid "" "\"No way to run a culture,\" as Brewster Kahle, whom we'll meet in chapter " ", quipped to " @@ -3268,12 +3280,12 @@ msgid "" msgstr "" #. type: Content of: -#: freeculture.xml:2527 +#: freeculture.xml:2532 msgid "CHAPTER THREE: Catalogs" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2529 +#: freeculture.xml:2534 msgid "" "In the fall of 2002, Jesse Jordan of Oceanside, New York, enrolled as a " "freshman at Rensselaer Polytechnic Institute, in Troy, New York. His major " @@ -3283,7 +3295,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2536 +#: freeculture.xml:2541 msgid "" "RPI is one of America's foremost technological research institutions. It " "offers degrees in fields ranging from architecture and engineering to " @@ -3294,7 +3306,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2544 +#: freeculture.xml:2549 msgid "" "RPI's computer network links students, faculty, and administration to one " "another. It also links RPI to the Internet. Not everything available on the " @@ -3305,7 +3317,7 @@ msgstr "" #. PAGE BREAK 62 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2551 +#: freeculture.xml:2556 msgid "" "Search engines are a measure of a network's intimacy. Google brought the " "Internet much closer to all of us by fantastically improving the quality of " @@ -3318,7 +3330,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2563 +#: freeculture.xml:2568 msgid "" "These engines are enabled by the network technology itself. Microsoft, for " "example, has a network file system that makes it very easy for search " @@ -3329,7 +3341,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2572 +#: freeculture.xml:2577 msgid "" "Jesse's wasn't the first search engine built for the RPI network. Indeed, " "his engine was a simple modification of engines that others had built. His " @@ -3343,7 +3355,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2584 +#: freeculture.xml:2589 msgid "" "Jesse's engine went on-line in late October. Over the following six months, " "he continued to tweak it to improve its functionality. By March, the system " @@ -3354,7 +3366,7 @@ msgstr "" #. PAGE BREAK 63 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2591 +#: freeculture.xml:2596 msgid "" "Thus the index his search engine produced included pictures, which students " "could use to put on their own Web sites; copies of notes or research; copies " @@ -3364,7 +3376,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2600 +#: freeculture.xml:2605 msgid "" "But the index also included music files. In fact, one quarter of the files " "that Jesse's search engine listed were music files. But that means, of " @@ -3381,7 +3393,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2615 +#: freeculture.xml:2620 msgid "" "On April 3, 2003, Jesse was contacted by the dean of students at RPI. The " "dean informed Jesse that the Recording Industry Association of America, the " @@ -3392,7 +3404,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2624 +#: freeculture.xml:2629 msgid "" "\"It was absurd,\" he told me. \"I don't think I did anything wrong. . . . " "I don't think there's anything wrong with the search engine that I ran or " @@ -3408,7 +3420,7 @@ msgstr "" #. PAGE BREAK 64 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2637 +#: freeculture.xml:2642 msgid "" "But the RIAA branded Jesse a pirate. They claimed he operated a network and " "had therefore \"willfully\" violated copyright laws. They demanded that he " @@ -3422,7 +3434,7 @@ msgstr "" #. f1 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:2660 +#: freeculture.xml:2665 msgid "" "Tim Goral, \"Recording Industry Goes After Campus P-2-P Networks: Suit " "Alleges $97.8 Billion in Damages,\" <citetitle>Professional Media Group " @@ -3430,7 +3442,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2648 +#: freeculture.xml:2653 msgid "" "Similar lawsuits were brought against three other students: one other " "student at RPI, one at Michigan Technical University, and one at " @@ -3445,7 +3457,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2666 +#: freeculture.xml:2671 msgid "" "Jesse called his parents. They were supportive but a bit frightened. An " "uncle was a lawyer. He began negotiations with the RIAA. They demanded to " @@ -3454,7 +3466,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2673 +#: freeculture.xml:2678 msgid "" "The RIAA wanted Jesse to admit to doing something wrong. He refused. They " "wanted him to agree to an injunction that would essentially make it " @@ -3468,7 +3480,7 @@ msgstr "" #. PAGE BREAK 65 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2684 +#: freeculture.xml:2689 msgid "" "Jesse's family was outraged at these claims. They wanted to fight. But " "Jesse's uncle worked to educate the family about the nature of the American " @@ -3480,7 +3492,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2694 +#: freeculture.xml:2699 msgid "" "So Jesse faced a mafia-like choice: $250,000 and a chance at winning, or " "$12,000 and a settlement." @@ -3488,7 +3500,7 @@ msgstr "" #. f2 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:2706 +#: freeculture.xml:2711 msgid "" "Occupational Employment Survey, U.S. Dept. of Labor (2001) " "(27–2042—Musicians and Singers). See also National Endowment for " @@ -3497,14 +3509,14 @@ msgstr "" #. f3 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:2714 +#: freeculture.xml:2719 msgid "" "Douglas Lichtman makes a related point in \"KaZaA and Punishment,\" " "<citetitle>Wall Street Journal</citetitle>, 10 September 2003, A24." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2698 +#: freeculture.xml:2703 msgid "" "The recording industry insists this is a matter of law and morality. Let's " "put the law aside for a moment and think about the morality. Where is the " @@ -3518,7 +3530,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2719 +#: freeculture.xml:2724 msgid "" "On June 23, Jesse wired his savings to the lawyer working for the RIAA. The " "case against him was then dismissed. And with this, this kid who had " @@ -3526,7 +3538,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:2726 +#: freeculture.xml:2731 msgid "" "I was definitely not an activist [before]. I never really meant to be an " "activist. . . . [But] I've been pushed into this. In no way did I ever " @@ -3535,7 +3547,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2733 +#: freeculture.xml:2738 msgid "" "Jesse's parents betray a certain pride in their reluctant activist. As his " "father told me, Jesse \"considers himself very conservative, and so do " @@ -3545,12 +3557,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:2742 +#: freeculture.xml:2747 msgid "CHAPTER FOUR: \"Pirates\"" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2744 +#: freeculture.xml:2749 msgid "" "If \"piracy\" means using the creative property of others without their " "permission—if \"if value, then right\" is true—then the history " @@ -3561,12 +3573,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:2752 +#: freeculture.xml:2757 msgid "Film" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:2756 +#: freeculture.xml:2761 msgid "" "I am grateful to Peter DiMauro for pointing me to this extraordinary " "history. See also Siva Vaidhyanathan, <citetitle>Copyrights and " @@ -3576,7 +3588,7 @@ msgstr "" #. PAGE BREAK 67 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:2754 +#: freeculture.xml:2759 msgid "" "The film industry of Hollywood was built by fleeing pirates.<placeholder " "type=\"footnote\" id=\"0\"/> Creators and directors migrated from the East " @@ -3590,12 +3602,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:2772 +#: freeculture.xml:2777 msgid "As one commentator tells one part of the story," msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:2776 +#: freeculture.xml:2781 msgid "" "A January 1909 deadline was set for all companies to comply with the " "license. By February, unlicensed outlaws, who referred to themselves as " @@ -3607,7 +3619,7 @@ msgstr "" #. f2 #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:2796 +#: freeculture.xml:2801 msgid "" "J. A. Aberdeen, <citetitle>Hollywood Renegades: The Society of Independent " "Motion Picture Producers</citetitle> (Cobblestone Entertainment, 2000) and " @@ -3622,17 +3634,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para><indexterm><primary> -#: freeculture.xml:2807 +#: freeculture.xml:2812 msgid "General Film Company" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:2808 freeculture.xml:3053 freeculture.xml:4150 freeculture.xml:9506 +#: freeculture.xml:2813 freeculture.xml:3058 freeculture.xml:4155 freeculture.xml:9511 msgid "Picker, Randal C." msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:2785 +#: freeculture.xml:2790 msgid "" "With the country experiencing a tremendous expansion in the number of " "nickelodeons, the Patents Company reacted to the independent movement by " @@ -3649,7 +3661,7 @@ msgstr "" #. f3 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:2818 +#: freeculture.xml:2823 msgid "" "Marc Wanamaker, \"The First Studios,\" <citetitle>The Silents " "Majority</citetitle>, archived at <ulink " @@ -3657,7 +3669,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:2812 +#: freeculture.xml:2817 msgid "" "The Napsters of those days, the \"independents,\" were companies like " "Fox. And no less than today, these independents were vigorously resisted. " @@ -3672,7 +3684,7 @@ msgstr "" #. PAGE BREAK 68 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:2828 +#: freeculture.xml:2833 msgid "" "Of course, California grew quickly, and the effective enforcement of federal " "law eventually spread west. But because patents grant the patent holder a " @@ -3682,19 +3694,19 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:2839 +#: freeculture.xml:2844 msgid "Recorded Music" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:2841 +#: freeculture.xml:2846 msgid "" "The record industry was born of another kind of piracy, though to see how " "requires a bit of detail about the way the law regulates music." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:2845 +#: freeculture.xml:2850 msgid "" "At the time that Edison and Henri Fourneaux invented machines for " "reproducing music (Edison the phonograph, Fourneaux the player piano), the " @@ -3706,12 +3718,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:2854 freeculture.xml:2998 +#: freeculture.xml:2859 freeculture.xml:3003 msgid "Beatles" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:2856 +#: freeculture.xml:2861 msgid "" "But what if I wanted to record \"Happy Mose,\" using Edison's phonograph or " "Fourneaux's player piano? Here the law stumbled. It was clear enough that I " @@ -3731,7 +3743,7 @@ msgstr "" #. PAGE BREAK 69 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:2874 +#: freeculture.xml:2879 msgid "" "The composers (and publishers) were none too happy about this capacity to " "pirate. As South Dakota senator Alfred Kittredge put it," @@ -3739,7 +3751,7 @@ msgstr "" #. f4 #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:2888 +#: freeculture.xml:2893 msgid "" "To Amend and Consolidate the Acts Respecting Copyright: Hearings on S. 6330 " "and H.R. 19853 Before the ( Joint) Committees on Patents, 59th Cong. 59, 1st " @@ -3750,7 +3762,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:2881 +#: freeculture.xml:2886 msgid "" "Imagine the injustice of the thing. A composer writes a song or an opera. A " "publisher buys at great expense the rights to the same and copyrights " @@ -3762,7 +3774,7 @@ msgstr "" #. f5 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:2902 +#: freeculture.xml:2907 msgid "" "To Amend and Consolidate the Acts Respecting Copyright, 223 (statement of " "Nathan Burkan, attorney for the Music Publishers Association)." @@ -3770,7 +3782,7 @@ msgstr "" #. f6 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:2908 +#: freeculture.xml:2913 msgid "" "To Amend and Consolidate the Acts Respecting Copyright, 226 (statement of " "Nathan Burkan, attorney for the Music Publishers Association)." @@ -3778,14 +3790,14 @@ msgstr "" #. f7 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:2915 +#: freeculture.xml:2920 msgid "" "To Amend and Consolidate the Acts Respecting Copyright, 23 (statement of " "John Philip Sousa, composer)." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:2898 +#: freeculture.xml:2903 msgid "" "The innovators who developed the technology to record other people's works " "were \"sponging upon the toil, the work, the talent, and genius of American " @@ -3798,7 +3810,7 @@ msgstr "" #. f8 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:2928 +#: freeculture.xml:2933 msgid "" "To Amend and Consolidate the Acts Respecting Copyright, 283–84 " "(statement of Albert Walker, representative of the Auto-Music Perforating " @@ -3807,7 +3819,7 @@ msgstr "" #. f9 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:2939 +#: freeculture.xml:2944 msgid "" "To Amend and Consolidate the Acts Respecting Copyright, 376 (prepared " "memorandum of Philip Mauro, general patent counsel of the American " @@ -3815,7 +3827,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:2920 +#: freeculture.xml:2925 msgid "" "These arguments have familiar echoes in the wars of our day. So, too, do the " "arguments on the other side. The innovators who developed the player piano " @@ -3833,7 +3845,7 @@ msgstr "" #. PAGE BREAK 70 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:2945 +#: freeculture.xml:2950 msgid "" "The law soon resolved this battle in favor of the composer " "<emphasis>and</emphasis> the recording artist. Congress amended the law to " @@ -3848,7 +3860,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:2960 +#: freeculture.xml:2965 msgid "" "American law ordinarily calls this a \"compulsory license,\" but I will " "refer to it as a \"statutory license.\" A statutory license is a license " @@ -3859,12 +3871,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para><indexterm><primary> -#: freeculture.xml:2975 freeculture.xml:13782 +#: freeculture.xml:2980 freeculture.xml:13787 msgid "Grisham, John" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:2968 +#: freeculture.xml:2973 msgid "" "This is an exception within the law of copyright. When John Grisham writes a " "novel, a publisher is free to publish that novel only if Grisham gives the " @@ -3877,7 +3889,7 @@ msgstr "" #. f10 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:2992 +#: freeculture.xml:2997 msgid "" "Copyright Law Revision: Hearings on S. 2499, S. 2900, H.R. 243, and " "H.R. 11794 Before the ( Joint) Committee on Patents, 60th Cong., 1st sess., " @@ -3888,7 +3900,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:2978 +#: freeculture.xml:2983 msgid "" "But the law governing recordings gives recording artists less. And thus, in " "effect, the law <emphasis>subsidizes</emphasis> the recording industry " @@ -3905,7 +3917,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3001 +#: freeculture.xml:3006 msgid "" "While the recording industry has been quite coy about this recently, " "historically it has been quite a supporter of the statutory license for " @@ -3914,7 +3926,7 @@ msgstr "" #. f11 #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:3023 +#: freeculture.xml:3028 msgid "" "Copyright Law Revision: Report to Accompany H.R. 2512, House Committee on " "the Judiciary, 90th Cong., 1st sess., House Document no. 83, (8 March " @@ -3922,7 +3934,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:3008 +#: freeculture.xml:3013 msgid "" "the record producers argued vigorously that the compulsory license system " "must be retained. They asserted that the record industry is a " @@ -3939,29 +3951,29 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3030 +#: freeculture.xml:3035 msgid "" "By limiting the rights musicians have, by partially pirating their creative " "work, the record producers, and the public, benefit." msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:3035 freeculture.xml:4115 +#: freeculture.xml:3040 freeculture.xml:4120 msgid "Radio" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3037 +#: freeculture.xml:3042 msgid "Radio was also born of piracy." msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:3052 +#: freeculture.xml:3057 msgid "Hand, Learned" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3043 +#: freeculture.xml:3048 msgid "" "See 17 <citetitle>United States Code</citetitle>, sections 106 and 110. At " "the beginning, record companies printed \"Not Licensed for Radio Broadcast\" " @@ -3978,7 +3990,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3040 +#: freeculture.xml:3045 msgid "" "When a radio station plays a record on the air, that constitutes a \"public " "performance\" of the composer's work.<placeholder type=\"footnote\" " @@ -3988,13 +4000,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:3070 freeculture.xml:8596 freeculture.xml:9056 freeculture.xml:11961 +#: freeculture.xml:3075 freeculture.xml:8601 freeculture.xml:9061 freeculture.xml:11966 msgid "Lovett, Lyle" msgstr "" #. PAGE BREAK 72 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3060 +#: freeculture.xml:3065 msgid "" "But when the radio station plays a record, it is not only performing a copy " "of the <emphasis>composer's</emphasis> work. The radio station is also " @@ -4009,7 +4021,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3075 +#: freeculture.xml:3080 msgid "" "But it doesn't. Under the law governing radio performances, the radio " "station does not have to pay the recording artist. The radio station need " @@ -4019,12 +4031,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:3083 freeculture.xml:3577 freeculture.xml:5955 +#: freeculture.xml:3088 freeculture.xml:3582 freeculture.xml:5960 msgid "Madonna" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3086 +#: freeculture.xml:3091 msgid "" "This difference can be huge. Imagine you compose a piece of music. Imagine " "it is your first. You own the exclusive right to authorize public " @@ -4033,7 +4045,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3092 +#: freeculture.xml:3097 msgid "" "Imagine she does sing your song, and imagine she likes it a lot. She then " "decides to make a recording of your song, and it becomes a top hit. Under " @@ -4045,7 +4057,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3103 +#: freeculture.xml:3108 msgid "" "No doubt, one might argue that, on balance, the recording artists " "benefit. On average, the promotion they get is worth more than the " @@ -4056,18 +4068,18 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:3112 freeculture.xml:4121 +#: freeculture.xml:3117 freeculture.xml:4126 msgid "Cable TV" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3115 +#: freeculture.xml:3120 msgid "Cable TV was also born of a kind of piracy." msgstr "" #. PAGE BREAK 73 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3118 +#: freeculture.xml:3123 msgid "" "When cable entrepreneurs first started wiring communities with cable " "television in 1948, most refused to pay broadcasters for the content that " @@ -4079,18 +4091,18 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:3128 +#: freeculture.xml:3133 msgid "Anello, Douglas" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:3129 +#: freeculture.xml:3134 msgid "Burdick, Quentin" msgstr "" #. f13 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3135 +#: freeculture.xml:3140 msgid "" "Copyright Law Revision—CATV: Hearing on S. 1006 Before the " "Subcommittee on Patents, Trademarks, and Copyrights of the Senate Committee " @@ -4100,14 +4112,14 @@ msgstr "" #. f14 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3146 +#: freeculture.xml:3151 msgid "" "Copyright Law Revision—CATV, 116 (statement of Douglas A. Anello, " "general counsel of the National Association of Broadcasters)." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3131 +#: freeculture.xml:3136 msgid "" "Broadcasters and copyright owners were quick to attack this theft. Rosel " "Hyde, chairman of the FCC, viewed the practice as a kind of \"unfair and " @@ -4122,14 +4134,14 @@ msgstr "" #. f15 #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:3157 +#: freeculture.xml:3162 msgid "" "Copyright Law Revision—CATV, 126 (statement of Ernest W. Jennes, " "general counsel of the Association of Maximum Service Telecasters, Inc.)." msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:3153 +#: freeculture.xml:3158 msgid "" "The extraordinary thing about the CATV business is that it is the only " "business I know of where the product that is being sold is not paid " @@ -4137,13 +4149,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3163 +#: freeculture.xml:3168 msgid "Again, the demand of the copyright holders seemed reasonable enough:" msgstr "" #. f16 #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:3172 +#: freeculture.xml:3177 msgid "" "Copyright Law Revision—CATV, 169 (joint statement of Arthur B. Krim, " "president of United Artists Corp., and John Sinn, president of United " @@ -4151,7 +4163,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:3167 +#: freeculture.xml:3172 msgid "" "All we are asking for is a very simple thing, that people who now take our " "property for nothing pay for it. We are trying to stop piracy and I don't " @@ -4161,14 +4173,14 @@ msgstr "" #. f17 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3183 +#: freeculture.xml:3188 msgid "" "Copyright Law Revision—CATV, 209 (statement of Charlton Heston, " "president of the Screen Actors Guild)." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3179 +#: freeculture.xml:3184 msgid "" "These were \"free-ride[rs],\" Screen Actor's Guild president Charlton Heston " "said, who were \"depriving actors of compensation.\"<placeholder " @@ -4176,19 +4188,19 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3188 +#: freeculture.xml:3193 msgid "" "But again, there was another side to the debate. As Assistant Attorney " "General Edwin Zimmerman put it," msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para><indexterm><primary> -#: freeculture.xml:3204 freeculture.xml:3206 +#: freeculture.xml:3209 freeculture.xml:3211 msgid "Zimmerman, Edwin" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:3202 +#: freeculture.xml:3207 msgid "" "Copyright Law Revision—CATV, 216 (statement of Edwin M. Zimmerman, " "acting assistant attorney general). <placeholder type=\"indexterm\" " @@ -4196,7 +4208,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:3193 +#: freeculture.xml:3198 msgid "" "Our point here is that unlike the problem of whether you have any copyright " "protection at all, the problem here is whether copyright holders who are " @@ -4208,14 +4220,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3210 +#: freeculture.xml:3215 msgid "" "Copyright owners took the cable companies to court. Twice the Supreme Court " "held that the cable companies owed the copyright owners nothing." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3214 +#: freeculture.xml:3219 msgid "" "It took Congress almost thirty years before it resolved the question of " "whether cable companies had to pay for the content they \"pirated.\" In the " @@ -4230,7 +4242,7 @@ msgstr "" #. f19 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3231 +#: freeculture.xml:3236 msgid "" "See, for example, National Music Publisher's Association, <citetitle>The " "Engine of Free Expression: Copyright on the Internet—The Myth of Free " @@ -4241,7 +4253,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3226 +#: freeculture.xml:3231 msgid "" "These separate stories sing a common theme. If \"piracy\" means using value " "from someone else's creative property without permission from that " @@ -4254,12 +4266,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:3248 +#: freeculture.xml:3253 msgid "CHAPTER FIVE: \"Piracy\"" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:3250 +#: freeculture.xml:3255 msgid "" "There is piracy of copyrighted material. Lots of it. This piracy comes in " "many forms. The most significant is commercial piracy, the unauthorized " @@ -4270,7 +4282,7 @@ msgstr "" #. PAGE BREAK 76 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:3258 +#: freeculture.xml:3263 msgid "" "But as well as copy-shop piracy, there is another kind of \"taking\" that is " "more directly related to the Internet. That taking, too, seems wrong to " @@ -4282,13 +4294,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:3268 +#: freeculture.xml:3273 msgid "Piracy I" msgstr "" #. f1 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3276 +#: freeculture.xml:3281 msgid "" "See IFPI (International Federation of the Phonographic Industry), " "<citetitle>The Recording Industry Commercial Piracy Report 2003</citetitle>, " @@ -4298,7 +4310,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3270 +#: freeculture.xml:3275 msgid "" "All across the world, but especially in Asia and Eastern Europe, there are " "businesses that do nothing but take others people's copyrighted content, " @@ -4310,7 +4322,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3286 +#: freeculture.xml:3291 msgid "" "This is piracy plain and simple. Nothing in the argument of this book, nor " "in the argument that most people make when talking about the subject of this " @@ -4318,7 +4330,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3292 +#: freeculture.xml:3297 msgid "" "Which is not to say that excuses and justifications couldn't be made for " "it. We could, for example, remind ourselves that for the first one hundred " @@ -4330,7 +4342,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3301 +#: freeculture.xml:3306 msgid "" "That excuse isn't terribly strong. Technically, our law did not ban the " "taking of foreign works. It explicitly limited itself to American " @@ -4345,7 +4357,7 @@ msgstr "" #. PAGE BREAK 77 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3312 +#: freeculture.xml:3317 msgid "" "True, these local rules have, in effect, been imposed upon these " "countries. No country can be part of the world economy and choose not to " @@ -4354,12 +4366,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para><footnote><para><indexterm><primary> -#: freeculture.xml:3339 freeculture.xml:12240 freeculture.xml:12669 freeculture.xml:12676 +#: freeculture.xml:3344 freeculture.xml:12245 freeculture.xml:12674 freeculture.xml:12681 msgid "Drahos, Peter" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3325 +#: freeculture.xml:3330 msgid "" "See Peter Drahos with John Braithwaite, Information Feudalism: " "<citetitle>Who Owns the Knowledge Economy?</citetitle> (New York: The New " @@ -4378,7 +4390,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3320 +#: freeculture.xml:3325 msgid "" "If a country is to be treated as a sovereign, however, then its laws are its " "laws regardless of their source. The international law under which these " @@ -4390,12 +4402,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:3359 freeculture.xml:3624 freeculture.xml:14311 +#: freeculture.xml:3364 freeculture.xml:3629 freeculture.xml:14316 msgid "Liebowitz, Stan" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3352 +#: freeculture.xml:3357 msgid "" "For an analysis of the economic impact of copying technology, see Stan " "Liebowitz, <citetitle>Rethinking the Network Economy</citetitle> (New York: " @@ -4408,7 +4420,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3346 +#: freeculture.xml:3351 msgid "" "Alternatively, we could try to excuse this piracy by noting that in any " "case, it does no harm to the industry. The Chinese who get access to " @@ -4418,7 +4430,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3363 +#: freeculture.xml:3368 msgid "" "This is often true (though I have friends who have purchased many thousands " "of pirated DVDs who certainly have enough money to pay for the content they " @@ -4434,7 +4446,7 @@ msgstr "" #. PAGE BREAK 78 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3376 +#: freeculture.xml:3381 msgid "" "This argument is still very weak. However, although copyright is a property " "right of a very special sort, it <emphasis>is</emphasis> a property " @@ -4452,32 +4464,32 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para><indexterm><primary> -#: freeculture.xml:3405 freeculture.xml:3433 freeculture.xml:11098 freeculture.xml:12551 freeculture.xml:13100 +#: freeculture.xml:3410 freeculture.xml:3438 freeculture.xml:11103 freeculture.xml:12556 freeculture.xml:13105 msgid "GNU/Linux operating system" msgstr "" #. type: Content of: <book><chapter><section><section><para><indexterm><primary> -#: freeculture.xml:3406 freeculture.xml:3434 freeculture.xml:11099 freeculture.xml:12552 freeculture.xml:13101 +#: freeculture.xml:3411 freeculture.xml:3439 freeculture.xml:11104 freeculture.xml:12557 freeculture.xml:13106 msgid "Linux operating system" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:3408 +#: freeculture.xml:3413 msgid "Microsoft" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><secondary> -#: freeculture.xml:3409 +#: freeculture.xml:3414 msgid "Windows operating system of" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:3411 +#: freeculture.xml:3416 msgid "Windows" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3394 +#: freeculture.xml:3399 msgid "" "Finally, we could try to excuse this piracy with the argument that the " "piracy actually helps the copyright owner. When the Chinese \"steal\" " @@ -4495,7 +4507,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3414 +#: freeculture.xml:3419 msgid "" "This argument, too, is somewhat true. The addiction strategy is a good " "one. Many businesses practice it. Some thrive because of it. Law students, " @@ -4506,7 +4518,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3422 +#: freeculture.xml:3427 msgid "" "Still, the argument is not terribly persuasive. We don't give the alcoholic " "a defense when he steals his first beer, merely because that will make it " @@ -4523,7 +4535,7 @@ msgstr "" #. PAGE BREAK 79 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3438 +#: freeculture.xml:3443 msgid "" "Thus, while I understand the pull of these justifications for piracy, and I " "certainly see the motivation, in my view, in the end, these efforts at " @@ -4535,7 +4547,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3448 +#: freeculture.xml:3453 msgid "" "But as the examples from the four chapters that introduced this part " "suggest, even if some piracy is plainly wrong, not all \"piracy\" is. Or at " @@ -4547,7 +4559,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3457 +#: freeculture.xml:3462 msgid "" "This doesn't mean that there are no questions raised by the latest piracy " "concern, peer-to-peer file sharing. But it does mean that we need to " @@ -4556,7 +4568,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3463 +#: freeculture.xml:3468 msgid "" "For (1) like the original Hollywood, p2p sharing escapes an overly " "controlling industry; and (2) like the original recording industry, it " @@ -4565,20 +4577,20 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3469 +#: freeculture.xml:3474 msgid "" "These differences distinguish p2p sharing from true piracy. They should push " "us to find a way to protect artists while enabling this sharing to survive." msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:3475 +#: freeculture.xml:3480 msgid "Piracy II" msgstr "" #. f4 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3480 +#: freeculture.xml:3485 msgid "" "<citetitle>Bach</citetitle> v. <citetitle>Longman</citetitle>, 98 " "Eng. Rep. 1274 (1777)." @@ -4586,7 +4598,7 @@ msgstr "" #. PAGE BREAK 80 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3477 +#: freeculture.xml:3482 msgid "" "The key to the \"piracy\" that the law aims to quash is a use that \"rob[s] " "the author of [his] profit.\"<placeholder type=\"footnote\" id=\"0\"/> This " @@ -4596,12 +4608,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:3503 freeculture.xml:8024 +#: freeculture.xml:3508 freeculture.xml:8029 msgid "Christensen, Clayton M." msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3494 +#: freeculture.xml:3499 msgid "" "See Clayton M. Christensen, <citetitle>The Innovator's Dilemma: The " "Revolutionary National Bestseller That Changed the Way We Do " @@ -4615,12 +4627,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:3506 +#: freeculture.xml:3511 msgid "Fanning, Shawn" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3489 +#: freeculture.xml:3494 msgid "" "Peer-to-peer sharing was made famous by Napster. But the inventors of the " "Napster technology had not made any major technological innovations. Like " @@ -4632,7 +4644,7 @@ msgstr "" #. f6 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3514 +#: freeculture.xml:3519 msgid "" "See Carolyn Lochhead, \"Silicon Valley Dream, Hollywood Nightmare,\" " "<citetitle>San Francisco Chronicle</citetitle>, 24 September 2002, A1; " @@ -4645,7 +4657,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3509 +#: freeculture.xml:3514 msgid "" "The result was spontaneous combustion. Launched in July 1999, Napster " "amassed over 10 million users within nine months. After eighteen months, " @@ -4661,7 +4673,7 @@ msgstr "" #. f7 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3536 +#: freeculture.xml:3541 msgid "" "See Ipsos-Insight, <citetitle>TEMPO: Keeping Pace with Online Music " "Distribution</citetitle> (September 2002), reporting that 28 percent of " @@ -4672,14 +4684,14 @@ msgstr "" #. f8 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3545 +#: freeculture.xml:3550 msgid "" "Amy Harmon, \"Industry Offers a Carrot in Online Music Fight,\" " "<citetitle>New York Times</citetitle>, 6 June 2003, A1." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3530 +#: freeculture.xml:3535 msgid "" "According to a number of estimates, a huge proportion of Americans have " "tasted file-sharing technology. A study by Ipsos-Insight in September 2002 " @@ -4695,7 +4707,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3554 +#: freeculture.xml:3559 msgid "" "Some of this enjoying involves copyright infringement. Some of it does " "not. And even among the part that is technically copyright infringement, " @@ -4707,14 +4719,14 @@ msgstr "" #. PAGE BREAK 81 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3564 +#: freeculture.xml:3569 msgid "" "File sharers share different kinds of content. We can divide these different " "kinds into four types." msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:3570 +#: freeculture.xml:3575 msgid "" "There are some who use sharing networks as substitutes for purchasing " "content. Thus, when a new Madonna CD is released, rather than buying the CD, " @@ -4727,7 +4739,7 @@ msgstr "" #. B. #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:3581 +#: freeculture.xml:3586 msgid "" "There are some who use sharing networks to sample music before purchasing " "it. Thus, a friend sends another friend an MP3 of an artist he's not heard " @@ -4740,7 +4752,7 @@ msgstr "" #. C. #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:3592 +#: freeculture.xml:3597 msgid "" "There are many who use sharing networks to get access to copyrighted content " "that is no longer sold or that they would not have purchased because the " @@ -4759,26 +4771,26 @@ msgstr "" #. PAGE BREAK 82 #. D. #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:3609 +#: freeculture.xml:3614 msgid "" "Finally, there are many who use sharing networks to get access to content " "that is not copyrighted or that the copyright owner wants to give away." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3615 +#: freeculture.xml:3620 msgid "How do these different types of sharing balance out?" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3623 +#: freeculture.xml:3628 msgid "" "See Liebowitz, <citetitle>Rethinking the Network Economy</citetitle>, " "148–49. <placeholder type=\"indexterm\" id=\"0\"/>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3618 +#: freeculture.xml:3623 msgid "" "Let's start with some simple but important points. From the perspective of " "the law, only type D sharing is clearly legal. From the perspective of " @@ -4792,7 +4804,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3634 +#: freeculture.xml:3639 msgid "" "Whether on balance sharing is harmful depends importantly on how harmful " "type A sharing is. Just as Edison complained about Hollywood, composers " @@ -4803,7 +4815,7 @@ msgstr "" #. f10 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3649 +#: freeculture.xml:3654 msgid "" "See Cap Gemini Ernst & Young, <citetitle>Technology Evolution and the " "Music Industry's Business Model Crisis</citetitle> (2003), 3. This report " @@ -4819,7 +4831,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3642 +#: freeculture.xml:3647 msgid "" "While the numbers do suggest that sharing is harmful, how harmful is harder " "to reckon. It has long been the recording industry's practice to blame " @@ -4834,12 +4846,12 @@ msgstr "" #. f11 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3675 +#: freeculture.xml:3680 msgid "U.S. Congress, <citetitle>Copyright and Home Copying</citetitle>, 4." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3667 +#: freeculture.xml:3672 msgid "" "Yet soon thereafter, and before Congress was given an opportunity to enact " "regulation, MTV was launched, and the industry had a record turnaround. \"In " @@ -4850,7 +4862,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3679 +#: freeculture.xml:3684 msgid "" "But just because the industry was wrong before does not mean it is wrong " "today. To evaluate the real threat that p2p sharing presents to the industry " @@ -4863,7 +4875,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3689 +#: freeculture.xml:3694 msgid "" "We start to answer this question by focusing on the net harm, from the " "standpoint of the industry as a whole, that sharing networks cause. The " @@ -4875,7 +4887,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3700 +#: freeculture.xml:3705 msgid "" "Could that be true? Could the industry as a whole be gaining because of file " "sharing? Odd as that might sound, the data about CD sales actually suggest " @@ -4884,7 +4896,7 @@ msgstr "" #. f12 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3709 +#: freeculture.xml:3714 msgid "" "See Recording Industry Association of America, <citetitle>2002 Yearend " "Statistics</citetitle>, available at <ulink " @@ -4902,12 +4914,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:3736 +#: freeculture.xml:3741 msgid "Black, Jane" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3733 +#: freeculture.xml:3738 msgid "" "Jane Black, \"Big Music's Broken Record,\" BusinessWeek online, 13 February " "2003, available at <ulink url=\"http://free-culture.cc/notes/\">link " @@ -4915,7 +4927,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3705 +#: freeculture.xml:3710 msgid "" "In 2002, the RIAA reported that CD sales had fallen by 8.9 percent, from 882 " "million to 803 million units; revenues fell 6.7 percent.<placeholder " @@ -4936,7 +4948,7 @@ msgstr "" #. PAGE BREAK 84 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3751 +#: freeculture.xml:3756 msgid "" "But let's assume the RIAA is right, and all of the decline in CD sales is " "because of Internet sharing. Here's the rub: In the same period that the " @@ -4947,7 +4959,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3759 +#: freeculture.xml:3764 msgid "" "There are too many different things happening at the same time to explain " "these numbers definitively, but one conclusion is unavoidable: The recording " @@ -4965,7 +4977,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3774 +#: freeculture.xml:3779 msgid "" "These are the harms—alleged and perhaps exaggerated but, let's assume, " "real. What of the benefits? File sharing may impose costs on the recording " @@ -4974,7 +4986,7 @@ msgstr "" #. f15 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3786 +#: freeculture.xml:3791 msgid "" "By one estimate, 75 percent of the music released by the major labels is no " "longer in print. See Online Entertainment and Copyright Law—Coming " @@ -4985,7 +4997,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3780 +#: freeculture.xml:3785 msgid "" "One benefit is type C sharing—making available content that is " "technically still under copyright but is no longer commercially available. " @@ -5000,7 +5012,7 @@ msgstr "" #. f16 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3806 +#: freeculture.xml:3811 msgid "" "While there are not good estimates of the number of used record stores in " "existence, in 2002, there were 7,198 used book dealers in the United States, " @@ -5014,7 +5026,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3800 +#: freeculture.xml:3805 msgid "" "In real space—long before the Internet—the market had a simple " "response to this problem: used book and record stores. There are thousands " @@ -5029,12 +5041,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:3826 +#: freeculture.xml:3831 msgid "Bernstein, Leonard" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3828 +#: freeculture.xml:3833 msgid "" "Type C sharing, then, is very much like used book stores or used record " "stores. It is different, of course, because the person making the content " @@ -5049,7 +5061,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3841 +#: freeculture.xml:3846 msgid "" "It may well be, all things considered, that it would be better if the " "copyright owner got something from this trade. But just because it may well " @@ -5061,7 +5073,7 @@ msgstr "" #. PAGE BREAK 86 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3849 +#: freeculture.xml:3854 msgid "" "Finally, and perhaps most importantly, file-sharing networks enable type D " "sharing to occur—the sharing of content that copyright owners want to " @@ -5078,7 +5090,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3866 +#: freeculture.xml:3871 msgid "" "Likewise for work in the public domain: This sharing benefits society with " "no legal harm to authors at all. If efforts to solve the problem of type A " @@ -5087,7 +5099,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3872 +#: freeculture.xml:3877 msgid "" "The point throughout is this: While the recording industry understandably " "says, \"This is how much we've lost,\" we must also ask, \"How much has " @@ -5096,7 +5108,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3879 +#: freeculture.xml:3884 msgid "" "For unlike the piracy I described in the first section of this chapter, much " "of the \"piracy\" that file sharing enables is plainly legal and good. And " @@ -5112,7 +5124,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3893 +#: freeculture.xml:3898 msgid "" "\"But isn't the war just a war against illegal sharing? Isn't the target " "just what you call type A sharing?