X-Git-Url: https://pere.pagekite.me/gitweb/text-free-culture-lessig.git/blobdiff_plain/d64bcb73c412d902e41a6eda1595ba57a8a04025..e768a746d89e90ebc2274d4be0f609b3314d8f5e:/freeculture.xml
diff --git a/freeculture.xml b/freeculture.xml
index 4f7d672..eae61d5 100644
--- a/freeculture.xml
+++ b/freeculture.xml
@@ -966,7 +966,7 @@ this change, the war to rid the world of Internet pirates will al
culture of values that have been integral to our tradition from the start.
Constitution, U.S.First Amendment to
-Copyright lawas protection of creators
+copyright lawas protection of creatorsFirst AmendmentNetanel, Neil Weinstock
@@ -1131,7 +1131,7 @@ to which most of us remain oblivious.
PIRACY
-Copyright lawEnglish
+copyright lawEnglishMansfield, William Murray, Lordmusic publishingsheet music
@@ -2123,6 +2123,8 @@ and noticing split infinitives are the things that literate peopl
about.
advertising
+commercials
+televisionadvertising on
Maybe. But in a world where children see on average 390 hours of
television commercials per year, or between 20,000 and 45,000
@@ -2148,6 +2150,7 @@ how difficult media is. Or more fundamentally, few of us have a sense
of how media works, how it holds an audience or leads it through a
story, how it triggers emotion or builds suspense.
+
It took filmmaking a generation before it could do these things well.
But even then, the knowledge was in the filming, not in writing about
@@ -3105,6 +3108,7 @@ Edison's creative property.
Recorded Music
+copyright lawon music recordings
The record industry was born of another kind of piracy, though to see
how requires a bit of detail about the way the law regulates music.
@@ -3241,6 +3245,7 @@ Copyright Act in 1909, record companies were free to distribute copies
of recordings so long as they paid the composer (or copyright holder)
the fee set by the statute.
+Grisham, John
This is an exception within the law of copyright. When John Grisham
writes a novel, a publisher is free to publish that novel only if
@@ -3249,8 +3254,8 @@ charge whatever he wants for that permission. The price to publish
Grisham is thus set by Grisham, and copyright law ordinarily says you
have no permission to use Grisham's work except with permission of
Grisham.
-Grisham, John
+
But the law governing recordings gives recording artists less. And
thus, in effect, the law subsidizes the recording
@@ -4246,6 +4251,17 @@ legitimate rights of creators while protecting innovation. Sometimes
this has meant more rights for creators. Sometimes less.
artistsrecording industry payments to
+composers, copyright protections of
+Congress, U.S.on copyright laws
+Congress, U.S.on recording industry
+copyright lawon music recordings
+copyright lawstatutory licenses in
+radiomusic recordings played on
+recording industryartist remuneration in
+recording industrycopyright protections in
+recording industryradio broadcast and
+statutory licenses
+composer's rights vs. producers' rights in
So, as we've seen, when mechanical reproduction threatened the
interests of composers, Congress balanced the rights of composers
@@ -4267,6 +4283,7 @@ compensation, but at a level set by the law. It likewise gave cable
companies the right to the content, so long as they paid the statutory
price.
+
@@ -4285,6 +4302,8 @@ Congress chose a path that would assure
compensation without giving the past
(broadcasters) control over the future (cable).
+
+Betamaxcassette recordingVCRs
@@ -4301,6 +4320,7 @@ and shows. Sony was therefore benefiting from the copyright
infringement of its customers. It should therefore, Disney and
Universal claimed, be partially liable for that infringement.
+
There was something to Disney's and Universal's claim. Sony did
decide to design its machine to make it very simple to record television
@@ -7240,14 +7260,19 @@ current reach of copyright was never contemplated, much less chosen,
by the legislators who enacted copyright law.
-We can see this point abstractly by beginning with this largely
+We can see this point abstractly by beginning with this largely
empty circle.
All potential uses of a book.
-booksthree types of uses of
+booksthree types of uses of
+copyright lawcopies as core issue of
+Internetcopyright applicability altered by technology of
+technologycopyright intent altered by
+derivative workspiracy vs.
+piracyderivative work vs.
Think about a book in real space, and imagine this circle to represent
@@ -7274,6 +7299,8 @@ at the core of this circle of possible uses of a copyrighted work. It is the
paradigmatic use properly regulated by copyright regulation (see first
diagram on next page).
