X-Git-Url: https://pere.pagekite.me/gitweb/text-free-culture-lessig.git/blobdiff_plain/7cbc1cdf38719bdf2e37b212c2ff7b6c81e013c3..96f7711dc45824d61582a5204f66190edd01a41b:/freeculture.pot diff --git a/freeculture.pot b/freeculture.pot index f64e45a..d1075ee 100644 --- a/freeculture.pot +++ b/freeculture.pot @@ -7,7 +7,7 @@ msgid "" msgstr "" "Project-Id-Version: PACKAGE VERSION\n" -"POT-Creation-Date: 2012-08-10 15:21+0300\n" +"POT-Creation-Date: 2012-08-14 15:16+0300\n" "PO-Revision-Date: YEAR-MO-DA HO:MI+ZONE\n" "Last-Translator: FULL NAME \n" "Language-Team: LANGUAGE \n" @@ -22,75 +22,75 @@ msgid "©" msgstr "" #. type: Attribute 'lang' of: -#: freeculture.xml:18 +#: freeculture.xml:15 msgid "en" msgstr "" #. type: Content of: -#: freeculture.xml:20 +#: freeculture.xml:17 msgid "Free Culture" msgstr "" #. type: Content of: <book><bookinfo> -#: freeculture.xml:22 +#: freeculture.xml:19 msgid "<abbrev>\"freeculture\"</abbrev>" msgstr "" -#. type: Content of: <book><dedication><para> -#: freeculture.xml:24 freeculture.xml:180 +#. type: Content of: <book><bookinfo><subtitle> +#: freeculture.xml:21 msgid "" "HOW BIG MEDIA USES TECHNOLOGY AND THE LAW TO LOCK DOWN CULTURE AND CONTROL " "CREATIVITY" msgstr "" #. type: Content of: <book><bookinfo> -#: freeculture.xml:27 +#: freeculture.xml:24 msgid "<pubdate>2004-03-25</pubdate>" msgstr "" #. type: Content of: <book><bookinfo><releaseinfo> -#: freeculture.xml:29 +#: freeculture.xml:26 msgid "Version 2004-02-10" msgstr "" #. type: Content of: <book><bookinfo><authorgroup><author><firstname> -#: freeculture.xml:33 +#: freeculture.xml:30 msgid "Lawrence" msgstr "" #. type: Content of: <book><bookinfo><authorgroup><author><surname> -#: freeculture.xml:34 +#: freeculture.xml:31 msgid "Lessig" msgstr "" #. type: Content of: <book><bookinfo><subjectset><subject><subjectterm> -#: freeculture.xml:43 +#: freeculture.xml:40 msgid "Intellectual property—United States." msgstr "" #. type: Content of: <book><bookinfo><subjectset><subject><subjectterm> -#: freeculture.xml:46 +#: freeculture.xml:43 msgid "Mass media—United States." msgstr "" #. type: Content of: <book><bookinfo><subjectset><subject><subjectterm> -#: freeculture.xml:49 +#: freeculture.xml:46 msgid "Technological innovations—United States." msgstr "" #. type: Content of: <book><bookinfo><subjectset><subject><subjectterm> -#: freeculture.xml:52 +#: freeculture.xml:49 msgid "Art—United States." msgstr "" #. type: Content of: <book><bookinfo><publisher><address> -#: freeculture.xml:59 +#: freeculture.xml:56 #, no-wrap msgid "<city>New York</city>" msgstr "" #. type: Content of: <book><bookinfo> -#: freeculture.xml:57 +#: freeculture.xml:54 msgid "" "<publisher> <publishername>The Penguin Press</publishername> <placeholder " "type=\"address\" id=\"0\"/> </publisher> <copyright> <year>2004</year> " @@ -98,7 +98,7 @@ msgid "" msgstr "" #. type: Content of: <book><bookinfo><legalnotice><para><inlinemediaobject> -#: freeculture.xml:69 +#: freeculture.xml:66 msgid "" "<imageobject> <imagedata fileref=\"images/cc.png\" contentdepth=\"3em\" " "width=\"100%\" align=\"center\"/> </imageobject> <imageobject> <imagedata " @@ -107,17 +107,17 @@ msgid "" msgstr "" #. type: Content of: <book><bookinfo><legalnotice><para><inlinemediaobject><textobject><phrase> -#: freeculture.xml:76 +#: freeculture.xml:73 msgid "Creative Commons, Some rights reserved" msgstr "" #. type: Content of: <book><bookinfo><legalnotice><para> -#: freeculture.xml:68 +#: freeculture.xml:65 msgid "<placeholder type=\"inlinemediaobject\" id=\"0\"/>" msgstr "" #. type: Content of: <book><bookinfo><legalnotice><para> -#: freeculture.xml:82 +#: freeculture.xml:79 msgid "" "This version of <citetitle>Free Culture</citetitle> is licensed under a " "Creative Commons license. This license permits non-commercial use of this " @@ -127,12 +127,12 @@ msgid "" msgstr "" #. type: Content of: <book><bookinfo><abstract><title> -#: freeculture.xml:91 +#: freeculture.xml:88 msgid "ABOUT THE AUTHOR" msgstr "" #. type: Content of: <book><bookinfo><abstract><para> -#: freeculture.xml:93 +#: freeculture.xml:90 msgid "" "LAWRENCE LESSIG (<ulink " "url=\"http://www.lessig.org\">http://www.lessig.org</ulink>), professor of " @@ -165,7 +165,7 @@ msgstr "" #. </imageobject> # #. type: Content of: <book><bookinfo><mediaobject> -#: freeculture.xml:114 +#: freeculture.xml:111 msgid "" "<imageobject remap=\"lrg\" role=\"front-large\"> <imagedata " "fileref=\"images/cover.png\" format=\"PNG\" width=\"444\" /> </imageobject>" @@ -175,7 +175,7 @@ msgstr "" #. http://catalog.loc.gov/cgi-bin/Pwebrecon.cgi?v3=1&DB=local&CMD=010a+2003063276&CNT=10+records+per+page #. #. type: Content of: <book><bookinfo> -#: freeculture.xml:112 +#: freeculture.xml:109 msgid "" " <placeholder type=\"mediaobject\" id=\"0\"/> <biblioid " "class=\"isbn\">1-59420-006-8</biblioid> <biblioid " @@ -183,69 +183,54 @@ msgid "" msgstr "" #. type: Content of: <book><dedication><para> -#: freeculture.xml:142 +#: freeculture.xml:139 msgid "You can buy a copy of this book by clicking on one of the links below:" msgstr "" #. type: Content of: <book><dedication><itemizedlist><listitem><para> -#: freeculture.xml:145 +#: freeculture.xml:142 msgid "<ulink url=\"http://www.amazon.com/\">Amazon</ulink>" msgstr "" #. type: Content of: <book><dedication><itemizedlist><listitem><para> -#: freeculture.xml:146 +#: freeculture.xml:143 msgid "<ulink url=\"http://www.barnesandnoble.com/\">B&N</ulink>" msgstr "" #. type: Content of: <book><dedication><itemizedlist><listitem><para> -#: freeculture.xml:147 +#: freeculture.xml:144 msgid "<ulink url=\"http://www.penguin.com/\">Penguin</ulink>" msgstr "" #. type: Content of: <book><dedication><para> -#: freeculture.xml:156 +#: freeculture.xml:153 msgid "ALSO BY LAWRENCE LESSIG" msgstr "" #. type: Content of: <book><dedication><para> -#: freeculture.xml:159 +#: freeculture.xml:156 msgid "The Future of Ideas: The Fate of the Commons in a Connected World" msgstr "" #. type: Content of: <book><dedication><para> -#: freeculture.xml:162 +#: freeculture.xml:159 msgid "Code: And Other Laws of Cyberspace" msgstr "" -#. type: Content of: <book><dedication><para> -#: freeculture.xml:169 -msgid "THE PENGUIN PRESS, NEW YORK" -msgstr "" - -#. type: Content of: <book><dedication><para> -#: freeculture.xml:176 -msgid "FREE CULTURE" -msgstr "" - -#. type: Content of: <book><dedication><para> -#: freeculture.xml:186 -msgid "LAWRENCE LESSIG" -msgstr "" - #. type: Content of: <book><colophon><para> -#: freeculture.xml:192 +#: freeculture.xml:167 msgid "" "THE PENGUIN PRESS, a member of Penguin Group (USA) Inc. 375 Hudson Street " "New York, New York" msgstr "" #. type: Content of: <book><colophon><para> -#: freeculture.xml:196 +#: freeculture.xml:171 msgid "Copyright © Lawrence Lessig. All rights reserved." msgstr "" #. type: Content of: <book><colophon><para> -#: freeculture.xml:199 +#: freeculture.xml:174 msgid "" "Excerpt from an editorial titled <quote>The Coming of Copyright " "Perpetuity,</quote> <citetitle>The New York Times</citetitle>, January 16, " @@ -254,97 +239,97 @@ msgid "" msgstr "" #. type: Content of: <book><colophon><para> -#: freeculture.xml:204 +#: freeculture.xml:179 msgid "" "Cartoon in <xref linkend=\"fig-1711\"/> by Paul Conrad, copyright Tribune " "Media Services, Inc. All rights reserved. Reprinted with permission." msgstr "" #. type: Content of: <book><colophon><para> -#: freeculture.xml:208 +#: freeculture.xml:183 msgid "" "Diagram in <xref linkend=\"fig-1761\"/> courtesy of the office of FCC " "Commissioner, Michael J. Copps." msgstr "" #. type: Content of: <book><colophon><para> -#: freeculture.xml:212 +#: freeculture.xml:187 msgid "Library of Congress Cataloging-in-Publication Data" msgstr "" #. type: Content of: <book><colophon><para> -#: freeculture.xml:215 +#: freeculture.xml:190 msgid "" "Lessig, Lawrence. Free culture : how big media uses technology and the law " "to lock down culture and control creativity / Lawrence Lessig." msgstr "" #. type: Content of: <book><colophon><para> -#: freeculture.xml:220 +#: freeculture.xml:195 msgid "p. cm." msgstr "" #. type: Content of: <book><colophon><para> -#: freeculture.xml:223 +#: freeculture.xml:198 msgid "Includes index." msgstr "" #. type: Content of: <book><colophon><para> -#: freeculture.xml:226 +#: freeculture.xml:201 msgid "ISBN 1-59420-006-8 (hardcover)" msgstr "" #. type: Content of: <book><colophon><para> -#: freeculture.xml:230 +#: freeculture.xml:205 msgid "" "1. Intellectual property—United States. 2. Mass media—United " "States." msgstr "" #. type: Content of: <book><colophon><para> -#: freeculture.xml:233 +#: freeculture.xml:208 msgid "" "3. Technological innovations—United States. 