\"" @@ -5120,7 +5132,7 @@ msgstr "" #. f17 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3910 +#: freeculture.xml:3915 msgid "" "See Transcript of Proceedings, In Re: Napster Copyright Litigation at 34- 35 " "(N.D. Cal., 11 July 2001), nos. MDL-00-1369 MHP, C 99-5183 MHP, available at " @@ -5131,7 +5143,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3897 +#: freeculture.xml:3902 msgid "" "You would think. And we should hope. But so far, it is not. The effect of " "the war purportedly on type A sharing alone has been felt far beyond that " @@ -5144,7 +5156,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3921 +#: freeculture.xml:3926 msgid "" "If 99.4 percent is not good enough, then this is a war on file-sharing " "technologies, not a war on copyright infringement. There is no way to assure " @@ -5158,7 +5170,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3932 +#: freeculture.xml:3937 msgid "" "Zero tolerance has not been our history. It has not produced the content " "industry that we know today. The history of American law has been a process " @@ -5170,7 +5182,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3941 +#: freeculture.xml:3946 msgid "" "So, as we've seen, when \"mechanical reproduction\" threatened the interests " "of composers, Congress balanced the rights of composers against the " @@ -5184,7 +5196,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3953 +#: freeculture.xml:3958 msgid "" "Cable TV followed the pattern of record albums. When the courts rejected the " "claim that cable broadcasters had to pay for the content they rebroadcast, " @@ -5195,7 +5207,7 @@ msgstr "" #. PAGE BREAK 88 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3963 +#: freeculture.xml:3968 msgid "" "This compromise, like the compromise affecting records and player pianos, " "served two important goals—indeed, the two central goals of any " @@ -5213,12 +5225,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:3978 +#: freeculture.xml:3983 msgid "Betamax" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3980 +#: freeculture.xml:3985 msgid "" "In the same year that Congress struck this balance, two major producers and " "distributors of film content filed a lawsuit against another technology, the " @@ -5234,7 +5246,7 @@ msgstr "" #. PAGE BREAK 89 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3993 +#: freeculture.xml:3998 msgid "" "There was something to Disney's and Universal's claim. Sony did decide to " "design its machine to make it very simple to record television shows. It " @@ -5251,7 +5263,7 @@ msgstr "" #. f18 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:4015 +#: freeculture.xml:4020 msgid "" "Copyright Infringements (Audio and Video Recorders): Hearing on S. 1758 " "Before the Senate Committee on the Judiciary, 97th Cong., 1st and 2nd sess., " @@ -5261,13 +5273,13 @@ msgstr "" #. f19 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:4027 +#: freeculture.xml:4032 msgid "Copyright Infringements (Audio and Video Recorders), 475." msgstr "" #. f20 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:4032 +#: freeculture.xml:4037 msgid "" "<citetitle>Universal City Studios, Inc</citetitle>. v. <citetitle>Sony " "Corp. of America</citetitle>, 480 F. Supp. 429, (C.D. Cal., 1979)." @@ -5275,14 +5287,14 @@ msgstr "" #. f21 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:4043 +#: freeculture.xml:4048 msgid "" "Copyright Infringements (Audio and Video Recorders), 485 (testimony of Jack " "Valenti)." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4008 +#: freeculture.xml:4013 msgid "" "MPAA president Jack Valenti became the studios' most vocal champion. Valenti " "called VCRs \"tapeworms.\" He warned, \"When there are 20, 30, 40 million of " @@ -5308,14 +5320,14 @@ msgstr "" #. f22 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:4060 +#: freeculture.xml:4065 msgid "" "<citetitle>Universal City Studios, Inc</citetitle>. v. <citetitle>Sony " "Corp. of America</citetitle>, 659 F. 2d 963 (9th Cir. 1981)." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4048 +#: freeculture.xml:4053 msgid "" "It took eight years for this case to be resolved by the Supreme Court. In " "the interim, the Ninth Circuit Court of Appeals, which includes Hollywood in " @@ -5331,7 +5343,7 @@ msgstr "" #. PAGE BREAK 90 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4065 +#: freeculture.xml:4070 msgid "" "But the Supreme Court reversed the decision of the Ninth Circuit. And in " "its reversal, the Court clearly articulated its understanding of when and " @@ -5340,14 +5352,14 @@ msgstr "" #. f23 #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:4084 +#: freeculture.xml:4089 msgid "" "<citetitle>Sony Corp. of America</citetitle> v. <citetitle>Universal City " "Studios, Inc</citetitle>., 464 U.S. 417, 431 (1984)." msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:4074 +#: freeculture.xml:4079 msgid "" "Sound policy, as well as history, supports our consistent deference to " "Congress when major technological innovations alter the market for " @@ -5358,7 +5370,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4089 +#: freeculture.xml:4094 msgid "" "Congress was asked to respond to the Supreme Court's decision. But as with " "the plea of recording artists about radio broadcasts, Congress ignored the " @@ -5368,82 +5380,82 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><table><title> -#: freeculture.xml:4097 +#: freeculture.xml:4102 msgid "Pattern of Court and Congress response" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><thead><row><entry> -#: freeculture.xml:4101 +#: freeculture.xml:4106 msgid "CASE" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><thead><row><entry> -#: freeculture.xml:4102 +#: freeculture.xml:4107 msgid "WHOSE VALUE WAS \"PIRATED\"" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><thead><row><entry> -#: freeculture.xml:4103 +#: freeculture.xml:4108 msgid "RESPONSE OF THE COURTS" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><thead><row><entry> -#: freeculture.xml:4104 +#: freeculture.xml:4109 msgid "RESPONSE OF CONGRESS" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:4109 +#: freeculture.xml:4114 msgid "Recordings" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:4110 +#: freeculture.xml:4115 msgid "Composers" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:4111 freeculture.xml:4123 freeculture.xml:4129 +#: freeculture.xml:4116 freeculture.xml:4128 freeculture.xml:4134 msgid "No protection" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:4112 freeculture.xml:4124 +#: freeculture.xml:4117 freeculture.xml:4129 msgid "Statutory license" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:4116 +#: freeculture.xml:4121 msgid "Recording artists" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:4117 +#: freeculture.xml:4122 msgid "N/A" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:4118 freeculture.xml:4130 +#: freeculture.xml:4123 freeculture.xml:4135 msgid "Nothing" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:4122 +#: freeculture.xml:4127 msgid "Broadcasters" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:4127 +#: freeculture.xml:4132 msgid "VCR" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:4128 +#: freeculture.xml:4133 msgid "Film creators" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:4140 +#: freeculture.xml:4145 msgid "" "These are the most important instances in our history, but there are other " "cases as well. The technology of digital audio tape (DAT), for example, was " @@ -5460,7 +5472,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4137 +#: freeculture.xml:4142 msgid "" "In each case throughout our history, a new technology changed the way " "content was distributed.<placeholder type=\"footnote\" id=\"0\"/> In each " @@ -5470,7 +5482,7 @@ msgstr "" #. PAGE BREAK 91 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4157 +#: freeculture.xml:4162 msgid "" "In <emphasis>none</emphasis> of these cases did either the courts or " "Congress eliminate all free riding. In <emphasis>none</emphasis> of these " @@ -5483,7 +5495,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4169 +#: freeculture.xml:4174 msgid "" "When you think across these examples, and the other examples that make up " "the first four chapters of this section, this balance makes sense. Was Walt " @@ -5497,14 +5509,14 @@ msgstr "" #. f25 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:4186 +#: freeculture.xml:4191 msgid "" "<citetitle>Sony Corp. of America</citetitle> v. <citetitle>Universal City " "Studios, Inc</citetitle>., 464 U.S. 417, (1984)." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4181 +#: freeculture.xml:4186 msgid "" "We could answer yes to each of these questions, but our tradition has " "answered no. In our tradition, as the Supreme Court has stated, copyright " @@ -5518,7 +5530,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4197 +#: freeculture.xml:4202 msgid "" "We should be doing the same thing today. The technology of the Internet is " "changing quickly. The way people connect to the Internet (wires " @@ -5535,7 +5547,7 @@ msgstr "" #. f26 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:4221 +#: freeculture.xml:4226 msgid "" "John Schwartz, \"New Economy: The Attack on Peer-to-Peer Software Echoes " "Past Efforts,\" <citetitle>New York Times</citetitle>, 22 September 2003, " @@ -5543,7 +5555,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4213 +#: freeculture.xml:4218 msgid "" "This is especially true when a new technology enables a vastly superior mode " "of distribution. And this p2p has done. P2p technologies can be ideally " @@ -5563,20 +5575,20 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4235 +#: freeculture.xml:4240 msgid "" "\"It is <emphasis>our property</emphasis>,\" the warriors insist. \"And it " "should be protected just as any other property is protected.\"" msgstr "" #. type: Content of: <book><part><title> -#: freeculture.xml:4243 +#: freeculture.xml:4248 msgid "\"PROPERTY\"" msgstr "" #. PAGE BREAK 94 #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:4248 +#: freeculture.xml:4253 msgid "" "The copyright warriors are right: A copyright is a kind of property. It can " "be owned and sold, and the law protects against its theft. Ordinarily, the " @@ -5585,7 +5597,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:4255 +#: freeculture.xml:4260 msgid "" "But in ordinary language, to call a copyright a \"property\" right is a bit " "misleading, for the property of copyright is an odd kind of property. " @@ -5600,7 +5612,7 @@ msgstr "" #. f1 #. type: Content of: <book><part><partintro><para><footnote><para> -#: freeculture.xml:4280 +#: freeculture.xml:4285 msgid "" "Letter from Thomas Jefferson to Isaac McPherson (13 August 1813) in " "<citetitle>The Writings of Thomas Jefferson</citetitle>, vol. 6 (Andrew " @@ -5608,7 +5620,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:4267 +#: freeculture.xml:4272 msgid "" "The point is not just about the thingness of picnic tables versus ideas, " "though that's an important difference. The point instead is that in the " @@ -5624,7 +5636,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:4286 +#: freeculture.xml:4291 msgid "" "The exceptions to free use are ideas and expressions within the reach of the " "law of patent and copyright, and a few other domains that I won't discuss " @@ -5634,7 +5646,7 @@ msgstr "" #. f2 #. type: Content of: <book><part><partintro><para><footnote><para> -#: freeculture.xml:4299 +#: freeculture.xml:4304 msgid "" "As the legal realists taught American law, all property rights are " "intangible. A property right is simply a right that an individual has " @@ -5646,7 +5658,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:4294 +#: freeculture.xml:4299 msgid "" "But how, and to what extent, and in what form—the details, in other " "words—matter. To get a good sense of how this practice of turning the " @@ -5655,7 +5667,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:4309 +#: freeculture.xml:4314 msgid "" "My strategy in doing this will be the same as my strategy in the preceding " "part. I offer four stories to help put the idea of \"copyright material is " @@ -5667,12 +5679,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:4322 +#: freeculture.xml:4327 msgid "CHAPTER SIX: Founders" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4324 +#: freeculture.xml:4329 msgid "" "William Shakespeare wrote <citetitle>Romeo and Juliet</citetitle> in " "1595. The play was first published in 1597. It was the eleventh major play " @@ -5686,7 +5698,7 @@ msgstr "" #. f1 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4339 +#: freeculture.xml:4344 msgid "" "Jacob Tonson is typically remembered for his associations with prominent " "eighteenth-century literary figures, especially John Dryden, and for his " @@ -5700,7 +5712,7 @@ msgstr "" #. f2 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4350 +#: freeculture.xml:4355 msgid "" "Lyman Ray Patterson, <citetitle>Copyright in Historical " "Perspective</citetitle> (Nashville: Vanderbilt University Press, 1968), " @@ -5709,7 +5721,7 @@ msgstr "" #. PAGE BREAK 97 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4335 +#: freeculture.xml:4340 msgid "" "In 1774, almost 180 years after <citetitle>Romeo and Juliet</citetitle> was " "written, the \"copy-right\" for the work was still thought by many to be the " @@ -5725,7 +5737,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4372 +#: freeculture.xml:4377 msgid "" "As Siva Vaidhyanathan nicely argues, it is erroneous to call this a " "\"copyright law.\" See Vaidhyanathan, <citetitle>Copyrights and " @@ -5733,7 +5745,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4363 +#: freeculture.xml:4368 msgid "" "Now, there's something puzzling about the year 1774 to anyone who knows a " "little about copyright law. The better-known year in the history of " @@ -5748,12 +5760,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4389 +#: freeculture.xml:4394 msgid "Licensing Act (1662)" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4380 +#: freeculture.xml:4385 msgid "" "The reason is that the English hadn't yet agreed on what a \"copyright\" " "was—indeed, no one had. At the time the English passed the Statute of " @@ -5766,7 +5778,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4392 +#: freeculture.xml:4397 msgid "" "There was no <emphasis>positive</emphasis> law, but that didn't mean that " "there was no law. The Anglo-American legal tradition looks to both the words " @@ -5782,7 +5794,7 @@ msgstr "" #. PAGE BREAK 98 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4404 +#: freeculture.xml:4409 msgid "" "This question was important to the publishers, or \"booksellers,\" as they " "were called, because there was growing competition from foreign " @@ -5794,7 +5806,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4416 +#: freeculture.xml:4421 msgid "" "The Statute of Anne granted the author or \"proprietor\" of a book an " "exclusive right to print that book. In an important limitation, however, and " @@ -5805,7 +5817,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4425 +#: freeculture.xml:4430 msgid "" "Now, the thing to puzzle about for a moment is this: Why would Parliament " "limit the exclusive right? Not why would they limit it to the particular " @@ -5814,7 +5826,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4431 +#: freeculture.xml:4436 msgid "" "For the booksellers, and the authors whom they represented, had a very " "strong claim. Take <citetitle>Romeo and Juliet</citetitle> as an example: " @@ -5828,7 +5840,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4442 +#: freeculture.xml:4447 msgid "" "The answer comes in two parts. We first need to see something special about " "the notion of \"copyright\" that existed at the time of the Statute of " @@ -5837,7 +5849,7 @@ msgstr "" #. PAGE BREAK 99 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4448 +#: freeculture.xml:4453 msgid "" "First, about copyright. In the last three hundred years, we have come to " "apply the concept of \"copyright\" ever more broadly. But in 1710, it wasn't " @@ -5853,7 +5865,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4463 +#: freeculture.xml:4468 msgid "" "So, for example, even if the copyright to Shakespeare's works were " "perpetual, all that would have meant under the original meaning of the term " @@ -5866,7 +5878,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4475 +#: freeculture.xml:4480 msgid "" "Even that limited right was viewed with skepticism by the British. They had " "had a long and ugly experience with \"exclusive rights,\" especially " @@ -5881,7 +5893,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4491 +#: freeculture.xml:4496 msgid "" "Thus the \"copy-right,\" when viewed as a monopoly right, was naturally " "viewed as a right that should be limited. (However convincing the claim that " @@ -5894,14 +5906,14 @@ msgstr "" #. f4 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4517 +#: freeculture.xml:4522 msgid "" "Philip Wittenberg, <citetitle>The Protection and Marketing of Literary " "Property</citetitle> (New York: J. Messner, Inc., 1937), 31." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4502 +#: freeculture.xml:4507 msgid "" "Second, about booksellers. It wasn't just that the copyright was a " "monopoly. It was also that it was a monopoly held by the booksellers. " @@ -5917,7 +5929,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4522 +#: freeculture.xml:4527 msgid "" "Many believed the power the booksellers exercised over the spread of " "knowledge was harming that spread, just at the time the Enlightenment was " @@ -5927,7 +5939,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4530 +#: freeculture.xml:4535 msgid "" "To balance this power, Parliament decided to increase competition among " "booksellers, and the simplest way to do that was to spread the wealth of " @@ -5941,7 +5953,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4542 +#: freeculture.xml:4547 msgid "" "When 1731 (1710 + 21) came along, however, the booksellers were getting " "anxious. They saw the consequences of more competition, and like every " @@ -5953,7 +5965,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4551 +#: freeculture.xml:4556 msgid "" "Parliament rejected their requests. As one pamphleteer put it, in words that " "echo today," @@ -5961,7 +5973,7 @@ msgstr "" #. f5 #. type: Content of: <book><part><chapter><blockquote><para><footnote><para> -#: freeculture.xml:4566 +#: freeculture.xml:4571 msgid "" "A Letter to a Member of Parliament concerning the Bill now depending in the " "House of Commons, for making more effectual an Act in the Eighth Year of the " @@ -5973,7 +5985,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:4556 +#: freeculture.xml:4561 msgid "" "I see no Reason for granting a further Term now, which will not hold as well " "for granting it again and again, as often as the Old ones Expire; so that " @@ -5985,7 +5997,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4577 +#: freeculture.xml:4582 msgid "" "Having failed in Parliament, the publishers turned to the courts in a series " "of cases. Their argument was simple and direct: The Statute of Anne gave " @@ -6002,7 +6014,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4598 +#: freeculture.xml:4603 msgid "" "Lyman Ray Patterson, \"Free Speech, Copyright, and Fair Use,\" " "<citetitle>Vanderbilt Law Review</citetitle> 40 (1987): 28. For a " @@ -6011,7 +6023,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4592 +#: freeculture.xml:4597 msgid "" "This was a clever argument, and one that had the support of some of the " "leading jurists of the day. It also displayed extraordinary chutzpah. Until " @@ -6024,14 +6036,14 @@ msgstr "" #. f7 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4611 +#: freeculture.xml:4616 msgid "" "For a compelling account, see David Saunders, <citetitle>Authorship and " "Copyright</citetitle> (London: Routledge, 1992), 62–69." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4607 +#: freeculture.xml:4612 msgid "" "The booksellers' argument was not accepted without a fight. The hero of " "this fight was a Scottish bookseller named Alexander Donaldson.<placeholder " @@ -6040,7 +6052,7 @@ msgstr "" #. f8 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4621 +#: freeculture.xml:4626 msgid "" "Mark Rose, <citetitle>Authors and Owners</citetitle> (Cambridge: Harvard " "University Press, 1993), 92." @@ -6048,17 +6060,17 @@ msgstr "" #. f9 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4631 +#: freeculture.xml:4636 msgid "Ibid., 93." msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4633 +#: freeculture.xml:4638 msgid "Erskine, Andrew" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4616 +#: freeculture.xml:4621 msgid "" "Donaldson was an outsider to the London Conger. He began his career in " "Edinburgh in 1750. The focus of his business was inexpensive reprints \"of " @@ -6073,14 +6085,14 @@ msgstr "" #. f10 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4642 +#: freeculture.xml:4647 msgid "" "Lyman Ray Patterson, <citetitle>Copyright in Historical " "Perspective</citetitle>, 167 (quoting Borwell)." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4636 +#: freeculture.xml:4641 msgid "" "When the London booksellers tried to shut down Donaldson's shop in Scotland, " "he responded by moving his shop to London, where he sold inexpensive " @@ -6092,7 +6104,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4650 +#: freeculture.xml:4655 msgid "" "The London booksellers quickly brought suit to block \"piracy\" like " "Donaldson's. A number of actions were successful against the \"pirates,\" " @@ -6102,7 +6114,7 @@ msgstr "" #. f11 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4662 +#: freeculture.xml:4667 msgid "" "Howard B. Abrams, \"The Historic Foundation of American Copyright Law: " "Exploding the Myth of Common Law Copyright,\" <citetitle>Wayne Law " @@ -6110,7 +6122,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4655 +#: freeculture.xml:4660 msgid "" "Millar was a bookseller who in 1729 had purchased the rights to James " "Thomson's poem \"The Seasons.\" Millar complied with the requirements of the " @@ -6121,7 +6133,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4671 +#: freeculture.xml:4676 msgid "" "Astonishingly to modern lawyers, one of the greatest judges in English " "history, Lord Mansfield, agreed with the booksellers. Whatever protection " @@ -6135,7 +6147,7 @@ msgstr "" #. PAGE BREAK 103 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4682 +#: freeculture.xml:4687 msgid "" "Considered as a matter of abstract justice—reasoning as if justice " "were just a matter of logical deduction from first " @@ -6150,25 +6162,25 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4697 +#: freeculture.xml:4702 msgid "" "The fight to defend the limits of the Statute of Anne was not to end there, " "however, and it is here that Donaldson enters the mix." msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:4700 +#: freeculture.xml:4705 msgid "Beckett, Thomas" msgstr "" #. f12 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4706 +#: freeculture.xml:4711 msgid "Ibid., 1156." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4702 +#: freeculture.xml:4707 msgid "" "Millar died soon after his victory, so his case was not appealed. His estate " "sold Thomson's poems to a syndicate of printers that included Thomas " @@ -6182,7 +6194,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4716 +#: freeculture.xml:4721 msgid "" "As few legal cases ever do, <citetitle>Donaldson</citetitle> " "v. <citetitle>Beckett</citetitle> drew an enormous amount of attention " @@ -6195,7 +6207,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4726 +#: freeculture.xml:4731 msgid "" "The House of Lords was an odd institution. Legal questions were presented to " "the House and voted upon first by the \"law lords,\" members of special " @@ -6205,7 +6217,7 @@ msgstr "" #. PAGE BREAK 104 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4733 +#: freeculture.xml:4738 msgid "" "The reports about the law lords' votes are mixed. On some counts, it looks " "as if perpetual copyright prevailed. But there is no ambiguity about how the " @@ -6217,32 +6229,32 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4751 +#: freeculture.xml:4756 msgid "Bacon, Francis" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4752 +#: freeculture.xml:4757 msgid "Bunyan, John" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4753 +#: freeculture.xml:4758 msgid "Johnson, Samuel" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4754 +#: freeculture.xml:4759 msgid "Milton, John" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4755 +#: freeculture.xml:4760 msgid "Shakespeare, William" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4743 +#: freeculture.xml:4748 msgid "" "\"The public domain.\" Before the case of <citetitle>Donaldson</citetitle> " "v. <citetitle>Beckett</citetitle>, there was no clear idea of a public " @@ -6259,12 +6271,12 @@ msgstr "" #. f13 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4768 +#: freeculture.xml:4773 msgid "Rose, 97." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4758 +#: freeculture.xml:4763 msgid "" "It is hard for us to imagine, but this decision by the House of Lords fueled " "an extraordinarily popular and political reaction. In Scotland, where most " @@ -6278,7 +6290,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4772 +#: freeculture.xml:4777 msgid "" "In London, however, at least among publishers, the reaction was equally " "strong in the opposite direction. The <citetitle>Morning " @@ -6286,7 +6298,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:4778 +#: freeculture.xml:4783 msgid "" "By the above decision . . . near 200,000 pounds worth of what was honestly " "purchased at public sale, and which was yesterday thought property is now " @@ -6299,7 +6311,7 @@ msgstr "" #. PAGE BREAK 105 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4793 +#: freeculture.xml:4798 msgid "" "\"Ruined\" is a bit of an exaggeration. But it is not an exaggeration to say " "that the change was profound. The decision of the House of Lords meant that " @@ -6321,7 +6333,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4814 +#: freeculture.xml:4819 msgid "" "At least, this was the rule in a world where the Parliament is antimonopoly, " "resistant to the protectionist pleas of publishers. In a world where the " @@ -6329,12 +6341,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:4822 +#: freeculture.xml:4827 msgid "CHAPTER SEVEN: Recorders" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4824 +#: freeculture.xml:4829 msgid "" "Jon Else is a filmmaker. He is best known for his documentaries and has been " "very successful in spreading his art. He is also a teacher, and as a teacher " @@ -6343,19 +6355,19 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4831 +#: freeculture.xml:4836 msgid "" "Else worked on a documentary that I was involved in. At a break, he told me " "a story about the freedom to create with film in America today." msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4842 freeculture.xml:4911 +#: freeculture.xml:4847 freeculture.xml:4916 msgid "San Francisco Opera" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4836 +#: freeculture.xml:4841 msgid "" "In 1990, Else was working on a documentary about Wagner's Ring Cycle. The " "focus was stagehands at the San Francisco Opera. Stagehands are a " @@ -6367,7 +6379,7 @@ msgstr "" #. PAGE BREAK 107 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4845 +#: freeculture.xml:4850 msgid "" "During one of the performances, Else was shooting some stagehands playing " "checkers. In one corner of the room was a television set. Playing on the " @@ -6378,7 +6390,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4854 +#: freeculture.xml:4859 msgid "" "Years later, when he finally got funding to complete the film, Else " "attempted to clear the rights for those few seconds of <citetitle>The " @@ -6388,12 +6400,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4866 freeculture.xml:4874 +#: freeculture.xml:4871 freeculture.xml:4879 msgid "Gracie Films" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4861 +#: freeculture.xml:4866 msgid "" "Else called <citetitle>Simpsons</citetitle> creator Matt Groening's office " "to get permission. Groening approved the shot. The shot was a " @@ -6404,7 +6416,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4869 +#: freeculture.xml:4874 msgid "" "Gracie Films was okay with it, too, but they, like Groening, wanted to be " "careful. So they told Else to contact Fox, Gracie's parent company. Else " @@ -6415,7 +6427,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4877 +#: freeculture.xml:4882 msgid "" "Then, as Else told me, \"two things happened. First we discovered . . . that " "Matt Groening doesn't own his own creation—or at least that someone " @@ -6426,7 +6438,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4885 +#: freeculture.xml:4890 msgid "" "Else was certain there was a mistake. He worked his way up to someone he " "thought was a vice president for licensing, Rebecca Herrera. He explained " @@ -6437,7 +6449,7 @@ msgstr "" #. PAGE BREAK 108 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4893 +#: freeculture.xml:4898 msgid "" "\"I wanted to make sure I had my facts straight,\" he told me. \"Yes, you " "have your facts straight,\" she said. It would cost $10,000 to use the clip " @@ -6449,12 +6461,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4912 +#: freeculture.xml:4917 msgid "Day After Trinity, The" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4905 +#: freeculture.xml:4910 msgid "" "Else didn't have the money to buy the right to replay what was playing on " "the television backstage at the San Francisco Opera. To reproduce this " @@ -6466,7 +6478,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4915 +#: freeculture.xml:4920 msgid "" "There's no doubt that someone, whether Matt Groening or Fox, owns the " "copyright to <citetitle>The Simpsons</citetitle>. That copyright is their " @@ -6480,7 +6492,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4926 +#: freeculture.xml:4931 msgid "" "For example, \"public performance\" is a use of <citetitle>The " "Simpsons</citetitle> that the copyright owner gets to control. If you take a " @@ -6493,7 +6505,7 @@ msgstr "" #. f1 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4938 +#: freeculture.xml:4943 msgid "" "For an excellent argument that such use is \"fair use,\" but that lawyers " "don't permit recognition that it is \"fair use,\" see Richard A. Posner with " @@ -6503,7 +6515,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4935 +#: freeculture.xml:4940 msgid "" "But when lawyers hear this story about Jon Else and Fox, their first thought " "is \"fair use.\"<placeholder type=\"footnote\" id=\"0\"/> Else's use of just " @@ -6514,12 +6526,12 @@ msgstr "" #. PAGE BREAK 109 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4950 +#: freeculture.xml:4955 msgid "So I asked Else why he didn't just rely upon \"fair use.\" Here's his reply:" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:4954 +#: freeculture.xml:4959 msgid "" "The <citetitle>Simpsons</citetitle> fiasco was for me a great lesson in the " "gulf between what lawyers find irrelevant in some abstract sense, and what " @@ -6531,7 +6543,7 @@ msgstr "" #. 1. #. type: Content of: <book><part><chapter><blockquote><orderedlist><listitem><para> -#: freeculture.xml:4964 +#: freeculture.xml:4969 msgid "" "Before our films can be broadcast, the network requires that we buy Errors " "and Omissions insurance. The carriers require a detailed \"visual cue " @@ -6541,12 +6553,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><orderedlist><listitem><para><indexterm><primary> -#: freeculture.xml:4981 +#: freeculture.xml:4986 msgid "Lucas, George" msgstr "" #. type: Content of: <book><part><chapter><blockquote><orderedlist><listitem><para> -#: freeculture.xml:4972 +#: freeculture.xml:4977 msgid "" "I probably never should have asked Matt Groening in the first place. But I " "knew (at least from folklore) that Fox had a history of tracking down and " @@ -6562,7 +6574,7 @@ msgstr "" #. 3. #. PAGE BREAK 110 #. type: Content of: <book><part><chapter><blockquote><orderedlist><listitem><para> -#: freeculture.xml:4985 +#: freeculture.xml:4990 msgid "" "I did, in fact, speak with one of your colleagues at Stanford Law School " ". . . who confirmed that it was fair use. He also confirmed that Fox would " @@ -6573,14 +6585,14 @@ msgstr "" #. 4. #. type: Content of: <book><part><chapter><blockquote><orderedlist><listitem><para> -#: freeculture.xml:4995 +#: freeculture.xml:5000 msgid "" "The question of fair use usually comes up at the end of the project, when we " "are up against a release deadline and out of money." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5002 +#: freeculture.xml:5007 msgid "" "In theory, fair use means you need no permission. The theory therefore " "supports free culture and insulates against a permission culture. But in " @@ -6591,7 +6603,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5010 +#: freeculture.xml:5015 msgid "" "This practice shows just how far the law has come from its " "eighteenth-century roots. The law was born as a shield to protect " @@ -6600,22 +6612,22 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:5019 +#: freeculture.xml:5024 msgid "CHAPTER EIGHT: Transformers" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:5020 +#: freeculture.xml:5025 msgid "Allen, Paul" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:5021 freeculture.xml:5029 freeculture.xml:5040 freeculture.xml:5055 freeculture.xml:5064 freeculture.xml:5069 freeculture.xml:5121 freeculture.xml:5137 freeculture.xml:5160 freeculture.xml:5223 freeculture.xml:9609 +#: freeculture.xml:5026 freeculture.xml:5034 freeculture.xml:5045 freeculture.xml:5060 freeculture.xml:5069 freeculture.xml:5074 freeculture.xml:5126 freeculture.xml:5142 freeculture.xml:5165 freeculture.xml:5228 freeculture.xml:9614 msgid "Alben, Alex" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5023 +#: freeculture.xml:5028 msgid "" "In 1993, Alex Alben was a lawyer working at Starwave, Inc. Starwave was an " "innovative company founded by Microsoft cofounder Paul Allen to develop " @@ -6625,7 +6637,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5031 +#: freeculture.xml:5036 msgid "" "Alben had a special interest in new technology. He was intrigued by the " "emerging market for CD-ROM technology—not to distribute film, but to " @@ -6637,7 +6649,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5042 +#: freeculture.xml:5047 msgid "" "At that time, Eastwood had made more than fifty films, as an actor and as a " "director. Alben began with a series of interviews with Eastwood, asking him " @@ -6647,7 +6659,7 @@ msgstr "" #. PAGE BREAK 112 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5049 +#: freeculture.xml:5054 msgid "" "That alone would not have made a very interesting product, so Starwave " "wanted to add content from the movies in Eastwood's career: posters, " @@ -6657,7 +6669,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5057 +#: freeculture.xml:5062 msgid "" "Then Alben and his team decided to include actual film clips. \"Our goal was " "that we were going to have a clip from every one of Eastwood's films,\" " @@ -6667,24 +6679,24 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5066 +#: freeculture.xml:5071 msgid "" "Alben brought the idea to Michael Slade, the CEO of Starwave. Slade asked, " "\"Well, what will it take?\"" msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para><indexterm><primary> -#: freeculture.xml:5082 +#: freeculture.xml:5087 msgid "artists" msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para><indexterm><secondary> -#: freeculture.xml:5083 +#: freeculture.xml:5088 msgid "publicity rights on images of" msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:5077 +#: freeculture.xml:5082 msgid "" "Technically, the rights that Alben had to clear were mainly those of " "publicity—rights an artist has to control the commercial exploitation " @@ -6693,7 +6705,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5071 +#: freeculture.xml:5076 msgid "" "Alben replied, \"Well, we're going to have to clear rights from everyone who " "appears in these films, and the music and everything else that we want to " @@ -6702,7 +6714,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5088 +#: freeculture.xml:5093 msgid "" "The problem was that neither Alben nor Slade had any idea what clearing " "those rights would mean. Every actor in each of the films could have a claim " @@ -6712,7 +6724,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5095 +#: freeculture.xml:5100 msgid "" "I asked Alben how he dealt with the problem. With an obvious pride in his " "resourcefulness that obscured the obvious bizarreness of his tale, Alben " @@ -6720,7 +6732,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:5101 +#: freeculture.xml:5106 msgid "" "So we very mechanically went about looking up the film clips. We made some " "artistic decisions about what film clips to include—of course we were " @@ -6732,7 +6744,7 @@ msgstr "" #. PAGE BREAK 113 #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:5110 +#: freeculture.xml:5115 msgid "" "We decided that it would be fair if we offered them the dayplayer rate for " "the right to reuse that performance. We're talking about a clip of less than " @@ -6745,7 +6757,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5123 +#: freeculture.xml:5128 msgid "" "Some actors were glad to help—Donald Sutherland, for example, followed " "up himself to be sure that the rights had been cleared. Others were " @@ -6758,14 +6770,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5134 +#: freeculture.xml:5139 msgid "" "It was one <emphasis>year</emphasis> later—\"and even then we weren't " "sure whether we were totally in the clear.\"" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5139 +#: freeculture.xml:5144 msgid "" "Alben is proud of his work. The project was the first of its kind and the " "only time he knew of that a team had undertaken such a massive project for " @@ -6773,7 +6785,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:5145 +#: freeculture.xml:5150 msgid "" "Everyone thought it would be too hard. Everyone just threw up their hands " "and said, \"Oh, my gosh, a film, it's so many copyrights, there's the music, " @@ -6786,20 +6798,20 @@ msgstr "" #. PAGE BREAK 114 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5157 +#: freeculture.xml:5162 msgid "" "And no doubt, the product itself was exceptionally good. Eastwood loved it, " "and it sold very well." msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:5161 +#: freeculture.xml:5166 msgid "Drucker, Peter" msgstr "" #. f2 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:5169 +#: freeculture.xml:5174 msgid "" "U.S. Department of Commerce Office of Acquisition Management, " "<citetitle>Seven Steps to Performance-Based Services " @@ -6808,7 +6820,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5163 +#: freeculture.xml:5168 msgid "" "But I pressed Alben about how weird it seems that it would have to take a " "year's work simply to clear rights. No doubt Alben had done this " @@ -6819,7 +6831,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5177 +#: freeculture.xml:5182 msgid "" "For, as he acknowledged, \"very few . . . have the time and resources, and " "the will to do this,\" and thus, very few such works would ever be " @@ -6829,7 +6841,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:5185 +#: freeculture.xml:5190 msgid "" "I don't think so. When an actor renders a performance in a movie, he or she " "gets paid very well. . . . And then when 30 seconds of that performance is " @@ -6838,7 +6850,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5193 +#: freeculture.xml:5198 msgid "" "Or at least, is this <emphasis>how</emphasis> the artist should be " "compensated? Would it make sense, I asked, for there to be some kind of " @@ -6851,7 +6863,7 @@ msgstr "" #. PAGE BREAK 115 #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:5204 +#: freeculture.xml:5209 msgid "" "Absolutely. I think that if there were some fair-licensing " "mechanism—where you weren't subject to hold-ups and you weren't " @@ -6871,7 +6883,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5225 +#: freeculture.xml:5230 msgid "" "Alben worked for a big company. His company was backed by some of the " "richest investors in the world. He therefore had authority and access that " @@ -6891,7 +6903,7 @@ msgstr "" #. PAGE BREAK 116 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5242 +#: freeculture.xml:5247 msgid "" "I've seen the flash of recognition when people get this point, but only a " "few times. The first was at a conference of federal judges in California. " @@ -6902,7 +6914,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5252 +#: freeculture.xml:5257 msgid "" "The video was a brilliant collage of film from every period in the twentieth " "century, all framed around the idea of a <citetitle>60 Minutes</citetitle> " @@ -6911,12 +6923,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:5257 +#: freeculture.xml:5262 msgid "Nimmer, David" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5259 +#: freeculture.xml:5264 msgid "" "When the lights came up, I looked over to my copanelist, David Nimmer, " "perhaps the leading copyright scholar and practitioner in the nation. He had " @@ -6927,12 +6939,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:5266 +#: freeculture.xml:5271 msgid "Boies, David" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5268 +#: freeculture.xml:5273 msgid "" "For of course, the two brilliantly talented creators who made this film " "hadn't done what Alben did. They hadn't spent a year clearing the rights to " @@ -6949,7 +6961,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5283 +#: freeculture.xml:5288 msgid "" "We live in a \"cut and paste\" culture enabled by technology. Anyone " "building a presentation knows the extraordinary freedom that the cut and " @@ -6959,12 +6971,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:5299 +#: freeculture.xml:5304 msgid "Camp Chaos" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5290 +#: freeculture.xml:5295 msgid "" "But presentations are just a tiny beginning. Using the Internet and its " "archives, musicians are able to string together mixes of sound never before " @@ -6977,7 +6989,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5302 +#: freeculture.xml:5307 msgid "" "All of these creations are technically illegal. Even if the creators wanted " "to be \"legal,\" the cost of complying with the law is impossibly " @@ -6987,7 +6999,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5309 +#: freeculture.xml:5314 msgid "" "To some, these stories suggest a solution: Let's alter the mix of rights so " "that people are free to build upon our culture. Free to add or mix as they " @@ -7004,7 +7016,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5324 +#: freeculture.xml:5329 msgid "" "Who could possibly object to this? And what reason would there be for " "objecting? We're talking about work that is not now being made; which if " @@ -7014,7 +7026,7 @@ msgstr "" #. PAGE BREAK 118 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5330 +#: freeculture.xml:5335 msgid "" "In February 2003, DreamWorks studios announced an agreement with Mike Myers, " "the comic genius of <citetitle>Saturday Night Live</citetitle> and Austin " @@ -7027,7 +7039,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5342 +#: freeculture.xml:5347 msgid "" "The announcement called this \"film sampling.\" As Myers explained, \"Film " "Sampling is an exciting way to put an original spin on existing films and " @@ -7038,7 +7050,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5351 +#: freeculture.xml:5356 msgid "" "Spielberg is right. Film sampling by Myers will be brilliant. But if you " "don't think about it, you might miss the truly astonishing point about this " @@ -7051,7 +7063,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5361 +#: freeculture.xml:5366 msgid "" "This privilege becomes reserved for two sorts of reasons. The first " "continues the story of the last chapter: the vagueness of \"fair use.