X-Git-Url: https://pere.pagekite.me/gitweb/text-free-culture-lessig.git/blobdiff_plain/e030b8d882e81d41fcb6ca70ee674150d91cccb9..71c727277f159aa89737deb2839d89c1c4274db3:/freeculture.xml diff --git a/freeculture.xml b/freeculture.xml index 0a15a15..55462ec 100644 --- a/freeculture.xml +++ b/freeculture.xml @@ -1,17 +1,17 @@ + by Petter Reinholdtsen 2012-2015 with input from Martin Borg. --> - ]> + Free Culture @@ -21,7 +21,9 @@ How big media uses technology and the law to lock down culture and control creativity - 2004-03-25 + 2015-09-04 + + 1 Version 2004-02-10 @@ -90,21 +92,20 @@ -This version of Free Culture is licensed under -a Creative Commons license. This license permits non-commercial use of -this work, so long as attribution is given. For more information -about the license, click the icon above, or visit -http://creativecommons.org/licenses/by-nc/1.0/ +This book is licensed under a Creative Commons license. This license +permits non-commercial use of this work, so long as attribution is +given. For more information about the license visit +. - ABOUT THE AUTHOR + About the author -LAWRENCE LESSIG +Lawrence Lessig (http://www.lessig.org), -professor of law and a John A. Wilson Distinguished Faculty Scholar -at Stanford Law School, is founder of the Stanford Center for Internet +professor of law and a Roy L. Furman Professor of Law and Leadership +at Harvard Law School, is founder of the Stanford Center for Internet and Society and is chairman of the Creative Commons (http://creativecommons.org). The author of The Future of Ideas (Random House, 2001) and Code: And @@ -112,11 +113,11 @@ Other Laws of Cyberspace (Basic Books, 1999), Lessig is a member of the boards of the Public Library of Science, the Electronic Frontier Foundation, and Public Knowledge. He was the winner of the Free Software Foundation's Award for the Advancement of Free Software, -twice listed in BusinessWeek's e.biz 25, and named one of Scientific -American's 50 visionaries. A graduate of the University of -Pennsylvania, Cambridge University, and Yale Law School, Lessig -clerked for Judge Richard Posner of the U.S. Seventh Circuit Court of -Appeals. +twice listed in BusinessWeek's e.biz 25, and named one +of Scientific American's 50 visionaries. A graduate of +the University of Pennsylvania, Cambridge University, and Yale Law +School, Lessig clerked for Judge Richard Posner of the U.S. Seventh +Circuit Court of Appeals. @@ -138,13 +139,15 @@ Appeals. --> - 978-82-92812-XX-Y + 978-82-8067-010-6 2003063276 + http://free-culture.cc/ + @@ -155,28 +158,22 @@ Also by Lawrence Lessig - -The USA is lesterland: The nature of congressional corruption +The USA is lesterland: The nature of congressional corruption (2014) - -Republic, lost: How money corrupts Congress - and a plan to stop it +Republic, lost: How money corrupts Congress - and a plan to stop it (2011) - -Remix: Making art and commerce thrive in the hybrid economy +Remix: Making art and commerce thrive in the hybrid economy (2008) - -Code: Version 2.0 +Code: Version 2.0 (2006) - -The Future of Ideas: The Fate of the Commons in a Connected World +The Future of Ideas: The Fate of the Commons in a Connected World (2001) - -Code: And Other Laws of Cyberspace +Code: And Other Laws of Cyberspace (1999) @@ -186,12 +183,14 @@ Code: And Other Laws of Cyberspace - + To Eric Eldred — whose work first drew me to this cause, and for whom it continues still. - + @@ -938,7 +937,7 @@ independent. We have built a kind of cultural nobility; those within the noble class live easily; those outside it don't. But it is nobility of any form that is alien to our tradition. - + The story that follows is about this war. It is not about the centrality of technology to ordinary life. I don't believe in gods, @@ -2278,8 +2277,6 @@ your hoops. They actually needed to use a language that they didn't speak very well. But they had come to understand that they had a lot of power with this language. - @@ -7596,6 +7593,10 @@ diagram in figure ). +
+ + +
fair use copyright lawfair use and @@ -7603,10 +7604,6 @@ Finally, there is a tiny sliver of otherwise regulated copying uses that remain unregulated because the law considers these fair uses. -
- - -
Constitution, U.S.First Amendment to First Amendment @@ -7944,6 +7941,10 @@ software that publishers use to deliver e-books. It provides the technology, and the publisher delivers the content by using the technology. +
+ + +
In figure @@ -7962,10 +7963,6 @@ copy of Middlemarch, you'll see a fancy cover, and then a button at the bottom called Permissions. -
- - -
If you click on the Permissions button, you'll see a list of the permissions that the publisher purports to grant with this book. @@ -7991,7 +7988,7 @@ translation): Aristotle's Politics.