4. Art—United " "States. I. Title." msgstr "" #. type: Content of: <book><colophon><para> -#: freeculture.xml:236 +#: freeculture.xml:211 msgid "KF2979.L47" msgstr "" #. type: Content of: <book><colophon><para> -#: freeculture.xml:239 +#: freeculture.xml:214 msgid "343.7309'9—dc22" msgstr "" #. type: Content of: <book><colophon><para> -#: freeculture.xml:242 +#: freeculture.xml:217 msgid "This book is printed on acid-free paper." msgstr "" #. type: Content of: <book><colophon><para> -#: freeculture.xml:245 +#: freeculture.xml:220 msgid "Printed in the United States of America" msgstr "" #. type: Content of: <book><colophon><para> -#: freeculture.xml:248 +#: freeculture.xml:223 msgid "1 3 5 7 9 10 8 6 4" msgstr "" #. type: Content of: <book><colophon><para> -#: freeculture.xml:251 +#: freeculture.xml:226 msgid "Designed by Marysarah Quinn" msgstr "" #. type: Content of: <book><colophon><para> -#: freeculture.xml:255 +#: freeculture.xml:230 msgid "&translationblock;" msgstr "" #. type: Content of: <book><colophon><para> -#: freeculture.xml:259 +#: freeculture.xml:234 msgid "" "Without limiting the rights under copyright reserved above, no part of this " "publication may be reproduced, stored in or introduced into a retrieval " @@ -354,7 +339,7 @@ msgid "" msgstr "" #. type: Content of: <book><colophon><para> -#: freeculture.xml:267 +#: freeculture.xml:242 msgid "" "The scanning, uploading, and distribution of this book via the Internet or " "via any other means without the permission of the publisher is illegal and " @@ -364,29 +349,29 @@ msgid "" msgstr "" #. type: Content of: <book><dedication><para> -#: freeculture.xml:279 +#: freeculture.xml:254 msgid "" "To Eric Eldred—whose work first drew me to this cause, and for whom it " "continues still." msgstr "" #. type: Content of: <book><lot><title> -#: freeculture.xml:287 +#: freeculture.xml:262 msgid "List of figures" msgstr "" #. type: Content of: <book><preface><title> -#: freeculture.xml:349 +#: freeculture.xml:324 msgid "PREFACE" msgstr "" #. type: Content of: <book><preface><indexterm><primary> -#: freeculture.xml:351 +#: freeculture.xml:326 msgid "Pogue, David" msgstr "" #. type: Content of: <book><preface><para> -#: freeculture.xml:354 +#: freeculture.xml:329 msgid "" "<emphasis role=\"bold\">At the end</emphasis> of his review of my first " "book, <citetitle>Code: And Other Laws of Cyberspace</citetitle>, David " @@ -395,14 +380,14 @@ msgid "" msgstr "" #. type: Content of: <book><preface><blockquote><para><footnote><para> -#: freeculture.xml:365 +#: freeculture.xml:340 msgid "" "David Pogue, <quote>Don't Just Chat, Do Something,</quote> <citetitle>New " "York Times</citetitle>, 30 January 2000." msgstr "" #. type: Content of: <book><preface><blockquote><para> -#: freeculture.xml:361 +#: freeculture.xml:336 msgid "" "Unlike actual law, Internet software has no capacity to punish. It doesn't " "affect people who aren't online (and only a tiny minority of the world " @@ -411,7 +396,7 @@ msgid "" msgstr "" #. type: Content of: <book><preface><para> -#: freeculture.xml:370 +#: freeculture.xml:345 msgid "" "Pogue was skeptical of the core argument of the book—that software, or " "<quote>code,</quote> functioned as a kind of law—and his review " @@ -424,7 +409,7 @@ msgstr "" #. PAGE BREAK 12 #. type: Content of: <book><preface><para> -#: freeculture.xml:379 +#: freeculture.xml:354 msgid "" "Pogue might have been right in 1999—I'm skeptical, but maybe. But " "even if he was right then, the point is not right now: <citetitle>Free " @@ -436,7 +421,7 @@ msgid "" msgstr "" #. type: Content of: <book><preface><para> -#: freeculture.xml:390 +#: freeculture.xml:365 msgid "" "But unlike <citetitle>Code</citetitle>, the argument here is not much about " "the Internet itself. It is instead about the consequence of the Internet to " @@ -445,14 +430,14 @@ msgid "" msgstr "" #. type: Content of: <book><preface><para><footnote><para> -#: freeculture.xml:402 +#: freeculture.xml:377 msgid "" "Richard M. Stallman, <citetitle>Free Software, Free Societies</citetitle> 57 " "(Joshua Gay, ed. 2002)." msgstr "" #. type: Content of: <book><preface><para> -#: freeculture.xml:397 +#: freeculture.xml:372 msgid "" "That tradition is the way our culture gets made. As I explain in the pages " "that follow, we come from a tradition of <quote>free " @@ -473,7 +458,7 @@ msgid "" msgstr "" #. type: Content of: <book><preface><para> -#: freeculture.xml:417 +#: freeculture.xml:392 msgid "" "If we understood this change, I believe we would resist it. Not " "<quote>we</quote> on the Left or <quote>you</quote> on the Right, but we who " @@ -485,17 +470,22 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><indexterm><primary> -#: freeculture.xml:425 freeculture.xml:12914 +#: freeculture.xml:400 freeculture.xml:13152 msgid "CodePink Women in Peace" msgstr "" -#. type: Content of: <book><chapter><para><indexterm><primary> -#: freeculture.xml:436 freeculture.xml:446 freeculture.xml:12927 +#. type: Content of: <book><preface><indexterm><primary> +#: freeculture.xml:401 +msgid "Stevens, Ted" +msgstr "" + +#. type: Content of: <book><chapter><indexterm><primary> +#: freeculture.xml:412 freeculture.xml:422 freeculture.xml:13153 msgid "Safire, William" msgstr "" #. type: Content of: <book><preface><para> -#: freeculture.xml:427 +#: freeculture.xml:403 msgid "" "We saw a glimpse of this bipartisan outrage in the early summer of 2003. As " "the FCC considered changes in media ownership rules that would relax limits " @@ -509,14 +499,14 @@ msgid "" msgstr "" #. type: Content of: <book><preface><blockquote><para><footnote><para> -#: freeculture.xml:444 +#: freeculture.xml:420 msgid "" "William Safire, <quote>The Great Media Gulp,</quote> <citetitle>New York " "Times</citetitle>, 22 May 2003. <placeholder type=\"indexterm\" id=\"0\"/>" msgstr "" #. type: Content of: <book><preface><blockquote><para> -#: freeculture.xml:440 +#: freeculture.xml:416 msgid "" "Does that sound unconservative? Not to me. The concentration of " "power—political, corporate, media, cultural—should be anathema " @@ -526,7 +516,7 @@ msgid "" msgstr "" #. type: Content of: <book><preface><para> -#: freeculture.xml:451 +#: freeculture.xml:427 msgid "" "This idea is an element of the argument of <citetitle>Free " "Culture</citetitle>, though my focus is not just on the concentration of " @@ -535,9 +525,15 @@ msgid "" "change in the effective scope of the law. The law is changing; that change " "is altering the way our culture gets made; that change should worry " "you—whether or not you care about the Internet, and whether you're on " -"Safire's left or on his right. The inspiration for the title and for much " -"of the argument of this book comes from the work of Richard Stallman and the " -"Free Software Foundation. Indeed, as I reread Stallman's own work, " +"Safire's left or on his right." +msgstr "" + +#. type: Content of: <book><preface><para> +#: freeculture.xml:437 +msgid "" +"<emphasis role=\"strong\">The inspiration</emphasis> for the title and for " +"much of the argument of this book comes from the work of Richard Stallman " +"and the Free Software Foundation. Indeed, as I reread Stallman's own work, " "especially the essays in <citetitle>Free Software, Free Society</citetitle>, " "I realize that all of the theoretical insights I develop here are insights " "Stallman described decades ago. One could thus well argue that this work is " @@ -546,7 +542,7 @@ msgstr "" #. PAGE BREAK 14 #. type: Content of: <book><preface><para> -#: freeculture.xml:467 +#: freeculture.xml:446 msgid "" "I accept that criticism, if indeed it is a criticism. The work of a lawyer " "is always derivative, and I mean to do nothing more in this book than to " @@ -564,7 +560,7 @@ msgid "" msgstr "" #. type: Content of: <book><preface><para> -#: freeculture.xml:485 +#: freeculture.xml:464 msgid "" "Instead, the free culture that I defend in this book is a balance between " "anarchy and control. A free culture, like a free market, is filled with " @@ -576,30 +572,55 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><title> -#: freeculture.xml:500 +#: freeculture.xml:479 msgid "INTRODUCTION" msgstr "" +#. type: Content of: <book><chapter><indexterm><primary> +#: freeculture.xml:481 +msgid "air traffic, land ownership vs." +msgstr "" + +#. type: Content of: <book><chapter><section><section><indexterm><primary> +#: freeculture.xml:484 freeculture.xml:14146 +msgid "land ownership, air traffic and" +msgstr "" + +#. type: Content of: <book><chapter><section><section><indexterm><primary> +#: freeculture.xml:487 freeculture.xml:14148 +msgid "property rights" +msgstr "" + +#. type: Content of: <book><chapter><section><section><indexterm><secondary> +#: freeculture.xml:488 freeculture.xml:14149 +msgid "air traffic vs." +msgstr "" + +#. type: Content of: <book><chapter><indexterm><primary> +#: freeculture.xml:490 freeculture.xml:586 freeculture.xml:1018 +msgid "Wright brothers" +msgstr "" + #. type: Content of: <book><chapter><para> -#: freeculture.xml:502 +#: freeculture.xml:492 msgid "" -"On December 17, 1903, on a windy North Carolina beach for just shy of one " -"hundred seconds, the Wright brothers demonstrated that a heavier-than-air, " -"self-propelled vehicle could fly. The moment was electric and its importance " -"widely understood. Almost immediately, there was an explosion of interest in " -"this newfound technology of manned flight, and a gaggle of innovators began " -"to build upon it." +"<emphasis role=\"strong\">On December 17</emphasis>, 1903, on a windy North " +"Carolina beach for just shy of one hundred seconds, the Wright brothers " +"demonstrated that a heavier-than-air, self-propelled vehicle could fly. The " +"moment was electric and its importance widely understood. Almost " +"immediately, there was an explosion of interest in this newfound technology " +"of manned flight, and a gaggle of innovators began to build upon it." msgstr "" #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:514 +#: freeculture.xml:504 msgid "" "St. George Tucker, <citetitle>Blackstone's Commentaries</citetitle> 3 (South " "Hackensack, N.J.: Rothman Reprints, 1969), 18." msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:510 +#: freeculture.xml:500 msgid "" "At the time the Wright brothers invented the airplane, American law