X-Git-Url: https://pere.pagekite.me/gitweb/text-free-culture-lessig.git/blobdiff_plain/c5f54dfb20097ff1b1625578cb4d9910c6a7b0b7..e0e7ba6f17a8e5f7ae3f3051c5ea42816a98d3cb:/freeculture.xml diff --git a/freeculture.xml b/freeculture.xml index e0998fd..1e3a25b 100644 --- a/freeculture.xml +++ b/freeculture.xml @@ -30,6 +30,20 @@ Lawrence Lessig + - - -ALSO BY LAWRENCE LESSIG - - + +Also by Lawrence Lessig + + + + + The USA is lesterland: The nature of congressional corruption - - + + Republic, lost: How money corrupts Congress - and a plan to stop it - - + + Remix: Making art and commerce thrive in the hybrid economy - - + + Code: Version 2.0 - - + + The Future of Ideas: The Fate of the Commons in a Connected World - - + + Code: And Other Laws of Cyberspace - + + + + To Eric Eldred — whose work first drew me to this cause, and for whom it continues still. + @@ -393,7 +413,7 @@ book is written. - + INTRODUCTION Wright brothers @@ -1233,7 +1253,7 @@ context the current battles about behavior labeled piracy. -CHAPTER ONE: Creators +Creators animated cartoons cartoon films filmsanimated @@ -1762,7 +1782,7 @@ free culture. It is becoming much less so. -CHAPTER TWO: <quote>Mere Copyists</quote> +<quote>Mere Copyists</quote> Daguerre, Louis camera technology photography @@ -2725,7 +2745,7 @@ quipped to me in a rare moment of despondence. -CHAPTER THREE: Catalogs +Catalogs Jordan, Jesse RPIRensselaer Polytechnic Institute (RPI) Rensselaer Polytechnic Institute (RPI) @@ -2983,7 +3003,7 @@ wrong message. And he wants to correct the record. -CHAPTER FOUR: <quote>Pirates</quote> +<quote>Pirates</quote> piracyin development of content industry if value, then right theory @@ -3531,7 +3551,7 @@ last. Every generation—until now. -CHAPTER FIVE: <quote>Piracy</quote> +<quote>Piracy</quote> There is piracy of copyrighted material. Lots of it. This piracy comes in many forms. The most @@ -4670,7 +4690,7 @@ from the implications that the copyright warriors would have us draw. -CHAPTER SIX: Founders +Founders booksEnglish copyright law developed for copyright lawdevelopment of copyright lawEnglish @@ -5273,7 +5293,7 @@ protected. -CHAPTER SEVEN: Recorders +Recorders copyright lawfair use and documentary film Else, Jon @@ -5506,7 +5526,7 @@ not. -CHAPTER EIGHT: Transformers +Transformers Allen, Paul Alben, Alex Microsoft @@ -5867,7 +5887,7 @@ curse, reserved for the few. -CHAPTER NINE: Collectors +Collectors archives, digital bots @@ -6231,7 +6251,7 @@ that Kahle and others would exercise. -CHAPTER TEN: <quote>Property</quote> +<quote>Property</quote> Johnson, Lyndon Kennedy, John F. @@ -7540,7 +7560,7 @@ empty circle.
All potential uses of a book. - +
booksthree types of uses of copyright lawcopies as core issue of @@ -7564,7 +7584,7 @@ acts do not make a copy.
Examples of unregulated uses of a book. - +
Obviously, however, some uses of a copyrighted book are regulated @@ -7585,7 +7605,7 @@ that remain unregulated because the law considers these fair uses.
Republishing stands at the core of this circle of possible uses of a copyrighted work. - +
Constitution, U.S.First Amendment to First Amendment @@ -7601,12 +7621,7 @@ for public policy (and possibly First Amendment) reasons.
Unregulated copying considered <quote>fair uses.</quote> - -
- -
-Uses that before were presumptively unregulated are now presumptively regulated. - +
copyrightusage restrictions attached to @@ -7668,6 +7683,10 @@ then whenever you read the book (or any portion of it) beyond the fifth time, you are making a copy of the book contrary to the copyright owner's wish. +
+Uses that before were presumptively unregulated are now presumptively regulated. + +
There are some people who think this makes perfect sense. My aim just now is not to argue about whether it makes sense or not. My aim @@ -7926,7 +7945,7 @@ technology, and the publisher delivers the content by using the technology. -In is a picture of an old version of my +In is a picture of an old version of my Adobe eBook Reader. @@ -7942,9 +7961,9 @@ copy of Middlemarch, you'll see a fancy cover, and then a button at the bottom called Permissions. -
+
Picture of an old version of Adobe eBook Reader - +
If you click on the Permissions button, you'll see a list of the @@ -7970,7 +7989,7 @@ Here's the e-book for another work in the public domain (including the translation): Aristotle's Politics.
-E-book of Aristotle;s <quote>Politics</quote> +E-book of Aristotle's <quote>Politics</quote>
@@ -7979,7 +7998,7 @@ at all. But fortunately, you can use the Read Aloud button to hear the book.