\" Much " @@ -7067,12 +7079,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:5376 +#: freeculture.xml:5381 msgid "CHAPTER NINE: Collectors" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5378 +#: freeculture.xml:5383 msgid "" "In April 1996, millions of \"bots\"—computer codes designed to " "\"spider,\" or automatically search the Internet and copy " @@ -7084,7 +7096,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5387 +#: freeculture.xml:5392 msgid "" "By October 2001, the bots had collected more than five years of copies. And " "at a small announcement in Berkeley, California, the archive that these " @@ -7095,7 +7107,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5395 +#: freeculture.xml:5400 msgid "" "This is the thing about the Internet that Orwell would have appreciated. In " "the dystopia described in <citetitle>1984</citetitle>, old newspapers were " @@ -7105,7 +7117,7 @@ msgstr "" #. PAGE BREAK 120 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5403 +#: freeculture.xml:5408 msgid "" "Thousands of workers constantly reedited the past, meaning there was no way " "ever to know whether the story you were reading today was the story that was " @@ -7113,7 +7125,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5408 +#: freeculture.xml:5413 msgid "" "It's the same with the Internet. If you go to a Web page today, there's no " "way for you to know whether the content you are reading is the same as the " @@ -7124,7 +7136,7 @@ msgstr "" #. f1 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:5421 +#: freeculture.xml:5426 msgid "" "The temptations remain, however. Brewster Kahle reports that the White House " "changes its own press releases without notice. A May 13, 2003, press release " @@ -7134,7 +7146,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5415 +#: freeculture.xml:5420 msgid "" "Until the Way Back Machine, at least. With the Way Back Machine, and the " "Internet Archive underlying it, you can see what the Internet was. You have " @@ -7144,7 +7156,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5429 +#: freeculture.xml:5434 msgid "" "We take it for granted that we can go back to see what we remember " "reading. Think about newspapers. If you wanted to study the reaction of your " @@ -7157,7 +7169,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5440 +#: freeculture.xml:5445 msgid "" "It is said that those who fail to remember history are doomed to repeat " "it. That's not quite correct. We <emphasis>all</emphasis> forget " @@ -7170,7 +7182,7 @@ msgstr "" #. PAGE BREAK 121 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5449 +#: freeculture.xml:5454 msgid "" "The Internet was an exception to this presumption. Until the Internet " "Archive, there was no way to go back. The Internet was the quintessentially " @@ -7182,7 +7194,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5460 +#: freeculture.xml:5465 msgid "" "Brewster Kahle is the founder of the Internet Archive. He was a very " "successful Internet entrepreneur after he was a successful computer " @@ -7195,7 +7207,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5470 +#: freeculture.xml:5475 msgid "" "The Way Back Machine is the largest archive of human knowledge in human " "history. At the end of 2002, it held \"two hundred and thirty terabytes of " @@ -7215,7 +7227,7 @@ msgstr "" #. PAGE BREAK 122 #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:5488 +#: freeculture.xml:5493 msgid "" "Do you remember when Dan Quayle was interacting with Murphy Brown? Remember " "that back and forth surreal experience of a politician interacting with a " @@ -7227,7 +7239,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5500 +#: freeculture.xml:5505 msgid "" "Why is that? Why is it that the part of our culture that is recorded in " "newspapers remains perpetually accessible, while the part that is recorded " @@ -7238,7 +7250,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5508 +#: freeculture.xml:5513 msgid "" "In part, this is because of the law. Early in American copyright law, " "copyright owners were required to deposit copies of their work in " @@ -7249,7 +7261,7 @@ msgstr "" #. f2 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:5525 +#: freeculture.xml:5530 msgid "" "Doug Herrick, \"Toward a National Film Collection: Motion Pictures at the " "Library of Congress,\" <citetitle>Film Library Quarterly</citetitle> 13 " @@ -7259,7 +7271,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5516 +#: freeculture.xml:5521 msgid "" "These rules applied to film as well. But in 1915, the Library of Congress " "made an exception for film. Film could be copyrighted so long as such " @@ -7272,7 +7284,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5533 +#: freeculture.xml:5538 msgid "" "The same is generally true about television. Television broadcasts were " "originally not copyrighted—there was no way to capture the broadcasts, " @@ -7286,7 +7298,7 @@ msgstr "" #. PAGE BREAK 123 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5544 +#: freeculture.xml:5549 msgid "" "Kahle was eager to correct this. Before September 11, 2001, he and his " "allies had started capturing television. They selected twenty stations from " @@ -7298,12 +7310,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:5571 +#: freeculture.xml:5576 msgid "Movie Archive" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5555 +#: freeculture.xml:5560 msgid "" "Kahle had the same idea with film. Working with Rick Prelinger, whose " "archive of film includes close to 45,000 \"ephemeral films\" (meaning films " @@ -7324,7 +7336,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5574 +#: freeculture.xml:5579 msgid "" "Here again, Kahle is providing access to a part of our culture that we " "otherwise could not get easily, if at all. It is yet another part of what " @@ -7334,7 +7346,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5582 +#: freeculture.xml:5587 msgid "" "The key here is access, not price. Kahle wants to enable free access to this " "content, but he also wants to enable others to sell access to it. His aim is " @@ -7345,7 +7357,7 @@ msgstr "" #. PAGE BREAK 124 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5590 +#: freeculture.xml:5595 msgid "" "For here is an idea that we should more clearly recognize. Every bit of " "creative property goes through different \"lives.\" In its first life, if " @@ -7357,7 +7369,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5602 +#: freeculture.xml:5607 msgid "" "After the commercial life of creative property has ended, our tradition has " "always supported a second life as well. A newspaper delivers the news every " @@ -7369,7 +7381,7 @@ msgstr "" #. f3 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:5614 +#: freeculture.xml:5619 msgid "" "Dave Barns, \"Fledgling Career in Antique Books: Woodstock Landlord, Bar " "Owner Starts a New Chapter by Adopting Business,\" <citetitle>Chicago " @@ -7380,7 +7392,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5611 +#: freeculture.xml:5616 msgid "" "The same has always been true about books. A book goes out of print very " "quickly (the average today is after about a year<placeholder " @@ -7392,7 +7404,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5628 +#: freeculture.xml:5633 msgid "" "Yet increasingly, any assumption about a stable second life for creative " "property does not hold true with the most important components of popular " @@ -7406,7 +7418,7 @@ msgstr "" #. PAGE BREAK 125 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5639 +#: freeculture.xml:5644 msgid "" "For most of the twentieth century, it was economics that made this so. It " "would have been insanely expensive to collect and make accessible all " @@ -7418,7 +7430,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5651 +#: freeculture.xml:5656 msgid "" "Perhaps the single most important feature of the digital revolution is that " "for the first time since the Library of Alexandria, it is feasible to " @@ -7429,7 +7441,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5659 +#: freeculture.xml:5664 msgid "" "The scale of this potential archive is something we've never imagined " "before. The Brewster Kahles of our history have dreamed about it; but we are " @@ -7438,7 +7450,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:5666 +#: freeculture.xml:5671 msgid "" "It looks like there's about two to three million recordings of music. " "Ever. There are about a hundred thousand theatrical releases of movies, " @@ -7455,7 +7467,7 @@ msgstr "" #. PAGE BREAK 126 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5680 +#: freeculture.xml:5685 msgid "" "Kahle is not the only librarian. The Internet Archive is not the only " "archive. But Kahle and the Internet Archive suggest what the future of " @@ -7471,7 +7483,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5695 +#: freeculture.xml:5700 msgid "" "Technologists have thus removed the economic costs of building such an " "archive. But lawyers' costs remain. For as much as we might like to call " @@ -7482,17 +7494,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:5705 +#: freeculture.xml:5710 msgid "CHAPTER TEN: \"Property\"" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:5714 +#: freeculture.xml:5719 msgid "Johnson, Lyndon" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5707 +#: freeculture.xml:5712 msgid "" "Jack Valenti has been the president of the Motion Picture Association of " "America since 1966. He first came to Washington, D.C., with Lyndon Johnson's " @@ -7504,42 +7516,42 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:5727 +#: freeculture.xml:5732 msgid "Disney, Inc." msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:5728 +#: freeculture.xml:5733 msgid "Sony Pictures Entertainment" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:5729 +#: freeculture.xml:5734 msgid "MGM" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:5730 +#: freeculture.xml:5735 msgid "Paramount Pictures" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:5731 +#: freeculture.xml:5736 msgid "Twentieth Century Fox" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:5732 +#: freeculture.xml:5737 msgid "Universal Pictures" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:5733 freeculture.xml:7138 +#: freeculture.xml:5738 freeculture.xml:7143 msgid "Warner Brothers" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5717 +#: freeculture.xml:5722 msgid "" "The MPAA is the American branch of the international Motion Picture " "Association. It was formed in 1922 as a trade association whose goal was to " @@ -7558,7 +7570,7 @@ msgstr "" #. PAGE BREAK 128 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5737 +#: freeculture.xml:5742 msgid "" "Valenti is only the third president of the MPAA. No president before him has " "had as much influence over that organization, or over Washington. As a " @@ -7572,7 +7584,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5749 +#: freeculture.xml:5754 msgid "" "In defending artistic liberty and the freedom of speech that our culture " "depends upon, the MPAA has done important good. In crafting the MPAA rating " @@ -7584,13 +7596,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5758 +#: freeculture.xml:5763 msgid "In 1982, Valenti's testimony to Congress captured the strategy perfectly:" msgstr "" #. f1 #. type: Content of: <book><part><chapter><blockquote><para><footnote><para> -#: freeculture.xml:5772 +#: freeculture.xml:5777 msgid "" "Home Recording of Copyrighted Works: Hearings on H.R. 4783, H.R. 4794, " "H.R. 4808, H.R. 5250, H.R. 5488, and H.R. 5705 Before the Subcommittee on " @@ -7600,7 +7612,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:5763 +#: freeculture.xml:5768 msgid "" "No matter the lengthy arguments made, no matter the charges and the " "counter-charges, no matter the tumult and the shouting, reasonable men and " @@ -7614,7 +7626,7 @@ msgstr "" #. PAGE BREAK 129 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5782 +#: freeculture.xml:5787 msgid "" "The strategy of this rhetoric, like the strategy of most of Valenti's " "rhetoric, is brilliant and simple and brilliant because simple. The " @@ -7626,7 +7638,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5793 +#: freeculture.xml:5798 msgid "" "This claim has an obvious and powerful intuitive pull. It is stated with " "such clarity as to make the idea as obvious as the notion that we use " @@ -7642,7 +7654,7 @@ msgstr "" #. f2 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:5808 +#: freeculture.xml:5813 msgid "" "Lawyers speak of \"property\" not as an absolute thing, but as a bundle of " "rights that are sometimes associated with a particular object. Thus, my " @@ -7654,7 +7666,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5805 +#: freeculture.xml:5810 msgid "" "While \"creative property\" is certainly \"property\" in a nerdy and precise " "sense that lawyers are trained to understand,<placeholder type=\"footnote\" " @@ -7666,7 +7678,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5823 +#: freeculture.xml:5828 msgid "" "Valenti knows this. But he speaks for an industry that cares squat for our " "tradition and the values it represents. He speaks for an industry that is " @@ -7677,7 +7689,7 @@ msgstr "" #. PAGE BREAK 130 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5831 +#: freeculture.xml:5836 msgid "" "I have two purposes in this chapter. The first is to convince you that, " "historically, Valenti's claim is absolutely wrong. The second is to convince " @@ -7691,7 +7703,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5846 +#: freeculture.xml:5851 msgid "" "Organizations such as the MPAA, whose board includes the most powerful of " "the old guard, have little interest, their rhetoric notwithstanding, in " @@ -7705,7 +7717,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5858 +#: freeculture.xml:5863 msgid "" "The framers of our Constitution loved \"property.\" Indeed, so strongly did " "they love property that they built into the Constitution an important " @@ -7720,7 +7732,7 @@ msgstr "" #. PAGE BREAK 131 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5869 +#: freeculture.xml:5874 msgid "" "Yet the very same Constitution speaks very differently about what Valenti " "calls \"creative property.\" In the clause granting Congress the power to " @@ -7736,7 +7748,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5884 +#: freeculture.xml:5889 msgid "" "The Constitution thus on its face states that these two forms of property " "are not to be accorded the same rights. They are plainly to be treated " @@ -7747,7 +7759,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5893 +#: freeculture.xml:5898 msgid "" "Arguing for a change in our Constitution is not necessarily wrong. There " "was much in our original Constitution that was plainly wrong. The " @@ -7761,7 +7773,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5905 +#: freeculture.xml:5910 msgid "" "Instead, my argument is that because Jefferson did it, we should at least " "try to understand <emphasis>why</emphasis>. Why did the framers, fanatical " @@ -7771,7 +7783,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5913 +#: freeculture.xml:5918 msgid "" "To answer this question, we need to get some perspective on the history of " "these \"creative property\" rights, and the control that they enabled. Once " @@ -7787,7 +7799,7 @@ msgstr "" #. PAGE BREAK 132 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5928 +#: freeculture.xml:5933 msgid "" "To answer these questions, we need a more general way to talk about how " "property is protected. More precisely, we need a more general way than the " @@ -7799,19 +7811,19 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><figure><title> -#: freeculture.xml:5937 +#: freeculture.xml:5942 msgid "" "How four different modalities of regulation interact to support or weaken " "the right or regulation." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:5938 freeculture.xml:6113 freeculture.xml:6415 +#: freeculture.xml:5943 freeculture.xml:6118 freeculture.xml:6420 msgid "<graphic fileref=\"images/1331.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5941 +#: freeculture.xml:5946 msgid "" "At the center of this picture is a regulated dot: the individual or group " "that is the target of regulation, or the holder of a right. (In each case " @@ -7828,7 +7840,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5958 +#: freeculture.xml:5963 msgid "" "Norms are a different kind of constraint. They, too, punish an individual " "for violating a rule. But the punishment of a norm is imposed by a " @@ -7841,7 +7853,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5969 +#: freeculture.xml:5974 msgid "" "The market is a third type of constraint. Its constraint is effected through " "conditions: You can do X if you pay Y; you'll be paid M if you do N. These " @@ -7853,7 +7865,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5979 +#: freeculture.xml:5984 msgid "" "Finally, and for the moment, perhaps, most mysteriously, " "\"architecture\"—the physical world as one finds it—is a " @@ -7871,7 +7883,7 @@ msgstr "" #. PAGE BREAK 134 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5996 +#: freeculture.xml:6001 msgid "" "So the first point about these four modalities of regulation is obvious: " "They interact. Restrictions imposed by one might be reinforced by " @@ -7879,7 +7891,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:6002 +#: freeculture.xml:6007 msgid "" "The second point follows directly: If we want to understand the effective " "freedom that anyone has at a given moment to do any particular thing, we " @@ -7891,12 +7903,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:6011 +#: freeculture.xml:6016 msgid "driving speed, constraints on" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:6014 +#: freeculture.xml:6019 msgid "" "So, for example, consider the \"freedom\" to drive a car at a high " "speed. That freedom is in part restricted by laws: speed limits that say how " @@ -7913,7 +7925,7 @@ msgstr "" #. f3 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:6032 +#: freeculture.xml:6037 msgid "" "By describing the way law affects the other three modalities, I don't mean " "to suggest that the other three don't affect law. Obviously, they do. Law's " @@ -7927,7 +7939,7 @@ msgstr "" #. PAGE BREAK 135 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:6028 +#: freeculture.xml:6033 msgid "" "The final point about this simple model should also be fairly clear: While " "these four modalities are analytically independent, law has a special role " @@ -7944,22 +7956,22 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><figure><title> -#: freeculture.xml:6056 +#: freeculture.xml:6061 msgid "Law has a special role in affecting the three." msgstr "" #. type: Content of: <book><part><chapter><figure> -#: freeculture.xml:6057 +#: freeculture.xml:6062 msgid "<graphic fileref=\"images/1361.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para><indexterm><primary> -#: freeculture.xml:6096 +#: freeculture.xml:6101 msgid "Commons, John R." msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:6068 +#: freeculture.xml:6073 msgid "" "Some people object to this way of talking about \"liberty.\" They object " "because their focus when considering the constraints that exist at any " @@ -7992,7 +8004,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:6060 +#: freeculture.xml:6065 msgid "" "These constraints can thus change, and they can be changed. To understand " "the effective protection of liberty or protection of property at any " @@ -8003,12 +8015,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:6100 +#: freeculture.xml:6105 msgid "Why Hollywood Is Right" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6102 +#: freeculture.xml:6107 msgid "" "The most obvious point that this model reveals is just why, or just how, " "Hollywood is right. The copyright warriors have rallied Congress and the " @@ -8017,18 +8029,18 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6108 +#: freeculture.xml:6113 msgid "Let's say this is the picture of copyright's regulation before the Internet:" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:6112 freeculture.xml:6414 +#: freeculture.xml:6117 freeculture.xml:6419 msgid "Copyright's regulation before the Internet." msgstr "" #. PAGE BREAK 136 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6117 +#: freeculture.xml:6122 msgid "" "There is balance between law, norms, market, and architecture. The law " "limits the ability to copy and share content, by imposing penalties on those " @@ -8042,7 +8054,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6129 +#: freeculture.xml:6134 msgid "" "Enter the Internet, or, more precisely, technologies such as MP3s and p2p " "sharing. Now the constraint of architecture changes dramatically, as does " @@ -8054,7 +8066,7 @@ msgstr "" #. PAGE BREAK 137 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6137 +#: freeculture.xml:6142 msgid "" "Thus the sense of, and justification for, the warriors' response. " "Technology has changed, the warriors say, and the effect of this change, " @@ -8065,17 +8077,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:6147 +#: freeculture.xml:6152 msgid "effective state of anarchy after the Internet." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:6148 +#: freeculture.xml:6153 msgid "<graphic fileref=\"images/1381.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6151 +#: freeculture.xml:6156 msgid "" "Neither this analysis nor the conclusions that follow are new to the " "warriors. Indeed, in a \"White Paper\" prepared by the Commerce Department " @@ -8090,7 +8102,7 @@ msgstr "" #. PAGE BREAK 138 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6163 +#: freeculture.xml:6168 msgid "" "This mixed strategy is just what copyright needed—if it was to " "preserve the particular balance that existed before the change induced by " @@ -8107,7 +8119,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6180 +#: freeculture.xml:6185 msgid "" "Thus, there's nothing wrong or surprising in the content industry's campaign " "to protect itself from the harmful consequences of a technological " @@ -8119,7 +8131,7 @@ msgstr "" #. f5 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6196 +#: freeculture.xml:6201 msgid "" "See Geoffrey Smith, \"Film vs. Digital: Can Kodak Build a Bridge?\" " "BusinessWeek online, 2 August 1999, available at <ulink " @@ -8130,7 +8142,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6188 +#: freeculture.xml:6193 msgid "" "But just because a particular interest asks for government support, it " "doesn't follow that support should be granted. And just because technology " @@ -8153,19 +8165,19 @@ msgstr "" #. f6 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6228 +#: freeculture.xml:6233 msgid "" "Fred Warshofsky, <citetitle>The Patent Wars</citetitle> (New York: Wiley, " "1994), 170–71." msgstr "" #. type: Content of: <book><chapter><para><indexterm><primary> -#: freeculture.xml:6237 freeculture.xml:12643 +#: freeculture.xml:6242 freeculture.xml:12648 msgid "Gates, Bill" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6218 +#: freeculture.xml:6223 msgid "" "The obvious answer to these obviously rhetorical questions is no. In a free " "society, with a free market, supported by free enterprise and free trade, " @@ -8184,7 +8196,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6240 +#: freeculture.xml:6245 msgid "" "Thus, while it is understandable for industries threatened with new " "technologies that change the way they do business to look to the government " @@ -8196,7 +8208,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6250 +#: freeculture.xml:6255 msgid "" "In the context of laws regulating speech—which include, obviously, " "copyright law—that duty is even stronger. When the industry " @@ -8213,7 +8225,7 @@ msgstr "" #. PAGE BREAK 140 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6264 +#: freeculture.xml:6269 msgid "" "My argument just now, however, has nothing to do with whether the changes " "that are being pushed by the copyright warriors are \"justified.\" My " @@ -8224,22 +8236,22 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6273 +#: freeculture.xml:6278 msgid "Here's the metaphor that will capture the argument to follow." msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:6276 +#: freeculture.xml:6281 msgid "DDT" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:6284 +#: freeculture.xml:6289 msgid "Müller, Paul Hermann" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6279 +#: freeculture.xml:6284 msgid "" "In 1873, the chemical DDT was first synthesized. In 1948, Swiss chemist Paul " "Hermann Müller won the Nobel Prize for his work demonstrating the " @@ -8249,7 +8261,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6287 +#: freeculture.xml:6292 msgid "" "No one doubts that killing disease-carrying pests or increasing crop " "production is a good thing. No one doubts that the work of Müller was " @@ -8257,17 +8269,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:6291 freeculture.xml:6297 +#: freeculture.xml:6296 freeculture.xml:6302 msgid "Carson, Rachel" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:6298 +#: freeculture.xml:6303 msgid "Silent Sprint (Carson)" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6293 +#: freeculture.xml:6298 msgid "" "But in 1962, Rachel Carson published <citetitle>Silent Spring</citetitle>, " "which argued that DDT, whatever its primary benefits, was also having " @@ -8277,7 +8289,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6301 +#: freeculture.xml:6306 msgid "" "No one set out to destroy the environment. Paul Müller certainly did not aim " "to harm any birds. But the effort to solve one set of problems produced " @@ -8290,7 +8302,7 @@ msgstr "" #. f7 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6314 +#: freeculture.xml:6319 msgid "" "See, for example, James Boyle, \"A Politics of Intellectual Property: " "Environmentalism for the Net?\" <citetitle>Duke Law Journal</citetitle> 47 " @@ -8299,7 +8311,7 @@ msgstr "" #. PAGE BREAK 141 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6310 +#: freeculture.xml:6315 msgid "" "It is to this image precisely that Duke University law professor James Boyle " "appeals when he argues that we need an \"environmentalism\" for " @@ -8317,7 +8329,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6331 +#: freeculture.xml:6336 msgid "" "My argument, in the balance of this chapter, tries to map exactly this " "effect. No doubt the technology of the Internet has had a dramatic effect on " @@ -8331,19 +8343,19 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6342 +#: freeculture.xml:6347 msgid "" "In a line: To kill a gnat, we are spraying DDT with consequences for free " "culture that will be far more devastating than that this gnat will be lost." msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:6349 +#: freeculture.xml:6354 msgid "Beginnings" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6351 +#: freeculture.xml:6356 msgid "" "America copied English copyright law. Actually, we copied and improved " "English copyright law. Our Constitution makes the purpose of \"creative " @@ -8352,7 +8364,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6357 +#: freeculture.xml:6362 msgid "" "The power to establish \"creative property\" rights is granted to Congress " "in a way that, for our Constitution, at least, is very odd. Article I, " @@ -8361,7 +8373,7 @@ msgstr "" #. PAGE BREAK 142 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6362 +#: freeculture.xml:6367 msgid "" "Congress has the power to promote the Progress of Science and useful Arts, " "by securing for limited Times to Authors and Inventors the exclusive Right " @@ -8375,7 +8387,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6375 +#: freeculture.xml:6380 msgid "" "The Progress Clause expressly limits the term of copyrights. As we saw in " "chapter <xref xrefstyle=\"select: labelnumber\" linkend=\"founders\"/>, the " @@ -8388,7 +8400,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6385 +#: freeculture.xml:6390 msgid "" "The design of the Progress Clause reflects something about the " "Constitution's design in general. To avoid a problem, the framers built " @@ -8405,7 +8417,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6400 +#: freeculture.xml:6405 msgid "" "I doubt the framers would recognize the regulation we call \"copyright\" " "today. The scope of that regulation is far beyond anything they ever " @@ -8416,7 +8428,7 @@ msgstr "" #. PAGE BREAK 143 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6407 +#: freeculture.xml:6412 msgid "" "Some of these changes come from the law: some in light of changes in " "technology, and some in light of changes in technology given a particular " @@ -8424,38 +8436,38 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6418 +#: freeculture.xml:6423 msgid "We will end here:" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:6421 +#: freeculture.xml:6426 msgid ""Copyright" today." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:6422 +#: freeculture.xml:6427 msgid "<graphic fileref=\"images/1442.png\"></graphic>" msgstr "" #. PAGE BREAK 144 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6425 +#: freeculture.xml:6430 msgid "Let me explain how." msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:6430 +#: freeculture.xml:6435 msgid "Law: Duration" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:6446 +#: freeculture.xml:6451 msgid "Crosskey, William W." msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6440 +#: freeculture.xml:6445 msgid "" "William W. Crosskey, <citetitle>Politics and the Constitution in the History " "of the United States</citetitle> (London: Cambridge University Press, 1953), " @@ -8466,7 +8478,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6432 +#: freeculture.xml:6437 msgid "" "When the first Congress enacted laws to protect creative property, it faced " "the same uncertainty about the status of creative property that the English " @@ -8482,7 +8494,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6456 +#: freeculture.xml:6461 msgid "" "That uncertainty ended after Congress passed legislation granting " "copyrights. Because federal law overrides any contrary state law, federal " @@ -8493,7 +8505,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6464 +#: freeculture.xml:6469 msgid "" "In 1790, Congress enacted the first copyright law. It created a federal " "copyright and secured that copyright for fourteen years. If the author was " @@ -8504,7 +8516,7 @@ msgstr "" #. f9 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6479 +#: freeculture.xml:6484 msgid "" "Although 13,000 titles were published in the United States from 1790 to " "1799, only 556 copyright registrations were filed; John Tebbel, <citetitle>A " @@ -8523,7 +8535,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6471 +#: freeculture.xml:6476 msgid "" "While there were many works created in the United States in the first ten " "years of the Republic, only 5 percent of the works were actually registered " @@ -8536,7 +8548,7 @@ msgstr "" #. PAGE BREAK 145 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6495 +#: freeculture.xml:6500 msgid "" "This system of renewal was a crucial part of the American system of " "copyright. It assured that the maximum terms of copyright would be granted " @@ -8547,7 +8559,7 @@ msgstr "" #. f10 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6510 +#: freeculture.xml:6515 msgid "" "Few copyright holders ever chose to renew their copyrights. For instance, of " "the 25,006 copyrights registered in 1883, only 894 were renewed in 1910. For " @@ -8561,7 +8573,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6504 +#: freeculture.xml:6509 msgid "" "Fourteen years may not seem long to us, but for the vast majority of " "copyright owners at that time, it was long enough: Only a small minority of " @@ -8572,12 +8584,12 @@ msgstr "" #. f11 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6525 +#: freeculture.xml:6530 msgid "See Ringer, ch. 9, n. 2." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6521 +#: freeculture.xml:6526 msgid "" "Even today, this structure would make sense. Most creative work has an " "actual commercial life of just a couple of years. Most books fall out of " @@ -8590,7 +8602,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6533 +#: freeculture.xml:6538 msgid "" "In the first hundred years of the Republic, the term of copyright was " "changed once. In 1831, the term was increased from a maximum of 28 years to " @@ -8601,7 +8613,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6541 +#: freeculture.xml:6546 msgid "" "Then, beginning in 1962, Congress started a practice that has defined " "copyright law since. Eleven times in the last forty years, Congress has " @@ -8615,7 +8627,7 @@ msgstr "" #. PAGE BREAK 146 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6551 +#: freeculture.xml:6556 msgid "" "The effect of these extensions is simply to toll, or delay, the passing of " "works into the public domain. This latest extension means that the public " @@ -8627,7 +8639,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6562 +#: freeculture.xml:6567 msgid "" "The effect of these extensions has been exacerbated by another, " "little-noticed change in the copyright law. Remember I said that the framers " @@ -8639,7 +8651,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6572 +#: freeculture.xml:6577 msgid "" "The United States abandoned this sensible system in 1976. For all works " "created after 1978, there was only one copyright term—the maximum " @@ -8651,7 +8663,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6582 +#: freeculture.xml:6587 msgid "" "This change meant that American law no longer had an automatic way to assure " "that works that were no longer exploited passed into the public domain. And " @@ -8663,7 +8675,7 @@ msgstr "" #. f12 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6599 +#: freeculture.xml:6604 msgid "" "These statistics are understated. Between the years 1910 and 1962 (the first " "year the renewal term was extended), the average term was never more than " @@ -8672,7 +8684,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6591 +#: freeculture.xml:6596 msgid "" "The effect of these changes on the average duration of copyright is " "dramatic. In 1973, more than 85 percent of copyright owners failed to renew " @@ -8684,12 +8696,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:6608 +#: freeculture.xml:6613 msgid "Law: Scope" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6610 +#: freeculture.xml:6615 msgid "" "The \"scope\" of a copyright is the range of rights granted by the law. The " "scope of American copyright has changed dramatically. Those changes are not " @@ -8698,7 +8710,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6616 +#: freeculture.xml:6621 msgid "" "In 1790, that scope was very narrow. Copyright covered only \"maps, charts, " "and books.\" That means it didn't cover, for example, music or " @@ -8714,7 +8726,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6629 +#: freeculture.xml:6634 msgid "" "This, too, has changed dramatically. While the contours of copyright today " "are extremely hard to describe simply, in general terms, the right covers " @@ -8732,7 +8744,7 @@ msgstr "" #. PAGE BREAK 148 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6644 +#: freeculture.xml:6649 msgid "" "At the same time that the scope of copyright has expanded, procedural " "limitations on the right have been relaxed. I've already described the " @@ -8747,7 +8759,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6658 +#: freeculture.xml:6663 msgid "" "The reason for the registration requirement was the sensible understanding " "that for most works, no copyright was required. Again, in the first ten " @@ -8763,7 +8775,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6672 +#: freeculture.xml:6677 msgid "" "All of these \"formalities\" were abolished in the American system when we " "decided to follow European copyright law. There is no requirement that you " @@ -8774,13 +8786,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6680 +#: freeculture.xml:6685 msgid "Consider a practical example to understand the scope of these differences." msgstr "" #. f13 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6691 +#: freeculture.xml:6696 msgid "" "See Thomas Bender and David Sampliner, \"Poets, Pirates, and the Creation of " "American Literature,\" 29 <citetitle>New York University Journal of " @@ -8789,7 +8801,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6684 +#: freeculture.xml:6689 msgid "" "If, in 1790, you wrote a book and you were one of the 5 percent who actually " "copyrighted that book, then the copyright law protected you against another " @@ -8803,7 +8815,7 @@ msgstr "" #. PAGE BREAK 149 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6703 +#: freeculture.xml:6708 msgid "" "The act left other creators totally unregulated. If I copied your poem by " "hand, over and over again, as a way to learn it by heart, my act was totally " @@ -8814,7 +8826,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6712 +#: freeculture.xml:6717 msgid "" "Today the story is very different: If you write a book, your book is " "automatically protected. Indeed, not just your book. Every e-mail, every " @@ -8825,7 +8837,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6721 +#: freeculture.xml:6726 msgid "" "That protection gives you the right (subject to a narrow range of fair use " "exceptions) to control how others copy the work, whether they copy it to " @@ -8833,7 +8845,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6726 +#: freeculture.xml:6731 msgid "" "That much is the obvious part. Any system of copyright would control " "competing publishing. But there's a second part to the copyright of today " @@ -8848,7 +8860,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6740 +#: freeculture.xml:6745 msgid "" "It is this derivative right that would seem most bizarre to our framers, " "though it has become second nature to us. Initially, this expansion was " @@ -8860,7 +8872,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6762 +#: freeculture.xml:6767 msgid "" "Jonathan Zittrain, \"The Copyright Cage,\" <citetitle>Legal " "Affairs</citetitle>, July/August 2003, available at <ulink " @@ -8869,7 +8881,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6752 +#: freeculture.xml:6757 msgid "" "In preventing that joke, the law created an astonishing power within a free " "culture—at least, it's astonishing when you understand that the law " @@ -8885,7 +8897,7 @@ msgstr "" #. f15 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6777 +#: freeculture.xml:6782 msgid "" "Professor Rubenfeld has presented a powerful constitutional argument about " "the difference that copyright law should draw (from the perspective of the " @@ -8896,7 +8908,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6772 +#: freeculture.xml:6777 msgid "" "Yet copyright law treats these two different wrongs in the same way. I can " "go to court and get an injunction against your pirating my book. I can go to " @@ -8906,7 +8918,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6788 +#: freeculture.xml:6793 msgid "" "This again may seem right to you. If I wrote a book, then why should you be " "able to write a movie that takes my story and makes money from it without " @@ -8916,7 +8928,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6797 +#: freeculture.xml:6802 msgid "" "These are good arguments, and, in general, my point is not that the " "derivative right is unjustified. My aim just now is much narrower: simply to " @@ -8925,13 +8937,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:6805 +#: freeculture.xml:6810 msgid "Law and Architecture: Reach" msgstr "" #. f16 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6812 +#: freeculture.xml:6817 msgid "" "This is a simplification of the law, but not much of one. The law certainly " "regulates more than \"copies\"—a public performance of a copyrighted " @@ -8944,7 +8956,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6807 +#: freeculture.xml:6812 msgid "" "Whereas originally the law regulated only publishers, the change in " "copyright's scope means that the law today regulates publishers, users, and " @@ -8955,7 +8967,7 @@ msgstr "" #. PAGE BREAK 151 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6824 +#: freeculture.xml:6829 msgid "" "\"Copies.\" That certainly sounds like the obvious thing for " "<emphasis>copy</emphasis>right law to regulate. But as with Jack Valenti's " @@ -8971,7 +8983,7 @@ msgstr "" #. f17 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6842 +#: freeculture.xml:6847 msgid "" "Thus, my argument is not that in each place that copyright law extends, we " "should repeal it. It is instead that we should have a good argument for its " @@ -8980,7 +8992,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6837 +#: freeculture.xml:6842 msgid "" "This is perhaps the central claim of this book, so let me take this very " "slowly so that the point is not easily missed. My claim is that the Internet " @@ -8992,25 +9004,25 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6853 +#: freeculture.xml:6858 msgid "" "We can see this point abstractly by beginning with this largely empty " "circle." msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:6857 +#: freeculture.xml:6862 msgid "All potential uses of a book." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:6858 +#: freeculture.xml:6863 msgid "<graphic fileref=\"images/1521.png\"></graphic>" msgstr "" #. PAGE BREAK 152 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6862 +#: freeculture.xml:6867 msgid "" "Think about a book in real space, and imagine this circle to represent all " "its potential <emphasis>uses</emphasis>. Most of these uses are unregulated " @@ -9025,17 +9037,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:6875 +#: freeculture.xml:6880 msgid "Examples of unregulated uses of a book." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:6876 +#: freeculture.xml:6881 msgid "<graphic fileref=\"images/1531.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6879 +#: freeculture.xml:6884 msgid "" "Obviously, however, some uses of a copyrighted book are regulated by " "copyright law. Republishing the book, for example, makes a copy. It is " @@ -9046,26 +9058,26 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6887 +#: freeculture.xml:6892 msgid "" "Finally, there is a tiny sliver of otherwise regulated copying uses that " "remain unregulated because the law considers these \"fair uses.\"" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:6892 +#: freeculture.xml:6897 msgid "" "Republishing stands at the core of this circle of possible uses of a " "copyrighted work." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:6893 +#: freeculture.xml:6898 msgid "<graphic fileref=\"images/1541.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6896 +#: freeculture.xml:6901 msgid "" "These are uses that themselves involve copying, but which the law treats as " "unregulated because public policy demands that they remain unregulated. You " @@ -9078,30 +9090,30 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:6907 +#: freeculture.xml:6912 msgid "Unregulated copying considered "fair uses."" msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:6908 +#: freeculture.xml:6913 msgid "<graphic fileref=\"images/1542.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:6912 +#: freeculture.xml:6917 msgid "" "Uses that before were presumptively unregulated are now presumptively " "regulated." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:6913 +#: freeculture.xml:6918 msgid "<graphic fileref=\"images/1551.png\"></graphic>" msgstr "" #. PAGE BREAK 154 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6917 +#: freeculture.xml:6922 msgid "" "In real space, then, the possible uses of a book are divided into three " "sorts: (1) unregulated uses, (2) regulated uses, and (3) regulated uses that " @@ -9110,7 +9122,7 @@ msgstr "" #. f18 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6925 +#: freeculture.xml:6930 msgid "" "I don't mean \"nature\" in the sense that it couldn't be different, but " "rather that its present instantiation entails a copy. Optical networks need " @@ -9120,7 +9132,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6922 +#: freeculture.xml:6927 msgid "" "Enter the Internet—a distributed, digital network where every use of a " "copyrighted work produces a copy.<placeholder type=\"footnote\" id=\"0\"/> " @@ -9137,7 +9149,7 @@ msgstr "" #. PAGE BREAK 155 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6946 +#: freeculture.xml:6951 msgid "" "So let's be very specific to make this general point clear. Before the " "Internet, if you purchased a book and read it ten times, there would be no " @@ -9150,7 +9162,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6959 +#: freeculture.xml:6964 msgid "" "But the same book as an e-book is effectively governed by a different set of " "rules. Now if the copyright owner says you may read the book only once or " @@ -9164,7 +9176,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6971 +#: freeculture.xml:6976 msgid "" "There are some people who think this makes perfect sense. My aim just now is " "not to argue about whether it makes sense or not. My aim is only to make " @@ -9173,7 +9185,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6977 +#: freeculture.xml:6982 msgid "" "First, making category 1 disappear is not anything any policy maker ever " "intended. Congress did not think through the collapse of the presumptively " @@ -9184,7 +9196,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6985 +#: freeculture.xml:6990 msgid "" "Second, this shift is especially troubling in the context of transformative " "uses of creative content. Again, we can all understand the wrong in " @@ -9199,7 +9211,7 @@ msgstr "" #. PAGE BREAK 156 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6997 +#: freeculture.xml:7002 msgid "" "Third, this shift from category 1 to category 2 puts an extraordinary burden " "on category 3 (\"fair use\") that fair use never before had to bear. If a " @@ -9213,7 +9225,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7012 +#: freeculture.xml:7017 msgid "" "This point about fair use is totally ignored, even by advocates for free " "culture. We have been cornered into arguing that our rights depend upon fair " @@ -9225,7 +9237,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7022 +#: freeculture.xml:7027 msgid "" "The case of Video Pipeline is a good example. Video Pipeline was in the " "business of making \"trailer\" advertisements for movies available to video " @@ -9235,7 +9247,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7029 +#: freeculture.xml:7034 msgid "" "The company did this for about fifteen years. Then, in 1997, it began to " "think about the Internet as another way to distribute these previews. The " @@ -9247,7 +9259,7 @@ msgstr "" #. PAGE BREAK 157 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7041 +#: freeculture.xml:7046 msgid "" "In 1998, Video Pipeline informed Disney and other film distributors that it " "intended to distribute the trailers through the Internet (rather than " @@ -9263,7 +9275,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7058 +#: freeculture.xml:7063 msgid "" "Disney countersued—for $100 million in damages. Those damages were " "predicated upon a claim that Video Pipeline had \"willfully infringed\" on " @@ -9276,7 +9288,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7070 +#: freeculture.xml:7075 msgid "" "Disney has the right to control its property, of course. But the video " "stores that were selling Disney's films also had some sort of right to be " @@ -9288,7 +9300,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7079 +#: freeculture.xml:7084 msgid "" "Now, you might think this is a close case, and I think the courts would " "consider it a close case. My point here is to map the change that gives " @@ -9305,7 +9317,7 @@ msgstr "" #. PAGE BREAK 158 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7094 +#: freeculture.xml:7099 msgid "" "No doubt, a potential is not yet an abuse, and so the potential for control " "is not yet the abuse of control. Barnes & Noble has the right to say you " @@ -9322,7 +9334,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7109 +#: freeculture.xml:7114 msgid "" "Again, my aim so far is simply to map the changes that this changed " "architecture enables. Enabling technology to enforce the control of " @@ -9333,12 +9345,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:7118 +#: freeculture.xml:7123 msgid "Architecture and Law: Force" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7120 +#: freeculture.xml:7125 msgid "" "The disappearance of unregulated uses would be change enough, but a second " "important change brought about by the Internet magnifies its " @@ -9347,7 +9359,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7126 +#: freeculture.xml:7131 msgid "" "In the world before digital technology, it was generally the law that " "controlled whether and how someone was regulated by copyright law. The law, " @@ -9357,25 +9369,25 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:7133 +#: freeculture.xml:7138 msgid "Casablanca" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:7135 freeculture.xml:7314 +#: freeculture.xml:7140 freeculture.xml:7319 msgid "Marx Brothers" msgstr "" #. f19 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:7149 +#: freeculture.xml:7154 msgid "" "See David Lange, \"Recognizing the Public Domain,\" <citetitle>Law and " "Contemporary Problems</citetitle> 44 (1981): 172–73." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7141 +#: freeculture.xml:7146 msgid "" "There's a famous story about a battle between the Marx Brothers and Warner " "Brothers. The Marxes intended to make a parody of " @@ -9386,7 +9398,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:7158 +#: freeculture.xml:7163 msgid "" "Ibid. See also Vaidhyanathan, <citetitle>Copyrights and " "Copywrongs</citetitle>, 1–3. <placeholder type=\"indexterm\" " @@ -9394,7 +9406,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7154 +#: freeculture.xml:7159 msgid "" "This led the Marx Brothers to respond in kind. They warned Warner Brothers " "that the Marx Brothers \"were brothers long before you were.\"<placeholder " @@ -9405,7 +9417,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7168 +#: freeculture.xml:7173 msgid "" "An absurd and hollow threat, of course, because Warner Brothers, like the " "Marx Brothers, knew that no court would ever enforce such a silly " @@ -9414,7 +9426,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7174 +#: freeculture.xml:7179 msgid "" "On the Internet, however, there is no check on silly rules, because on the " "Internet, increasingly, rules are enforced not by a human but by a machine: " @@ -9426,17 +9438,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:7187 +#: freeculture.xml:7192 msgid "Adobe eBook Reader" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7190 +#: freeculture.xml:7195 msgid "Consider the life of my Adobe eBook Reader." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7193 +#: freeculture.xml:7198 msgid "" "An e-book is a book delivered in electronic form. An Adobe eBook is not a " "book that Adobe has published; Adobe simply produces the software that " @@ -9445,13 +9457,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7200 +#: freeculture.xml:7205 msgid "On the next page is a picture of an old version of my Adobe eBook Reader." msgstr "" #. PAGE BREAK 160 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7204 +#: freeculture.xml:7209 msgid "" "As you can see, I have a small collection of e-books within this e-book " "library. Some of these books reproduce content that is in the public domain: " @@ -9464,35 +9476,35 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:7217 +#: freeculture.xml:7222 msgid "Picture of an old version of Adobe eBook Reader" msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:7218 +#: freeculture.xml:7223 msgid "<graphic fileref=\"images/1611.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7221 +#: freeculture.xml:7226 msgid "" "If you click on the Permissions button, you'll see a list of the permissions " "that the publisher purports to grant with this book." msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:7225 +#: freeculture.xml:7230 msgid "List of the permissions that the publisher purports to grant." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:7226 +#: freeculture.xml:7231 msgid "<graphic fileref=\"images/1612.png\"></graphic>" msgstr "" #. PAGE BREAK 161 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7230 +#: freeculture.xml:7235 msgid "" "According to my eBook Reader, I have the permission to copy to the clipboard " "of the computer ten text selections every ten days. (So far, I've copied no " @@ -9503,17 +9515,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:7240 +#: freeculture.xml:7245 msgid "Aristotle" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:7241 +#: freeculture.xml:7246 msgid "<citetitle>Politics</citetitle>, (Aristotle)" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7238 +#: freeculture.xml:7243 msgid "" "Here's the e-book for another work in the public domain (including the " "translation): Aristotle's <citetitle>Politics</citetitle>. <placeholder " @@ -9521,57 +9533,57 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:7244 +#: freeculture.xml:7249 msgid "E-book of Aristotle;s "Politics"" msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:7245 +#: freeculture.xml:7250 msgid "<graphic fileref=\"images/1621.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7248 +#: freeculture.xml:7253 msgid "" "According to its permissions, no printing or copying is permitted at " "all. But fortunately, you can use the Read Aloud button to hear the book." msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:7253 +#: freeculture.xml:7258 msgid "List of the permissions for Aristotle;s "Politics"." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:7254 +#: freeculture.xml:7259 msgid "<graphic fileref=\"images/1622.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7257 +#: freeculture.xml:7262 msgid "" "Finally (and most embarrassingly), here are the permissions for the original " "e-book version of my last book, <citetitle>The Future of Ideas</citetitle>:" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:7263 +#: freeculture.xml:7268 msgid "List of the permissions for "The Future of Ideas"." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:7264 +#: freeculture.xml:7269 msgid "<graphic fileref=\"images/1631.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7267 +#: freeculture.xml:7272 msgid "No copying, no printing, and don't you dare try to listen to this book!" msgstr "" #. f21 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:7277 +#: freeculture.xml:7282 msgid "" "In principle, a contract might impose a requirement on me. I might, for " "example, buy a book from you that includes a contract that says I will read " @@ -9582,7 +9594,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7270 +#: freeculture.xml:7275 msgid "" "Now, the Adobe eBook Reader calls these controls \"permissions\"— as " "if the publisher has the power to control how you use these works. For " @@ -9597,7 +9609,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7292 +#: freeculture.xml:7297 msgid "" "The control comes instead from the code—from the technology within " "which the e-book \"lives.\" Though the e-book says that these are " @@ -9616,7 +9628,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7310 +#: freeculture.xml:7315 msgid "" "These are <emphasis>controls</emphasis>, not permissions. Imagine a world " "where the Marx Brothers sold word processing software that, when you tried " @@ -9625,7 +9637,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7317 +#: freeculture.xml:7322 msgid "" "This is the future of copyright law: not so much copyright " "<emphasis>law</emphasis> as copyright <emphasis>code</emphasis>. The " @@ -9637,7 +9649,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7326 +#: freeculture.xml:7331 msgid "" "How significant is this? Isn't it always possible to get around the controls " "built into the technology? Software used to be sold with technologies that " @@ -9647,19 +9659,19 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7333 +#: freeculture.xml:7338 msgid "" "We've only scratched the surface of this story. Return to the Adobe eBook " "Reader." msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:7343 +#: freeculture.xml:7348 msgid "Alice's Adventures in Wonderland (Carroll)" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7337 +#: freeculture.xml:7342 msgid "" "Early in the life of the Adobe eBook Reader, Adobe suffered a public " "relations nightmare. Among the books that you could download for free on the " @@ -9670,18 +9682,18 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:7346 +#: freeculture.xml:7351 msgid "List of the permissions for "Alice's Adventures in Wonderland"." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:7348 +#: freeculture.xml:7353 msgid "<graphic fileref=\"images/1641.png\"></graphic>" msgstr "" #. PAGE BREAK 164 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7352 +#: freeculture.xml:7357 msgid "" "Here was a public domain children's book that you were not allowed to copy, " "not allowed to lend, not allowed to give, and, as the \"permissions\" " @@ -9689,7 +9701,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7357 +#: freeculture.xml:7362 msgid "" "The public relations nightmare attached to that final permission. For the " "text did not say that you were not permitted to use the Read Aloud button; " @@ -9700,7 +9712,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7365 +#: freeculture.xml:7370 msgid "" "Adobe responded quickly that it was absurd to think that it was trying to " "restrict the right to read a book aloud. Obviously it was only restricting " @@ -9715,7 +9727,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7378 +#: freeculture.xml:7383 msgid "" "The point is not to blame Adobe. Indeed, Adobe is among the most innovative " "companies developing strategies to balance open access to content with " @@ -9725,19 +9737,19 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7387 +#: freeculture.xml:7392 msgid "" "To see the point in a particularly absurd context, consider a favorite story " "of mine that makes the same point." msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:7391 +#: freeculture.xml:7396 msgid "Aibo robotic dog" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7394 +#: freeculture.xml:7399 msgid "" "Consider the robotic dog made by Sony named \"Aibo.\" The Aibo learns " "tricks, cuddles, and follows you around. It eats only electricity and that " @@ -9746,7 +9758,7 @@ msgstr "" #. PAGE BREAK 165 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7399 +#: freeculture.xml:7404 msgid "" "The Aibo is expensive and popular. Fans from around the world have set up " "clubs to trade stories. One fan in particular set up a Web site to enable " @@ -9757,7 +9769,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7408 +#: freeculture.xml:7413 msgid "" "\"Teach\" here has a special meaning. Aibos are just cute computers. You " "teach a computer how to do something by programming it differently. So to " @@ -9768,7 +9780,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7416 +#: freeculture.xml:7421 msgid "" "If you're not a programmer or don't know many programmers, the word " "<citetitle>hack</citetitle> has a particularly unfriendly " @@ -9784,7 +9796,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7428 +#: freeculture.xml:7433 msgid "" "Some hacks are easy. Some are unbelievably hard. Hackers as a community like " "to challenge themselves and others with increasingly difficult " @@ -9794,7 +9806,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7435 +#: freeculture.xml:7440 msgid "" "The Aibo fan was displaying a bit of both when he hacked the program and " "offered to the world a bit of code that would enable the Aibo to dance " @@ -9805,7 +9817,7 @@ msgstr "" #. PAGE BREAK 166 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7443 +#: freeculture.xml:7448 msgid "" "I've told this story in many contexts, both inside and outside the United " "States. Once I was asked by a puzzled member of the audience, is it " @@ -9820,7 +9832,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7459 +#: freeculture.xml:7464 msgid "" "Let's put the dog to sleep for a minute, and turn to a pony show— not " "literally a pony show, but rather a paper that a Princeton academic named Ed " @@ -9834,12 +9846,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:7482 freeculture.xml:9923 +#: freeculture.xml:7487 freeculture.xml:9928 msgid "Electronic Frontier Foundation" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:7472 +#: freeculture.xml:7477 msgid "" "See Pamela Samuelson, \"Anticircumvention Rules: Threat to Science,\" " "<citetitle>Science</citetitle> 293 (2001): 2028; Brendan I. Koerner, \"Play " @@ -9856,7 +9868,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7470 +#: freeculture.xml:7475 msgid "" "But Felten's bravery was really tested in April 2001.<placeholder " "type=\"footnote\" id=\"0\"/> He and a group of colleagues were working on a " @@ -9866,7 +9878,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7490 +#: freeculture.xml:7495 msgid "" "The SDMI coalition had as its goal a technology to enable content owners to " "exercise much better control over their content than the Internet, as it " @@ -9878,7 +9890,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7500 +#: freeculture.xml:7505 msgid "" "When SDMI thought it was close to a standard, it set up a competition. In " "exchange for providing contestants with the code to an SDMI-encrypted bit of " @@ -9888,7 +9900,7 @@ msgstr "" #. PAGE BREAK 167 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7507 +#: freeculture.xml:7512 msgid "" "Felten and his team figured out the encryption system quickly. He and the " "team saw the weakness of this system as a type: Many encryption systems " @@ -9897,7 +9909,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7513 +#: freeculture.xml:7518 msgid "" "Let's review just what Felten was doing. Again, this is the United " "States. We have a principle of free speech. We have this principle not just " @@ -9908,7 +9920,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7521 +#: freeculture.xml:7526 msgid "" "What Felten and his colleagues were doing was publishing a paper describing " "the weakness in a technology. They were not spreading free music, or " @@ -9918,7 +9930,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7529 +#: freeculture.xml:7534 msgid "" "What links these two, aibopet.com and Felten, is the letters they then " "received. Aibopet.com received a letter from Sony about the aibopet.com " @@ -9926,7 +9938,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:7536 +#: freeculture.xml:7541 msgid "" "Your site contains information providing the means to circumvent AIBO-ware's " "copy protection protocol constituting a violation of the anti-circumvention " @@ -9934,7 +9946,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7542 +#: freeculture.xml:7547 msgid "" "And though an academic paper describing the weakness in a system of " "encryption should also be perfectly legal, Felten received a letter from an " @@ -9943,7 +9955,7 @@ msgstr "" #. PAGE BREAK 168 #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:7548 +#: freeculture.xml:7553 msgid "" "Any disclosure of information gained from participating in the Public " "Challenge would be outside the scope of activities permitted by the " @@ -9952,7 +9964,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7556 +#: freeculture.xml:7561 msgid "" "In both cases, this weirdly Orwellian law was invoked to control the spread " "of information. The Digital Millennium Copyright Act made spreading such " @@ -9960,7 +9972,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7561 +#: freeculture.xml:7566 msgid "" "The DMCA was enacted as a response to copyright owners' first fear about " "cyberspace. The fear was that copyright control was effectively dead; the " @@ -9973,7 +9985,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7572 +#: freeculture.xml:7577 msgid "" "The DMCA was a bit of law intended to back up the protection of this code " "designed to protect copyrighted material. It was, we could say, " @@ -9983,7 +9995,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7579 +#: freeculture.xml:7584 msgid "" "But the DMCA was not designed merely to protect copyrighted works to the " "extent copyright law protected them. Its protection, that is, did not end at " @@ -9995,7 +10007,7 @@ msgstr "" #. PAGE BREAK 169 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7588 +#: freeculture.xml:7593 msgid "" "Aibopet.com and Felten make the point. The Aibo hack circumvented a " "copyright protection system for the purpose of enabling the dog to dance " @@ -10009,7 +10021,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7600 +#: freeculture.xml:7605 msgid "" "The threat against Felten was more attenuated, but it followed the same line " "of reasoning. By publishing a paper describing how a copyright protection " @@ -10020,7 +10032,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7608 +#: freeculture.xml:7613 msgid "" "The bizarreness of these arguments is captured in a cartoon drawn in 1981 by " "Paul Conrad. At that time, a court in California had held that the VCR could " @@ -10033,7 +10045,7 @@ msgstr "" #. f23 #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:7634 +#: freeculture.xml:7639 msgid "" "<citetitle>Sony Corporation of America</citetitle> v. <citetitle>Universal " "City Studios, Inc</citetitle>., 464 U.S. 417, 455 fn. 27 (1984). Rogers " @@ -10043,7 +10055,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:7619 +#: freeculture.xml:7624 msgid "" "Some public stations, as well as commercial stations, program the " "\"Neighborhood\" at hours when some children cannot use it. I think that " @@ -10062,7 +10074,7 @@ msgstr "" #. PAGE BREAK 170 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7643 +#: freeculture.xml:7648 msgid "" "Even though there were uses that were legal, because there were some uses " "that were illegal, the court held the companies producing the VCR " @@ -10070,17 +10082,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7648 +#: freeculture.xml:7653 msgid "This led Conrad to draw the cartoon below, which we can adopt to the DMCA." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7652 +#: freeculture.xml:7657 msgid "No argument I have can top this picture, but let me try to get close." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7655 +#: freeculture.xml:7660 msgid "" "The anticircumvention provisions of the DMCA target copyright circumvention " "technologies. Circumvention technologies can be used for different " @@ -10092,7 +10104,7 @@ msgstr "" #. PAGE BREAK 171 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7663 +#: freeculture.xml:7668 msgid "" "A handgun can be used to shoot a police officer or a child. Most would agree " "such a use is bad. Or a handgun can be used for target practice or to " @@ -10101,17 +10113,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:7671 +#: freeculture.xml:7676 msgid "VCR/handgun cartoon." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:7672 +#: freeculture.xml:7677 msgid "<graphic fileref=\"images/1711.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7675 +#: freeculture.xml:7680 msgid "" "The obvious point of Conrad's cartoon is the weirdness of a world where guns " "are legal, despite the harm they can do, while VCRs (and circumvention " @@ -10122,7 +10134,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7683 +#: freeculture.xml:7688 msgid "" "The Aibo and RIAA examples demonstrate how copyright owners are changing the " "balance that copyright law grants. Using code, copyright owners restrict " @@ -10133,7 +10145,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7691 +#: freeculture.xml:7696 msgid "" "This is how <emphasis>code</emphasis> becomes <emphasis>law</emphasis>. The " "controls built into the technology of copy and access protection become " @@ -10147,7 +10159,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7703 +#: freeculture.xml:7708 msgid "" "There is one final aspect of the interaction between architecture and law " "that contributes to the force of copyright's regulation. This is the ease " @@ -10162,7 +10174,7 @@ msgstr "" #. f24 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:7722 +#: freeculture.xml:7727 msgid "" "For an early and prescient analysis, see Rebecca Tushnet, \"Legal Fictions, " "Copyright, Fan Fiction, and a New Common Law,\" <citetitle>Loyola of Los " @@ -10170,7 +10182,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7716 +#: freeculture.xml:7721 msgid "" "For example, imagine you were part of a <citetitle>Star Trek</citetitle> fan " "club. You gathered every month to share trivia, and maybe to enact a kind of " @@ -10180,7 +10192,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7728 +#: freeculture.xml:7733 msgid "" "Before the Internet, this was, in effect, a totally unregulated activity. " "No matter what happened inside your club room, you would never be interfered " @@ -10190,7 +10202,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7735 +#: freeculture.xml:7740 msgid "" "But if you moved your club onto the Internet, and made it generally " "available for others to join, the story would be very different. Bots " @@ -10203,7 +10215,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7745 +#: freeculture.xml:7750 msgid "" "This change in the effective force of the law is caused by a change in the " "ease with which the law can be enforced. That change too shifts the law's " @@ -10214,13 +10226,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:7754 +#: freeculture.xml:7759 msgid "Market: Concentration" msgstr "" #. PAGE BREAK 173 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7756 +#: freeculture.xml:7761 msgid "" "So copyright's duration has increased dramatically—tripled in the past " "thirty years. And copyright's scope has increased as well—from " @@ -10238,7 +10250,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7774 +#: freeculture.xml:7779 msgid "" "Still, in my view, all of these changes would not matter much if it weren't " "for one more change that we must also consider. This is a change that is in " @@ -10248,7 +10260,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7781 +#: freeculture.xml:7786 msgid "" "This is the change in the concentration and integration of the media. In " "the past twenty years, the nature of media ownership has undergone a radical " @@ -10261,18 +10273,18 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7792 +#: freeculture.xml:7797 msgid "These changes are of two sorts: the scope of concentration, and its nature." msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:7795 +#: freeculture.xml:7800 msgid "BMG" msgstr "" #. f25 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:7801 +#: freeculture.xml:7806 msgid "" "FCC Oversight: Hearing Before the Senate Commerce, Science and " "Transportation Committee, 108th Cong., 1st sess. (22 May 2003) (statement " @@ -10281,7 +10293,7 @@ msgstr "" #. f26 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:7808 +#: freeculture.xml:7813 msgid "" "Lynette Holloway, \"Despite a Marketing Blitz, CD Sales Continue to Slide,\" " "<citetitle>New York Times</citetitle>, 23 December 2002." @@ -10289,19 +10301,19 @@ msgstr "" #. f27 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:7814 +#: freeculture.xml:7819 msgid "" "Molly Ivins, \"Media Consolidation Must Be Stopped,\" <citetitle>Charleston " "Gazette</citetitle>, 31 May 2003." msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:7817 +#: freeculture.xml:7822 msgid "McCain, John" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7797 +#: freeculture.xml:7802 msgid "" "Changes in scope are the easier ones to describe. As Senator John McCain " "summarized the data produced in the FCC's review of media ownership, \"five " @@ -10316,7 +10328,7 @@ msgstr "" #. PAGE BREAK 174 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7820 +#: freeculture.xml:7825 msgid "" "The story with radio is even more dramatic. Before deregulation, the " "nation's largest radio broadcasting conglomerate owned fewer than " @@ -10329,7 +10341,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7831 +#: freeculture.xml:7836 msgid "" "Newspaper ownership is becoming more concentrated as well. Today, there are " "six hundred fewer daily newspapers in the United States than there were " @@ -10343,12 +10355,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para><indexterm><primary> -#: freeculture.xml:7845 freeculture.xml:7862 +#: freeculture.xml:7850 freeculture.xml:7867 msgid "Fallows, James" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7842 +#: freeculture.xml:7847 msgid "" "Concentration in size alone is one thing. The more invidious change is in " "the nature of that concentration. As author James Fallows put it in a recent " @@ -10356,7 +10368,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:7860 +#: freeculture.xml:7865 msgid "" "James Fallows, \"The Age of Murdoch,\" <citetitle>Atlantic " "Monthly</citetitle> (September 2003): 89. <placeholder type=\"indexterm\" " @@ -10364,7 +10376,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:7849 +#: freeculture.xml:7854 msgid "" "Murdoch's companies now constitute a production system unmatched in its " "integration. They supply content—Fox movies . . . Fox TV shows " @@ -10379,7 +10391,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7867 +#: freeculture.xml:7872 msgid "" "The pattern with Murdoch is the pattern of modern media. Not just large " "companies owning many radio stations, but a few companies owning as many " @@ -10388,18 +10400,18 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:7873 +#: freeculture.xml:7878 msgid "Pattern of modern media ownership." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:7874 +#: freeculture.xml:7879 msgid "<graphic fileref=\"images/1761.png\"></graphic>" msgstr "" #. PAGE BREAK 175 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7878 +#: freeculture.xml:7883 msgid "" "Does this concentration matter? Will it affect what is made, or what is " "distributed? Or is it merely a more efficient way to produce and distribute " @@ -10407,7 +10419,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7883 +#: freeculture.xml:7888 msgid "" "My view was that concentration wouldn't matter. I thought it was nothing " "more than a more efficient financial structure. But now, after reading and " @@ -10416,24 +10428,24 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7889 +#: freeculture.xml:7894 msgid "" "Here's a representative story that begins to suggest how this integration " "may matter." msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:7892 +#: freeculture.xml:7897 msgid "Lear, Norman" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:7894 freeculture.xml:7958 +#: freeculture.xml:7899 freeculture.xml:7963 msgid "All in the Family" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7896 +#: freeculture.xml:7901 msgid "" "In 1969, Norman Lear created a pilot for <citetitle>All in the " "Family</citetitle>. He took the pilot to ABC. The network didn't like it. It " @@ -10444,7 +10456,7 @@ msgstr "" #. f29 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:7908 +#: freeculture.xml:7913 msgid "" "Leonard Hill, \"The Axis of Access,\" remarks before Weidenbaum Center " "Forum, \"Entertainment Economics: The Movie Industry,\" St. Louis, Missouri, " @@ -10455,7 +10467,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7903 +#: freeculture.xml:7908 msgid "" "Rather than comply, Lear simply took the show elsewhere. CBS was happy to " "have the series; ABC could not stop Lear from walking. The copyrights that " @@ -10465,7 +10477,7 @@ msgstr "" #. PAGE BREAK 176 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7920 +#: freeculture.xml:7925 msgid "" "The network did not control those copyrights because the law forbade the " "networks from controlling the content they syndicated. The law required a " @@ -10477,7 +10489,7 @@ msgstr "" #. f30 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:7939 +#: freeculture.xml:7944 msgid "" "NewsCorp./DirecTV Merger and Media Consolidation: Hearings on Media " "Ownership Before the Senate Commerce Committee, 108th Cong., 1st " @@ -10489,7 +10501,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7929 +#: freeculture.xml:7934 msgid "" "In 1994, the FCC abandoned the rules that required this independence. After " "that change, the networks quickly changed the balance. In 1985, there were " @@ -10508,7 +10520,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7960 +#: freeculture.xml:7965 msgid "" "Today, another Norman Lear with another <citetitle>All in the " "Family</citetitle> would find that he had the choice either to make the show " @@ -10517,17 +10529,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:7969 +#: freeculture.xml:7974 msgid "Diller, Barry" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:7970 +#: freeculture.xml:7975 msgid "Moyers, Bill" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7966 +#: freeculture.xml:7971 msgid "" "While the number of channels has increased dramatically, the ownership of " "those channels has narrowed to an ever smaller and smaller few. As Barry " @@ -10537,7 +10549,7 @@ msgstr "" #. f32 #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:7983 +#: freeculture.xml:7988 msgid "" "\"Barry Diller Takes on Media Deregulation,\" <citetitle>Now with Bill " "Moyers</citetitle>, Bill Moyers, 25 April 2003, edited transcript available " @@ -10545,7 +10557,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:7974 +#: freeculture.xml:7979 msgid "" "Well, if you have companies that produce, that finance, that air on their " "channel and then distribute worldwide everything that goes through their " @@ -10556,7 +10568,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7990 +#: freeculture.xml:7995 msgid "" "This narrowing has an effect on what is produced. The product of such large " "and concentrated networks is increasingly homogenous. Increasingly " @@ -10570,13 +10582,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:8001 +#: freeculture.xml:8006 msgid "Clark, Kim B." msgstr "" #. f33 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:8010 +#: freeculture.xml:8015 msgid "" "Clayton M. Christensen, <citetitle>The Innovator's Dilemma: The " "Revolutionary National Bestseller that Changed the Way We Do " @@ -10592,7 +10604,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8003 +#: freeculture.xml:8008 msgid "" "Economics itself offers a parallel that explains why this integration " "affects creativity. Clay Christensen has written about the \"Innovator's " @@ -10606,7 +10618,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8027 +#: freeculture.xml:8032 msgid "" "I don't think we know enough about the economics of the media market to say " "with certainty what concentration and integration will do. The efficiencies " @@ -10614,14 +10626,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8033 +#: freeculture.xml:8038 msgid "" "But there is a quintessentially obvious example that does strongly suggest " "the concern." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8037 +#: freeculture.xml:8042 msgid "" "In addition to the copyright wars, we're in the middle of the drug " "wars. Government policy is strongly directed against the drug cartels; " @@ -10630,7 +10642,7 @@ msgstr "" #. PAGE BREAK 178 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8042 +#: freeculture.xml:8047 msgid "" "Let me hereby disqualify myself from any possible appointment to any " "position in government by saying I believe this war is a profound mistake. I " @@ -10648,7 +10660,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8061 +#: freeculture.xml:8066 msgid "" "You may not be convinced. That's fine. We live in a democracy, and it is " "through votes that we are to choose policy. But to do that, we depend " @@ -10656,7 +10668,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8067 +#: freeculture.xml:8072 msgid "" "Beginning in 1998, the Office of National Drug Control Policy launched a " "media campaign as part of the \"war on drugs.\" The campaign produced scores " @@ -10671,14 +10683,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8079 +#: freeculture.xml:8084 msgid "" "Fair enough. It's a good ad. Not terribly misleading. It delivers its " "message well. It's a fair and reasonable message." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8083 +#: freeculture.xml:8088 msgid "" "But let's say you think it is a wrong message, and you'd like to run a " "countercommercial. Say you want to run a series of ads that try to " @@ -10688,7 +10700,7 @@ msgstr "" #. PAGE BREAK 179 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8089 +#: freeculture.xml:8094 msgid "" "Well, obviously, these ads cost lots of money. Assume you raise the " "money. Assume a group of concerned citizens donates all the money in the " @@ -10697,32 +10709,32 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:8131 +#: freeculture.xml:8136 msgid "Comcast" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:8132 +#: freeculture.xml:8137 msgid "Marijuana Policy Project" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:8133 +#: freeculture.xml:8138 msgid "NBC" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:8134 +#: freeculture.xml:8139 msgid "WJOA" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:8135 +#: freeculture.xml:8140 msgid "WRC" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:8106 +#: freeculture.xml:8111 msgid "" "The Marijuana Policy Project, in February 2003, sought to place ads that " "directly responded to the Nick and Norm series on stations within the " @@ -10755,7 +10767,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8096 +#: freeculture.xml:8101 msgid "" "No. You cannot. Television stations have a general policy of avoiding " "\"controversial\" ads. Ads sponsored by the government are deemed " @@ -10769,7 +10781,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8139 +#: freeculture.xml:8144 msgid "" "I'd be happy to defend the networks' rights, as well—if we lived in a " "media market that was truly diverse. But concentration in the media throws " @@ -10782,12 +10794,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:8151 +#: freeculture.xml:8156 msgid "Together" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8153 +#: freeculture.xml:8158 msgid "" "There is something innocent and obvious about the claim of the copyright " "warriors that the government should \"protect my property.\" In the " @@ -10797,7 +10809,7 @@ msgstr "" #. PAGE BREAK 180 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8159 +#: freeculture.xml:8164 msgid "" "But when we see how dramatically this \"property\" has changed— when " "we recognize how it might now interact with both technology and markets to " @@ -10812,7 +10824,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8175 +#: freeculture.xml:8180 msgid "" "Not starkly. Or absolutely. My point is not that we should abolish copyright " "or go back to the eighteenth century. That would be a total mistake, " @@ -10821,7 +10833,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8181 +#: freeculture.xml:8186 msgid "" "But there is a space between zero and one, Internet culture " "notwithstanding. And these massive shifts in the effective power of " @@ -10835,7 +10847,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8193 +#: freeculture.xml:8198 msgid "" "Copyright law has not been a rock of Gibraltar. It's not a set of constant " "commitments that, for some mysterious reason, teenagers and geeks now " @@ -10850,7 +10862,7 @@ msgstr "" #. PAGE BREAK 181 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8205 +#: freeculture.xml:8210 msgid "" "For the single point that is lost in this war on pirates is a point that we " "see only after surveying the range of these changes. When you add together " @@ -10861,7 +10873,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:8229 +#: freeculture.xml:8234 msgid "" "Siva Vaidhyanathan captures a similar point in his \"four surrenders\" of " "copyright law in the digital age. See Vaidhyanathan, 159–60. " @@ -10869,7 +10881,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8214 +#: freeculture.xml:8219 msgid "" "Not when copyrights were perpetual, for when copyrights were perpetual, they " "affected only that precise creative work. Not when only publishers had the " @@ -10887,12 +10899,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8235 +#: freeculture.xml:8240 msgid "This has been a long chapter. Its point can now be briefly stated." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8238 +#: freeculture.xml:8243 msgid "" "At the start of this book, I distinguished between commercial and " "noncommercial culture. In the course of this chapter, I have distinguished " @@ -10902,43 +10914,43 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><table><title> -#: freeculture.xml:8246 +#: freeculture.xml:8251 msgid "Law status in 1790" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><thead><row><entry> -#: freeculture.xml:8251 freeculture.xml:8289 +#: freeculture.xml:8256 freeculture.xml:8294 msgid "PUBLISH" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><thead><row><entry> -#: freeculture.xml:8252 freeculture.xml:8290 freeculture.xml:8329 freeculture.xml:8362 +#: freeculture.xml:8257 freeculture.xml:8295 freeculture.xml:8334 freeculture.xml:8367 msgid "TRANSFORM" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:8257 freeculture.xml:8295 freeculture.xml:8334 freeculture.xml:8367 +#: freeculture.xml:8262 freeculture.xml:8300 freeculture.xml:8339 freeculture.xml:8372 msgid "Commercial" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:8258 freeculture.xml:8296 freeculture.xml:8297 freeculture.xml:8335 freeculture.xml:8336 freeculture.xml:8368 freeculture.xml:8369 freeculture.xml:8373 freeculture.xml:8374 +#: freeculture.xml:8263 freeculture.xml:8301 freeculture.xml:8302 freeculture.xml:8340 freeculture.xml:8341 freeculture.xml:8373 freeculture.xml:8374 freeculture.xml:8378 freeculture.xml:8379 msgid "©" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:8259 freeculture.xml:8263 freeculture.xml:8264 freeculture.xml:8301 freeculture.xml:8302 freeculture.xml:8341 +#: freeculture.xml:8264 freeculture.xml:8268 freeculture.xml:8269 freeculture.xml:8306 freeculture.xml:8307 freeculture.xml:8346 msgid "Free" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:8262 freeculture.xml:8300 freeculture.xml:8339 freeculture.xml:8372 +#: freeculture.xml:8267 freeculture.xml:8305 freeculture.xml:8344 freeculture.xml:8377 msgid "Noncommercial" msgstr "" #. PAGE BREAK 182 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8271 +#: freeculture.xml:8276 msgid "" "The act of publishing a map, chart, and book was regulated by copyright " "law. Nothing else was. Transformations were free. And as copyright attached " @@ -10948,17 +10960,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8280 +#: freeculture.xml:8285 msgid "By the end of the nineteenth century, the law had changed to this:" msgstr "" #. type: Content of: <book><part><chapter><section><table><title> -#: freeculture.xml:8284 +#: freeculture.xml:8289 msgid "Law status at the end of ninetheenth centory" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8309 +#: freeculture.xml:8314 msgid "" "Derivative works were now regulated by copyright law—if published, " "which again, given the economics of publishing at the time, means if offered " @@ -10967,7 +10979,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8315 +#: freeculture.xml:8320 msgid "" "In 1909 the law changed to regulate copies, not publishing, and after this " "change, the scope of the law was tied to technology. As the technology of " @@ -10977,22 +10989,22 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><table><title> -#: freeculture.xml:8323 +#: freeculture.xml:8328 msgid "Law status in 1975" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><thead><row><entry> -#: freeculture.xml:8328 freeculture.xml:8361 +#: freeculture.xml:8333 freeculture.xml:8366 msgid "COPY" msgstr "" #. type: Content of: <book><part><chapter><section><table><tgroup><tbody><row><entry> -#: freeculture.xml:8340 +#: freeculture.xml:8345 msgid "©/Free" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8348 +#: freeculture.xml:8353 msgid "" "The law was interpreted to reach noncommercial copying through, say, copy " "machines, but still much of copying outside of the commercial market " @@ -11002,13 +11014,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><table><title> -#: freeculture.xml:8356 +#: freeculture.xml:8361 msgid "Law status now" msgstr "" #. PAGE BREAK 183 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8381 +#: freeculture.xml:8386 msgid "" "Every realm is governed by copyright law, whereas before most creativity was " "not. The law now regulates the full range of creativity— commercial or " @@ -11017,7 +11029,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8389 +#: freeculture.xml:8394 msgid "" "Obviously, copyright law is not the enemy. The enemy is regulation that does " "no good. So the question that we should be asking just now is whether " @@ -11026,7 +11038,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8395 +#: freeculture.xml:8400 msgid "" "I have no doubt that it does good in regulating commercial copying. But I " "also have no doubt that it does more harm than good when regulating (as it " @@ -11041,7 +11053,7 @@ msgstr "" #. f36 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:8413 +#: freeculture.xml:8418 msgid "" "It was the single most important contribution of the legal realist movement " "to demonstrate that all property rights are always crafted to balance public " @@ -11052,7 +11064,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8407 +#: freeculture.xml:8412 msgid "" "The issue is therefore not simply whether copyright is property. Of course " "copyright is a kind of \"property,\" and of course, as with any property, " @@ -11070,7 +11082,7 @@ msgstr "" #. PAGE BREAK 184 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8430 +#: freeculture.xml:8435 msgid "" "We achieved that free culture because our law respected important limits on " "the scope of the interests protected by \"property.\" The very birth of " @@ -11089,7 +11101,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8449 +#: freeculture.xml:8454 msgid "" "Free culture is increasingly the casualty in this war on piracy. In response " "to a real, if not yet quantified, threat that the technologies of the " @@ -11104,33 +11116,33 @@ msgid "" msgstr "" #. type: Content of: <book><part><title> -#: freeculture.xml:8466 +#: freeculture.xml:8471 msgid "PUZZLES" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:8470 +#: freeculture.xml:8475 msgid "CHAPTER ELEVEN: Chimera" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:8472 +#: freeculture.xml:8477 msgid "chimeras" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:8475 +#: freeculture.xml:8480 msgid "Wells, H. G." msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:8478 +#: freeculture.xml:8483 msgid ""Country of the Blind, The" (Wells)" msgstr "" #. f1. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:8486 +#: freeculture.xml:8491 msgid "" "H. G. Wells, \"The Country of the Blind\" (1904, 1911). See H. G. Wells, " "<citetitle>The Country of the Blind and Other Stories</citetitle>, Michael " @@ -11138,7 +11150,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8482 +#: freeculture.xml:8487 msgid "" "In a well-known short story by H. G. Wells, a mountain climber named Nunez " "trips (literally, down an ice slope) into an unknown and isolated valley in " @@ -11152,7 +11164,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8498 +#: freeculture.xml:8503 msgid "" "Things don't go quite as he planned. He tries to explain the idea of sight " "to the villagers. They don't understand. He tells them they are \"blind.\" " @@ -11166,7 +11178,7 @@ msgstr "" #. PAGE BREAK 187 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8510 +#: freeculture.xml:8515 msgid "" "The villagers don't leave him alone. Nor do they see (so to speak) the " "virtue of his special power. Not even the ultimate target of his affection, " @@ -11180,7 +11192,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8521 +#: freeculture.xml:8526 msgid "" "When Nunez announces his desire to marry his \"mysteriously delighted\" " "love, the father and the village object. \"You see, my dear,\" her father " @@ -11189,21 +11201,21 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8527 +#: freeculture.xml:8532 msgid "" "After a careful examination, the doctor gives his opinion. \"His brain is " "affected,\" he reports." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8531 +#: freeculture.xml:8536 msgid "" "\"What affects it?\" the father asks. \"Those queer things that are called " "the eyes . . . are diseased . . . in such a way as to affect his brain.\"" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8536 +#: freeculture.xml:8541 msgid "" "The doctor continues: \"I think I may say with reasonable certainty that in " "order to cure him completely, all that we need to do is a simple and easy " @@ -11213,7 +11225,7 @@ msgstr "" #. PAGE BREAK 188 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8542 +#: freeculture.xml:8547 msgid "" "\"Thank Heaven for science!\" says the father to the doctor. They inform " "Nunez of this condition necessary for him to be allowed his bride. (You'll " @@ -11228,7 +11240,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8559 +#: freeculture.xml:8564 msgid "" "Before I had read about chimeras, I would have said they were impossible. A " "single person can't have two sets of DNA. The very idea of DNA is that it is " @@ -11239,7 +11251,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8567 +#: freeculture.xml:8572 msgid "" "The more I work to understand the current struggle over copyright and " "culture, which I've sometimes called unfairly, and sometimes not unfairly " @@ -11256,7 +11268,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8581 +#: freeculture.xml:8586 msgid "" "But the description is also false in part. For when my p2p server is on a " "p2p network through which anyone can get access to my music, then sure, my " @@ -11268,7 +11280,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8590 +#: freeculture.xml:8595 msgid "" "Likewise, when the other side says, \"File sharing is just like walking into " "a Tower Records and taking a CD off the shelf and walking out with it,\" " @@ -11280,7 +11292,7 @@ msgstr "" #. PAGE BREAK 189 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8601 +#: freeculture.xml:8606 msgid "" "But it is not quite stealing from Tower. After all, when I take a CD from " "Tower Records, Tower has one less CD to sell. And when I take a CD from " @@ -11292,7 +11304,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8611 +#: freeculture.xml:8616 msgid "" "The point is not that it is as neither side describes. The point is that it " "is both—both as the RIAA describes it and as Kazaa describes it. It is " @@ -11302,12 +11314,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:8657 freeculture.xml:9365 +#: freeculture.xml:8662 freeculture.xml:9370 msgid "Berman, Howard L." msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:8627 +#: freeculture.xml:8632 msgid "" "For an excellent summary, see the report prepared by GartnerG2 and the " "Berkman Center for Internet and Society at Harvard Law School, \"Copyright " @@ -11341,7 +11353,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8618 +#: freeculture.xml:8623 msgid "" "We could respond by simply pretending that it is not a chimera. We could, " "with the RIAA, decide that every act of file sharing should be a felony. We " @@ -11354,7 +11366,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8663 +#: freeculture.xml:8668 msgid "" "Alternatively, we could respond to file sharing the way many kids act as " "though we've responded. We could totally legalize it. Let there be no " @@ -11364,7 +11376,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8670 +#: freeculture.xml:8675 msgid "" "Either response is possible. I think either would be a mistake. Rather than " "embrace one of these two extremes, we should embrace something that " @@ -11378,7 +11390,7 @@ msgstr "" #. PAGE BREAK 190 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8682 +#: freeculture.xml:8687 msgid "" "Yet zero tolerance is increasingly our government's policy. In the middle of " "the chaos that the Internet has created, an extraordinary land grab is " @@ -11389,7 +11401,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8690 +#: freeculture.xml:8695 msgid "" "I'm not talking about the opportunities for kids to \"steal\" music. My " "focus instead is the commercial and cultural innovation that this war will " @@ -11403,14 +11415,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:8703 +#: freeculture.xml:8708 msgid "" "eMusic opposes music piracy. We are a distributor of copyrighted material, " "and we want to protect those rights." msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:8707 +#: freeculture.xml:8712 msgid "" "But building a technology fortress that locks in the clout of the major " "labels is by no means the only way to protect copyright interests, nor is it " @@ -11421,7 +11433,7 @@ msgstr "" #. f3. #. type: Content of: <book><part><chapter><blockquote><para><footnote><para> -#: freeculture.xml:8725 +#: freeculture.xml:8730 msgid "" "WIPO and the DMCA One Year Later: Assessing Consumer Access to Digital " "Entertainment on the Internet and Other Media: Hearing Before the " @@ -11432,7 +11444,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:8715 +#: freeculture.xml:8720 msgid "" "This is a critical point. The choices that industry sectors make with " "respect to these systems will in many ways directly shape the market for " @@ -11445,12 +11457,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:8739 freeculture.xml:9092 +#: freeculture.xml:8744 freeculture.xml:9097 msgid "Vivendi Universal" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8736 +#: freeculture.xml:8741 msgid "" "In April 2001, eMusic.com was purchased by Vivendi Universal, one of \"the " "major labels.\" Its position on these matters has now changed. <placeholder " @@ -11458,7 +11470,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8742 +#: freeculture.xml:8747 msgid "" "Reversing our tradition of tolerance now will not merely quash piracy. It " "will sacrifice values that are important to this culture, and will kill " @@ -11466,12 +11478,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:8750 +#: freeculture.xml:8755 msgid "CHAPTER TWELVE: Harms" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8753 +#: freeculture.xml:8758 msgid "" "To fight \"piracy,\" to protect \"property,\" the content industry has " "launched a war. Lobbying and lots of campaign contributions have now brought " @@ -11481,7 +11493,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8761 +#: freeculture.xml:8766 msgid "" "My aim so far has been to describe the consequences of this war, in " "particular, the consequences for \"free culture.\" But my aim now is to " @@ -11490,7 +11502,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8768 +#: freeculture.xml:8773 msgid "" "In my view, it is not. There is no good reason why this time, for the first " "time, the law should defend the old against the new, just when the power of " @@ -11499,7 +11511,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8776 +#: freeculture.xml:8781 msgid "" "Yet \"common sense\" does not see it this way. Common sense is still on the " "side of the Causbys and the content industry. The extreme claims of control " @@ -11509,7 +11521,7 @@ msgstr "" #. PAGE BREAK 193 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8783 +#: freeculture.xml:8788 msgid "" "There will be many consequences of continuing this war. I want to describe " "just three. All three might be said to be unintended. I am quite confident " @@ -11519,12 +11531,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:8790 +#: freeculture.xml:8795 msgid "Constraining Creators" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8792 +#: freeculture.xml:8797 msgid "" "In the next ten years we will see an explosion of digital technologies. " "These technologies will enable almost anyone to capture and share " @@ -11541,7 +11553,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8807 +#: freeculture.xml:8812 msgid "" "This digital \"capturing and sharing\" is in part an extension of the " "capturing and sharing that has always been integral to our culture, and in " @@ -11556,7 +11568,7 @@ msgstr "" #. PAGE BREAK 194 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8818 +#: freeculture.xml:8823 msgid "" "Technology has thus given us an opportunity to do something with culture " "that has only ever been possible for individuals in small groups, isolated " @@ -11566,7 +11578,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8828 +#: freeculture.xml:8833 msgid "" "Yet all this is possible only if the activity is presumptively legal. In the " "current regime of legal regulation, it is not. Forget file sharing for a " @@ -11580,12 +11592,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:8856 freeculture.xml:8877 +#: freeculture.xml:8861 freeculture.xml:8882 msgid "Worldcom" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:8851 +#: freeculture.xml:8856 msgid "" "See Lynne W. Jeter, <citetitle>Disconnected: Deceit and Betrayal at " "WorldCom</citetitle> (Hoboken, N.J.: John Wiley & Sons, 2003), 176, 204; " @@ -11596,12 +11608,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:8872 +#: freeculture.xml:8877 msgid "Bush, George W." msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:8863 +#: freeculture.xml:8868 msgid "" "The bill, modeled after California's tort reform model, was passed in the " "House of Representatives but defeated in a Senate vote in July 2003. For an " @@ -11615,7 +11627,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8839 +#: freeculture.xml:8844 msgid "" "That presumption will increasingly chill creativity, as the examples of " "extreme penalties for vague infringements continue to proliferate. It is " @@ -11637,7 +11649,7 @@ msgstr "" #. f3. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:8899 +#: freeculture.xml:8904 msgid "" "See Danit Lidor, \"Artists Just Wanna Be Free,\" " "<citetitle>Wired</citetitle>, 7 July 2003, available at <ulink " @@ -11647,7 +11659,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8880 +#: freeculture.xml:8885 msgid "" "The consequence of this legal uncertainty, tied to these extremely high " "penalties, is that an extraordinary amount of creativity will either never " @@ -11667,7 +11679,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8909 +#: freeculture.xml:8914 msgid "" "Part of the reason for this fear of illegality has to do with the changing " "law. I described that change in detail in chapter <xref xrefstyle=\"select: " @@ -11681,7 +11693,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8921 +#: freeculture.xml:8926 msgid "" "Never in our history has a painter had to worry about whether his painting " "infringed on someone else's work; but the modern-day painter, using the " @@ -11695,7 +11707,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8932 +#: freeculture.xml:8937 msgid "" "Lawyers rarely see this because lawyers are rarely empirical. As I described " "in chapter <xref xrefstyle=\"select: labelnumber\" linkend=\"recorders\"/>, " @@ -11706,7 +11718,7 @@ msgstr "" #. PAGE BREAK 196 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8943 +#: freeculture.xml:8948 msgid "" "But fair use in America simply means the right to hire a lawyer to defend " "your right to create. And as lawyers love to forget, our system for " @@ -11719,7 +11731,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8953 +#: freeculture.xml:8958 msgid "" "Judges and lawyers can tell themselves that fair use provides adequate " "\"breathing room\" between regulation by the law and the access the law " @@ -11732,7 +11744,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8964 +#: freeculture.xml:8969 msgid "" "For in a world that threatens $150,000 for a single willful infringement of " "a copyright, and which demands tens of thousands of dollars to even defend " @@ -11745,13 +11757,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8975 +#: freeculture.xml:8980 msgid "As Jed Horovitz, the businessman behind Video Pipeline, said to me," msgstr "" #. PAGE BREAK 197 #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:8979 +#: freeculture.xml:8984 msgid "" "We're losing [creative] opportunities right and left. Creative people are " "being forced not to express themselves. Thoughts are not being " @@ -11764,12 +11776,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:8992 +#: freeculture.xml:8997 msgid "Constraining Innovators" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8994 +#: freeculture.xml:8999 msgid "" "The story of the last section was a crunchy-lefty story—creativity " "quashed, artists who can't speak, yada yada yada. Maybe that doesn't get you " @@ -11780,7 +11792,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9002 +#: freeculture.xml:9007 msgid "" "But there's an aspect of this story that is not lefty in any sense. Indeed, " "it is an aspect that could be written by the most extreme promarket " @@ -11792,7 +11804,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9011 +#: freeculture.xml:9016 msgid "" "The charge I've been making about the regulation of culture is the same " "charge free marketers make about regulating markets. Everyone, of course, " @@ -11807,13 +11819,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:9023 freeculture.xml:9130 +#: freeculture.xml:9028 freeculture.xml:9135 msgid "Barry, Hank" msgstr "" #. PAGE BREAK 198 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9025 +#: freeculture.xml:9030 msgid "" "This is the single most dramatic effect of the shift in regulatory strategy " "that I described in chapter <xref xrefstyle=\"select: labelnumber\" " @@ -11828,7 +11840,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9038 +#: freeculture.xml:9043 msgid "" "Consider one example to make the point, a story whose beginning I told in " "<citetitle>The Future of Ideas</citetitle> and which has progressed in a way " @@ -11836,7 +11848,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9043 +#: freeculture.xml:9048 msgid "" "In 1997, Michael Roberts launched a company called MP3.com. MP3.com was " "keen to remake the music business. Their goal was not just to facilitate new " @@ -11847,7 +11859,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9051 +#: freeculture.xml:9056 msgid "" "To make this system work, however, MP3.com needed a reliable way to " "recommend music to its users. The idea behind this alternative was to " @@ -11857,7 +11869,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9059 +#: freeculture.xml:9064 msgid "" "This idea required a simple way to gather data about user preferences. " "MP3.com came up with an extraordinarily clever way to gather this preference " @@ -11872,7 +11884,7 @@ msgstr "" #. PAGE BREAK 199 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9071 +#: freeculture.xml:9076 msgid "" "No doubt some could use this system to illegally copy content. But that " "opportunity existed with or without MP3.com. The aim of the my.mp3.com " @@ -11882,7 +11894,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9080 +#: freeculture.xml:9085 msgid "" "To make this system function, however, MP3.com needed to copy 50,000 CDs to " "a server. (In principle, it could have been the user who uploaded the music, " @@ -11896,7 +11908,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9095 +#: freeculture.xml:9100 msgid "" "Nine days after MP3.com launched its service, the five major labels, headed " "by the RIAA, brought a lawsuit against MP3.com. MP3.com settled with four of " @@ -11908,12 +11920,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9105 +#: freeculture.xml:9110 msgid "That part of the story I have told before. Now consider its conclusion." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9108 +#: freeculture.xml:9113 msgid "" "After Vivendi purchased MP3.com, Vivendi turned around and filed a " "malpractice lawsuit against the lawyers who had advised it that they had a " @@ -11926,7 +11938,7 @@ msgstr "" #. PAGE BREAK 200 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9118 +#: freeculture.xml:9123 msgid "" "The clear purpose of this lawsuit (which was settled for an unspecified " "amount shortly after the story was no longer covered in the press) was to " @@ -11938,13 +11950,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:9129 +#: freeculture.xml:9134 msgid "Hummer, John" msgstr "" #. f4. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9138 +#: freeculture.xml:9143 msgid "" "See Joseph Menn, \"Universal, EMI Sue Napster Investor,\" <citetitle>Los " "Angeles Times</citetitle>, 23 April 2003. For a parallel argument about the " @@ -11956,7 +11968,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9132 +#: freeculture.xml:9137 msgid "" "This strategy is not just limited to the lawyers. In April 2003, Universal " "and EMI brought a lawsuit against Hummer Winblad, the venture capital firm " @@ -11976,17 +11988,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><indexterm><primary> -#: freeculture.xml:9159 +#: freeculture.xml:9164 msgid "BMW" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para><indexterm><primary> -#: freeculture.xml:9174 +#: freeculture.xml:9179 msgid "Needleman, Rafe" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:9170 +#: freeculture.xml:9175 msgid "" "Rafe Needleman, \"Driving in Cars with MP3s,\" <citetitle>Business " "2.0</citetitle>, 16 June 2003, available at <ulink " @@ -11996,7 +12008,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:9161 +#: freeculture.xml:9166 msgid "" "I asked why, with all the storage capacity and computer power in the car, " "there was no way to play MP3 files. I was told that BMW engineers in Germany " @@ -12008,7 +12020,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9179 +#: freeculture.xml:9184 msgid "" "This is the world of the mafia—filled with \"your money or your life\" " "offers, governed in the end not by courts but by the threats that the law " @@ -12020,7 +12032,7 @@ msgstr "" #. PAGE BREAK 201 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9189 +#: freeculture.xml:9194 msgid "" "The point is not that businesses should have a right to start illegal " "enterprises. The point is the definition of \"illegal.\" The law is a mess " @@ -12036,7 +12048,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9204 +#: freeculture.xml:9209 msgid "" "The point is directly parallel to the crunchy-lefty point about fair " "use. Whatever the \"real\" law is, realism about the effect of law in both " @@ -12051,7 +12063,7 @@ msgstr "" #. PAGE BREAK 202 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9216 +#: freeculture.xml:9221 msgid "" "The building of a permission culture, rather than a free culture, is the " "first important way in which the changes I have described will burden " @@ -12074,7 +12086,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9238 +#: freeculture.xml:9243 msgid "" "The motivation for this response is obvious. The Internet enables the " "efficient spread of content. That efficiency is a feature of the Internet's " @@ -12088,7 +12100,7 @@ msgstr "" #. f6. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9252 +#: freeculture.xml:9257 msgid "" "\"Copyright and Digital Media in a Post-Napster World,\" GartnerG2 and the " "Berkman Center for Internet and Society at Harvard Law School (2003), " @@ -12098,12 +12110,12 @@ msgstr "" #. f7. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9268 +#: freeculture.xml:9273 msgid "GartnerG2, 26–27." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9248 +#: freeculture.xml:9253 msgid "" "The examples of this form of legislation are many. At the urging of the " "content industry, some in Congress have threatened legislation that would " @@ -12121,7 +12133,7 @@ msgstr "" #. PAGE BREAK 203 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9273 +#: freeculture.xml:9278 msgid "" "In one sense, these solutions seem sensible. If the problem is the code, why " "not regulate the code to remove the problem. But any regulation of technical " @@ -12132,14 +12144,14 @@ msgstr "" #. f8. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9287 +#: freeculture.xml:9292 msgid "" "See David McGuire, \"Tech Execs Square Off Over Piracy,\" Newsbytes, " "February 2002 (Entertainment)." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9284 +#: freeculture.xml:9289 msgid "" "In March 2002, a broad coalition of technology companies, led by Intel, " "tried to get Congress to see the harm that such legislation would " @@ -12149,7 +12161,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9295 +#: freeculture.xml:9300 msgid "" "There is one more obvious way in which this war has harmed " "innovation—again, a story that will be quite familiar to the free " @@ -12157,7 +12169,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9301 +#: freeculture.xml:9306 msgid "" "Copyright may be property, but like all property, it is also a form of " "regulation. It is a regulation that benefits some and harms others. When " @@ -12166,14 +12178,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9313 +#: freeculture.xml:9318 msgid "" "Jessica Litman, <citetitle>Digital Copyright</citetitle> (Amherst, N.Y.: " "Prometheus Books, 2001). <placeholder type=\"indexterm\" id=\"0\"/>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9307 +#: freeculture.xml:9312 msgid "" "As I described in chapter <xref xrefstyle=\"select: labelnumber\" " "linkend=\"property-i\"/>, despite this feature of copyright as regulation, " @@ -12187,7 +12199,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9324 +#: freeculture.xml:9329 msgid "" "But that pattern of deference to new technologies has now changed with the " "rise of the Internet. Rather than striking a balance between the claims of a " @@ -12198,7 +12210,7 @@ msgstr "" #. f10. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9333 +#: freeculture.xml:9338 msgid "" "The only circuit court exception is found in <citetitle>Recording Industry " "Association of America (RIAA)</citetitle> v. <citetitle>Diamond Multimedia " @@ -12216,7 +12228,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9351 +#: freeculture.xml:9356 msgid "" "For example, in July 2002, Representative Howard Berman introduced the " "Peer-to-Peer Piracy Prevention Act (H.R. 5211), which would immunize " @@ -12235,7 +12247,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9331 +#: freeculture.xml:9336 msgid "" "The response by the courts has been fairly universal.<placeholder " "type=\"footnote\" id=\"0\"/> It has been mirrored in the responses " @@ -12247,7 +12259,7 @@ msgstr "" #. PAGE BREAK 204 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9373 +#: freeculture.xml:9378 msgid "" "As I described in chapter <xref xrefstyle=\"select: labelnumber\" " "linkend=\"pirates\"/>, when a radio station plays a song, the recording " @@ -12260,7 +12272,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9384 +#: freeculture.xml:9389 msgid "" "The reasoning behind this balance struck by Congress makes some sense. The " "justification was that radio was a kind of advertising. The recording artist " @@ -12273,7 +12285,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9395 +#: freeculture.xml:9400 msgid "" "Enter Internet radio. Like regular radio, Internet radio is a technology to " "stream content from a broadcaster to a listener. The broadcast travels " @@ -12284,7 +12296,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9404 +#: freeculture.xml:9409 msgid "" "This feature of the architecture of Internet radio means that there are " "potentially an unlimited number of radio stations that a user could tune in " @@ -12300,7 +12312,7 @@ msgstr "" #. PAGE BREAK 205 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9419 +#: freeculture.xml:9424 msgid "" "Internet radio is thus to radio what FM was to AM. It is an improvement " "potentially vastly more significant than the FM improvement over AM, since " @@ -12312,12 +12324,12 @@ msgstr "" #. f12. #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:9443 +#: freeculture.xml:9448 msgid "Lessing, 239." msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:9429 +#: freeculture.xml:9434 msgid "" "An almost unlimited number of FM stations was possible in the shortwaves, " "thus ending the unnatural restrictions imposed on radio in the crowded " @@ -12335,12 +12347,12 @@ msgstr "" #. f13. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9453 +#: freeculture.xml:9458 msgid "Ibid., 229." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9448 +#: freeculture.xml:9453 msgid "" "This potential for FM radio was never realized—not because Armstrong " "was wrong about the technology, but because he underestimated the power of " @@ -12350,7 +12362,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9458 +#: freeculture.xml:9463 msgid "" "Now the very same claim could be made about Internet radio. For again, there " "is no technical limitation that could restrict the number of Internet radio " @@ -12361,7 +12373,7 @@ msgstr "" #. PAGE BREAK 206 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9466 +#: freeculture.xml:9471 msgid "" "But here the power of the lobbyists is reversed. Internet radio is a new " "industry. The recording artists, on the other hand, have a very powerful " @@ -12376,12 +12388,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:9505 +#: freeculture.xml:9510 msgid "CARP (Copyright Arbitration Royalty Panel)" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9488 +#: freeculture.xml:9493 msgid "" "This example was derived from fees set by the original Copyright Arbitration " "Royalty Panel (CARP) proceedings, and is drawn from an example offered by " @@ -12403,7 +12415,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9481 +#: freeculture.xml:9486 msgid "" "This financial burden is not slight. As Harvard law professor William Fisher " "estimates, if an Internet radio station distributed adfree popular music to " @@ -12414,7 +12426,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9512 +#: freeculture.xml:9517 msgid "" "The burden is not financial only. Under the original rules that were " "proposed, an Internet radio station (but not a terrestrial radio station) " @@ -12423,57 +12435,57 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9520 +#: freeculture.xml:9525 msgid "name of the service;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9523 +#: freeculture.xml:9528 msgid "channel of the program (AM/FM stations use station ID);" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9526 +#: freeculture.xml:9531 msgid "type of program (archived/looped/live);" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9529 +#: freeculture.xml:9534 msgid "date of transmission;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9532 +#: freeculture.xml:9537 msgid "time of transmission;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9535 +#: freeculture.xml:9540 msgid "time zone of origination of transmission;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9538 +#: freeculture.xml:9543 msgid "numeric designation of the place of the sound recording within the program;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9541 +#: freeculture.xml:9546 msgid "duration of transmission (to nearest second);" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9544 +#: freeculture.xml:9549 msgid "sound recording title;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9547 +#: freeculture.xml:9552 msgid "ISRC code of the recording;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9550 +#: freeculture.xml:9555 msgid "" "release year of the album per copyright notice and in the case of " "compilation albums, the release year of the album and copy- right date of " @@ -12481,77 +12493,77 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9553 +#: freeculture.xml:9558 msgid "featured recording artist;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9556 +#: freeculture.xml:9561 msgid "retail album title;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9559 +#: freeculture.xml:9564 msgid "recording label;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9562 +#: freeculture.xml:9567 msgid "UPC code of the retail album;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9565 +#: freeculture.xml:9570 msgid "catalog number;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9568 +#: freeculture.xml:9573 msgid "copyright owner information;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9571 +#: freeculture.xml:9576 msgid "musical genre of the channel or program (station format);" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9574 +#: freeculture.xml:9579 msgid "name of the service or entity;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9577 +#: freeculture.xml:9582 msgid "channel or program;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9580 +#: freeculture.xml:9585 msgid "date and time that the user logged in (in the user's time zone);" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9583 +#: freeculture.xml:9588 msgid "date and time that the user logged out (in the user's time zone);" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9586 +#: freeculture.xml:9591 msgid "time zone where the signal was received (user);" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9589 +#: freeculture.xml:9594 msgid "Unique User identifier;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9592 +#: freeculture.xml:9597 msgid "the country in which the user received the transmissions." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9597 +#: freeculture.xml:9602 msgid "" "The Librarian of Congress eventually suspended these reporting requirements, " "pending further study. And he also changed the original rates set by the " @@ -12562,7 +12574,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9605 +#: freeculture.xml:9610 msgid "" "Why? What justifies this difference? Was there any study of the economic " "consequences from Internet radio that would justify these differences? Was " @@ -12570,7 +12582,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9611 +#: freeculture.xml:9616 msgid "" "In a rare bit of candor, one RIAA expert admitted what seemed obvious to " "everyone at the time. As Alex Alben, vice president for Public Policy at " @@ -12579,7 +12591,7 @@ msgstr "" #. PAGE BREAK 208 #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:9617 +#: freeculture.xml:9622 msgid "" "The RIAA, which was representing the record labels, presented some testimony " "about what they thought a willing buyer would pay to a willing seller, and " @@ -12593,7 +12605,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:9633 +#: freeculture.xml:9638 msgid "" "And the RIAA experts said, \"Well, we don't really model this as an industry " "with thousands of webcasters, <emphasis>we think it should be an industry " @@ -12602,7 +12614,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9641 +#: freeculture.xml:9646 msgid "" "Translation: The aim is to use the law to eliminate competition, so that " "this platform of potentially immense competition, which would cause the " @@ -12613,12 +12625,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:9651 +#: freeculture.xml:9656 msgid "Corrupting Citizens" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9653 +#: freeculture.xml:9658 msgid "" "Overregulation stifles creativity. It smothers innovation. It gives " "dinosaurs a veto over the future. It wastes the extraordinary opportunity " @@ -12626,7 +12638,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9659 +#: freeculture.xml:9664 msgid "" "In addition to these important harms, there is one more that was important " "to our forebears, but seems forgotten today. Overregulation corrupts " @@ -12635,7 +12647,7 @@ msgstr "" #. f15. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9668 +#: freeculture.xml:9673 msgid "" "Mike Graziano and Lee Rainie, \"The Music Downloading Deluge,\" Pew Internet " "and American Life Project (24 April 2001), available at <ulink " @@ -12646,7 +12658,7 @@ msgstr "" #. PAGE BREAK 209 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9664 +#: freeculture.xml:9669 msgid "" "The war that is being waged today is a war of prohibition. As with every war " "of prohibition, it is targeted against the behavior of a very large number " @@ -12664,14 +12676,14 @@ msgstr "" #. f16. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9702 +#: freeculture.xml:9707 msgid "" "Alex Pham, \"The Labels Strike Back: N.Y. Girl Settles RIAA Case,\" " "<citetitle>Los Angeles Times</citetitle>, 10 September 2003, Business." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9689 +#: freeculture.xml:9694 msgid "" "The content industry's tactics exploit the failings of the American legal " "system. When the RIAA brought suit against Jesse Jordan, it knew that in " @@ -12694,7 +12706,7 @@ msgstr "" #. f17. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9724 +#: freeculture.xml:9729 msgid "" "Jeffrey A. Miron and Jeffrey Zwiebel, \"Alcohol Consumption During " "Prohibition,\" <citetitle>American Economic Review</citetitle> 81, no. 2 " @@ -12703,7 +12715,7 @@ msgstr "" #. f18. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9732 +#: freeculture.xml:9737 msgid "" "National Drug Control Policy: Hearing Before the House Government Reform " "Committee, 108th Cong., 1st sess. (5 March 2003) (statement of John " @@ -12712,7 +12724,7 @@ msgstr "" #. f19. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9742 +#: freeculture.xml:9747 msgid "" "See James Andreoni, Brian Erard, and Jonathon Feinstein, \"Tax Compliance,\" " "<citetitle>Journal of Economic Literature</citetitle> 36 (1998): 818 (survey " @@ -12720,12 +12732,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:9749 +#: freeculture.xml:9754 msgid "alcohol prohibition" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9714 +#: freeculture.xml:9719 msgid "" "Wars of prohibition are nothing new in America. This one is just something " "more extreme than anything we've seen before. We experimented with alcohol " @@ -12748,7 +12760,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9752 +#: freeculture.xml:9757 msgid "" "This state of affairs is not without consequence. It is a particularly " "salient issue for teachers like me, whose job it is to teach law students " @@ -12767,7 +12779,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9769 +#: freeculture.xml:9774 msgid "" "The response to this general illegality is either to enforce the law more " "severely or to change the law. We, as a society, have to learn how to make " @@ -12781,7 +12793,7 @@ msgstr "" #. PAGE BREAK 211 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9782 +#: freeculture.xml:9787 msgid "" "My point is not the idiotic one: Just because people violate a law, we " "should therefore repeal it. Obviously, we could reduce murder statistics " @@ -12791,7 +12803,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9789 +#: freeculture.xml:9794 msgid "" "My point is instead one that democracies understood for generations, but " "that we recently have learned to forget. The rule of law depends upon people " @@ -12808,7 +12820,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9803 +#: freeculture.xml:9808 msgid "" "When at least forty-three million citizens download content from the " "Internet, and when they use tools to combine that content in ways " @@ -12822,13 +12834,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9815 +#: freeculture.xml:9820 msgid "This abstract point can be made more clear with a particular example." msgstr "" #. PAGE BREAK 212 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9818 +#: freeculture.xml:9823 msgid "" "We all own CDs. Many of us still own phonograph records. These pieces of " "plastic encode music that in a certain sense we have bought. The law " @@ -12839,7 +12851,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9829 +#: freeculture.xml:9834 msgid "" "But as the MP3 craze has demonstrated, there is another use of phonograph " "records that is effectively free. Because these recordings were made without " @@ -12850,12 +12862,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:9837 +#: freeculture.xml:9842 msgid "Adromeda" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9839 +#: freeculture.xml:9844 msgid "" "This \"use\" of my records is certainly valuable. I have begun a large " "process at home of ripping all of my and my wife's CDs, and storing them in " @@ -12869,7 +12881,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9850 +#: freeculture.xml:9855 msgid "" "This use is enabled by unprotected media—either CDs or records. But " "unprotected media also enable file sharing. File sharing threatens (or so " @@ -12882,7 +12894,7 @@ msgstr "" #. PAGE BREAK 213 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9860 +#: freeculture.xml:9865 msgid "" "If these technologies took off, then the building of large archives of your " "own music would become quite difficult. You might hang in hacker circles, " @@ -12896,7 +12908,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9874 +#: freeculture.xml:9879 msgid "" "If the only way to assure that artists get paid were the elimination of the " "ability to freely move content, then these technologies to interfere with " @@ -12908,7 +12920,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9883 +#: freeculture.xml:9888 msgid "" "My point just now is not to prove that there is such a system. I offer a " "version of such a system in the last chapter of this book. For now, the only " @@ -12921,7 +12933,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9894 +#: freeculture.xml:9899 msgid "" "I believe there is a way to assure that artists are paid without turning " "forty-three million Americans into felons. But the salient feature of this " @@ -12933,7 +12945,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9903 +#: freeculture.xml:9908 msgid "" "Except that this generation's buggy manufacturers have already saddled " "Congress, and are riding the law to protect themselves against this new form " @@ -12942,7 +12954,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9909 +#: freeculture.xml:9914 msgid "" "It is understandable why they choose as they do. It is not understandable " "why we as a democracy continue to choose as we do. Jack Valenti is charming; " @@ -12957,19 +12969,19 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:9928 freeculture.xml:10037 +#: freeculture.xml:9933 freeculture.xml:10042 msgid "von Lohmann, Fred" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9926 +#: freeculture.xml:9931 msgid "" "\"If you can treat someone as a putative lawbreaker,\" von Lohmann explains, " "<placeholder type=\"indexterm\" id=\"0\"/>" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:9932 +#: freeculture.xml:9937 msgid "" "then all of a sudden a lot of basic civil liberty protections evaporate to " "one degree or another. . . . If you're a copyright infringer, how can you " @@ -12982,7 +12994,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9944 +#: freeculture.xml:9949 msgid "" "And the consequence of this transformation of the American public into " "criminals is that it becomes trivial, as a matter of due process, to " @@ -12990,7 +13002,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9949 +#: freeculture.xml:9954 msgid "" "Users of the Internet began to see this generally in 2003 as the RIAA " "launched its campaign to force Internet service providers to turn over the " @@ -13002,7 +13014,7 @@ msgstr "" #. f20. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9967 +#: freeculture.xml:9972 msgid "" "See Frank Ahrens, \"RIAA's Lawsuits Meet Surprised Targets; Single Mother in " "Calif., 12-Year-Old Girl in N.Y. Among Defendants,\" <citetitle>Washington " @@ -13018,7 +13030,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9958 +#: freeculture.xml:9963 msgid "" "The RIAA then expanded this campaign, by announcing a general strategy to " "sue individual users of the Internet who are alleged to have downloaded " @@ -13032,7 +13044,7 @@ msgstr "" #. f21. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9985 +#: freeculture.xml:9990 msgid "" "See \"Revealed: How RIAA Tracks Downloaders: Music Industry Discloses Some " "Methods Used,\" CNN.com, available at <ulink " @@ -13040,7 +13052,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9981 +#: freeculture.xml:9986 msgid "" "Even this understates the espionage that is being waged by the RIAA. A " "report from CNN late last summer described a strategy the RIAA had adopted " @@ -13052,7 +13064,7 @@ msgstr "" #. f22. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:10006 +#: freeculture.xml:10011 msgid "" "See Jeff Adler, \"Cambridge: On Campus, Pirates Are Not Penitent,\" " "<citetitle>Boston Globe</citetitle>, 18 May 2003, City Weekly, 1; Frank " @@ -13073,7 +13085,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9994 +#: freeculture.xml:9999 msgid "" "So imagine the following not-implausible scenario: Imagine a friend gives a " "CD to your daughter—a collection of songs just like the cassettes you " @@ -13090,7 +13102,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:10025 +#: freeculture.xml:10030 msgid "" "Now, of course, she'll have the right to defend herself. You can hire a " "lawyer for her (at $300 per hour, if you're lucky), and she can plead that " @@ -13104,7 +13116,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:10041 +#: freeculture.xml:10046 msgid "" "So when we're talking about numbers like forty to sixty million Americans " "that are essentially copyright infringers, you create a situation where the " @@ -13125,7 +13137,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:10061 +#: freeculture.xml:10066 msgid "" "When forty to sixty million Americans are considered \"criminals\" under the " "law, and when the law could achieve the same objective— securing " @@ -13136,12 +13148,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><title> -#: freeculture.xml:10074 +#: freeculture.xml:10079 msgid "BALANCES" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:10079 +#: freeculture.xml:10084 msgid "" "So here's the picture: You're standing at the side of the road. Your car is " "on fire. You are angry and upset because in part you helped start the " @@ -13150,7 +13162,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:10085 +#: freeculture.xml:10090 msgid "" "As you ponder the mess, someone else comes along. In a panic, she grabs the " "bucket. Before you have a chance to tell her to stop—or before she " @@ -13160,7 +13172,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:10093 +#: freeculture.xml:10098 msgid "" "A war about copyright rages all around—and we're all focusing on the " "wrong thing. No doubt, current technologies threaten existing businesses. " @@ -13172,7 +13184,7 @@ msgstr "" #. PAGE BREAK 219 #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:10102 +#: freeculture.xml:10107 msgid "" "Yet policy makers are not willing to leave this fire to itself. Primed with " "plenty of lobbyists' money, they are keen to intervene to eliminate the " @@ -13182,7 +13194,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:10110 +#: freeculture.xml:10115 msgid "" "Somehow we have to find a way to turn attention to this more important and " "fundamental issue. Somehow we have to find a way to avoid pouring gasoline " @@ -13190,7 +13202,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:10115 +#: freeculture.xml:10120 msgid "" "We have not found that way yet. Instead, we seem trapped in a simpler, " "binary view. However much many people push to frame this debate more " @@ -13199,7 +13211,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:10121 +#: freeculture.xml:10126 msgid "" "This challenge has been my life these last few years. It has also been my " "failure. In the two chapters that follow, I describe one small brace of " @@ -13208,12 +13220,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:10131 +#: freeculture.xml:10136 msgid "CHAPTER THIRTEEN: Eldred" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10133 +#: freeculture.xml:10138 msgid "" "In 1995, a father was frustrated that his daughters didn't seem to like " "Hawthorne. No doubt there was more than one such father, but at least one " @@ -13224,7 +13236,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10142 +#: freeculture.xml:10147 msgid "" "It didn't work—at least for his daughters. They didn't find Hawthorne " "any more interesting than before. But Eldred's experiment gave birth to a " @@ -13234,7 +13246,7 @@ msgstr "" #. PAGE BREAK 221 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10149 +#: freeculture.xml:10154 msgid "" "Eldred's library was not simply a copy of certain public domain works, " "though even a copy would have been of great value to people across the world " @@ -13246,7 +13258,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10160 +#: freeculture.xml:10165 msgid "" "Eldred's freedom to do this with Hawthorne's work grew from the same source " "as Disney's. Hawthorne's <citetitle>Scarlet Letter</citetitle> had passed " @@ -13263,7 +13275,7 @@ msgstr "" #. f1. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10183 +#: freeculture.xml:10188 msgid "" "There's a parallel here with pornography that is a bit hard to describe, but " "it's a strong one. One phenomenon that the Internet created was a world of " @@ -13281,7 +13293,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10172 +#: freeculture.xml:10177 msgid "" "The Internet created the possibility of noncommercial publications of public " "domain works. Eldred's is just one example. There are literally thousands of " @@ -13295,7 +13307,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10200 +#: freeculture.xml:10205 msgid "" "As I said, Eldred lives in New Hampshire. In 1998, Robert Frost's collection " "of poems <citetitle>New Hampshire</citetitle> was slated to pass into the " @@ -13312,7 +13324,7 @@ msgstr "" #. f2. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10221 +#: freeculture.xml:10226 msgid "" "The full text is: \"Sonny [Bono] wanted the term of copyright protection to " "last forever. I am informed by staff that such a change would violate the " @@ -13324,7 +13336,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10216 +#: freeculture.xml:10221 msgid "" "This was the Sonny Bono Copyright Term Extension Act (CTEA), enacted in " "memory of the congressman and former musician Sonny Bono, who, his widow, " @@ -13333,7 +13345,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10232 +#: freeculture.xml:10237 msgid "" "Eldred decided to fight this law. He first resolved to fight it through " "civil disobedience. In a series of interviews, Eldred announced that he " @@ -13344,7 +13356,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10241 +#: freeculture.xml:10246 msgid "" "It was here that I became involved in Eldred's battle. I was a " "constitutional scholar whose first passion was constitutional " @@ -13354,7 +13366,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:10252 +#: freeculture.xml:10257 msgid "" "Congress has the power to promote the Progress of Science . . . by securing " "for limited Times to Authors . . . exclusive Right to their " @@ -13362,7 +13374,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10258 +#: freeculture.xml:10263 msgid "" "As I've described, this clause is unique within the power-granting clause of " "Article I, section 8 of our Constitution. Every other clause granting power " @@ -13375,12 +13387,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:10277 freeculture.xml:11724 +#: freeculture.xml:10282 freeculture.xml:11729 msgid "Jaszi, Peter" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10268 +#: freeculture.xml:10273 msgid "" "In the past forty years, Congress has gotten into the practice of extending " "existing terms of copyright protection. What puzzled me about this was, if " @@ -13393,7 +13405,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10280 +#: freeculture.xml:10285 msgid "" "As an academic, my first response was to hit the books. I remember sitting " "late at the office, scouring on-line databases for any serious consideration " @@ -13406,7 +13418,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10291 +#: freeculture.xml:10296 msgid "" "For this is the core of the corruption in our present system of " "government. \"Corruption\" not in the sense that representatives are " @@ -13418,7 +13430,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10300 +#: freeculture.xml:10305 msgid "" "If that's not obvious to you, consider the following: Say you're one of the " "very few lucky copyright owners whose copyright continues to make money one " @@ -13430,7 +13442,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10310 +#: freeculture.xml:10315 msgid "" "So imagine the Robert Frost estate is earning $100,000 a year from three of " "Frost's poems. And imagine the copyright for those poems is about to " @@ -13440,7 +13452,7 @@ msgstr "" #. PAGE BREAK 224 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10317 +#: freeculture.xml:10322 msgid "" "\"Next year,\" the adviser announces, \"our copyrights in works A, B, and C " "will expire. That means that after next year, we will no longer be receiving " @@ -13448,7 +13460,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10325 +#: freeculture.xml:10330 msgid "" "\"There's a proposal in Congress, however,\" she continues, \"that could " "change this. A few congressmen are floating a bill to extend the terms of " @@ -13457,14 +13469,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10331 +#: freeculture.xml:10336 msgid "" "\"Hope?\" a fellow board member says. \"Can't we be doing something about " "it?\"" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10335 +#: freeculture.xml:10340 msgid "" "\"Well, obviously, yes,\" the adviser responds. \"We could contribute to the " "campaigns of a number of representatives to try to assure that they support " @@ -13472,7 +13484,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10340 +#: freeculture.xml:10345 msgid "" "You hate politics. You hate contributing to campaigns. So you want to know " "whether this disgusting practice is worth it. \"How much would we get if " @@ -13480,7 +13492,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10346 +#: freeculture.xml:10351 msgid "" "\"Well,\" the adviser says, \"if you're confident that you will continue to " "get at least $100,000 a year from these copyrights, and you use the " @@ -13489,14 +13501,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10352 +#: freeculture.xml:10357 msgid "" "You're a bit shocked by the number, but you quickly come to the correct " "conclusion:" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10356 +#: freeculture.xml:10361 msgid "" "\"So you're saying it would be worth it for us to pay more than $1,000,000 " "in campaign contributions if we were confident those contributions would " @@ -13504,7 +13516,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10362 +#: freeculture.xml:10367 msgid "" "\"Absolutely,\" the adviser responds. \"It is worth it to you to contribute " "up to the `present value' of the income you expect from these " @@ -13513,7 +13525,7 @@ msgstr "" #. PAGE BREAK 225 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10368 +#: freeculture.xml:10373 msgid "" "You quickly get the point—you as the member of the board and, I trust, " "you the reader. Each time copyrights are about to expire, every beneficiary " @@ -13525,7 +13537,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10379 +#: freeculture.xml:10384 msgid "" "Thus a congressional perpetual motion machine: So long as legislation can be " "bought (albeit indirectly), there will be all the incentive in the world to " @@ -13534,7 +13546,7 @@ msgstr "" #. f3. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10391 +#: freeculture.xml:10396 msgid "" "Associated Press, \"Disney Lobbying for Copyright Extension No Mickey Mouse " "Effort; Congress OKs Bill Granting Creators 20 More Years,\" " @@ -13543,7 +13555,7 @@ msgstr "" #. f4. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10398 +#: freeculture.xml:10403 msgid "" "See Nick Brown, \"Fair Use No More?: Copyright in the Information Age,\" " "available at <ulink url=\"http://free-culture.cc/notes/\">link #49</ulink>." @@ -13551,7 +13563,7 @@ msgstr "" #. f5. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10406 +#: freeculture.xml:10411 msgid "" "Alan K. Ota, \"Disney in Washington: The Mouse That Roars,\" " "<citetitle>Congressional Quarterly This Week</citetitle>, 8 August 1990, " @@ -13559,7 +13571,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10384 +#: freeculture.xml:10389 msgid "" "In the lobbying that led to the passage of the Sonny Bono Copyright Term " "Extension Act, this \"theory\" about incentives was proved real. Ten of the " @@ -13574,7 +13586,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10413 +#: freeculture.xml:10418 msgid "" "Constitutional law is not oblivious to the obvious. Or at least, it need not " "be. So when I was considering Eldred's complaint, this reality about the " @@ -13588,7 +13600,7 @@ msgstr "" #. PAGE BREAK 226 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10426 +#: freeculture.xml:10431 msgid "" "It was also my judgment that <emphasis>this</emphasis> Supreme Court would " "not allow Congress to extend existing terms. As anyone close to the Supreme " @@ -13600,7 +13612,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10439 +#: freeculture.xml:10444 msgid "" "Since 1937, the Supreme Court had interpreted Congress's granted powers very " "broadly; so, while the Constitution grants Congress the power to regulate " @@ -13610,7 +13622,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10449 +#: freeculture.xml:10454 msgid "" "As the economy grew, this standard increasingly meant that there was no " "limit to Congress's power to regulate, since just about every activity, when " @@ -13620,7 +13632,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10456 +#: freeculture.xml:10461 msgid "" "The Supreme Court, under Chief Justice Rehnquist's command, changed that in " "<citetitle>United States</citetitle> v. <citetitle>Lopez</citetitle>. The " @@ -13636,7 +13648,7 @@ msgstr "" #. f6. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10471 +#: freeculture.xml:10476 msgid "" "<citetitle>United States</citetitle> v. <citetitle>Lopez</citetitle>, 514 " "U.S. 549, 564 (1995)." @@ -13644,14 +13656,14 @@ msgstr "" #. f7. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10478 +#: freeculture.xml:10483 msgid "" "<citetitle>United States</citetitle> v. <citetitle>Morrison</citetitle>, 529 " "U.S. 598 (2000)." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10469 +#: freeculture.xml:10474 msgid "" "\"We pause to consider the implications of the government's arguments,\" the " "Chief Justice wrote.<placeholder type=\"footnote\" id=\"0\"/> If anything " @@ -13664,7 +13676,7 @@ msgstr "" #. f8. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10485 +#: freeculture.xml:10490 msgid "" "If it is a principle about enumerated powers, then the principle carries " "from one enumerated power to another. The animating point in the context of " @@ -13678,7 +13690,7 @@ msgstr "" #. PAGE BREAK 227 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10482 +#: freeculture.xml:10487 msgid "" "If a principle were at work here, then it should apply to the Progress " "Clause as much as the Commerce Clause.<placeholder type=\"footnote\" " @@ -13692,7 +13704,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10506 +#: freeculture.xml:10511 msgid "" "<emphasis>If</emphasis>, that is, the principle announced in " "<citetitle>Lopez</citetitle> stood for a principle. Many believed the " @@ -13708,7 +13720,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10519 +#: freeculture.xml:10524 msgid "" "Now let's pause for a moment to make sure we understand what the argument in " "<citetitle>Eldred</citetitle> was not about. By insisting on the " @@ -13728,7 +13740,7 @@ msgstr "" #. f9. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10542 +#: freeculture.xml:10547 msgid "" "Brief of the Nashville Songwriters Association, " "<citetitle>Eldred</citetitle> v. <citetitle>Ashcroft</citetitle>, 537 U.S. " @@ -13737,12 +13749,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:10550 +#: freeculture.xml:10555 msgid "Nashville Songwriters Association" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10536 +#: freeculture.xml:10541 msgid "" "Some people view the public domain with contempt. In their brief before the " "Supreme Court, the Nashville Songwriters Association wrote that the public " @@ -13754,7 +13766,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10553 +#: freeculture.xml:10558 msgid "" "As we've seen, our constitutional system requires limits on copyright as a " "way to assure that copyright holders do not too heavily influence the " @@ -13766,7 +13778,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10565 +#: freeculture.xml:10570 msgid "" "It is valuable copyrights that are responsible for terms being extended. " "Mickey Mouse and \"Rhapsody in Blue.\" These works are too valuable for " @@ -13780,7 +13792,7 @@ msgstr "" #. f10. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10586 +#: freeculture.xml:10591 msgid "" "The figure of 2 percent is an extrapolation from the study by the " "Congressional Research Service, in light of the estimated renewal " @@ -13790,7 +13802,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10580 +#: freeculture.xml:10585 msgid "" "If you look at the work created in the first twenty years (1923 to 1942) " "affected by the Sonny Bono Copyright Term Extension Act, 2 percent of that " @@ -13802,7 +13814,7 @@ msgstr "" #. PAGE BREAK 229 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10595 +#: freeculture.xml:10600 msgid "" "Think practically about the consequence of this extension—practically, " "as a businessperson, and not as a lawyer eager for more legal work. In 1930, " @@ -13813,7 +13825,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10607 +#: freeculture.xml:10612 msgid "" "Well, first, you'd have to determine which of the 9,873 books were still " "under copyright. That requires going to a library (these data are not " @@ -13824,14 +13836,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10615 +#: freeculture.xml:10620 msgid "" "Then for the books still under copyright, you would need to locate the " "current copyright owners. How would you do that?" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10619 +#: freeculture.xml:10624 msgid "" "Most people think that there must be a list of these copyright owners " "somewhere. Practical people think this way. How could there be thousands and " @@ -13839,7 +13851,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10626 +#: freeculture.xml:10631 msgid "" "But there is no list. There may be a name from 1930, and then in 1959, of " "the person who registered the copyright. But just think practically about " @@ -13849,14 +13861,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10635 +#: freeculture.xml:10640 msgid "" "\"But there isn't a list of who owns property generally,\" the apologists " "for the system respond. \"Why should there be a list of copyright owners?\"" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10640 +#: freeculture.xml:10645 msgid "" "Well, actually, if you think about it, there <emphasis>are</emphasis> plenty " "of lists of who owns what property. Think about deeds on houses, or titles " @@ -13868,7 +13880,7 @@ msgstr "" #. PAGE BREAK 230 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10649 +#: freeculture.xml:10654 msgid "" "So: You walk down a street and see a house. You can know who owns the house " "by looking it up in the courthouse registry. If you see a car, there is " @@ -13882,7 +13894,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10664 +#: freeculture.xml:10669 msgid "" "Compare this story to intangible property. You go into a library. The " "library owns the books. But who owns the copyrights? As I've already " @@ -13896,7 +13908,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10676 +#: freeculture.xml:10681 msgid "" "The consequence with respect to old books is that they won't be digitized, " "and hence will simply rot away on shelves. But the consequence for other " @@ -13904,13 +13916,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:10681 +#: freeculture.xml:10686 msgid "Agee, Michael" msgstr "" #. f11. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10694 +#: freeculture.xml:10699 msgid "" "See David G. Savage, \"High Court Scene of Showdown on Copyright Law,\" " "<citetitle>Los Angeles Times</citetitle>, 6 October 2002; David Streitfeld, " @@ -13920,12 +13932,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:10700 +#: freeculture.xml:10705 msgid "Lucky Dog, The" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10683 +#: freeculture.xml:10688 msgid "" "Consider the story of Michael Agee, chairman of Hal Roach Studios, which " "owns the copyrights for the Laurel and Hardy films. Agee is a direct " @@ -13940,7 +13952,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10703 +#: freeculture.xml:10708 msgid "" "Yet Agee opposed the CTEA. His reasons demonstrate a rare virtue in this " "culture: selflessness. He argued in a brief before the Supreme Court that " @@ -13950,7 +13962,7 @@ msgstr "" #. PAGE BREAK 231 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10709 +#: freeculture.xml:10714 msgid "" "His argument is straightforward. A tiny fraction of this work has any " "continuing commercial value. The rest—to the extent it survives at " @@ -13962,7 +13974,7 @@ msgstr "" #. f12. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10727 +#: freeculture.xml:10732 msgid "" "Brief of Hal Roach Studios and Michael Agee as Amicus Curiae Supporting the " "Petitoners, <citetitle>Eldred</citetitle> " @@ -13974,7 +13986,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10720 +#: freeculture.xml:10725 msgid "" "We can't know the benefits, but we do know a lot about the costs. For most " "of the history of film, the costs of restoring film were very high; digital " @@ -13985,7 +13997,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10737 +#: freeculture.xml:10742 msgid "" "Restoration technology is not the only cost, nor the most important. " "Lawyers, too, are a cost, and increasingly, a very important one. In " @@ -13995,7 +14007,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10745 +#: freeculture.xml:10750 msgid "" "Or more accurately, <emphasis>owners</emphasis>. As we've seen, there isn't " "only a single copyright associated with a film; there are many. There isn't " @@ -14006,7 +14018,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10753 +#: freeculture.xml:10758 msgid "" "\"But can't you just restore the film, distribute it, and then pay the " "copyright owner when she shows up?\" Sure, if you want to commit a " @@ -14021,7 +14033,7 @@ msgstr "" #. PAGE BREAK 232 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10764 +#: freeculture.xml:10769 msgid "" "For some films, the benefit of releasing the film may well exceed these " "costs. But for the vast majority of them, there is no way the benefit would " @@ -14031,7 +14043,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10774 +#: freeculture.xml:10779 msgid "" "But by the time the copyright for these films expires, the film will have " "expired. These films were produced on nitrate-based stock, and nitrate stock " @@ -14040,7 +14052,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10782 +#: freeculture.xml:10787 msgid "" "Of all the creative work produced by humans anywhere, a tiny fraction has " "continuing commercial value. For that tiny fraction, the copyright is a " @@ -14050,7 +14062,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10791 +#: freeculture.xml:10796 msgid "" "But even for that tiny fraction, the actual time during which the creative " "work has a commercial life is extremely short. As I've indicated, most books " @@ -14061,7 +14073,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10801 +#: freeculture.xml:10806 msgid "" "Yet that doesn't mean the life of the creative work ends. We don't keep " "libraries of books in order to compete with Barnes & Noble, and we don't " @@ -14075,7 +14087,7 @@ msgstr "" #. PAGE BREAK 233 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10814 +#: freeculture.xml:10819 msgid "" "Copyrights in this context do not drive an engine of free expression. In " "this context, there is no need for an exclusive right. Copyrights in this " @@ -14083,7 +14095,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10821 +#: freeculture.xml:10826 msgid "" "Yet, for most of our history, they also did little harm. For most of our " "history, when a work ended its commercial life, there was no " @@ -14096,7 +14108,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10832 +#: freeculture.xml:10837 msgid "" "The same was effectively true of film. Because the costs of restoring a " "film—the real economic costs, not the lawyer costs—were so high, " @@ -14107,7 +14119,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10841 +#: freeculture.xml:10846 msgid "" "In other words, though copyright has been relatively short for most of our " "history, long copyrights wouldn't have mattered for the works that lost " @@ -14116,12 +14128,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10847 +#: freeculture.xml:10852 msgid "But this situation has now changed." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10850 +#: freeculture.xml:10855 msgid "" "One crucially important consequence of the emergence of digital technologies " "is to enable the archive that Brewster Kahle dreams of. Digital " @@ -14136,7 +14148,7 @@ msgstr "" #. PAGE BREAK 234 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10863 +#: freeculture.xml:10868 msgid "" "And now copyright law does get in the way. Every step of producing this " "digital archive of our culture infringes on the exclusive right of " @@ -14149,7 +14161,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10873 +#: freeculture.xml:10878 msgid "" "Here is the core of the harm that comes from extending terms: Now that " "technology enables us to rebuild the library of Alexandria, the law gets in " @@ -14163,7 +14175,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10884 +#: freeculture.xml:10889 msgid "" "You may well ask, \"But if digital technologies lower the costs for Brewster " "Kahle, then they will lower the costs for Random House, too. So won't " @@ -14171,7 +14183,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10890 +#: freeculture.xml:10895 msgid "" "Maybe. Someday. But there is absolutely no evidence to suggest that " "publishers would be as complete as libraries. If Barnes & Noble offered " @@ -14185,7 +14197,7 @@ msgstr "" #. f13. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10913 +#: freeculture.xml:10918 msgid "" "Jason Schultz, \"The Myth of the 1976 Copyright `Chaos' Theory,\" 20 " "December 2002, available at <ulink " @@ -14193,7 +14205,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10901 +#: freeculture.xml:10906 msgid "" "I would be the first to agree that it should do as much as it can: We should " "rely upon the market as much as possible to spread and enable culture. My " @@ -14207,7 +14219,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10920 +#: freeculture.xml:10925 msgid "" "In January 1999, we filed a lawsuit on Eric Eldred's behalf in federal " "district court in Washington, D.C., asking the court to declare the Sonny " @@ -14218,7 +14230,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10928 +#: freeculture.xml:10933 msgid "" "The district court dismissed our claims without even hearing an argument. A " "panel of the Court of Appeals for the D.C. Circuit also dismissed our " @@ -14228,7 +14240,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10935 +#: freeculture.xml:10940 msgid "" "Judge David Sentelle said the CTEA violated the requirement that copyrights " "be for \"limited Times\" only. His argument was as elegant as it was simple: " @@ -14241,7 +14253,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10946 +#: freeculture.xml:10951 msgid "" "We asked the Court of Appeals for the D.C. Circuit as a whole to hear the " "case. Cases are ordinarily heard in panels of three, except for important " @@ -14251,7 +14263,7 @@ msgstr "" #. PAGE BREAK 236 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10952 +#: freeculture.xml:10957 msgid "" "The Court of Appeals rejected our request to hear the case en banc. This " "time, Judge Sentelle was joined by the most liberal member of the " @@ -14261,7 +14273,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10961 +#: freeculture.xml:10966 msgid "" "It was here that most expected Eldred v. Ashcroft would die, for the Supreme " "Court rarely reviews any decision by a court of appeals. (It hears about one " @@ -14271,7 +14283,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10968 +#: freeculture.xml:10973 msgid "" "But in February 2002, the Supreme Court surprised the world by granting our " "petition to review the D.C. Circuit opinion. Argument was set for October of " @@ -14279,7 +14291,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10974 +#: freeculture.xml:10979 msgid "" "It is over a year later as I write these words. It is still astonishingly " "hard. If you know anything at all about this story, you know that we lost " @@ -14292,7 +14304,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10984 +#: freeculture.xml:10989 msgid "" "But my client and these friends were wrong. This case could have been " "won. It should have been won. And no matter how hard I try to retell this " @@ -14300,13 +14312,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:10989 freeculture.xml:11003 +#: freeculture.xml:10994 freeculture.xml:11008 msgid "Steward, Geoffrey" msgstr "" #. PAGE BREAK 237 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10991 +#: freeculture.xml:10996 msgid "" "The mistake was made early, though it became obvious only at the very " "end. Our case had been supported from the very beginning by an extraordinary " @@ -14318,17 +14330,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11001 freeculture.xml:11345 freeculture.xml:11360 freeculture.xml:11453 freeculture.xml:11667 freeculture.xml:11698 freeculture.xml:11786 +#: freeculture.xml:11006 freeculture.xml:11350 freeculture.xml:11365 freeculture.xml:11458 freeculture.xml:11672 freeculture.xml:11703 freeculture.xml:11791 msgid "Ayer, Don" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11002 +#: freeculture.xml:11007 msgid "Bromberg, Dan" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11005 +#: freeculture.xml:11010 msgid "" "There were three key lawyers on the case from Jones Day. Geoff Stewart was " "the first, but then Dan Bromberg and Don Ayer became quite " @@ -14341,7 +14353,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11015 +#: freeculture.xml:11020 msgid "" "I hate this view of the law. Of course I thought the Sonny Bono Act was a " "dramatic harm to free speech and free culture. Of course I still think it " @@ -14362,7 +14374,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11036 +#: freeculture.xml:11041 msgid "" "In any case, I thought, the Court must already see the danger and the harm " "caused by this sort of law. Why else would they grant review? There was no " @@ -14373,7 +14385,7 @@ msgstr "" #. PAGE BREAK 238 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11044 +#: freeculture.xml:11049 msgid "" "There was one way, however, in which I felt politics would matter and in " "which I thought a response was appropriate. I was convinced that the Court " @@ -14392,17 +14404,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:11075 freeculture.xml:11100 +#: freeculture.xml:11080 freeculture.xml:11105 msgid "Eagle Forum" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:11076 +#: freeculture.xml:11081 msgid "Schlafly, Phyllis" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11063 +#: freeculture.xml:11068 msgid "" "The first step happened all by itself. Phyllis Schlafly's organization, " "Eagle Forum, had been an opponent of the CTEA from the very beginning. " @@ -14420,7 +14432,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11079 +#: freeculture.xml:11084 msgid "" "In the Court of Appeals, Eagle Forum was eager to file a brief supporting " "our position. Their brief made the argument that became the core claim in " @@ -14430,7 +14442,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11087 +#: freeculture.xml:11092 msgid "" "In the Supreme Court, the briefs on our side were about as diverse as it " "gets. They included an extraordinary historical brief by the Free Software " @@ -14445,17 +14457,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:11107 +#: freeculture.xml:11112 msgid "American Association of Law Libraries" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:11108 +#: freeculture.xml:11113 msgid "National Writers Union" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11103 +#: freeculture.xml:11108 msgid "" "Those briefs framed a legal argument. Then to support the legal argument, " "there were a number of powerful briefs by libraries and archives, including " @@ -14465,7 +14477,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11111 +#: freeculture.xml:11116 msgid "" "But two briefs captured the policy argument best. One made the argument I've " "already described: A brief by Hal Roach Studios argued that unless the law " @@ -14474,32 +14486,32 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11117 +#: freeculture.xml:11122 msgid "Akerlof, George" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11118 +#: freeculture.xml:11123 msgid "Arrow, Kenneth" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11119 +#: freeculture.xml:11124 msgid "Buchanan, James" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11120 +#: freeculture.xml:11125 msgid "Coase, Ronald" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11121 +#: freeculture.xml:11126 msgid "Friedman, Milton" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11123 +#: freeculture.xml:11128 msgid "" "This economists' brief was signed by seventeen economists, including five " "Nobel Prize winners, including Ronald Coase, James Buchanan, Milton " @@ -14513,12 +14525,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:11146 freeculture.xml:11159 freeculture.xml:11351 freeculture.xml:11703 +#: freeculture.xml:11151 freeculture.xml:11164 freeculture.xml:11356 freeculture.xml:11708 msgid "Fried, Charles" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11134 +#: freeculture.xml:11139 msgid "" "The same effort at balance was reflected in the legal team we gathered to " "write our briefs in the case. The Jones Day lawyers had been with us from " @@ -14533,7 +14545,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11149 +#: freeculture.xml:11154 msgid "" "Fried was a special victory for our side. Every other former solicitor " "general was hired by the other side to defend Congress's power to give media " @@ -14548,7 +14560,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11162 +#: freeculture.xml:11167 msgid "" "The government, in defending the statute, had its collection of friends, as " "well. Significantly, however, none of these \"friends\" included historians " @@ -14557,7 +14569,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11169 +#: freeculture.xml:11174 msgid "" "The media companies were not surprising. They had the most to gain from the " "law. The congressmen were not surprising either—they were defending " @@ -14569,7 +14581,7 @@ msgstr "" #. f14. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:11185 +#: freeculture.xml:11190 msgid "" "Brief of Amici Dr. Seuss Enterprise et al., <citetitle>Eldred</citetitle> " "v. <citetitle>Ashcroft</citetitle>, 537 U.S. (2003) (No. 01-618), 19." @@ -14577,19 +14589,19 @@ msgstr "" #. f15. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:11193 +#: freeculture.xml:11198 msgid "" "Dinitia Smith, \"Immortal Words, Immortal Royalties? Even Mickey Mouse Joins " "the Fray,\" <citetitle>New York Times</citetitle>, 28 March 1998, B7." msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:11200 +#: freeculture.xml:11205 msgid "Gershwin, George" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11178 +#: freeculture.xml:11183 msgid "" "Dr. Seuss's representatives, for example, argued that it was better for the " "Dr. Seuss estate to control what happened to Dr. Seuss's work— better " @@ -14606,7 +14618,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11203 +#: freeculture.xml:11208 msgid "" "This argument made clear a theme that is rarely noticed in this debate. " "When Congress decides to extend the term of existing copyrights, Congress is " @@ -14621,7 +14633,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11215 +#: freeculture.xml:11220 msgid "" "We argued as much in a final brief. Not only would upholding the CTEA mean " "that there was no limit to the power of Congress to extend " @@ -14633,7 +14645,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11224 +#: freeculture.xml:11229 msgid "" "The Supreme Court was divided into two important camps. One camp we called " "\"the Conservatives.\" The other we called \"the Rest.\" The Conservatives " @@ -14646,13 +14658,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11233 freeculture.xml:11257 freeculture.xml:11596 freeculture.xml:11608 +#: freeculture.xml:11238 freeculture.xml:11262 freeculture.xml:11601 freeculture.xml:11613 msgid "Breyer, Stephen" msgstr "" #. PAGE BREAK 242 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11235 +#: freeculture.xml:11240 msgid "" "The Rest were the four Justices who had strongly opposed limits on " "Congress's power. These four—Justice Stevens, Justice Souter, Justice " @@ -14665,7 +14677,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11247 +#: freeculture.xml:11252 msgid "" "In particular, the least likely was Justice Ginsburg's. In addition to her " "general view about deference to Congress (except where issues of gender are " @@ -14678,7 +14690,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11259 +#: freeculture.xml:11264 msgid "" "Close behind Justice Ginsburg were two justices whom we also viewed as " "unlikely allies, though possible surprises. Justice Souter strongly favored " @@ -14688,7 +14700,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11267 +#: freeculture.xml:11272 msgid "" "The only vote we could be confident about was that of Justice " "Stevens. History will record Justice Stevens as one of the greatest judges " @@ -14699,7 +14711,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11275 +#: freeculture.xml:11280 msgid "" "This analysis of \"the Rest\" showed most clearly where our focus had to be: " "on the Conservatives. To win this case, we had to crack open these five and " @@ -14712,7 +14724,7 @@ msgstr "" #. PAGE BREAK 243 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11285 +#: freeculture.xml:11290 msgid "" "This then was the core of our strategy—a strategy for which I am " "responsible. We would get the Court to see that just as with the " @@ -14727,7 +14739,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11299 +#: freeculture.xml:11304 msgid "" "The argument on the government's side came down to this: Congress has done " "it before. It should be allowed to do it again. The government claimed that " @@ -14737,7 +14749,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11306 +#: freeculture.xml:11311 msgid "" "There was some truth to the government's claim, but not much. We certainly " "agreed that Congress had extended existing terms in and in 1909. And of " @@ -14747,7 +14759,7 @@ msgstr "" #. PAGE BREAK 244 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11313 +#: freeculture.xml:11318 msgid "" "But this \"consistency\" should be kept in perspective. Congress extended " "existing terms once in the first hundred years of the Republic. It then " @@ -14765,7 +14777,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11336 +#: freeculture.xml:11341 msgid "" "I was convinced that to win, I had to keep the Court focused on a single " "point: that if this extension is permitted, then there is no limit to the " @@ -14776,7 +14788,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11347 +#: freeculture.xml:11352 msgid "" "One moot was before the lawyers at Jones Day. Don Ayer was the skeptic. He " "had served in the Reagan Justice Department with Solicitor General Charles " @@ -14786,7 +14798,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11354 +#: freeculture.xml:11359 msgid "" "\"I'm just afraid that unless they really see the harm, they won't be " "willing to upset this practice that the government says has been a " @@ -14797,7 +14809,7 @@ msgstr "" #. PAGE BREAK 245 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11362 +#: freeculture.xml:11367 msgid "" "He may have argued many cases before this Court, I thought, but he didn't " "understand its soul. As a clerk, I had seen the Justices do the right " @@ -14815,7 +14827,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11379 +#: freeculture.xml:11384 msgid "" "Not everyone has to wait in line. People who know the Justices can ask for " "seats they control. (I asked Justice Scalia's chambers for seats for my " @@ -14831,7 +14843,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11394 +#: freeculture.xml:11399 msgid "" "When the Chief Justice called me to begin my argument, I began where I " "intended to stay: on the question of the limits on Congress's power. This " @@ -14840,14 +14852,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11400 +#: freeculture.xml:11405 msgid "" "Justice O'Connor stopped me within one minute of my opening. The history " "was bothering her." msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:11405 +#: freeculture.xml:11410 msgid "" "justice o'connor: Congress has extended the term so often through the years, " "and if you are right, don't we run the risk of upsetting previous extensions " @@ -14856,7 +14868,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11412 +#: freeculture.xml:11417 msgid "" "She was quite willing to concede \"that this flies directly in the face of " "what the framers had in mind.