held " "that a property owner presumptively owned not just the surface of his land, " @@ -612,7 +633,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:523 +#: freeculture.xml:513 msgid "" "Then came airplanes, and for the first time, this principle of American " "law—deep within the foundations of our tradition, and acknowledged by " @@ -624,17 +645,17 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><indexterm><primary> -#: freeculture.xml:531 freeculture.xml:544 freeculture.xml:575 freeculture.xml:594 freeculture.xml:997 freeculture.xml:1014 freeculture.xml:1060 freeculture.xml:8900 freeculture.xml:12295 freeculture.xml:13018 +#: freeculture.xml:521 freeculture.xml:534 freeculture.xml:565 freeculture.xml:584 freeculture.xml:999 freeculture.xml:1016 freeculture.xml:1063 freeculture.xml:9049 freeculture.xml:12522 freeculture.xml:13259 msgid "Causby, Thomas Lee" msgstr "" #. type: Content of: <book><chapter><indexterm><primary> -#: freeculture.xml:532 freeculture.xml:545 freeculture.xml:576 freeculture.xml:595 freeculture.xml:998 freeculture.xml:1015 freeculture.xml:1061 freeculture.xml:8901 freeculture.xml:12296 freeculture.xml:13019 +#: freeculture.xml:522 freeculture.xml:535 freeculture.xml:566 freeculture.xml:585 freeculture.xml:1000 freeculture.xml:1017 freeculture.xml:1064 freeculture.xml:9050 freeculture.xml:12523 freeculture.xml:13260 msgid "Causby, Tinie" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:534 +#: freeculture.xml:524 msgid "" "In 1945, these questions became a federal case. When North Carolina farmers " "Thomas Lee and Tinie Causby started losing chickens because of low-flying " @@ -648,7 +669,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:547 +#: freeculture.xml:537 msgid "" "The Supreme Court agreed to hear the Causbys' case. Congress had declared " "the airways public, but if one's property really extended to the heavens, " @@ -661,7 +682,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><blockquote><para><footnote><para> -#: freeculture.xml:567 +#: freeculture.xml:557 msgid "" "United States v. Causby, U.S. 328 (1946): 256, 261. The Court did find that " "there could be a <quote>taking</quote> if the government's use of its land " @@ -675,7 +696,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><blockquote><para> -#: freeculture.xml:558 +#: freeculture.xml:548 msgid "" "[The] doctrine has no place in the modern world. The air is a public " "highway, as Congress has declared. Were that not true, every " @@ -688,13 +709,13 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:581 +#: freeculture.xml:571 msgid "<quote>Common sense revolts at the idea.</quote>" msgstr "" #. PAGE BREAK 18 #. type: Content of: <book><chapter><para> -#: freeculture.xml:584 +#: freeculture.xml:574 msgid "" "This is how the law usually works. Not often this abruptly or impatiently, " "but eventually, this is how it works. It was Douglas's style not to " @@ -707,7 +728,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:597 +#: freeculture.xml:588 msgid "" "Or at least, this is how things happen when there's no one powerful on the " "other side of the change. The Causbys were just farmers. And though there " @@ -727,39 +748,44 @@ msgid "" "defeat an obvious public gain." msgstr "" -#. type: Content of: <book><chapter><para><indexterm><primary> -#: freeculture.xml:626 +#. type: Content of: <book><part><chapter><section><indexterm><primary> +#: freeculture.xml:609 freeculture.xml:9057 freeculture.xml:9712 +msgid "Armstrong, Edwin Howard" +msgstr "" + +#. type: Content of: <book><chapter><indexterm><primary> +#: freeculture.xml:611 msgid "Bell, Alexander Graham" msgstr "" -#. type: Content of: <book><chapter><para><indexterm><primary> -#: freeculture.xml:627 +#. type: Content of: <book><chapter><indexterm><primary> +#: freeculture.xml:612 msgid "Edison, Thomas" msgstr "" -#. type: Content of: <book><chapter><para><indexterm><primary> -#: freeculture.xml:628 +#. type: Content of: <book><chapter><indexterm><primary> +#: freeculture.xml:613 msgid "Faraday, Michael" msgstr "" +#. PAGE BREAK 19 #. type: Content of: <book><chapter><para> #: freeculture.xml:615 msgid "" -"Edwin Howard Armstrong is one of America's forgotten inventor geniuses. He " -"came to the great American inventor scene just after the titans Thomas " -"Edison and Alexander Graham Bell. But his work in the area of radio " -"technology was perhaps the most important of any single inventor in the " -"first fifty years of radio. He was better educated than Michael Faraday, who " -"as a bookbinder's apprentice had discovered electric induction in 1831. But " -"he had the same intuition about how the world of radio worked, and on at " -"least three occasions, Armstrong invented profoundly important technologies " -"that advanced our understanding of radio. <placeholder type=\"indexterm\" " -"id=\"0\"/> <placeholder type=\"indexterm\" id=\"1\"/> <placeholder " -"type=\"indexterm\" id=\"2\"/>" +"<emphasis role='strong'>Edwin Howard Armstrong</emphasis> is one of " +"America's forgotten inventor geniuses. He came to the great American " +"inventor scene just after the titans Thomas Edison and Alexander Graham " +"Bell. But his work in the area of radio technology was perhaps the most " +"important of any single inventor in the first fifty years of radio. He was " +"better educated than Michael Faraday, who as a bookbinder's apprentice had " +"discovered electric induction in 1831. But he had the same intuition about " +"how the world of radio worked, and on at least three occasions, Armstrong " +"invented profoundly important technologies that advanced our understanding " +"of radio." msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:631 +#: freeculture.xml:628 msgid "" "On the day after Christmas, 1933, four patents were issued to Armstrong for " "his most significant invention—FM radio. Until then, consumer radio " @@ -771,7 +797,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:641 +#: freeculture.xml:638 msgid "" "On November 5, 1935, he demonstrated the technology at a meeting of the " "Institute of Radio Engineers at the Empire State Building in New York " @@ -784,19 +810,19 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:652 +#: freeculture.xml:649 msgid "The audience was hearing something no one had thought possible:" msgstr "" #. type: Content of: <book><chapter><blockquote><para><footnote><para> -#: freeculture.xml:663 +#: freeculture.xml:660 msgid "" "Lawrence Lessing, <citetitle>Man of High Fidelity: Edwin Howard " "Armstrong</citetitle> (Philadelphia: J. B. Lipincott Company, 1956), 209." msgstr "" #. type: Content of: <book><chapter><blockquote><para> -#: freeculture.xml:656 +#: freeculture.xml:653 msgid "" "A glass of water was poured before the microphone in Yonkers; it sounded " "like a glass of water being poured. … A paper was crumpled and torn; " @@ -809,7 +835,7 @@ msgstr "" #. PAGE BREAK 20 #. type: Content of: <book><chapter><para> -#: freeculture.xml:669 +#: freeculture.xml:666 msgid "" "As our own common sense tells us, Armstrong had discovered a vastly superior " "radio technology. But at the time of his invention, Armstrong was working " @@ -820,12 +846,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para><indexterm><primary> -#: freeculture.xml:683 freeculture.xml:703 +#: freeculture.xml:680 freeculture.xml:703 msgid "Sarnoff, David" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:678 +#: freeculture.xml:675 msgid "" "RCA's president, David Sarnoff, a friend of Armstrong's, was eager that " "Armstrong discover a way to remove static from AM radio. So Sarnoff was " @@ -835,7 +861,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><blockquote><para><footnote><para> -#: freeculture.xml:690 +#: freeculture.xml:687 msgid "" "See <quote>Saints: The Heroes and Geniuses of the Electronic Era,</quote> " "First Electronic Church of America, at www.webstationone.com/fecha, " @@ -843,7 +869,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><blockquote><para> -#: freeculture.xml:687 +#: freeculture.xml:684 msgid "" "I thought Armstrong would invent some kind of a filter to remove static from " "our AM radio. I didn't think he'd start a revolution— start up a whole " @@ -851,6 +877,11 @@ msgid "" "id=\"0\"/>" msgstr "" +#. type: Content of: <book><chapter><indexterm><primary> +#: freeculture.xml:696 +msgid "Lessing, Lawrence" +msgstr "" + #. type: Content of: <book><chapter><para> #: freeculture.xml:699 msgid "" @@ -907,12 +938,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><indexterm><primary> -#: freeculture.xml:740 +#: freeculture.xml:741 msgid "AT&T" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:742 +#: freeculture.xml:743 msgid "" "To make room in the spectrum for RCA's latest gamble, television, FM radio " "users were to be moved to a totally new spectrum band. The power of FM radio " @@ -924,7 +955,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:752 +#: freeculture.xml:753 msgid "" "Armstrong resisted RCA's efforts. In response, RCA resisted Armstrong's " "patents. After incorporating FM technology into the emerging standard for " @@ -939,7 +970,7 @@ msgstr "" #. PAGE BREAK 22 #. type: Content of: <book><chapter><para> -#: freeculture.xml:764 +#: freeculture.xml:766 msgid "" "This is how the law sometimes works. Not often this tragically, and rarely " "with heroic drama, but sometimes, this is how it works. From the beginning, " @@ -955,7 +986,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:786 +#: freeculture.xml:788 msgid "" "Amanda Lenhart, <quote>The Ever-Shifting Internet Population: A New Look at " "Internet Access and the Digital Divide,</quote> Pew Internet and American " @@ -964,18 +995,19 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:780 +#: freeculture.xml:782 msgid "" -"There's no single inventor of the Internet. Nor is there any good date upon " -"which to mark its birth. Yet in a very short time, the Internet has become " -"part of ordinary American life. According to the Pew Internet and American " -"Life Project, 58 percent of Americans had access to the Internet in 2002, up " -"from 49 percent two years before.