-List of the permissions for Aristotle;s <quote>Politics</quote>. +List of the permissions for Aristotle's <quote>Politics</quote>.
Future of Ideas, The (Lessig) @@ -8401,8 +8420,9 @@ some uses that were illegal, the court held the companies producing the VCR responsible. -This led Conrad to draw the cartoon below, which we can adopt to -the DMCA. +This led Conrad to draw the cartoon in +, which we can adopt +to the DMCA. Conrad, Paul @@ -8425,9 +8445,9 @@ practice or to protect against an intruder. At least some would say that such a use would be good. It, too, is a technology that has both good and bad uses. -
+
VCR/handgun cartoon. - +
Conrad, Paul @@ -8641,7 +8661,7 @@ pattern better than a thousand words could do:
Pattern of modern media ownership. - +
@@ -9254,7 +9274,7 @@ lawyer. -CHAPTER ELEVEN: Chimera +Chimera chimeras Wells, H. G. Country of the Blind, The (Wells) @@ -9533,7 +9553,7 @@ and will kill opportunities that could be extraordinarily valuable. -CHAPTER TWELVE: Harms +Harms To fight piracy, to protect property, the content industry has launched a @@ -11010,7 +11030,7 @@ success will require. -CHAPTER THIRTEEN: Eldred +Eldred Eldred, Eric Hawthorne, Nathaniel @@ -12729,9 +12749,9 @@ my view of the case, was Ruben Bolling's, reproduced in unfair. But the punch in the face felt exactly like that. Bolling, Ruben -
+
Tom the Dancing Bug cartoon - + Bolling, Ruben
@@ -12746,7 +12766,7 @@ better lawyer would have made them see differently. -CHAPTER FOURTEEN: Eldred II +Eldred II The day Eldred was decided, fate would have it that I @@ -13141,7 +13161,7 @@ controlled by this dead (and often unfindable) hand of the past. - + CONCLUSION Africa, medications for HIV patients in AIDS medications @@ -13946,7 +13966,7 @@ potential is ever to be realized. - + AFTERWORD @@ -15504,7 +15524,7 @@ keep your lawyers away. - + NOTES Throughout this text, there are references to links on the World Wide @@ -15525,7 +15545,7 @@ the material. - + ACKNOWLEDGMENTS This book is the product of a long and as yet unsuccessful struggle that @@ -15598,13 +15618,11 @@ grateful for her perpetual patience and love. + + -This digital book was published by Petter Reinholdtsen in 2014. - - -The original hardcover paper book was published in 2004 by The Penguin -Press, a member of Penguin Group (USA) Inc. 375 Hudson Street New -York, New York. +Free culture: How big media uses technology and the law to lock down +culture and control creativity / Lawrence Lessig. Copyright © Lawrence Lessig. Some rights reserved. @@ -15613,10 +15631,15 @@ Copyright © Lawrence Lessig. Some rights reserved. This version of Free Culture is licensed under a Creative Commons license. This license permits non-commercial use of this work, so long as attribution is given. For more information -about the license, click the icon above, or visit +about the license visit http://creativecommons.org/licenses/by-nc/1.0/ +This digital book was published by Petter Reinholdtsen in 2015. The +original hardcover paper book was published in 2004 by The Penguin +Press. + + Excerpt from an editorial titled The Coming of Copyright Perpetuity, The New York Times, January 16, 2003. Copyright © 2003 by The New York Times Co. Reprinted @@ -15631,19 +15654,39 @@ reserved. Reprinted with permission. Diagram in courtesy of the office of FCC Commissioner, Michael J. Copps. + -Library of Congress Cataloging-in-Publication Data +Includes index. + -Lessig, Lawrence. -Free culture : how big media uses technology and the law to lock down -culture and control creativity / Lawrence Lessig. +Classifications: (Dewey) +306.4 +306.40973 +306.46 +341.7582 +343.7309/9, +(UDK) 347.78 +(US Lib. of Congress) KF2979.L47 2004 +(ACM CRCS) K.4.1 + -p. cm. +Typeset using the Crimson Text font and dblatex. The dblatex author +provided valuable help in formatting the print version of this book. + -Includes index. +The source of this version of the book is written using DocBook +notation and the other formats are derived from the DocBook source. +The DocBook source is based on a DocBook XML version created by Hans +Schou, and extended by Petter Reinholdtsen with formatting and index +references. The source files for this book are available from +. + + + +&translationblock; @@ -15660,7 +15703,6 @@ Includes index. 978-82-92812-XX-Y text/plain - 978-82-92812-XX-Y application/pdf @@ -15685,39 +15727,7 @@ Includes index. - - -1. Intellectual property—United States. - - -2. Mass media—United States. - - -3. Technological innovations—United States. - - -4. Art—United States. I. Title. - - -KF2979.L47 2004 - - -343.7309'9—dc22 2003063276 - - - -The source of this version of the text is written using DocBook -notation and the other formats are derived from the DocBook source. -The DocBook source is based on a DocBook XML version created by Hans -Schou, and extended with formatting and index references by Petter -Reinholdtsen. The source files of this book is available as -a -github project. - - - -&translationblock; - - + +