\" But my response again and again was to " @@ -14865,7 +14877,7 @@ msgstr "" #. PAGE BREAK 246 #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:11418 +#: freeculture.xml:11423 msgid "" "mr. lessig: Well, if it flies in the face of what the framers had in mind, " "then the question is, is there a way of interpreting their words that gives " @@ -14873,14 +14885,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11426 +#: freeculture.xml:11431 msgid "" "There were two points in this argument when I should have seen where the " "Court was going. The first was a question by Justice Kennedy, who observed," msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:11432 +#: freeculture.xml:11437 msgid "" "justice kennedy: Well, I suppose implicit in the argument that the '76 act, " "too, should have been declared void, and that we might leave it alone " @@ -14890,14 +14902,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11440 +#: freeculture.xml:11445 msgid "" "Here follows my clear mistake. Like a professor correcting a student, I " "answered," msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:11446 +#: freeculture.xml:11451 msgid "" "mr. lessig: Justice, we are not making an empirical claim at all. Nothing " "in our Copyright Clause claim hangs upon the empirical assertion about " @@ -14907,7 +14919,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11455 +#: freeculture.xml:11460 msgid "" "That was a correct answer, but it wasn't the right answer. The right answer " "was instead that there was an obvious and profound harm. Any number of " @@ -14917,7 +14929,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11462 +#: freeculture.xml:11467 msgid "" "The second came from the Chief, for whom the whole case had been " "crafted. For the Chief Justice had crafted the <citetitle>Lopez</citetitle> " @@ -14926,21 +14938,21 @@ msgstr "" #. PAGE BREAK 247 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11467 +#: freeculture.xml:11472 msgid "" "It was clear a second into his question that he wasn't at all sympathetic. " "To him, we were a bunch of anarchists. As he asked:" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:11474 +#: freeculture.xml:11479 msgid "" "chief justice: Well, but you want more than that. You want the right to copy " "verbatim other people's books, don't you?" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:11478 +#: freeculture.xml:11483 msgid "" "mr. lessig: We want the right to copy verbatim works that should be in the " "public domain and would be in the public domain but for a statute that " @@ -14949,7 +14961,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11487 +#: freeculture.xml:11492 msgid "" "Things went better for us when the government gave its argument; for now the " "Court picked up on the core of our claim. As Justice Scalia asked Solicitor " @@ -14957,7 +14969,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:11493 +#: freeculture.xml:11498 msgid "" "justice scalia: You say that the functional equivalent of an unlimited time " "would be a violation [of the Constitution], but that's precisely the " @@ -14966,7 +14978,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11501 +#: freeculture.xml:11506 msgid "" "When Olson was finished, it was my turn to give a closing rebuttal. Olson's " "flailing had revived my anger. But my anger still was directed to the " @@ -14982,7 +14994,7 @@ msgstr "" #. PAGE BREAK 248 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11514 +#: freeculture.xml:11519 msgid "" "As I left the court that day, I knew there were a hundred points I wished I " "could remake. There were a hundred questions I wished I had answered " @@ -14990,7 +15002,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11522 +#: freeculture.xml:11527 msgid "" "The government had been asked over and over again, what is the limit? Over " "and over again, it had answered there is no limit. This was precisely the " @@ -15007,7 +15019,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11537 +#: freeculture.xml:11542 msgid "" "The morning of January 15, 2003, I was five minutes late to the office and " "missed the 7:00 A.M. call from the Supreme Court clerk. Listening to the " @@ -15017,7 +15029,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11544 +#: freeculture.xml:11549 msgid "" "A few seconds later, the opinions arrived by e-mail. I took the phone off " "the hook, posted an announcement to our blog, and sat down to see where I " @@ -15025,7 +15037,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11549 +#: freeculture.xml:11554 msgid "" "My <emphasis>reasoning</emphasis>. Here was a case that pitted all the money " "in the world against <emphasis>reasoning</emphasis>. And here was the last " @@ -15033,7 +15045,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11555 +#: freeculture.xml:11560 msgid "" "I first scoured the opinion, looking for how the Court would distinguish the " "principle in this case from the principle in " @@ -15044,7 +15056,7 @@ msgstr "" #. PAGE BREAK 249 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11564 +#: freeculture.xml:11569 msgid "" "Justice Ginsburg simply ignored the enumerated powers argument. Consistent " "with her view that Congress's power was not limited generally, she had found " @@ -15052,7 +15064,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11569 +#: freeculture.xml:11574 msgid "" "Her opinion was perfectly reasonable—for her, and for Justice " "Souter. Neither believes in <citetitle>Lopez</citetitle>. It would be too " @@ -15061,7 +15073,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11575 +#: freeculture.xml:11580 msgid "" "But as I realized what had happened, I couldn't quite believe what I was " "reading. I had said there was no way this Court could reconcile limited " @@ -15075,7 +15087,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11586 +#: freeculture.xml:11591 msgid "" "Yet by what right did they get to choose which of the framers' values they " "would respect? By what right did they—the silent five—get to " @@ -15088,7 +15100,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11598 +#: freeculture.xml:11603 msgid "" "Justices Breyer and Stevens wrote very strong dissents. Stevens's opinion " "was crafted internal to the law: He argued that the tradition of " @@ -15103,7 +15115,7 @@ msgstr "" #. PAGE BREAK 250 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11611 +#: freeculture.xml:11616 msgid "" "Justice Breyer's opinion, perhaps the best opinion he has ever written, was " "external to the Constitution. He argued that the term of copyrights has " @@ -15116,7 +15128,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11622 +#: freeculture.xml:11627 msgid "" "These two justices understood all the arguments we had made. But because " "neither believed in the <citetitle>Lopez</citetitle> case, neither was " @@ -15127,7 +15139,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11629 +#: freeculture.xml:11634 msgid "" "Defeat brings depression. They say it is a sign of health when depression " "gives way to anger. My anger came quickly, but it didn't cure the " @@ -15135,7 +15147,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11634 +#: freeculture.xml:11639 msgid "" "It was first anger with the five \"Conservatives.\" It would have been one " "thing for them to have explained why the principle of " @@ -15152,7 +15164,7 @@ msgstr "" #. PAGE BREAK 251 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11647 +#: freeculture.xml:11652 msgid "" "Here, they had joined an opinion that never once tried to explain what the " "framers had meant by crafting the Progress Clause as they did; they joined " @@ -15167,7 +15179,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11662 +#: freeculture.xml:11667 msgid "" "My anger with the Conservatives quickly yielded to anger with myself. For I " "had let a view of the law that I liked interfere with a view of the law as " @@ -15175,7 +15187,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11669 +#: freeculture.xml:11674 msgid "" "Most lawyers, and most law professors, have little patience for idealism " "about courts in general and this Supreme Court in particular. Most have a " @@ -15190,7 +15202,7 @@ msgstr "" #. PAGE BREAK 252 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11680 +#: freeculture.xml:11685 msgid "" "As I read back over the transcript from that argument in October, I can see " "a hundred places where the answers could have taken the conversation in " @@ -15209,7 +15221,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11700 +#: freeculture.xml:11705 msgid "" "Would it have been different if I had argued it differently? Would it have " "been different if Don Ayer had argued it? Or Charles Fried? Or Kathleen " @@ -15217,7 +15229,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11706 +#: freeculture.xml:11711 msgid "" "My friends huddled around me to insist it would not. The Court was not " "ready, my friends insisted. This was a loss that was destined. It would take " @@ -15226,7 +15238,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11712 +#: freeculture.xml:11717 msgid "" "Maybe, but I doubt it. These Justices have no financial interest in doing " "anything except the right thing. They are not lobbied. They have little " @@ -15236,7 +15248,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11719 +#: freeculture.xml:11724 msgid "" "And even if I couldn't, then that doesn't excuse what happened in " "January. For at the start of this case, one of America's leading " @@ -15248,7 +15260,7 @@ msgstr "" #. PAGE BREAK 253 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11727 +#: freeculture.xml:11732 msgid "" "After the argument and after the decision, Peter said to me, and publicly, " "that he was wrong. But if indeed that Court could not have been persuaded, " @@ -15268,7 +15280,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:11748 +#: freeculture.xml:11753 msgid "" "In effect, the Supreme Court's decision makes it likely that we are seeing " "the beginning of the end of public domain and the birth of copyright " @@ -15279,12 +15291,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:11762 +#: freeculture.xml:11767 msgid "Bolling, Ruben" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11757 +#: freeculture.xml:11762 msgid "" "The best responses were in the cartoons. There was a gaggle of hilarious " "images—of Mickey in jail and the like. The best, from my view of the " @@ -15294,7 +15306,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11765 +#: freeculture.xml:11770 msgid "" "The image that will always stick in my head is that evoked by the quote from " "<citetitle>The New York Times</citetitle>. That \"grand experiment\" we call " @@ -15306,12 +15318,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:11776 +#: freeculture.xml:11781 msgid "CHAPTER FOURTEEN: Eldred II" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11778 +#: freeculture.xml:11783 msgid "" "The day <citetitle>Eldred</citetitle> was decided, fate would have it that I " "was to travel to Washington, D.C. (The day the rehearing petition in " @@ -15323,7 +15335,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11788 +#: freeculture.xml:11793 msgid "" "It was an act of contrition. During the whole of the flight from San " "Francisco to Washington, I had heard over and over again in my head the same " @@ -15337,7 +15349,7 @@ msgstr "" #. PAGE BREAK 256 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11798 +#: freeculture.xml:11803 msgid "" "<citetitle>The New York Times</citetitle> published the piece. In it, I " "proposed a simple fix: Fifty years after a work has been published, the " @@ -15347,7 +15359,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11806 +#: freeculture.xml:11811 msgid "" "We called this the Eldred Act, but that was just to give it a name. Eric " "Eldred was kind enough to let his name be used once again, but as he said " @@ -15355,7 +15367,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11811 +#: freeculture.xml:11816 msgid "" "Or another two names. For depending upon your perspective, this is either " "the \"Public Domain Enhancement Act\" or the \"Copyright Term Deregulation " @@ -15366,12 +15378,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11819 freeculture.xml:12019 +#: freeculture.xml:11824 freeculture.xml:12024 msgid "Forbes, Steve" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11821 +#: freeculture.xml:11826 msgid "" "The reaction to this idea was amazingly strong. Steve Forbes endorsed it in " "an editorial. I received an avalanche of e-mail and letters expressing " @@ -15385,7 +15397,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11833 +#: freeculture.xml:11838 msgid "" "Indeed, many recognized the obvious benefit of the registration " "requirement. For one of the hardest things about the current system for " @@ -15398,18 +15410,18 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11843 +#: freeculture.xml:11848 msgid "Berlin Act (1908)" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11844 freeculture.xml:11884 +#: freeculture.xml:11849 freeculture.xml:11889 msgid "Berne Convention (1908)" msgstr "" #. f1. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:11852 +#: freeculture.xml:11857 msgid "" "Until the 1908 Berlin Act of the Berne Convention, national copyright " "legislation sometimes made protection depend upon compliance with " @@ -15431,7 +15443,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11847 +#: freeculture.xml:11852 msgid "" "As I described in chapter <xref xrefstyle=\"select: labelnumber\" " "linkend=\"property-i\"/>, formalities in copyright law were removed in 1976, " @@ -15446,7 +15458,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11878 +#: freeculture.xml:11883 msgid "" "That's great rhetoric. It sounds wonderfully romantic. But it is absurd " "copyright policy. It is absurd especially for authors, because a world " @@ -15456,7 +15468,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11886 +#: freeculture.xml:11891 msgid "" "The fight against formalities achieved its first real victory in Berlin in " "1908. International copyright lawyers amended the Berne Convention in 1908, " @@ -15469,7 +15481,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11896 +#: freeculture.xml:11901 msgid "" "These complaints were real and sensible. And the strictness of the " "formalities, especially in the United States, was absurd. The law should " @@ -15480,7 +15492,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11904 +#: freeculture.xml:11909 msgid "" "Even that would have been resisted, however, because registration in the " "nineteenth and twentieth centuries was still expensive. It was also a " @@ -15491,7 +15503,7 @@ msgstr "" #. PAGE BREAK 258 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11912 +#: freeculture.xml:11917 msgid "" "In addition to the practical complaint of authors in 1908, there was a moral " "claim as well. There was no reason that creative property should be a " @@ -15503,7 +15515,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11924 +#: freeculture.xml:11929 msgid "" "This argument is correct, but its implications are misleading. For the " "argument in favor of formalities does not depend upon creative property " @@ -15514,7 +15526,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11933 +#: freeculture.xml:11938 msgid "" "No one thinks, for example, that land is second-class property just because " "you have to register a deed with a court if your sale of land is to be " @@ -15532,7 +15544,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11949 +#: freeculture.xml:11954 msgid "" "It is similarly special physics that makes formalities important in " "copyright law. Unlike a carpenter's table, there's nothing in nature that " @@ -15547,7 +15559,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11964 +#: freeculture.xml:11969 msgid "" "This was the understanding of the problem with the Sonny Bono Act that we " "tried to demonstrate to the Court. This was the part it didn't \"get.\" " @@ -15559,7 +15571,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11974 +#: freeculture.xml:11979 msgid "" "But now that copyrights can be just about a century long, the inability to " "know what is protected and what is not protected becomes a huge and obvious " @@ -15571,7 +15583,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11983 +#: freeculture.xml:11988 msgid "" "The Eldred Act was designed to respond to exactly this problem. If it is " "worth $1 to you, then register your work and you can get the longer " @@ -15581,7 +15593,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11990 +#: freeculture.xml:11995 msgid "" "If it isn't worth it to you to register to get the benefit of an extended " "term, then it shouldn't be worth it for the government to defend your " @@ -15591,7 +15603,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11997 +#: freeculture.xml:12002 msgid "" "Some worry about the burden on authors. Won't the burden of registering the " "work mean that the $1 is really misleading? Isn't the hassle worth more than " @@ -15600,7 +15612,7 @@ msgstr "" #. PAGE BREAK 260 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12003 +#: freeculture.xml:12008 msgid "" "It is. The hassle is terrible. The system that exists now is awful. I " "completely agree that the Copyright Office has done a terrible job (no doubt " @@ -15618,7 +15630,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12021 +#: freeculture.xml:12026 msgid "" "When Steve Forbes endorsed the idea, some in Washington began to pay " "attention. Many people contacted me pointing to representatives who might be " @@ -15627,12 +15639,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:12034 +#: freeculture.xml:12039 msgid "Lofgren, Zoe" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12027 +#: freeculture.xml:12032 msgid "" "One representative, Zoe Lofgren of California, went so far as to get the " "bill drafted. The draft solved any problem with international law. It " @@ -15644,7 +15656,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12037 +#: freeculture.xml:12042 msgid "" "But at this stage, the lobbyists began to intervene. Jack Valenti and the " "MPAA general counsel came to the congresswoman's office to give the view of " @@ -15656,7 +15668,7 @@ msgstr "" #. PAGE BREAK 261 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12045 +#: freeculture.xml:12050 msgid "" "The MPAA argued first that Congress had \"firmly rejected the central " "concept in the proposed bill\"—that copyrights be renewed. That was " @@ -15678,7 +15690,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12066 +#: freeculture.xml:12071 msgid "" "Finally, the MPAA argued that existing law enabled copyright owners to do " "this if they wanted. But the whole point is that there are thousands of " @@ -15689,7 +15701,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12074 +#: freeculture.xml:12079 msgid "" "At the beginning of this book, I told two stories about the law reacting to " "changes in technology. In the one, common sense prevailed. In the other, " @@ -15701,7 +15713,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12084 +#: freeculture.xml:12089 msgid "" "I used these two cases as a way to frame the war that this book has been " "about. For here, too, a new technology is forcing the law to react. And " @@ -15711,7 +15723,7 @@ msgstr "" #. PAGE BREAK 262 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12093 +#: freeculture.xml:12098 msgid "" "When the issue is piracy, it is right for the law to back the copyright " "owners. The commercial piracy that I described is wrong and harmful, and the " @@ -15725,7 +15737,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12104 +#: freeculture.xml:12109 msgid "" "But when the copyright owners oppose a proposal such as the Eldred Act, " "then, finally, there is an example that lays bare the naked selfinterest " @@ -15738,12 +15750,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12114 +#: freeculture.xml:12119 msgid "What does this industry really want?" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12117 +#: freeculture.xml:12122 msgid "" "With very little effort, the warriors could protect their content. So the " "effort to block something like the Eldred Act is not really about protecting " @@ -15756,7 +15768,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12128 +#: freeculture.xml:12133 msgid "" "The opposition to the Eldred Act reveals how extreme the other side is. The " "most powerful and sexy and well loved of lobbies really has as its aim not " @@ -15767,7 +15779,7 @@ msgstr "" #. PAGE BREAK 263 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12136 +#: freeculture.xml:12141 msgid "" "It is not hard to understand why the warriors take this view. It is not hard " "to see why it would benefit them if the competition of the public domain " @@ -15778,7 +15790,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12148 +#: freeculture.xml:12153 msgid "" "What is hard to understand is why the public takes this view. It is as if " "the law made airplanes trespassers. The MPAA stands with the Causbys and " @@ -15788,7 +15800,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12155 +#: freeculture.xml:12160 msgid "" "All this seems to follow easily from this untroubled acceptance of the " "\"property\" in intellectual property. Common sense supports it, and so long " @@ -15800,12 +15812,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><title> -#: freeculture.xml:12167 +#: freeculture.xml:12172 msgid "CONCLUSION" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12169 +#: freeculture.xml:12174 msgid "" "There are more than 35 million people with the AIDS virus " "worldwide. Twenty-five million of them live in sub-Saharan Africa. " @@ -15815,7 +15827,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12176 +#: freeculture.xml:12181 msgid "" "There is no cure for AIDS, but there are drugs to slow its progression. " "These antiretroviral therapies are still experimental, but they have already " @@ -15826,7 +15838,7 @@ msgstr "" #. f1. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12191 +#: freeculture.xml:12196 msgid "" "Commission on Intellectual Property Rights, \"Final Report: Integrating " "Intellectual Property Rights and Development Policy\" (London, 2002), " @@ -15837,7 +15849,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12184 +#: freeculture.xml:12189 msgid "" "These drugs are expensive. When they were first introduced in the United " "States, they cost between $10,000 and $15,000 per person per year. Today, " @@ -15850,7 +15862,7 @@ msgstr "" #. PAGE BREAK 265 #. type: Content of: <book><chapter><para> -#: freeculture.xml:12202 +#: freeculture.xml:12207 msgid "" "These prices are not high because the ingredients of the drugs are " "expensive. These prices are high because the drugs are protected by " @@ -15861,7 +15873,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12210 +#: freeculture.xml:12215 msgid "" "There are many who are skeptical of patents, especially drug patents. I am " "not. Indeed, of all the areas of research that might be supported by " @@ -15874,7 +15886,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12221 +#: freeculture.xml:12226 msgid "" "But it is one thing to support patents, even drug patents. It is another " "thing to determine how best to deal with a crisis. And as African leaders " @@ -15884,12 +15896,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><indexterm><primary> -#: freeculture.xml:12239 freeculture.xml:12670 +#: freeculture.xml:12244 freeculture.xml:12675 msgid "Braithwaite, John" msgstr "" #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12237 +#: freeculture.xml:12242 msgid "" "See Peter Drahos with John Braithwaite, <citetitle>Information Feudalism: " "Who Owns the Knowledge Economy?</citetitle> (New York: The New Press, 2003), " @@ -15898,7 +15910,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12228 +#: freeculture.xml:12233 msgid "" "In 1997, South Africa tried one tack. It passed a law to allow the " "importation of patented medicines that had been produced or sold in another " @@ -15911,7 +15923,7 @@ msgstr "" #. f3. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12250 +#: freeculture.xml:12255 msgid "" "International Intellectual Property Institute (IIPI), <citetitle>Patent " "Protection and Access to HIV/AIDS Pharmaceuticals in Sub-Saharan Africa, a " @@ -15926,7 +15938,7 @@ msgstr "" #. f4. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12277 +#: freeculture.xml:12282 msgid "" "International Intellectual Property Institute (IIPI), <citetitle>Patent " "Protection and Access to HIV/AIDS Pharmaceuticals in Sub-Saharan Africa, a " @@ -15935,7 +15947,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12244 +#: freeculture.xml:12249 msgid "" "However, the United States government opposed the bill. Indeed, more than " "opposed. As the International Intellectual Property Association " @@ -15958,7 +15970,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12283 +#: freeculture.xml:12288 msgid "" "We should place the intervention by the United States in context. No doubt " "patents are not the most important reason that Africans don't have access to " @@ -15970,7 +15982,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12293 +#: freeculture.xml:12298 msgid "" "By stopping the flow of HIV treatment into Africa, the United States " "government was not saving drugs for United States citizens. This is not " @@ -15981,7 +15993,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12301 +#: freeculture.xml:12306 msgid "" "Nor was the intervention by the United States going to protect the profits " "of United States drug companies—at least, not substantially. It was " @@ -15995,7 +16007,7 @@ msgstr "" #. f5. #. PAGE BREAK 333 #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12316 +#: freeculture.xml:12321 msgid "" "See Sabin Russell, \"New Crusade to Lower AIDS Drug Costs: Africa's Needs at " "Odds with Firms' Profit Motive,\" <citetitle>San Francisco " @@ -16013,7 +16025,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12310 +#: freeculture.xml:12315 msgid "" "Instead, the argument in favor of restricting this flow of information, " "which was needed to save the lives of millions, was an argument about the " @@ -16025,7 +16037,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12337 +#: freeculture.xml:12342 msgid "" "Now just step back for a moment. There will be a time thirty years from now " "when our children look back at us and ask, how could we have let this " @@ -16038,7 +16050,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12347 +#: freeculture.xml:12352 msgid "" "Some blame the drug companies. I don't. They are corporations. Their " "managers are ordered by law to make money for the corporation. They push a " @@ -16049,7 +16061,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12355 +#: freeculture.xml:12360 msgid "" "The corruption is our own politicians' failure of integrity. For the drug " "companies would love—they say, and I believe them—to sell their " @@ -16061,7 +16073,7 @@ msgstr "" #. PAGE BREAK 268 #. type: Content of: <book><chapter><para> -#: freeculture.xml:12363 +#: freeculture.xml:12368 msgid "" "A different problem, however, could not be overcome. This is the fear of the " "grandstanding politician who would call the presidents of the drug companies " @@ -16077,7 +16089,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12378 +#: freeculture.xml:12383 msgid "" "So when the common sense of your child confronts you, what will you say? " "When the common sense of a generation finally revolts against what we have " @@ -16085,7 +16097,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12384 +#: freeculture.xml:12389 msgid "" "A sensible patent policy could endorse and strongly support the patent " "system without having to reach everyone everywhere in exactly the same " @@ -16100,7 +16112,7 @@ msgstr "" #. PAGE BREAK 269 #. type: Content of: <book><chapter><para> -#: freeculture.xml:12396 +#: freeculture.xml:12401 msgid "" "But we as a culture have lost this sense of balance. We have lost the " "critical eye that helps us see the difference between truth and extremism. " @@ -16120,7 +16132,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12416 +#: freeculture.xml:12421 msgid "" "So far, common sense sleeps. There is no revolt. Common sense does not yet " "see what there could be to revolt about. The extremism that now dominates " @@ -16138,7 +16150,7 @@ msgstr "" #. f6. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12433 +#: freeculture.xml:12438 msgid "" "Jonathan Krim, \"The Quiet War over Open-Source,\" <citetitle>Washington " "Post</citetitle>, August 2003, E1, available at <ulink " @@ -16152,17 +16164,17 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><indexterm><primary> -#: freeculture.xml:12461 freeculture.xml:13128 +#: freeculture.xml:12466 freeculture.xml:13133 msgid "academic journals" msgstr "" #. type: Content of: <book><chapter><section><section><para><indexterm><primary> -#: freeculture.xml:12462 freeculture.xml:13192 +#: freeculture.xml:12467 freeculture.xml:13197 msgid "PLoS (Public Library of Science)" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12430 +#: freeculture.xml:12435 msgid "" "In August 2003, a fight broke out in the United States about a decision by " "the World Intellectual Property Organization to cancel a " @@ -16187,7 +16199,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12465 +#: freeculture.xml:12470 msgid "" "The aim of the meeting was to consider this wide range of projects from one " "common perspective: that none of these projects relied upon intellectual " @@ -16198,14 +16210,14 @@ msgstr "" #. f7. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12473 +#: freeculture.xml:12478 msgid "" "I should disclose that I was one of the people who asked WIPO for the " "meeting." msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12472 +#: freeculture.xml:12477 msgid "" "From the perspective of this book, then, the conference was " "ideal.<placeholder type=\"footnote\" id=\"0\"/> The projects within its " @@ -16217,7 +16229,7 @@ msgstr "" #. PAGE BREAK 271 #. type: Content of: <book><chapter><para> -#: freeculture.xml:12483 +#: freeculture.xml:12488 msgid "" "Indeed, I was once publicly scolded for not recognizing this fact about " "WIPO. In February 2003, I delivered a keynote address to a preparatory " @@ -16241,7 +16253,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12507 +#: freeculture.xml:12512 msgid "" "So whether or not WSIS can discuss balance in intellectual property, I had " "thought it was taken for granted that WIPO could and should. And thus the " @@ -16250,7 +16262,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12513 +#: freeculture.xml:12518 msgid "" "But there is one project within that list that is highly controversial, at " "least among lobbyists. That project is \"open source and free software.\" " @@ -16265,7 +16277,7 @@ msgstr "" #. f8. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12535 +#: freeculture.xml:12540 msgid "" "Microsoft's position about free and open source software is more " "sophisticated. As it has repeatedly asserted, it has no problem with \"open " @@ -16285,7 +16297,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12524 +#: freeculture.xml:12529 msgid "" "I don't mean to enter that debate here. It is important only to make clear " "that the distinction is not between commercial and noncommercial " @@ -16302,7 +16314,7 @@ msgstr "" #. PAGE BREAK 272 #. type: Content of: <book><chapter><para> -#: freeculture.xml:12555 +#: freeculture.xml:12560 msgid "" "More important for our purposes, to support \"open source and free " "software\" is not to oppose copyright. \"Open source and free software\" is " @@ -16321,14 +16333,14 @@ msgstr "" #. f9. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12581 +#: freeculture.xml:12586 msgid "" "Krim, \"The Quiet War over Open-Source,\" available at <ulink " "url=\"http://free-culture.cc/notes/\">link #64</ulink>." msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12573 +#: freeculture.xml:12578 msgid "" "It is therefore understandable that as a proprietary software developer, " "Microsoft would oppose this WIPO meeting, and understandable that it would " @@ -16341,7 +16353,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12587 +#: freeculture.xml:12592 msgid "" "I don't blame Microsoft for doing what it can to advance its own interests, " "consistent with the law. And lobbying governments is plainly consistent with " @@ -16351,7 +16363,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12595 +#: freeculture.xml:12600 msgid "" "What was surprising was the United States government's reason for opposing " "the meeting. Again, as reported by Krim, Lois Boland, acting director of " @@ -16363,12 +16375,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12605 +#: freeculture.xml:12610 msgid "These statements are astonishing on a number of levels." msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12609 +#: freeculture.xml:12614 msgid "" "First, they are just flat wrong. As I described, most open source and free " "software relies fundamentally upon the intellectual property right called " @@ -16381,7 +16393,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12619 +#: freeculture.xml:12624 msgid "" "Second, who ever said that WIPO's exclusive aim was to \"promote\" " "intellectual property maximally? As I had been scolded at the preparatory " @@ -16396,7 +16408,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12632 +#: freeculture.xml:12637 msgid "" "Third, even if one believed that the purpose of WIPO was to maximize " "intellectual property rights, in our tradition, intellectual property rights " @@ -16413,7 +16425,7 @@ msgstr "" #. PAGE BREAK 274 #. type: Content of: <book><chapter><para> -#: freeculture.xml:12646 +#: freeculture.xml:12651 msgid "" "When Ms. Boland says that there is something wrong with a meeting \"which " "has as its purpose to disclaim or waive such rights,\" she's saying that " @@ -16426,7 +16438,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12658 +#: freeculture.xml:12663 msgid "" "There is a history of just such a property system that is well known in the " "Anglo-American tradition. It is called \"feudalism.\" Under feudalism, not " @@ -16440,14 +16452,14 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12675 +#: freeculture.xml:12680 msgid "" "See Drahos with Braithwaite, <citetitle>Information Feudalism</citetitle>, " "210–20. <placeholder type=\"indexterm\" id=\"0\"/>" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12672 +#: freeculture.xml:12677 msgid "" "As Peter Drahos and John Braithwaite relate, this is precisely the choice we " "are now making about intellectual property.<placeholder type=\"footnote\" " @@ -16458,7 +16470,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12684 +#: freeculture.xml:12689 msgid "" "When this battle broke, I blogged it. A spirited debate within the comment " "section ensued. Ms. Boland had a number of supporters who tried to show why " @@ -16468,7 +16480,7 @@ msgstr "" #. PAGE BREAK 275 #. type: Content of: <book><chapter><blockquote><para> -#: freeculture.xml:12691 +#: freeculture.xml:12696 msgid "" "George, you misunderstand Lessig: He's only talking about the world as it " "should be (\"the goal of WIPO, and the goal of any government, should be to " @@ -16481,7 +16493,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12703 +#: freeculture.xml:12708 msgid "" "I missed the irony the first time I read it. I read it quickly and thought " "the poster was supporting the idea that seeking balance was what our " @@ -16494,7 +16506,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12713 +#: freeculture.xml:12718 msgid "" "Obviously, however, the poster was not supporting that idea. Instead, the " "poster was ridiculing the very idea that in the real world, the \"goal\" of " @@ -16505,7 +16517,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12721 +#: freeculture.xml:12726 msgid "" "I understand criticism of academic utopianism. I think utopianism is silly, " "too, and I'd be the first to poke fun at the absurdly unrealistic ideals of " @@ -16513,7 +16525,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12727 +#: freeculture.xml:12732 msgid "" "But when it has become silly to suppose that the role of our government " "should be to \"seek balance,\" then count me with the silly, for that means " @@ -16527,7 +16539,7 @@ msgstr "" #. PAGE BREAK 276 #. type: Content of: <book><chapter><para> -#: freeculture.xml:12738 +#: freeculture.xml:12743 msgid "" "It might be crazy to expect a high government official to speak the " "truth. It might be crazy to believe that government policy will be something " @@ -16537,12 +16549,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para><indexterm><primary> -#: freeculture.xml:12757 +#: freeculture.xml:12762 msgid "Turner, Ted" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12747 +#: freeculture.xml:12752 msgid "" "If this is crazy, then let there be more crazies. Soon. There are moments " "of hope in this struggle. And moments that surprise. When the FCC was " @@ -16557,7 +16569,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12761 +#: freeculture.xml:12766 msgid "" "This activism did not stop the FCC, but soon after, a broad coalition in the " "Senate voted to reverse the FCC decision. The hostile hearings leading up to " @@ -16567,7 +16579,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12769 +#: freeculture.xml:12774 msgid "" "But even this movement misses an important piece of the puzzle. Largeness " "as such is not bad. Freedom is not threatened just because some become very " @@ -16577,7 +16589,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12776 +#: freeculture.xml:12781 msgid "" "The danger in media concentration comes not from the concentration, but " "instead from the feudalism that this concentration, tied to the change in " @@ -16589,7 +16601,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12786 +#: freeculture.xml:12791 msgid "" "It is therefore significant that so many would rally to demand competition " "and increased diversity. Still, if the rally is understood as being about " @@ -16599,7 +16611,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12793 +#: freeculture.xml:12798 msgid "" "It would be something new, and something very important, if an equal number " "could be rallied to fight the increasing extremism built within the idea of " @@ -16610,20 +16622,20 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12801 +#: freeculture.xml:12806 msgid "" "If we were Achilles, this would be our heel. This would be the place of our " "tragedy." msgstr "" #. type: Content of: <book><chapter><indexterm><primary> -#: freeculture.xml:12804 +#: freeculture.xml:12809 msgid "Dylan, Bob" msgstr "" #. f11. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12809 +#: freeculture.xml:12814 msgid "" "John Borland, \"RIAA Sues 261 File Swappers,\" CNET News.com, September " "2003, available at <ulink url=\"http://free-culture.cc/notes/\">link " @@ -16642,7 +16654,7 @@ msgstr "" #. f12. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12827 +#: freeculture.xml:12832 msgid "" "Jon Wiederhorn, \"Eminem Gets Sued . . . by a Little Old Lady,\" mtv.com, 17 " "September 2003, available at <ulink " @@ -16652,7 +16664,7 @@ msgstr "" #. f13. #. PAGE BREAK 334 #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12834 +#: freeculture.xml:12839 msgid "" "Kenji Hall, Associated Press, \"Japanese Book May Be Inspiration for Dylan " "Songs,\" Kansascity.com, 9 July 2003, available at <ulink " @@ -16660,7 +16672,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12806 +#: freeculture.xml:12811 msgid "" "As I write these final words, the news is filled with stories about the RIAA " "lawsuits against almost three hundred individuals.<placeholder " @@ -16679,18 +16691,18 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><indexterm><primary> -#: freeculture.xml:12851 freeculture.xml:13209 +#: freeculture.xml:12856 freeculture.xml:13214 msgid "Creative Commons" msgstr "" #. type: Content of: <book><chapter><indexterm><primary> -#: freeculture.xml:12852 +#: freeculture.xml:12857 msgid "Gil, Gilberto" msgstr "" #. f14. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12857 +#: freeculture.xml:12862 msgid "" "\"BBC Plans to Open Up Its Archive to the Public,\" BBC press release, 24 " "August 2003, available at <ulink url=\"http://free-culture.cc/notes/\">link " @@ -16699,7 +16711,7 @@ msgstr "" #. f15. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12866 +#: freeculture.xml:12871 msgid "" "\"Creative Commons and Brazil,\" Creative Commons Weblog, 6 August 2003, " "available at <ulink url=\"http://free-culture.cc/notes/\">link #71</ulink>." @@ -16707,7 +16719,7 @@ msgstr "" #. PAGE BREAK 278 #. type: Content of: <book><chapter><para> -#: freeculture.xml:12854 +#: freeculture.xml:12859 msgid "" "Yet on the other side of the Atlantic, the BBC has just announced that it " "will build a \"Creative Archive,\" from which British citizens can download " @@ -16726,20 +16738,20 @@ msgstr "" #. PAGE BREAK 279 #. type: Content of: <book><chapter><para> -#: freeculture.xml:12880 +#: freeculture.xml:12885 msgid "" "Common sense must revolt. It must act to free culture. Soon, if this " "potential is ever to be realized." msgstr "" #. type: Content of: <book><chapter><title> -#: freeculture.xml:12888 +#: freeculture.xml:12893 msgid "AFTERWORD" msgstr "" #. PAGE BREAK 280 #. type: Content of: <book><chapter><para> -#: freeculture.xml:12892 +#: freeculture.xml:12897 msgid "" "At least some who have read this far will agree with me that something must " "be done to change where we are heading. The balance of this book maps what " @@ -16747,7 +16759,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12897 +#: freeculture.xml:12902 msgid "" "I divide this map into two parts: that which anyone can do now, and that " "which requires the help of lawmakers. If there is one lesson that we can " @@ -16756,7 +16768,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12903 +#: freeculture.xml:12908 msgid "" "That means this movement must begin in the streets. It must recruit a " "significant number of parents, teachers, librarians, creators, authors, " @@ -16765,7 +16777,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12910 +#: freeculture.xml:12915 msgid "" "Once this movement has its effect in the streets, it has some hope of having " "an effect in Washington. We are still a democracy. What people think " @@ -16775,12 +16787,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><title> -#: freeculture.xml:12919 +#: freeculture.xml:12924 msgid "US, NOW" msgstr "" #. type: Content of: <book><chapter><section><para> -#: freeculture.xml:12921 +#: freeculture.xml:12926 msgid "" "Common sense is with the copyright warriors because the debate so far has " "been framed at the extremes—as a grand either/or: either property or " @@ -16789,7 +16801,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><para> -#: freeculture.xml:12927 +#: freeculture.xml:12932 msgid "" "The mistake here is the error of the excluded middle. There are extremes in " "this debate, but the extremes are not all that there is. There are those who " @@ -16803,7 +16815,7 @@ msgstr "" #. PAGE BREAK 282 #. type: Content of: <book><chapter><section><para> -#: freeculture.xml:12937 +#: freeculture.xml:12942 msgid "" "When the Internet was first born, its initial architecture effectively " "tilted in the \"no rights reserved\" direction. Content could be copied " @@ -16814,7 +16826,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><para> -#: freeculture.xml:12949 +#: freeculture.xml:12954 msgid "" "This initial character produced a reaction (opposite, but not quite equal) " "by copyright owners. That reaction has been the topic of this book. Through " @@ -16830,7 +16842,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><para> -#: freeculture.xml:12963 +#: freeculture.xml:12968 msgid "" "What's needed is a way to say something in the middle—neither \"all " "rights reserved\" nor \"no rights reserved\" but \"some rights " @@ -16840,12 +16852,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><title> -#: freeculture.xml:12972 +#: freeculture.xml:12977 msgid "Rebuilding Freedoms Previously Presumed: Examples" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:12974 +#: freeculture.xml:12979 msgid "" "If you step back from the battle I've been describing here, you will " "recognize this problem from other contexts. Think about privacy. Before the " @@ -16857,12 +16869,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:12984 +#: freeculture.xml:12989 msgid "What made it assured?" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:12988 +#: freeculture.xml:12993 msgid "" "Well, if we think in terms of the modalities I described in chapter <xref " "xrefstyle=\"select: labelnumber\" linkend=\"property-i\"/>, your privacy was " @@ -16880,12 +16892,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><indexterm><primary> -#: freeculture.xml:13003 +#: freeculture.xml:13008 msgid "Amazon" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13005 +#: freeculture.xml:13010 msgid "" "Enter the Internet, where the cost of tracking browsing in particular has " "become quite tiny. If you're a customer at Amazon, then as you browse the " @@ -16898,7 +16910,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13015 +#: freeculture.xml:13020 msgid "" "Amazon, of course, is not the problem. But we might begin to worry about " "libraries. If you're one of those crazy lefties who thinks that people " @@ -16911,7 +16923,7 @@ msgstr "" #. f1. #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:13031 +#: freeculture.xml:13036 msgid "" "See, for example, Marc Rotenberg, \"Fair Information Practices and the " "Architecture of Privacy (What Larry Doesn't Get),\" <citetitle>Stanford " @@ -16925,7 +16937,7 @@ msgstr "" #. PAGE BREAK 284 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13025 +#: freeculture.xml:13030 msgid "" "It is this reality that explains the push of many to define \"privacy\" on " "the Internet. It is the recognition that technology can remove what friction " @@ -16938,7 +16950,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13049 +#: freeculture.xml:13054 msgid "" "A similar story could be told about the birth of the free software " "movement. When computers with software were first made available " @@ -16949,12 +16961,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><indexterm><primary> -#: freeculture.xml:13056 +#: freeculture.xml:13061 msgid "Stallman, Richard" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13058 +#: freeculture.xml:13063 msgid "" "That was the world Richard Stallman was born into, and while he was a " "researcher at MIT, he grew to love the community that developed when one was " @@ -16964,7 +16976,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13066 +#: freeculture.xml:13071 msgid "" "In an academic setting, at least, that's not a terribly radical idea. In a " "math department, anyone would be free to tinker with a proof that someone " @@ -16978,7 +16990,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13078 +#: freeculture.xml:13083 msgid "" "No one answered that question. Instead, the architecture of revenue for " "computing changed. As it became possible to import programs from one system " @@ -16991,7 +17003,7 @@ msgstr "" #. PAGE BREAK 285 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13087 +#: freeculture.xml:13092 msgid "" "Thus, the practice of proprietary code began to spread, and by the early " "1980s, Stallman found himself surrounded by proprietary code. The world of " @@ -17001,7 +17013,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13096 +#: freeculture.xml:13101 msgid "" "Therefore, in 1984, Stallman began a project to build a free operating " "system, so that at least a strain of free software would survive. That was " @@ -17011,7 +17023,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13104 +#: freeculture.xml:13109 msgid "" "Stallman's technique was to use copyright law to build a world of software " "that must be kept free. Software licensed under the Free Software " @@ -17024,7 +17036,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13115 +#: freeculture.xml:13120 msgid "" "Stallman was thus doing for software what privacy advocates now do for " "privacy. He was seeking a way to rebuild a kind of freedom that was taken " @@ -17035,7 +17047,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13123 +#: freeculture.xml:13128 msgid "" "Finally, consider a very recent example that more directly resonates with " "the story of this book. This is the shift in the way academic and scientific " @@ -17044,7 +17056,7 @@ msgstr "" #. PAGE BREAK 286 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13131 +#: freeculture.xml:13136 msgid "" "As digital technologies develop, it is becoming obvious to many that " "printing thousands of copies of journals every month and sending them to " @@ -17061,7 +17073,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13147 +#: freeculture.xml:13152 msgid "" "There's nothing wrong in general with this, and indeed, the ability to " "charge for access to even public domain materials is a good incentive for " @@ -17073,7 +17085,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13156 +#: freeculture.xml:13161 msgid "" "But what if the only way to get access to social and scientific data was " "through proprietary services? What if no one had the ability to browse this " @@ -17081,7 +17093,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13161 +#: freeculture.xml:13166 msgid "" "As many are beginning to notice, this is increasingly the reality with " "scientific journals. When these journals were distributed in paper form, " @@ -17096,7 +17108,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13173 +#: freeculture.xml:13178 msgid "" "As journals become electronic, however, the publishers are demanding that " "libraries not give the general public access to the journals. This means " @@ -17106,7 +17118,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13181 +#: freeculture.xml:13186 msgid "" "This shrinking freedom has led many to take affirmative steps to restore the " "freedom that has been lost. The Public Library of Science (PLoS), for " @@ -17121,7 +17133,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13195 +#: freeculture.xml:13200 msgid "" "This is one of many such efforts to restore a freedom taken for granted " "before, but now threatened by changing technology and markets. There's no " @@ -17132,19 +17144,19 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><title> -#: freeculture.xml:13207 +#: freeculture.xml:13212 msgid "Rebuilding Free Culture: One Idea" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13212 +#: freeculture.xml:13217 msgid "" "The same strategy could be applied to culture, as a response to the " "increasing control effected through law and technology." msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13216 +#: freeculture.xml:13221 msgid "" "Enter the Creative Commons. The Creative Commons is a nonprofit corporation " "established in Massachusetts, but with its home at Stanford University. Its " @@ -17158,7 +17170,7 @@ msgstr "" #. PAGE BREAK 288 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13227 +#: freeculture.xml:13232 msgid "" "<emphasis>Simple</emphasis>—which means without a middleman, or " "without a lawyer. By developing a free set of licenses that people can " @@ -17176,7 +17188,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13245 +#: freeculture.xml:13250 msgid "" "These freedoms are beyond the freedoms promised by fair use. Their precise " "contours depend upon the choices the creator makes. The creator can choose a " @@ -17189,7 +17201,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13256 +#: freeculture.xml:13261 msgid "" "These choices thus establish a range of freedoms beyond the default of " "copyright law. They also enable freedoms that go beyond traditional fair " @@ -17202,12 +17214,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para><indexterm><primary> -#: freeculture.xml:13277 +#: freeculture.xml:13282 msgid "Garlick, Mia" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13267 +#: freeculture.xml:13272 msgid "" "This is just one project among many within the Creative Commons. And of " "course, Creative Commons is not the only organization pursuing such " @@ -17221,7 +17233,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13280 +#: freeculture.xml:13285 msgid "" "The aim is not to fight the \"All Rights Reserved\" sorts. The aim is to " "complement them. The problems that the law creates for us as a culture are " @@ -17235,7 +17247,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13292 +#: freeculture.xml:13297 msgid "" "Why would creators participate in giving up total control? Some participate " "to better spread their content. Cory Doctorow, for example, is a science " @@ -17245,7 +17257,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13299 +#: freeculture.xml:13304 msgid "" "Why would a publisher ever agree to this? I suspect his publisher reasoned " "like this: There are two groups of people out there: (1) those who will buy " @@ -17259,7 +17271,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13311 +#: freeculture.xml:13316 msgid "" "Indeed, the experience of his publisher clearly supports that conclusion. " "The book's first printing was exhausted months before the publisher had " @@ -17268,7 +17280,7 @@ msgstr "" #. PAGE BREAK 290 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13317 +#: freeculture.xml:13322 msgid "" "The idea that free content might increase the value of nonfree content was " "confirmed by the experience of another author. Peter Wayner, who wrote a " @@ -17281,7 +17293,7 @@ msgstr "" #. f2. #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:13344 +#: freeculture.xml:13349 msgid "" "<citetitle>Willful Infringement: A Report from the Front Lines of the Real " "Culture Wars</citetitle> (2003), produced by Jed Horovitz, directed by Greg " @@ -17290,7 +17302,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13328 +#: freeculture.xml:13333 msgid "" "These are examples of using the Commons to better spread proprietary " "content. I believe that is a wonderful and common use of the Commons. There " @@ -17310,7 +17322,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13353 +#: freeculture.xml:13358 msgid "" "Finally, there are many who mark their content with a Creative Commons " "license just because they want to express to others the importance of " @@ -17325,7 +17337,7 @@ msgstr "" #. PAGE BREAK 291 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13365 +#: freeculture.xml:13370 msgid "" "In the first six months of the Creative Commons experiment, over 1 million " "objects were licensed with these free-culture licenses. The next step is " @@ -17336,7 +17348,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13375 +#: freeculture.xml:13380 msgid "" "These are first steps to rebuilding a public domain. They are not mere " "arguments; they are action. Building a public domain is the first step to " @@ -17347,7 +17359,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13383 +#: freeculture.xml:13388 msgid "" "Creative Commons is just one example of voluntary efforts by individuals and " "creators to change the mix of rights that now govern the creative field. The " @@ -17358,12 +17370,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><title> -#: freeculture.xml:13397 +#: freeculture.xml:13402 msgid "THEM, SOON" msgstr "" #. type: Content of: <book><chapter><section><para> -#: freeculture.xml:13399 +#: freeculture.xml:13404 msgid "" "We will not reclaim a free culture by individual action alone. It will also " "take important reforms of laws. We have a long way to go before the " @@ -17373,7 +17385,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><para> -#: freeculture.xml:13406 +#: freeculture.xml:13411 msgid "" "In this chapter, I outline five kinds of changes: four that are general, and " "one that's specific to the most heated battle of the day, music. Each is a " @@ -17382,12 +17394,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><title> -#: freeculture.xml:13413 +#: freeculture.xml:13418 msgid "1. More Formalities" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13415 +#: freeculture.xml:13420 msgid "" "If you buy a house, you have to record the sale in a deed. If you buy land " "upon which to build a house, you have to record the purchase in a deed. If " @@ -17397,14 +17409,14 @@ msgstr "" #. PAGE BREAK 293 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13422 +#: freeculture.xml:13427 msgid "" "These are all formalities associated with property. They are requirements " "that we all must bear if we want our property to be protected." msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13427 +#: freeculture.xml:13432 msgid "" "In contrast, under current copyright law, you automatically get a copyright, " "regardless of whether you comply with any formality. You don't have to " @@ -17413,12 +17425,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13433 +#: freeculture.xml:13438 msgid "Why?" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13436 +#: freeculture.xml:13441 msgid "" "As I suggested in chapter <xref xrefstyle=\"select: labelnumber\" " "linkend=\"property-i\"/>, the motivation to abolish formalities was a good " @@ -17429,7 +17441,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13445 +#: freeculture.xml:13450 msgid "" "But the Internet changes all this. Formalities today need not be a " "burden. Rather, the world without formalities is the world that burdens " @@ -17444,7 +17456,7 @@ msgstr "" #. f1. #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:13459 +#: freeculture.xml:13464 msgid "" "The proposal I am advancing here would apply to American works only. " "Obviously, I believe it would be beneficial for the same idea to be adopted " @@ -17452,7 +17464,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13457 +#: freeculture.xml:13462 msgid "" "The law should therefore change this requirement<placeholder " "type=\"footnote\" id=\"0\"/>—but it should not change it by going back " @@ -17462,7 +17474,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13467 +#: freeculture.xml:13472 msgid "" "The important formalities are three: marking copyrighted work, registering " "copyrights, and renewing the claim to copyright. Traditionally, the first of " @@ -17473,12 +17485,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><title> -#: freeculture.xml:13479 +#: freeculture.xml:13484 msgid "REGISTRATION AND RENEWAL" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13481 +#: freeculture.xml:13486 msgid "" "Under the old system, a copyright owner had to file a registration with the " "Copyright Office to register or renew a copyright. When filing that " @@ -17493,7 +17505,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13494 +#: freeculture.xml:13499 msgid "" "Yet it is always astonishing to me that we, who come from a tradition of " "extraordinary innovation in governmental design, can no longer think " @@ -17505,7 +17517,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13503 +#: freeculture.xml:13508 msgid "" "In the context of registration, one obvious model is the Internet. There " "are at least 32 million Web sites registered around the world. Domain name " @@ -17518,7 +17530,7 @@ msgstr "" #. PAGE BREAK 295 #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13513 +#: freeculture.xml:13518 msgid "" "We should adopt a similar model for the registration and renewal of " "copyrights. The Copyright Office may well serve as the central registry, but " @@ -17532,12 +17544,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><title> -#: freeculture.xml:13528 +#: freeculture.xml:13533 msgid "MARKING" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13530 +#: freeculture.xml:13535 msgid "" "It used to be that the failure to include a copyright notice on a creative " "work meant that the copyright was forfeited. That was a harsh punishment for " @@ -17549,7 +17561,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13540 +#: freeculture.xml:13545 msgid "" "The aim of marking is to signal to the public that this work is copyrighted " "and that the author wants to enforce his rights. The mark also makes it easy " @@ -17557,7 +17569,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13546 +#: freeculture.xml:13551 msgid "" "One of the problems the copyright system confronted early on was that " "different copyrighted works had to be differently marked. It wasn't clear " @@ -17571,7 +17583,7 @@ msgstr "" #. f2. #. type: Content of: <book><chapter><section><section><section><para><footnote><para> -#: freeculture.xml:13563 +#: freeculture.xml:13568 msgid "" "There would be a complication with derivative works that I have not solved " "here. In my view, the law of derivatives creates a more complicated system " @@ -17580,7 +17592,7 @@ msgstr "" #. PAGE BREAK 296 #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13556 +#: freeculture.xml:13561 msgid "" "Let's start with the last point. If a copyright owner allows his work to be " "published without a copyright notice, the consequence of that failure need " @@ -17596,7 +17608,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13576 +#: freeculture.xml:13581 msgid "" "That in turn raises the question about how work should best be marked. Here " "again, the system needs to adjust as the technologies evolve. The best way " @@ -17606,7 +17618,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13583 +#: freeculture.xml:13588 msgid "" "For example, if a recording industry association devises a method for " "marking CDs, it would propose that to the Copyright Office. The Copyright " @@ -17620,7 +17632,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13595 +#: freeculture.xml:13600 msgid "" "Finally, marking content clearly would simplify registration requirements. " "If photographs were marked by author and year, there would be little reason " @@ -17631,7 +17643,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13603 +#: freeculture.xml:13608 msgid "" "The objective of formalities is to make things clear. The existing system " "does nothing to make things clear. Indeed, it seems designed to make things " @@ -17639,7 +17651,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13608 +#: freeculture.xml:13613 msgid "" "If formalities such as registration were reinstated, one of the most " "difficult aspects of relying upon the public domain would be removed. It " @@ -17650,12 +17662,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><title> -#: freeculture.xml:13620 +#: freeculture.xml:13625 msgid "2. Shorter Terms" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13622 +#: freeculture.xml:13627 msgid "" "The term of copyright has gone from fourteen years to ninety-five years for " "corporate authors, and life of the author plus seventy years for natural " @@ -17664,7 +17676,7 @@ msgstr "" #. f3. #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:13635 +#: freeculture.xml:13640 msgid "" "\"A Radical Rethink,\" <citetitle>Economist</citetitle>, 366:8308 (25 " "January 2003): 15, available at <ulink " @@ -17672,7 +17684,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13627 +#: freeculture.xml:13632 msgid "" "In <citetitle>The Future of Ideas</citetitle>, I proposed a " "seventy-five-year term, granted in five-year increments with a requirement " @@ -17685,7 +17697,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13642 +#: freeculture.xml:13647 msgid "" "I agree with those who believe that we need a radical change in copyright's " "term. But whether fourteen years or seventy-five, there are four principles " @@ -17694,7 +17706,7 @@ msgstr "" #. (1) #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:13650 +#: freeculture.xml:13655 msgid "" "<emphasis>Keep it short:</emphasis> The term should be as long as necessary " "to give incentives to create, but no longer. If it were tied to very strong " @@ -17707,7 +17719,7 @@ msgstr "" #. (2) #. PAGE BREAK 298 #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:13659 +#: freeculture.xml:13664 msgid "" "<emphasis>Keep it simple:</emphasis> The line between the public domain and " "protected content must be kept clear. Lawyers like the fuzziness of \"fair " @@ -17721,7 +17733,7 @@ msgstr "" #. f4. #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para><footnote><para> -#: freeculture.xml:13680 +#: freeculture.xml:13685 msgid "" "Department of Veterans Affairs, Veteran's Application for Compensation " "and/or Pension, VA Form 21-526 (OMB Approved No. 2900-0001), available at " @@ -17729,12 +17741,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para><indexterm><primary> -#: freeculture.xml:13688 +#: freeculture.xml:13693 msgid "veterans' pensions" msgstr "" #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:13672 +#: freeculture.xml:13677 msgid "" "<emphasis>Keep it alive:</emphasis> Copyright should have to be renewed. " "Especially if the maximum term is long, the copyright owner should be " @@ -17749,7 +17761,7 @@ msgstr "" #. (4) #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:13692 +#: freeculture.xml:13697 msgid "" "<emphasis>Keep it prospective:</emphasis> Whatever the term of copyright " "should be, the clearest lesson that economists teach is that a term once " @@ -17766,7 +17778,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13708 +#: freeculture.xml:13713 msgid "" "These changes together should produce an <emphasis>average</emphasis> " "copyright term that is much shorter than the current term. Until 1976, the " @@ -17774,7 +17786,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13714 +#: freeculture.xml:13719 msgid "" "No doubt the extremists will call these ideas \"radical.\" (After all, I " "call them \"extremists.\") But again, the term I recommended was longer than " @@ -17783,12 +17795,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><title> -#: freeculture.xml:13724 +#: freeculture.xml:13729 msgid "3. Free Use Vs. Fair Use" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13726 +#: freeculture.xml:13731 msgid "" "As I observed at the beginning of this book, property law originally granted " "property owners the right to control their property from the ground to the " @@ -17799,7 +17811,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13734 +#: freeculture.xml:13739 msgid "" "Our Constitution gives Congress the power to give authors \"exclusive " "right\" to \"their writings.\" Congress has given authors an exclusive right " @@ -17811,14 +17823,14 @@ msgstr "" #. f5. #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:13747 +#: freeculture.xml:13752 msgid "" "Benjamin Kaplan, <citetitle>An Unhurried View of Copyright</citetitle> (New " "York: Columbia University Press, 1967), 32." msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13743 +#: freeculture.xml:13748 msgid "" "Congress granted the beginnings of this right in 1870, when it expanded the " "exclusive right of copyright to include a right to control translations and " @@ -17830,12 +17842,12 @@ msgstr "" #. f6. #. type: Content of: <book><chapter><section><section><blockquote><para><footnote><para> -#: freeculture.xml:13760 +#: freeculture.xml:13765 msgid "Ibid., 56." msgstr "" #. type: Content of: <book><chapter><section><section><blockquote><para> -#: freeculture.xml:13756 +#: freeculture.xml:13761 msgid "" "So inured have we become to the extension of the monopoly to a large range " "of so-called derivative works, that we no longer sense the oddity of " @@ -17844,7 +17856,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13765 +#: freeculture.xml:13770 msgid "" "I think it's time to recognize that there are airplanes in this field and " "the expansiveness of these rights of derivative use no longer make " @@ -17854,7 +17866,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13772 +#: freeculture.xml:13777 msgid "" "<emphasis>Term:</emphasis> If Congress wants to grant a derivative right, " "then that right should be for a much shorter term. It makes sense to protect " @@ -17866,7 +17878,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13785 +#: freeculture.xml:13790 msgid "" "<emphasis>Scope:</emphasis> Likewise should the scope of derivative rights " "be narrowed. Again, there are some cases in which derivative rights are " @@ -17881,7 +17893,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13798 +#: freeculture.xml:13803 msgid "" "This was the point that Alben made when describing the making of the Clint " "Eastwood CD. While it makes sense to require negotiation for foreseeable " @@ -17891,12 +17903,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:13814 +#: freeculture.xml:13819 msgid "Goldstein, Paul" msgstr "" #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:13812 +#: freeculture.xml:13817 msgid "" "Paul Goldstein, <citetitle>Copyright's Highway: From Gutenberg to the " "Celestial Jukebox</citetitle> (Stanford: Stanford University Press, 2003), " @@ -17904,7 +17916,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13806 +#: freeculture.xml:13811 msgid "" "In each of these cases, the law should mark the uses that are protected, and " "the presumption should be that other uses are not protected. This is the " @@ -17914,7 +17926,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13820 +#: freeculture.xml:13825 msgid "" "Goldstein's analysis would make perfect sense if the cost of the legal " "system were small. But as we are currently seeing in the context of the " @@ -17925,7 +17937,7 @@ msgstr "" #. PAGE BREAK 301 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13827 +#: freeculture.xml:13832 msgid "" "The law could remedy this problem either by removing protection beyond the " "part explicitly drawn or by granting reuse rights upon certain statutory " @@ -17935,12 +17947,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><title> -#: freeculture.xml:13837 +#: freeculture.xml:13842 msgid "4. Liberate the Music—Again" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13839 +#: freeculture.xml:13844 msgid "" "The battle that got this whole war going was about music, so it wouldn't be " "fair to end this book without addressing the issue that is, to most people, " @@ -17950,7 +17962,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13846 +#: freeculture.xml:13851 msgid "" "The appeal of file-sharing music was the crack cocaine of the Internet's " "growth. It drove demand for access to the Internet more powerfully than any " @@ -17961,7 +17973,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13855 +#: freeculture.xml:13860 msgid "" "The aim of copyright, with respect to content in general and music in " "particular, is to create the incentives for music to be composed, performed, " @@ -17971,7 +17983,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13862 +#: freeculture.xml:13867 msgid "" "File-sharing networks complicate this model by enabling the spread of " "content for which the performer has not been paid. But of course, that's not " @@ -17982,7 +17994,7 @@ msgstr "" #. A. #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:13871 +#: freeculture.xml:13876 msgid "" "There are some who are using sharing networks as substitutes for purchasing " "CDs." @@ -17990,7 +18002,7 @@ msgstr "" #. B. #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:13876 +#: freeculture.xml:13881 msgid "" "There are also some who are using sharing networks to sample, on the way to " "purchasing CDs." @@ -17999,7 +18011,7 @@ msgstr "" #. PAGE BREAK 302 #. C. #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:13882 +#: freeculture.xml:13887 msgid "" "There are many who are using file-sharing networks to get access to content " "that is no longer sold but is still under copyright or that would have been " @@ -18008,7 +18020,7 @@ msgstr "" #. D. #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:13888 +#: freeculture.xml:13893 msgid "" "There are many who are using file-sharing networks to get access to content " "that is not copyrighted or to get access that the copyright owner plainly " @@ -18016,7 +18028,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13894 +#: freeculture.xml:13899 msgid "" "Any reform of the law needs to keep these different uses in focus. It must " "avoid burdening type D even if it aims to eliminate type A. The eagerness " @@ -18027,7 +18039,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13902 +#: freeculture.xml:13907 msgid "" "As I said in chapter <xref xrefstyle=\"select: labelnumber\" " "linkend=\"piracy\"/>, the actual harm caused by sharing is controversial. " @@ -18037,7 +18049,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13910 +#: freeculture.xml:13915 msgid "" "Nonetheless, there is a crucial fact about the current technological context " "that we must keep in mind if we are to understand how the law should " @@ -18045,7 +18057,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13915 +#: freeculture.xml:13920 msgid "" "Today, file sharing is addictive. In ten years, it won't be. It is addictive " "today because it is the easiest way to gain access to a broad range of " @@ -18060,7 +18072,7 @@ msgstr "" #. PAGE BREAK 303 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13927 +#: freeculture.xml:13932 msgid "" "But it will become a reality, and that means the way we get access to the " "Internet today is a technology in transition. Policy makers should not make " @@ -18077,7 +18089,7 @@ msgstr "" #. f8. #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:13960 +#: freeculture.xml:13965 msgid "" "See, for example, \"Music Media Watch,\" The J@pan Inc. Newsletter, 3 April " "2002, available at <ulink url=\"http://free-culture.cc/notes/\">link " @@ -18085,7 +18097,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13942 +#: freeculture.xml:13947 msgid "" "In that world, it will be extremely easy to connect to services that give " "you access to content on the fly—such as Internet radio, content that " @@ -18107,7 +18119,7 @@ msgstr "" #. PAGE BREAK 304 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13967 +#: freeculture.xml:13972 msgid "" "This point about the future is meant to suggest a perspective on the " "present: It is emphatically temporary. The \"problem\" with file " @@ -18123,7 +18135,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13983 +#: freeculture.xml:13988 msgid "" "The answer begins with recognizing that there are different \"problems\" " "here to solve. Let's start with type D content—uncopyrighted content " @@ -18136,7 +18148,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13994 +#: freeculture.xml:13999 msgid "" "Type C content raises a different \"problem.\" This is content that was, at " "one time, published and is no longer available. It may be unavailable " @@ -18147,7 +18159,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14003 +#: freeculture.xml:14008 msgid "" "Again, the model here is the used book store. Once a book goes out of print, " "it may still be available in libraries and used book stores. But libraries " @@ -18159,7 +18171,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14013 +#: freeculture.xml:14018 msgid "" "The model of used book stores suggests that the law could simply deem " "out-of-print music fair game. If the publisher does not make copies of the " @@ -18172,7 +18184,7 @@ msgstr "" #. PAGE BREAK 305 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14024 +#: freeculture.xml:14029 msgid "" "Alternatively, the law could create a statutory license that would ensure " "that artists get something from the trade of their work. For example, if the " @@ -18184,7 +18196,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14034 +#: freeculture.xml:14039 msgid "" "This system would also create an incentive for publishers to keep works " "available commercially. Works that are available commercially would not be " @@ -18197,7 +18209,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14044 +#: freeculture.xml:14049 msgid "" "The hard case is content of types A and B, and again, this case is hard only " "because the extent of the problem will change over time, as the technologies " @@ -18208,14 +18220,14 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14052 +#: freeculture.xml:14057 msgid "" "So here's a solution that will at first seem very strange to both sides in " "this war, but which upon reflection, I suggest, should make some sense." msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14056 +#: freeculture.xml:14061 msgid "" "Stripped of the rhetoric about the sanctity of property, the basic claim of " "the content industry is this: A new technology (the Internet) has harmed a " @@ -18229,7 +18241,7 @@ msgstr "" #. PAGE BREAK 306 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14067 +#: freeculture.xml:14072 msgid "" "I love the Internet, and so I don't like likening it to tobacco or " "asbestos. But the analogy is a fair one from the perspective of the law. " @@ -18240,12 +18252,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:14113 +#: freeculture.xml:14118 msgid "Fisher, William" msgstr "" #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:14079 +#: freeculture.xml:14084 msgid "" "William Fisher, <citetitle>Digital Music: Problems and " "Possibilities</citetitle> (last revised: 10 October 2000), available at " @@ -18284,7 +18296,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14075 +#: freeculture.xml:14080 msgid "" "The idea would be a modification of a proposal that has been floated by " "Harvard law professor William Fisher.<placeholder type=\"footnote\" " @@ -18299,7 +18311,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14126 +#: freeculture.xml:14131 msgid "" "Fisher's proposal is careful and comprehensive. It raises a million " "questions, most of which he answers well in his upcoming book, " @@ -18317,7 +18329,7 @@ msgstr "" #. PAGE BREAK 307 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14141 +#: freeculture.xml:14146 msgid "" "Fisher would balk at the idea of allowing the system to lapse. His aim is " "not just to ensure that artists are paid, but also to ensure that the system " @@ -18330,7 +18342,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14154 +#: freeculture.xml:14159 msgid "" "No doubt it would be difficult to calculate the proper measure of \"harm\" " "to an industry. But the difficulty of making that calculation would be " @@ -18347,7 +18359,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14169 +#: freeculture.xml:14174 msgid "" "This competition has already occurred against the background of \"free\" " "music from p2p systems. As the sellers of cable television have known for " @@ -18362,7 +18374,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14181 +#: freeculture.xml:14186 msgid "" "This regime of competition, with a backstop to assure that artists don't " "lose, would facilitate a great deal of innovation in the delivery of " @@ -18373,13 +18385,13 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14190 +#: freeculture.xml:14195 msgid "In summary, then, my proposal is this:" msgstr "" #. PAGE BREAK 308 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14195 +#: freeculture.xml:14200 msgid "" "The Internet is in transition. We should not be regulating a technology in " "transition. We should instead be regulating to minimize the harm to " @@ -18388,19 +18400,19 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14202 +#: freeculture.xml:14207 msgid "We can minimize that harm while maximizing the benefit to innovation by" msgstr "" #. 1. #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:14208 +#: freeculture.xml:14213 msgid "guaranteeing the right to engage in type D sharing;" msgstr "" #. 2. #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:14212 +#: freeculture.xml:14217 msgid "" "permitting noncommercial type C sharing without liability, and commercial " "type C sharing at a low and fixed rate set by statute;" @@ -18408,14 +18420,14 @@ msgstr "" #. 3. #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:14218 +#: freeculture.xml:14223 msgid "" "while in this transition, taxing and compensating for type A sharing, to the " "extent actual harm is demonstrated." msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14223 +#: freeculture.xml:14228 msgid "" "But what if \"piracy\" doesn't disappear? What if there is a competitive " "market providing content at a low cost, but a significant number of " @@ -18424,7 +18436,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14229 +#: freeculture.xml:14234 msgid "" "Yes, it should. But, again, what it should do depends upon how the facts " "develop. These changes may not eliminate type A sharing. But the real issue " @@ -18441,7 +18453,7 @@ msgstr "" #. PAGE BREAK 309 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14243 +#: freeculture.xml:14248 msgid "" "But we're a long way away from whittling the problem down to this subset of " "type A sharers. And our focus until we're there should not be on finding " @@ -18451,12 +18463,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><title> -#: freeculture.xml:14254 +#: freeculture.xml:14259 msgid "5. Fire Lots of Lawyers" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14256 +#: freeculture.xml:14261 msgid "" "I'm a lawyer. I make lawyers for a living. I believe in the law. I believe " "in the law of copyright. Indeed, I have devoted my life to working in law, " @@ -18465,7 +18477,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14262 +#: freeculture.xml:14267 msgid "" "Yet much of this book has been a criticism of lawyers, or the role lawyers " "have played in this debate. The law speaks to ideals, but it is my view that " @@ -18476,7 +18488,7 @@ msgstr "" #. f10. #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:14279 +#: freeculture.xml:14284 msgid "" "Lawrence Lessig, \"Copyright's First Amendment\" (Melville B. Nimmer " "Memorial Lecture), <citetitle>UCLA Law Review</citetitle> 48 (2001): 1057, " @@ -18484,7 +18496,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14270 +#: freeculture.xml:14275 msgid "" "The evidence of this bending is compelling. I'm attacked as a \"radical\" by " "many within the profession, yet the positions that I am advocating are " @@ -18497,7 +18509,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14285 +#: freeculture.xml:14290 msgid "" "However, my criticism of the role that lawyers have played in this debate is " "not just about a professional bias. It is more importantly about our failure " @@ -18505,7 +18517,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:14295 +#: freeculture.xml:14300 msgid "" "A good example is the work of Professor Stan Liebowitz. Liebowitz is to be " "commended for his careful review of data about infringement, leading him to " @@ -18525,7 +18537,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14290 +#: freeculture.xml:14295 msgid "" "Economists are supposed to be good at reckoning costs and benefits. But " "more often than not, economists, with no clue about how the legal system " @@ -18537,7 +18549,7 @@ msgstr "" #. PAGE BREAK 310 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14319 +#: freeculture.xml:14324 msgid "" "But the legal system doesn't work. Or more accurately, it doesn't work for " "anyone except those with the most resources. Not because the system is " @@ -18547,7 +18559,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14327 +#: freeculture.xml:14332 msgid "" "These costs distort free culture in many ways. A lawyer's time is billed at " "the largest firms at more than $400 per hour. How much time should such a " @@ -18560,7 +18572,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14337 +#: freeculture.xml:14342 msgid "" "The costliness and clumsiness and randomness of this system mock our " "tradition. And lawyers, as well as academics, should consider it their duty " @@ -18571,7 +18583,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14345 +#: freeculture.xml:14350 msgid "" "But until that reform is complete, we as a society should keep the law away " "from areas that we know it will only harm. And that is precisely what the " @@ -18579,7 +18591,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14351 +#: freeculture.xml:14356 msgid "" "Think about the amazing things your kid could do or make with digital " "technology—the film, the music, the Web page, the blog. Or think about " @@ -18592,7 +18604,7 @@ msgstr "" #. PAGE BREAK 311 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14360 +#: freeculture.xml:14365 msgid "" "The law should regulate in certain areas of culture—but it should " "regulate culture only where that regulation does good. Yet lawyers rarely " @@ -18602,7 +18614,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14369 +#: freeculture.xml:14374 msgid "" "We should ask, \"Why?\" Show me why your regulation of culture is " "needed. Show me how it does good. And until you can show me both, keep your " @@ -18610,12 +18622,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><title> -#: freeculture.xml:14378 +#: freeculture.xml:14383 msgid "NOTES" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:14380 +#: freeculture.xml:14385 msgid "" "Throughout this text, there are references to links on the World Wide " "Web. As anyone who has tried to use the Web knows, these links can be highly " @@ -18629,12 +18641,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><title> -#: freeculture.xml:14395 +#: freeculture.xml:14400 msgid "ACKNOWLEDGMENTS" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:14397 +#: freeculture.xml:14402 msgid "" "This book is the product of a long and as yet unsuccessful struggle that " "began when I read of Eric Eldred's war to keep books free. Eldred's work " @@ -18643,7 +18655,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:14403 +#: freeculture.xml:14408 msgid "" "I received guidance in various places from friends and academics, including " "Glenn Brown, Peter DiCola, Jennifer Mnookin, Richard Posner, Mark Rose, and " @@ -18659,7 +18671,7 @@ msgstr "" #. PAGE BREAK 337 #. type: Content of: <book><chapter><para> -#: freeculture.xml:14416 +#: freeculture.xml:14421 msgid "" "Yuko Noguchi helped me to understand the laws of Japan as well as its " "culture. I am thankful to her, and to the many in Japan who helped me " @@ -18672,7 +18684,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:14427 +#: freeculture.xml:14432 msgid "" "These are the traditional sorts of help that academics regularly draw " "upon. But in addition to them, the Internet has made it possible to receive " @@ -18693,7 +18705,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:14447 +#: freeculture.xml:14452 msgid "" "Richard Stallman and Michael Carroll each read the whole book in draft, and " "each provided extremely helpful correction and advice. Michael helped me to " @@ -18704,7 +18716,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:14456 +#: freeculture.xml:14461 msgid "" "Finally, and forever, I am thankful to Bettina, who has always insisted that " "there would be unending happiness away from these battles, and who has "