<placeholder type=\"footnote\" id=\"0\"/> " -"That number could well exceed two thirds of the nation by the end of 2004." +"<emphasis role=\"strong\">There's no</emphasis> single inventor of the " +"Internet. Nor is there any good date upon which to mark its birth. Yet in a " +"very short time, the Internet has become part of ordinary American " +"life. According to the Pew Internet and American Life Project, 58 percent of " +"Americans had access to the Internet in 2002, up from 49 percent two years " +"before.<placeholder type=\"footnote\" id=\"0\"/> That number could well " +"exceed two thirds of the nation by the end of 2004." msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:795 +#: freeculture.xml:797 msgid "" "As the Internet has been integrated into ordinary life, it has changed " "things. Some of these changes are technical—the Internet has made " @@ -989,7 +1021,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:806 +#: freeculture.xml:808 msgid "" "Instead, this book is about an effect of the Internet beyond the Internet " "itself: an effect upon how culture is made. My claim is that the Internet " @@ -1000,17 +1032,17 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para><indexterm><primary> -#: freeculture.xml:825 +#: freeculture.xml:827 msgid "Barlow, Joel" msgstr "" #. type: Content of: <book><chapter><para><indexterm><primary> -#: freeculture.xml:826 +#: freeculture.xml:828 msgid "Webster, Noah" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:815 +#: freeculture.xml:817 msgid "" "We can glimpse a sense of this change by distinguishing between commercial " "and noncommercial culture, and by mapping the law's regulation of each. By " @@ -1025,7 +1057,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:829 +#: freeculture.xml:831 msgid "" "At the beginning of our history, and for just about the whole of our " "tradition, noncommercial culture was essentially unregulated. Of course, if " @@ -1039,12 +1071,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para><indexterm><primary> -#: freeculture.xml:854 freeculture.xml:1882 freeculture.xml:1893 +#: freeculture.xml:856 freeculture.xml:1894 freeculture.xml:1905 msgid "Brandeis, Louis D." msgstr "" #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:846 +#: freeculture.xml:848 msgid "" "This is not the only purpose of copyright, though it is the overwhelmingly " "primary purpose of the copyright established in the federal constitution. " @@ -1057,7 +1089,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:840 +#: freeculture.xml:842 msgid "" "The focus of the law was on commercial creativity. At first slightly, then " "quite extensively, the law protected the incentives of creators by granting " @@ -1070,19 +1102,19 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:866 freeculture.xml:9442 +#: freeculture.xml:868 freeculture.xml:9602 msgid "Litman, Jessica" msgstr "" #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:864 +#: freeculture.xml:866 msgid "" "See Jessica Litman, <citetitle>Digital Copyright</citetitle> (New York: " "Prometheus Books, 2001), ch. 13. <placeholder type=\"indexterm\" id=\"0\"/>" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:862 +#: freeculture.xml:864 msgid "" "This rough divide between the free and the controlled has now been " "erased.<placeholder type=\"footnote\" id=\"0\"/> The Internet has set the " @@ -1098,7 +1130,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:881 +#: freeculture.xml:883 msgid "" "This change gets justified as necessary to protect commercial creativity. " "And indeed, protectionism is precisely its motivation. But the protectionism " @@ -1112,7 +1144,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:894 +#: freeculture.xml:896 msgid "" "For the Internet has unleashed an extraordinary possibility for many to " "participate in the process of building and cultivating a culture that " @@ -1133,7 +1165,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:913 +#: freeculture.xml:915 msgid "" "Yet, as I argue in the pages that follow, that is precisely what is " "happening in our culture today. These modern-day equivalents of the early " @@ -1144,7 +1176,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:930 +#: freeculture.xml:932 msgid "" "Amy Harmon, <quote>Black Hawk Download: Moving Beyond Music, Pirates Use New " "Tools to Turn the Net into an Illicit Video Club,</quote> <citetitle>New " @@ -1152,7 +1184,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:922 +#: freeculture.xml:924 msgid "" "It doesn't seem this way to many. The battles over copyright and the " "Internet seem remote to most. To the few who follow them, they seem mainly " @@ -1168,7 +1200,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:939 +#: freeculture.xml:941 msgid "" "If those really were the choices, then I would be with Jack Valenti and the " "content industry. I, too, am a believer in property, and especially in the " @@ -1179,7 +1211,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:947 +#: freeculture.xml:949 msgid "" "But those simple beliefs mask a much more fundamental question and a much " "more dramatic change. My fear is that unless we come to see this change, the " @@ -1188,12 +1220,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:961 freeculture.xml:14289 +#: freeculture.xml:963 freeculture.xml:14546 msgid "Netanel, Neil Weinstock" msgstr "" #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:959 +#: freeculture.xml:961 msgid "" "Neil W. Netanel, <quote>Copyright and a Democratic Civil Society,</quote> " "<citetitle>Yale Law Journal</citetitle> 106 (1996): 283. <placeholder " @@ -1201,7 +1233,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:953 +#: freeculture.xml:955 msgid "" "These values built a tradition that, for at least the first 180 years of our " "Republic, guaranteed creators the right to build freely upon their past, and " @@ -1215,7 +1247,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:969 +#: freeculture.xml:971 msgid "" "Yet the law's response to the Internet, when tied to changes in the " "technology of the Internet itself, has massively increased the effective " @@ -1228,7 +1260,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:981 +#: freeculture.xml:983 msgid "" "The story that follows is about this war. Is it not about the " "<quote>centrality of technology</quote> to ordinary life. I don't believe in " @@ -1238,7 +1270,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:989 +#: freeculture.xml:991 msgid "" "It is instead an effort to understand a hopelessly destructive war inspired " "by the technologies of the Internet but reaching far beyond its code. And by " @@ -1250,26 +1282,26 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:1000 -msgid "" -"Like the Causbys' battle, this war is, in part, about " -"<quote>property.</quote> The property of this war is not as tangible as the " -"Causbys', and no innocent chicken has yet to lose its life. Yet the ideas " -"surrounding this <quote>property</quote> are as obvious to most as the " -"Causbys' claim about the sacredness of their farm was to them. We are the " -"Causbys. Most of us take for granted the extraordinarily powerful claims " -"that the owners of <quote>intellectual property</quote> now assert. Most of " -"us, like the Causbys, treat these claims as obvious. And hence we, like the " -"Causbys, object when a new technology interferes with this property. It is " -"as plain to us as it was to them that the new technologies of the Internet " -"are <quote>trespassing</quote> upon legitimate claims of " -"<quote>property.</quote> It is as plain to us as it was to them that the law " -"should intervene to stop this trespass." +#: freeculture.xml:1002 +msgid "" +"<emphasis role=\"strong\">Like the Causbys'</emphasis> battle, this war is, " +"in part, about <quote>property.</quote> The property of this war is not as " +"tangible as the Causbys', and no innocent chicken has yet to lose its " +"life. Yet the ideas surrounding this <quote>property</quote> are as obvious " +"to most as the Causbys' claim about the sacredness of their farm was to " +"them. We are the Causbys. Most of us take for granted the extraordinarily " +"powerful claims that the owners of <quote>intellectual property</quote> now " +"assert. Most of us, like the Causbys, treat these claims as obvious. And " +"hence we, like the Causbys, object when a new technology interferes with " +"this property. It is as plain to us as it was to them that the new " +"technologies of the Internet are <quote>trespassing</quote> upon legitimate " +"claims of <quote>property.