+
+
Finally, there is a tiny sliver of otherwise regulated copying uses
that remain unregulated because the law considers these fair uses.
@@ -7308,7 +7335,7 @@ In real space, then, the possible uses of a book are divided into three
sorts: (1) unregulated uses, (2) regulated uses, and (3) regulated uses that
are nonetheless deemed fair regardless of the copyright owner's views.
-
+bookson Internet
Enter the Internet—a distributed, digital network where every use
@@ -7344,6 +7371,7 @@ use—reading— could be regulated by copyright law because
none of those uses produced a copy.
bookson Internet
+derivative workstechnological developments and
But the same book as an e-book is effectively governed by a different
set of rules. Now if the copyright owner says you may read the book
@@ -7370,6 +7398,7 @@ evidence at all that policy makers had this idea in mind when they
allowed our policy here to shift. Unregulated uses were an important
part of free culture before the Internet.
+copyright lawon republishing vs. transformation of original work
Second, this shift is especially troubling in the context of
transformative uses of creative content. Again, we can all understand
@@ -7396,6 +7425,11 @@ copyright law and hence the need for a fair use defense. The right to
read was effectively protected before because reading was not
regulated.
+
+
+
+
+
This point about fair use is totally ignored, even by advocates for
free culture. We have been cornered into arguing that our rights
@@ -7634,6 +7668,8 @@ the book.
List of the permissions for Aristotle;s Politics.
+Future of Ideas, The (Lessig)
+Lessig, Lawrence
Finally (and most embarrassingly), here are the permissions for the
original e-book version of my last book, The Future of
@@ -7687,6 +7723,7 @@ if you push the Read Aloud button with my book, the machine simply
won't read aloud.
Marx Brothers
+Warner Brothers
These are controls, not permissions. Imagine a
@@ -7714,7 +7751,8 @@ to defeat these protections as well?
We've only scratched the surface of this story. Return to the Adobe
eBook Reader.
-Alice's Adventures in Wonderland (Carroll)
+Alice's Adventures in Wonderland (Carroll)
+public domaine-book restrictions on
Early in the life of the Adobe eBook Reader, Adobe suffered a public
relations nightmare. Among the books that you could download for free
@@ -7755,6 +7793,8 @@ could use a computer to read the book aloud, would Adobe agree that
such a use of an eBook Reader was fair? Adobe didn't answer because
the answer, however absurd it might seem, is no.
+
+
The point is not to blame Adobe. Indeed, Adobe is among the most
innovative companies developing strategies to balance open access to
@@ -10633,6 +10673,7 @@ social causes. But with the Internet, it includes a wide range of
individuals and groups dedicated to spreading culture
generally.
+pornography
There's a parallel here with pornography that is a bit hard to
describe, but it's a strong one. One phenomenon that the Internet
created was a world of noncommercial pornographers—people who
@@ -11617,6 +11658,8 @@ who had advised us early on about a First Amendment strategy; and
finally, former solicitor general Charles Fried.
Fried, Charles
+Congress, U.S.constitutional powers of
+Constitution, U.S.Commerce Clause of
Fried was a special victory for our side. Every other former solicitor
general was hired by the other side to defend Congress's power to give
@@ -11646,6 +11689,8 @@ continue to have the right to control who did what with content they
wanted to control.
Gershwin, George
+Porgy and Bess
+pornography
Dr. Seuss's representatives, for example, argued that it was
better for the Dr. Seuss estate to control what happened to
@@ -13001,6 +13046,7 @@ perspectives. And WIPO was an ideal venue for this discussion, since
WIPO is the preeminent international body dealing with intellectual
property issues.
+World Summit on the Information Society (WSIS)
Indeed, I was once publicly scolded for not recognizing this fact
about WIPO. In February 2003, I delivered a keynote address to a
@@ -13031,6 +13077,7 @@ had thought it was taken for granted that WIPO could and should. And
thus the meeting about open and collaborative projects to create
public goods seemed perfectly appropriate within the WIPO agenda.
+Apple Corporation
But there is one project within that list that is highly
@@ -13145,7 +13192,10 @@ in understanding—the sort of mistake that is excusable in a
first-year law student, but an embarrassment from a high government
official dealing with intellectual property issues.
+World Summit on the Information Society (WSIS)
+drugspharmaceuticalgeneric drugs
+patentson pharmaceuticals
Second, who ever said that WIPO's exclusive aim was to promote
intellectual property maximally? As I had been scolded at the