- +
According to its permissions, no printing or copying is permitted @@ -8429,6 +8426,12 @@ DMCA. No argument I have can top this picture, but let me try to get close. +
+— On which item have the courts ruled that manufacturers and +retailers be held responsible for having supplied the +equipment? + +
The anticircumvention provisions of the DMCA target copyright circumvention technologies. Circumvention technologies can be used for @@ -8446,12 +8449,6 @@ practice or to protect against an intruder. At least some would say that such a use would be good. It, too, is a technology that has both good and bad uses. -
-— On which item have the courts ruled that manufacturers and -retailers be held responsible for having supplied the -equipment? - -
Conrad, Paul The obvious point of Conrad's cartoon is the weirdness of a world @@ -8664,7 +8661,7 @@ pattern better than a thousand words could do:
- +
@@ -15536,15 +15533,16 @@ Web. As anyone who has tried to use the Web knows, these links can be highly unstable. I have tried to remedy the instability by redirecting readers to the original source through the Web site associated with this book. For each link below, you can go to -http://free-culture.cc/notes and locate the original source by -clicking on the number after the # sign. If the original link remains -alive, you will be redirected to that link. If the original link has -disappeared, you will be redirected to an appropriate reference for -the material. + +and locate the original source by clicking on the number after the # +sign. If the original link remains alive, you will be redirected to +that link. If the original link has disappeared, you will be +redirected to an appropriate reference for the material. - + + @@ -15619,31 +15617,89 @@ grateful for her perpetual patience and love. + + + + About this edition + +This edition of Free Culture is the result of +three years of volunteer work. The idea came from a discussion I had +around ten years ago with a friend about the copyright debate in +Norway, and how rarely the difficulties of long copyright made it into +the public debate. A bit more than three years ago I finally had a +look again at the idea and decided to publish a printed Norwegian +BokmÃ¥l version of Free Culture, translated and +formatted by volunteers. The new English edition is a by-product of +the translation process. + + + +Thanks to the Debian Edu / Skolelinux project, I already had +experience translating Docbook documents, and it seemed like a good +format for this book too. I found a Docbook formatted version of the +book created by Hans Schou. Initial testing showed lots of Docbook +validation errors in this version, but after some work I was able to +transform it to PDF and EPUB. This was the start of the translation +project. The Docbook file improved over time, and build rules were +added to create both English and BokmÃ¥l versions. Finally, a call for +volunteers went out to help me with the translation. + + + +Several people joined, and Anders Hagen Jarmund, Kirill Miazine and +Odd Kleiva assisted with the initial translation. Ralph Amissah and +his SiSu version provided index entries. Morten Sickel and Alexander +Alemayhu helped with the figures, redrawing some of the bitmaps as +vector images. Wivi Reinholdtsen, Ingrid Yrvin and Johannes Larsen +did very valuable proofreading. HÃ¥kon Wium Lie helped me track down a +good replacement font without usage restrictions instead of the one in +the original PDF. The PDF typesetting is done using dblatex, which we +selected over the alternatives thanks to the invaluable and quick help +from Benoît Guillon and Andreas Hoenen. Thomas Gramstad donated ISBN +numbers needed for distribution to book stores. Marc Jeanmougin from +the inkscape community helped me replicate the original front cover. +The support of Lawrence Lessig helped me to complete the +project—I am very thankful he had the original screen shots +still available after 11 years. + + + +I am also very grateful for my family for their patience with me in +this project. + + + +— Petter Reinholdtsen, Oslo 2015-09-04 + + - - + + Free culture: How big media uses technology and the law to lock down culture and control creativity / Lawrence Lessig. -Copyright © Lawrence Lessig. Some rights reserved. +Copyright © 2004 Lawrence Lessig. Some rights reserved. + + + + + -This version of Free Culture is licensed under -a Creative Commons license. This license permits non-commercial use of -this work, so long as attribution is given. For more information -about the license visit -http://creativecommons.org/licenses/by-nc/1.0/ +Published in English and Norwegian BokmÃ¥l 2015 by Petter Reinholdtsen +with help from many volunteers. Typeset with dblatex using the font +Crimson Text. + -This digital book was published by Petter Reinholdtsen in 2015 in his -spare time, because he believe it should be available in Norwegian. -The original hardcover paper book was published in 2004 by The Penguin -Press. +First published 2004 by The Penguin Press. + Excerpt from an editorial titled The Coming of Copyright Perpetuity, The New York Times, January @@ -15662,41 +15718,74 @@ Diagram in figure courtesy of the office of FCC Commissioner, Michael J. Copps. + +Cover created by Petter Reinholdtsen using inkscape. + + + +The quotes on the cover came from +. + + + +Portrait on the cover was created 2013 by ActuaLitté and licensed +under a Creative Commons Attribution-ShareAlike 2.0 license. It was +downloaded from +. + + Includes index. -Classifications: (Dewey) -306.4 -306.40973 -306.46 -341.7582 -343.7309/9, +Classifications: + + + +(Dewey) +306.4, +306.40973, +306.46, +341.7582, +343.7309/9 + + + (UDK) 347.78 -(US Lib. of Congress) KF2979.L47 2004 -(ACM CRCS) K.4.1 - + +(US Library of Congress) KF2979.L47 2004 + -Typeset using the Crimson Text font and dblatex. The dblatex author -provided valuable help in formatting the print version of this book. -Thomas Gramstad Forlag provided the ISBN numbers. +(ACM CRCS) K.4.1 -The source of this version of the book is written using DocBook -notation and the other formats are derived from the DocBook source. -The DocBook source is based on a DocBook XML version created by Hans -Schou, and extended by Petter Reinholdtsen with formatting and index -references. The source files for this book are available from +Thomas Gramstad Forlag donated the ISBN numbers. + + + + + +The Docbook source is available from . +Please report any issues with the book there. + + + +This book is licensed under a Creative Commons license. This license +permits non-commercial use of this work, so long as attribution is +given. For more information about the license visit +. -&translationblock; +This book is a proof reading draft. Please visit the github URL above +to get the latest version. @@ -15710,25 +15799,24 @@ references. The source files for this book are available from - 978-82-92812-XX-Y - Paper copy from XXX + 978-82-8067-010-6 + US Trade edition from lulu.com - 978-82-92812-XX-Y + 978-82-8067-011-3 application/pdf - 978-82-92812-XX-Y + 978-82-8067-012-0 application/epub+zip - 978-82-92812-XX-Y + 978-82-8067-013-7 application/x-mobipocket-ebook -