From: Petter Reinholdtsen Date: Mon, 6 Aug 2012 18:11:50 +0000 (+0200) Subject: Improve index marker placement. X-Git-Tag: edition-2015-10-10~1807 X-Git-Url: https://pere.pagekite.me/gitweb/text-free-culture-lessig.git/commitdiff_plain/0b701c449dbd8b96ee021fc6e4ddbefb8e75f4b9 Improve index marker placement. --- diff --git a/freeculture.xml b/freeculture.xml index 39f6208..cf3b5c3 100644 --- a/freeculture.xml +++ b/freeculture.xml @@ -4400,6 +4400,7 @@ from the implications that the copyright warriors would have us draw. CHAPTER SIX: Founders +Henry V William Shakespeare wrote Romeo and Juliet in 1595. The play was first published in 1597. It was the eleventh major play that @@ -4411,7 +4412,6 @@ even recognize their source. I once overheard someone commenting on Kenneth Branagh's adaptation of Henry V: "I liked it, but Shakespeare is so full of clichés." -Henry V In 1774, almost 180 years after Romeo and Juliet was written, the "copy-right" for the work was still thought by many to be the exclusive @@ -4550,6 +4550,7 @@ the work could be translated, or whether Kenneth Branagh would be allowed to make his films. The "copy-right" was only an exclusive right to print—no less, of course, but also no more. +Henry VIII, King of England Even that limited right was viewed with skepticism by the British. They had had a long and ugly experience with "exclusive rights," @@ -4563,7 +4564,6 @@ Statute of Monopolies, limiting monopolies to patents for new inventions. And by 1710, Parliament was eager to deal with the growing monopoly in publishing. -Henry VIII, King of England Thus the "copy-right," when viewed as a monopoly right, was naturally viewed as a right that should be limited. (However convincing the