</quote> It is as plain to us as it was to them " +"that the law should intervene to stop this trespass." msgstr "" #. PAGE BREAK 27 #. type: Content of: <book><chapter><para> -#: freeculture.xml:1017 +#: freeculture.xml:1020 msgid "" "And thus, when geeks and technologists defend their Armstrong or Wright " "brothers technology, most of us are simply unsympathetic. Common sense does " @@ -1279,7 +1311,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:1027 +#: freeculture.xml:1030 msgid "" "My hope is to push this common sense along. I have become increasingly " "amazed by the power of this idea of intellectual property and, more " @@ -1292,7 +1324,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:1037 +#: freeculture.xml:1040 msgid "" "The puzzle is, Why? Is it because we have come to understand a truth about " "the value and importance of absolute property over ideas and culture? Is it " @@ -1301,14 +1333,14 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:1043 +#: freeculture.xml:1046 msgid "" "Or is it because the idea of absolute property over ideas and culture " "benefits the RCAs of our time and fits our own unreflective intuitions?" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:1047 +#: freeculture.xml:1050 msgid "" "Is the radical shift away from our tradition of free culture an instance of " "America correcting a mistake from its past, as we did after a bloody war " @@ -1318,7 +1350,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:1054 +#: freeculture.xml:1057 msgid "" "Does common sense lead to the extremes on this question because common sense " "actually believes in these extremes? Or does common sense stand silent in " @@ -1328,7 +1360,7 @@ msgstr "" #. PAGE BREAK 28 #. type: Content of: <book><chapter><para> -#: freeculture.xml:1063 +#: freeculture.xml:1066 msgid "" "I don't mean to be mysterious. My own views are resolved. I believe it was " "right for common sense to revolt against the extremism of the Causbys. I " @@ -1340,15 +1372,15 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:1073 +#: freeculture.xml:1076 msgid "" -"The struggle that rages just now centers on two ideas: <quote>piracy</quote> " -"and <quote>property.</quote> My aim in this book's next two parts is to " -"explore these two ideas." +"<emphasis role=\"strong\">The struggle</emphasis> that rages just now " +"centers on two ideas: <quote>piracy</quote> and <quote>property.</quote> My " +"aim in this book's next two parts is to explore these two ideas." msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:1078 +#: freeculture.xml:1081 msgid "" "My method is not the usual method of an academic. I don't want to plunge you " "into a complex argument, buttressed with references to obscure French " @@ -1359,7 +1391,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:1086 +#: freeculture.xml:1089 msgid "" "The two sections set up the core claim of this book: that while the Internet " "has indeed produced something fantastic and new, our government, pushed by " @@ -1373,7 +1405,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:1097 +#: freeculture.xml:1100 msgid "" "We allow this, I believe, not because it is right, and not because most of " "us really believe in these changes. We allow it because the interests most " @@ -1384,20 +1416,21 @@ msgid "" msgstr "" #. type: Content of: <book><part><title> -#: freeculture.xml:1107 +#: freeculture.xml:1110 msgid "<quote>PIRACY</quote>" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:1111 freeculture.xml:4767 +#: freeculture.xml:1114 freeculture.xml:4844 msgid "Mansfield, William Murray, Lord" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:1114 +#: freeculture.xml:1117 msgid "" -"Since the inception of the law regulating creative property, there has been " -"a war against <quote>piracy.</quote> The precise contours of this concept, " +"<emphasis role=\"strong\">Since the inception</emphasis> of the law " +"regulating creative property, there has been a war against " +"<quote>piracy.</quote> The precise contours of this concept, " "<quote>piracy,</quote> are hard to sketch, but the animating injustice is " "easy to capture. As Lord Mansfield wrote in a case that extended the reach " "of English copyright law to include sheet music," @@ -1405,14 +1438,14 @@ msgstr "" #. f1 #. type: Content of: <book><part><partintro><blockquote><para><footnote><para> -#: freeculture.xml:1126 +#: freeculture.xml:1129 msgid "" "<citetitle>Bach</citetitle> v. <citetitle>Longman</citetitle>, 98 " "Eng. Rep. 1274 (1777) (Mansfield)." msgstr "" #. type: Content of: <book><part><partintro><blockquote><para> -#: freeculture.xml:1122 +#: freeculture.xml:1125 msgid "" "A person may use the copy by playing it, but he has no right to rob the " "author of the profit, by multiplying copies and disposing of them for his " @@ -1421,7 +1454,7 @@ msgstr "" #. PAGE BREAK 31 #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:1132 +#: freeculture.xml:1135 msgid "" "Today we are in the middle of another <quote>war</quote> against " "<quote>piracy.</quote> The Internet has provoked this war. The Internet " @@ -1432,7 +1465,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:1141 +#: freeculture.xml:1144 msgid "" "This efficiency does not respect the traditional lines of copyright. The " "network doesn't discriminate between the sharing of copyrighted and " @@ -1442,7 +1475,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:1149 +#: freeculture.xml:1152 msgid "" "The warriors have turned to the courts, to the legislatures, and " "increasingly to technology to defend their <quote>property</quote> against " @@ -1453,7 +1486,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:1157 +#: freeculture.xml:1160 msgid "" "There's no doubt that <quote>piracy</quote> is wrong, and that pirates " "should be punished. But before we summon the executioners, we should put " @@ -1463,12 +1496,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:1163 +#: freeculture.xml:1166 msgid "The idea goes something like this:" msgstr "" #. type: Content of: <book><part><partintro><blockquote><para> -#: freeculture.xml:1167 +#: freeculture.xml:1170 msgid "" "Creative work has value; whenever I use, or take, or build upon the creative " "work of others, I am taking from them something of value. Whenever I take " @@ -1478,13 +1511,23 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><indexterm><primary> -#: freeculture.xml:1175 +#: freeculture.xml:1178 msgid "Dreyfuss, Rochelle" msgstr "" +#. type: Content of: <book><part><partintro><indexterm><primary> +#: freeculture.xml:1179 +msgid "Girl Schouts" +msgstr "" + +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:1181 freeculture.xml:2871 +msgid "<quote>if value, then right</quote> theory" +msgstr "" + #. f2 #. type: Content of: <book><part><partintro><para><footnote><para> -#: freeculture.xml:1181 +#: freeculture.xml:1188 msgid "" "See Rochelle Dreyfuss, <quote>Expressive Genericity: Trademarks as Language " "in the Pepsi Generation,</quote> <citetitle>Notre Dame Law " @@ -1492,12 +1535,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:1194 freeculture.xml:6869 +#: freeculture.xml:1201 freeculture.xml:6995 msgid "Zittrain, Jonathan" msgstr "" #. type: Content of: <book><part><partintro><para><footnote><para> -#: freeculture.xml:1189 +#: freeculture.xml:1196 msgid "" "Lisa Bannon, <quote>The Birds May Sing, but Campers Can't Unless They Pay " "Up,</quote> <citetitle>Wall Street Journal</citetitle>, 21 August 1996, " @@ -1509,7 +1552,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:1177 +#: freeculture.xml:1184 msgid "" "This view runs deep within the current debates. It is what NYU law professor " "Rochelle Dreyfuss criticizes as the <quote>if value, then right</quote> " @@ -1523,13 +1566,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><indexterm><primary> -#: freeculture.xml:1199 +#: freeculture.xml:1206 msgid "ASCAP" msgstr "" #. PAGE BREAK 32 #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:1201 +#: freeculture.xml:1208 msgid "" "This idea is certainly a possible understanding of how creative property " "should work. It might well be a possible design for a system of law " @@ -1539,7 +1582,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:1209 +#: freeculture.xml:1217 msgid "" "Instead, in our tradition, intellectual property is an instrument. It sets " "the groundwork for a richly creative society but remains subservient to the " @@ -1549,7 +1592,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:1216 +#: freeculture.xml:1224 msgid "" "The source of this confusion is a distinction that the law no longer takes " "care to draw—the distinction between republishing someone's work on " @@ -1559,7 +1602,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:1223 +#: freeculture.xml:1231 msgid "" "Before the technologies of the Internet, this conflation didn't matter all " "that much. The technologies of publishing were expensive; that meant the " @@ -1569,17 +1612,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para><footnote><para><indexterm><primary> -#: freeculture.xml:1230 freeculture.xml:1261 +#: freeculture.xml:1238 freeculture.xml:1269 msgid "Florida, Richard" msgstr "" #. type: Content of: <book><part><partintro><para><footnote><para><indexterm><primary> -#: freeculture.xml:1231 freeculture.xml:1262 +#: freeculture.xml:1239 freeculture.xml:1270 msgid "Rise of the Creative Class, The (Florida)" msgstr "" #. type: Content of: <book><part><partintro><para><footnote><para> -#: freeculture.xml:1253 +#: freeculture.xml:1261 msgid "" "In <citetitle>The Rise of the Creative Class</citetitle> (New York: Basic " "Books, 2002), Richard Florida documents a shift in the nature of labor " @@ -1592,7 +1635,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:1233 +#: freeculture.xml:1241 msgid "" "But with the birth of the Internet, this natural limit to the reach of the " "law has disappeared. The law controls not just the creativity of commercial " @@ -1614,7 +1657,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:1268 +#: freeculture.xml:1276 msgid "" "These burdens make no sense in our tradition. We should begin by " "understanding that tradition a bit more and by placing in their proper " @@ -1622,28 +1665,28 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:1276 +#: freeculture.xml:1284 msgid "CHAPTER ONE: Creators" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:1278 +#: freeculture.xml:1286 msgid "animated cartoons" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1281 +#: freeculture.xml:1289 msgid "" -"In 1928, a cartoon character was born. An early Mickey Mouse made his debut " -"in May of that year, in a silent flop called <citetitle>Plane " -"Crazy</citetitle>. In November, in New York City's Colony Theater, in the " -"first widely distributed cartoon synchronized with sound, " -"<citetitle>Steamboat Willie</citetitle> brought to life the character that " -"would become Mickey Mouse." +"<emphasis role=\"strong\">In 1928</emphasis>, a cartoon character was " +"born. An early Mickey Mouse made his debut in May of that year, in a silent " +"flop called <citetitle>Plane Crazy</citetitle>. In November, in New York " +"City's Colony Theater, in the first widely distributed cartoon synchronized " +"with sound, <citetitle>Steamboat Willie</citetitle> brought to life the " +"character that would become Mickey Mouse." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1288 +#: freeculture.xml:1296 msgid "" "Synchronized sound had been introduced to film a year earlier in the movie " "<citetitle>The Jazz Singer</citetitle>. That success led Walt Disney to copy " @@ -1655,7 +1698,7 @@ msgstr "" #. PAGE BREAK 35 #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:1297 +#: freeculture.xml:1305 msgid "" "A couple of my boys could read music, and one of them could play a mouth " "organ. We put them in a room where they could not see the screen and " @@ -1664,7 +1707,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:1304 +#: freeculture.xml:1312 msgid "" "The boys worked from a music and sound-effects score. After several false " "starts, sound and action got off with the gun. The mouth organist played the " @@ -1674,14 +1717,14 @@ msgstr "" #. f1 #. type: Content of: <book><part><chapter><blockquote><para><footnote><para> -#: freeculture.xml:1317 +#: freeculture.xml:1325 msgid "" "Leonard Maltin, <citetitle>Of Mice and Magic: A History of American Animated " "Cartoons</citetitle> (New York: Penguin Books, 1987), 34–35." msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:1311 +#: freeculture.xml:1319 msgid "" "The effect on our little audience was nothing less than electric. They " "responded almost instinctively to this union of sound and motion. I thought " @@ -1691,12 +1734,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:1326 +#: freeculture.xml:1334 msgid "Iwerks, Ub" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1323 +#: freeculture.xml:1331 msgid "" "Disney's then partner, and one of animation's most extraordinary talents, Ub " "Iwerks, put it more strongly: <quote>I have never been so thrilled in my " @@ -1705,7 +1748,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1329 +#: freeculture.xml:1337 msgid "" "Disney had created something very new, based upon something relatively " "new. Synchronized sound brought life to a form of creativity that had " @@ -1717,7 +1760,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1338 +#: freeculture.xml:1346 msgid "" "This much is familiar. What you might not know is that 1928 also marks " "another important transition. In that year, a comic (as opposed to cartoon) " @@ -1726,7 +1769,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1344 +#: freeculture.xml:1352 msgid "" "Keaton was born into a vaudeville family in 1895. In the era of silent film, " "he had mastered using broad physical comedy as a way to spark uncontrollable " @@ -1738,7 +1781,7 @@ msgstr "" #. f2 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:1358 +#: freeculture.xml:1366 msgid "" "I am grateful to David Gerstein and his careful history, described at <ulink " "url=\"http://free-culture.cc/notes/\">link #4</ulink>. According to Dave " @@ -1752,7 +1795,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1352 +#: freeculture.xml:1360 msgid "" "<citetitle>Steamboat Bill, Jr</citetitle>. appeared before Disney's cartoon " "Steamboat Willie. The coincidence of titles is not coincidental. Steamboat " @@ -1767,7 +1810,7 @@ msgstr "" #. f3 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:1379 +#: freeculture.xml:1387 msgid "" "He was also a fan of the public domain. See Chris Sprigman, <quote>The Mouse " "that Ate the Public Domain,</quote> Findlaw, 5 March 2002, at <ulink " @@ -1775,7 +1818,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1375 +#: freeculture.xml:1383 msgid "" "This <quote>borrowing</quote> was nothing unique, either for Disney or for " "the industry. Disney was always parroting the feature-length mainstream " @@ -1790,7 +1833,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1394 +#: freeculture.xml:1402 msgid "" "Sometimes this borrowing was slight. Sometimes it was significant. Think " "about the fairy tales of the Brothers Grimm. If you're as oblivious as I " @@ -1803,7 +1846,7 @@ msgstr "" #. PAGE BREAK 37 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1403 +#: freeculture.xml:1411 msgid "" "Disney took these stories and retold them in a way that carried them into a " "new age. He animated the stories, with both characters and light. Without " @@ -1830,7 +1873,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1426 +#: freeculture.xml:1434 msgid "" "This is a kind of creativity. It is a creativity that we should remember and " "celebrate. There are some who would say that there is no creativity except " @@ -1843,7 +1886,7 @@ msgstr "" #. f4 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:1440 +#: freeculture.xml:1448 msgid "" "Until 1976, copyright law granted an author the possibility of two terms: an " "initial term and a renewal term. I have calculated the " @@ -1857,7 +1900,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1434 +#: freeculture.xml:1442 msgid "" "In 1928, the culture that Disney was free to draw upon was relatively " "fresh. The public domain in 1928 was not very old and was therefore quite " @@ -1871,7 +1914,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1457 +#: freeculture.xml:1465 msgid "" "At the end of a copyright term, a work passes into the public domain. No " "permission is then needed to draw upon or use that work. No permission and, " @@ -1884,7 +1927,7 @@ msgstr "" #. PAGE BREAK 38 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1466 +#: freeculture.xml:1474 msgid "" "This is the ways things always were—until quite recently. For most of " "our history, the public domain was just over the horizon. From until 1978, " @@ -1897,16 +1940,16 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1479 +#: freeculture.xml:1487 msgid "" -"Of course, Walt Disney had no monopoly on <quote>Walt Disney " -"creativity.</quote> Nor does America. The norm of free culture has, until " -"recently, and except within totalitarian nations, been broadly exploited and " -"quite universal." +"<emphasis role=\"strong\">Of course</emphasis>, Walt Disney had no monopoly " +"on <quote>Walt Disney creativity.</quote> Nor does America. The norm of free " +"culture has, until recently, and except within totalitarian nations, been " +"broadly exploited and quite universal." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1485 +#: freeculture.xml:1493 msgid "" "Consider, for example, a form of creativity that seems strange to many " "Americans but that is inescapable within Japanese culture: " @@ -1918,7 +1961,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1494 +#: freeculture.xml:1502 msgid "" "Americans tend to look down upon this form of culture. That's an " "unattractive characteristic of ours. We're likely to misunderstand much " @@ -1932,7 +1975,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1505 +#: freeculture.xml:1513 msgid "" "But my purpose here is not to understand manga. It is to describe a variant " "on manga that from a lawyer's perspective is quite odd, but from a Disney " @@ -1941,7 +1984,7 @@ msgstr "" #. PAGE BREAK 39 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1510 +#: freeculture.xml:1518 msgid "" "This is the phenomenon of <citetitle>doujinshi</citetitle>. Doujinshi are " "also comics, but they are a kind of copycat comic. A rich ethic governs the " @@ -1958,7 +2001,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1525 +#: freeculture.xml:1533 msgid "" "These copycat comics are not a tiny part of the manga market. They are " "huge. More than 33,000 <quote>circles</quote> of creators from across Japan " @@ -1972,7 +2015,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1536 +#: freeculture.xml:1544 msgid "" "The most puzzling feature of the doujinshi market, for those trained in the " "law, at least, is that it is allowed to exist at all. Under Japanese " @@ -1989,20 +2032,20 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:1550 +#: freeculture.xml:1558 msgid "Winick, Judd" msgstr "" #. f5 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:1563 +#: freeculture.xml:1571 msgid "" "For an excellent history, see Scott McCloud, <citetitle>Reinventing " "Comics</citetitle> (New York: Perennial, 2000)." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1553 +#: freeculture.xml:1561 msgid "" "Yet this illegal market exists and indeed flourishes in Japan, and in the " "view of many, it is precisely because it exists that Japanese manga " @@ -2014,8 +2057,13 @@ msgid "" "from them.<placeholder type=\"footnote\" id=\"0\"/>" msgstr "" +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:1575 +msgid "Superman comics" +msgstr "" + #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1568 +#: freeculture.xml:1577 msgid "" "American comics now are quite different, Winick explains, in part because of " "the legal difficulty of adapting comics the way doujinshi are " @@ -2027,7 +2075,7 @@ msgstr "" #. f6 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:1585 +#: freeculture.xml:1594 msgid "" "See Salil K. Mehra, <quote>Copyright and Comics in Japan: Does Law Explain " "Why All the Comics My Kid Watches Are Japanese Imports?</quote> " @@ -2041,7 +2089,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1577 +#: freeculture.xml:1586 msgid "" "The norm in Japan mitigates this legal difficulty. Some say it is precisely " "the benefit accruing to the Japanese manga market that explains the " @@ -2053,7 +2101,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1596 +#: freeculture.xml:1605 msgid "" "The problem with this story, however, as Mehra plainly acknowledges, is that " "the mechanism producing this laissez faire response is not clear. It may " @@ -2066,7 +2114,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1607 +#: freeculture.xml:1616 msgid "" "I spent four wonderful months in Japan, and I asked this question as often " "as I could. Perhaps the best account in the end was offered by a friend from " @@ -2077,7 +2125,7 @@ msgstr "" #. PAGE BREAK 41 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1614 +#: freeculture.xml:1623 msgid "" "This is a theme to which we will return: that regulation by law is a " "function of both the words on the books and the costs of making those words " @@ -2086,12 +2134,16 @@ msgid "" "artists were regularly prosecuted? Would the Japanese gain something " "important if they could end this practice of uncompensated sharing? Does " "piracy here hurt the victims of the piracy, or does it help them? Would " -"lawyers fighting this piracy help their clients or hurt them? Let's pause " -"for a moment." +"lawyers fighting this piracy help their clients or hurt them?" +msgstr "" + +#. type: Content of: <book><part><chapter><para> +#: freeculture.xml:1635 +msgid "<emphasis role='strong'>Let's pause</emphasis> for a moment." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1627 +#: freeculture.xml:1638 msgid "" "If you're like I was a decade ago, or like most people are when they first " "start thinking about these issues, then just about now you should be puzzled " @@ -2099,12 +2151,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:1644 freeculture.xml:2842 freeculture.xml:4477 freeculture.xml:4698 freeculture.xml:7250 freeculture.xml:8364 +#: freeculture.xml:1655 freeculture.xml:2891 freeculture.xml:4551 freeculture.xml:4774 freeculture.xml:7381 freeculture.xml:8505 msgid "Vaidhyanathan, Siva" msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:1637 +#: freeculture.xml:1648 msgid "" "The term <citetitle>intellectual property</citetitle> is of relatively " "recent origin. See Siva Vaidhyanathan, <citetitle>Copyrights and " @@ -2117,7 +2169,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1632 +#: freeculture.xml:1643 msgid "" "We live in a world that celebrates <quote>property.</quote> I am one of " "those celebrants. I believe in the value of property in general, and I also " @@ -2129,7 +2181,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1651 +#: freeculture.xml:1662 msgid "" "But it takes just a second's reflection to realize that there is plenty of " "value out there that <quote>property</quote> doesn't capture. I don't mean " @@ -2147,7 +2199,7 @@ msgstr "" #. PAGE BREAK 42 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1666 +#: freeculture.xml:1677 msgid "" "Thus, even though the things that Disney took—or more generally, the " "things taken by anyone exercising Walt Disney creativity—are valuable, " @@ -2156,7 +2208,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1675 +#: freeculture.xml:1686 msgid "" "The same with the doujinshi culture. If a doujinshi artist broke into a " "publisher's office and ran off with a thousand copies of his latest " @@ -2167,7 +2219,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1683 +#: freeculture.xml:1694 msgid "" "Yet there is an obvious reluctance, even among Japanese lawyers, to say that " "the copycat comic artists are <quote>stealing.</quote> This form of Walt " @@ -2176,7 +2228,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1689 +#: freeculture.xml:1700 msgid "" "It's the same with a thousand examples that appear everywhere once you begin " "to look. Scientists build upon the work of other scientists without asking " @@ -2193,7 +2245,7 @@ msgstr "" #. PAGE BREAK 43 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1703 +#: freeculture.xml:1714 msgid "" "Creators here and everywhere are always and at all times building upon the " "creativity that went before and that surrounds them now. That building is " @@ -2206,7 +2258,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1714 +#: freeculture.xml:1725 msgid "" "The hard question is therefore not <emphasis>whether</emphasis> a culture is " "free. All cultures are free to some degree. The hard question instead is " @@ -2220,7 +2272,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1726 +#: freeculture.xml:1737 msgid "" "Free cultures are cultures that leave a great deal open for others to build " "upon; unfree, or permission, cultures leave much less. Ours was a free " @@ -2228,40 +2280,40 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:1734 +#: freeculture.xml:1745 msgid "CHAPTER TWO: <quote>Mere Copyists</quote>" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:1736 +#: freeculture.xml:1747 msgid "photography" msgstr "" -#. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:1746 +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:1749 msgid "Daguerre, Louis" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1739 +#: freeculture.xml:1751 msgid "" -"In 1839, Louis Daguerre invented the first practical technology for " -"producing what we would call <quote>photographs.</quote> Appropriately " -"enough, they were called <quote>daguerreotypes.</quote> The process was " -"complicated and expensive, and the field was thus limited to professionals " -"and a few zealous and wealthy amateurs. (There was even an American Daguerre " -"Association that helped regulate the industry, as do all such associations, " -"by keeping competition down so as to keep prices up.) <placeholder " -"type=\"indexterm\" id=\"0\"/>" +"<emphasis role='strong'>In 1839</emphasis>, Louis Daguerre invented the " +"first practical technology for producing what we would call " +"<quote>photographs.</quote> Appropriately enough, they were called " +"<quote>daguerreotypes.</quote> The process was complicated and expensive, " +"and the field was thus limited to professionals and a few zealous and " +"wealthy amateurs. (There was even an American Daguerre Association that " +"helped regulate the industry, as do all such associations, by keeping " +"competition down so as to keep prices up.)" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:1758 +#: freeculture.xml:1770 msgid "Talbot, William" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1749 +#: freeculture.xml:1761 msgid "" "Yet despite high prices, the demand for daguerreotypes was strong. This " "pushed inventors to find simpler and cheaper ways to make <quote>automatic " @@ -2275,13 +2327,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:1761 +#: freeculture.xml:1773 msgid "Eastman, George" msgstr "" #. PAGE BREAK 45 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1764 +#: freeculture.xml:1776 msgid "" "The technological change that made mass photography possible didn't happen " "until 1888, and was the creation of a single man. George Eastman, himself an " @@ -2295,19 +2347,19 @@ msgstr "" #. f1 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:1781 +#: freeculture.xml:1793 msgid "" "Reese V. Jenkins, <citetitle>Images and Enterprise</citetitle> (Baltimore: " "Johns Hopkins University Press, 1975), 112." msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:1783 +#: freeculture.xml:1795 msgid "Kodak Primer, The (Eastman)" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1776 +#: freeculture.xml:1788 msgid "" "Eastman developed flexible, emulsion-coated paper film and placed rolls of " "it in small, simple cameras: the Kodak. The device was marketed on the basis " @@ -2318,19 +2370,19 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:1800 freeculture.xml:1823 +#: freeculture.xml:1812 freeculture.xml:1835 msgid "Coe, Brian" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para><footnote><para> -#: freeculture.xml:1798 +#: freeculture.xml:1810 msgid "" "Brian Coe, <citetitle>The Birth of Photography</citetitle> (New York: " "Taplinger Publishing, 1977), 53. <placeholder type=\"indexterm\" id=\"0\"/>" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:1787 +#: freeculture.xml:1799 msgid "" "The principle of the Kodak system is the separation of the work that any " "person whomsoever can do in making a photograph, from the work that only an " @@ -2344,18 +2396,18 @@ msgstr "" #. f3 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:1816 +#: freeculture.xml:1828 msgid "Jenkins, 177." msgstr "" #. f4 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:1820 +#: freeculture.xml:1832 msgid "Based on a chart in Jenkins, p. 178." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1805 +#: freeculture.xml:1817 msgid "" "For $25, anyone could make pictures. The camera came preloaded with film, " "and when it had been used, the camera was returned to an Eastman factory, " @@ -2372,12 +2424,12 @@ msgstr "" #. f5 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:1838 +#: freeculture.xml:1850 msgid "Coe, 58." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1827 +#: freeculture.xml:1839 msgid "" "The real significance of Eastman's invention, however, was not economic. It " "was social. Professional photography gave individuals a glimpse of places " @@ -2392,7 +2444,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1842 +#: freeculture.xml:1854 msgid "" "In this way, the Kodak camera and film were technologies of expression. The " "pencil or paintbrush was also a technology of expression, of course. But it " @@ -2408,7 +2460,7 @@ msgstr "" #. f6 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:1864 +#: freeculture.xml:1876 msgid "" "For illustrative cases, see, for example, <citetitle>Pavesich</citetitle> " "v. <citetitle>N.E. Life Ins. Co</citetitle>., 50 S.E. 68 (Ga. 1905); " @@ -2418,7 +2470,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1855 +#: freeculture.xml:1867 msgid "" "What was required for this technology to flourish? Obviously, Eastman's " "genius was an important part. But also important was the legal environment " @@ -2432,7 +2484,7 @@ msgstr "" #. PAGE BREAK 47 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1872 +#: freeculture.xml:1884 msgid "" "The arguments in favor of requiring permission will sound surprisingly " "familiar. The photographer was <quote>taking</quote> something from the " @@ -2444,12 +2496,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para><indexterm><primary> -#: freeculture.xml:1894 +#: freeculture.xml:1906 msgid "Warren, Samuel D." msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:1891 +#: freeculture.xml:1903 msgid "" "Samuel D. Warren and Louis D. Brandeis, <quote>The Right to Privacy,</quote> " "<citetitle>Harvard Law Review</citetitle> 4 (1890): 193. <placeholder " @@ -2457,7 +2509,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1884 +#: freeculture.xml:1896 msgid "" "On the other side was an argument that should be familiar, as well. Sure, " "there may be something of value being used. But citizens should have the " @@ -2470,9 +2522,14 @@ msgid "" "to capture an image without compensating the source." msgstr "" +#. type: Content of: <book><part><chapter><section><indexterm><primary> +#: freeculture.xml:1912 freeculture.xml:9199 +msgid "images, ownership of" +msgstr "" + #. f8 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:1911 +#: freeculture.xml:1924 msgid "" "See Melville B. Nimmer, <quote>The Right of Publicity,</quote> " "<citetitle>Law and Contemporary Problems</citetitle> 19 (1954): 203; William " @@ -2483,7 +2540,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1901 +#: freeculture.xml:1914 msgid "" "Fortunately for Mr. Eastman, and for photography in general, these early " "decisions went in favor of the pirates. In general, no permission would be " @@ -2497,7 +2554,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1919 +#: freeculture.xml:1932 msgid "" "We can only speculate about how photography would have developed had the law " "gone the other way. If the presumption had been against the photographer, " @@ -2515,7 +2572,7 @@ msgstr "" #. PAGE BREAK 48 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1936 +#: freeculture.xml:1949 msgid "" "But though we could imagine this system of permission, it would be very hard " "to see how photography could have flourished as it did if the requirement " @@ -2526,24 +2583,30 @@ msgid "" "the permission system. But the spread of photography to ordinary people " "would not have occurred. Nothing like that growth would have been " "realized. And certainly, nothing like that growth in a democratic technology " -"of expression would have been realized. If you drive through San " -"Francisco's Presidio, you might see two gaudy yellow school buses painted " -"over with colorful and striking images, and the logo <quote>Just " -"Think!</quote> in place of the name of a school. But there's little that's " -"<quote>just</quote> cerebral in the projects that these busses enable. " -"These buses are filled with technologies that teach kids to tinker with " -"film. Not the film of Eastman. Not even the film of your VCR. Rather the " -"<quote>film</quote> of digital cameras. Just Think! is a project that " -"enables kids to make films, as a way to understand and critique the filmed " -"culture that they find all around them. Each year, these busses travel to " -"more than thirty schools and enable three hundred to five hundred children " -"to learn something about media by doing something with media. By doing, " -"they think. By tinkering, they learn." +"of expression would have been realized." +msgstr "" + +#. type: Content of: <book><part><chapter><para> +#: freeculture.xml:1962 +msgid "" +"<emphasis role='strong'>If you drive</emphasis> through San Francisco's " +"Presidio, you might see two gaudy yellow school buses painted over with " +"colorful and striking images, and the logo <quote>Just Think!</quote> in " +"place of the name of a school. But there's little that's <quote>just</quote> " +"cerebral in the projects that these busses enable. These buses are filled " +"with technologies that teach kids to tinker with film. Not the film of " +"Eastman. Not even the film of your VCR. Rather the <quote>film</quote> of " +"digital cameras. Just Think! is a project that enables kids to make films, " +"as a way to understand and critique the filmed culture that they find all " +"around them. Each year, these busses travel to more than thirty schools and " +"enable three hundred to five hundred children to learn something about media " +"by doing something with media. By doing, they think. By tinkering, they " +"learn." msgstr "" #. f9 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:1969 +#: freeculture.xml:1986 msgid "" "H. Edward Goldberg, <quote>Essential Presentation Tools: Hardware and " "Software You Need to Create Digital Multimedia Presentations,</quote> " @@ -2552,7 +2615,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1963 +#: freeculture.xml:1980 msgid "" "These buses are not cheap, but the technology they carry is increasingly " "so. The cost of a high-quality digital video system has fallen " @@ -2567,12 +2630,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:1986 +#: freeculture.xml:2003 msgid "Yanofsky, Dave" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1981 +#: freeculture.xml:1998 msgid "" "<quote>Media literacy,</quote> as Dave Yanofsky, the executive director of " "Just Think!, puts it, <quote>is the ability … to understand, analyze, " @@ -2582,7 +2645,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1989 +#: freeculture.xml:2006 msgid "" "This may seem like an odd way to think about <quote>literacy.</quote> For " "most people, literacy is about reading and writing. Faulkner and Hemingway " @@ -2590,9 +2653,14 @@ msgid "" "people know about." msgstr "" +#. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> +#: freeculture.xml:2011 freeculture.xml:2517 freeculture.xml:6415 freeculture.xml:7245 freeculture.xml:8336 freeculture.xml:8408 +msgid "advertising" +msgstr "" + #. f10 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:1999 +#: freeculture.xml:2017 msgid "" "Judith Van Evra, <citetitle>Television and Child Development</citetitle> " "(Hillsdale, N.J.: Lawrence Erlbaum Associates, 1990); <quote>Findings on " @@ -2601,7 +2669,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:1995 +#: freeculture.xml:2013 msgid "" "Maybe. But in a world where children see on average 390 hours of television " "commercials per year, or between 20,000 and 45,000 commercials " @@ -2614,7 +2682,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2010 +#: freeculture.xml:2028 msgid "" "A growing field of academics and activists sees this form of literacy as " "crucial to the next generation of culture. For though anyone who has written " @@ -2627,7 +2695,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2020 +#: freeculture.xml:2038 msgid "" "It took filmmaking a generation before it could do these things well. But " "even then, the knowledge was in the filming, not in writing about the " @@ -2638,22 +2706,22 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:2027 +#: freeculture.xml:2045 msgid "Crichton, Michael" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:2041 freeculture.xml:2101 freeculture.xml:2108 freeculture.xml:2545 +#: freeculture.xml:2059 freeculture.xml:2119 freeculture.xml:2126 freeculture.xml:2581 msgid "Barish, Stephanie" msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para><indexterm><primary> -#: freeculture.xml:2042 +#: freeculture.xml:2060 msgid "Daley, Elizabeth" msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:2039 +#: freeculture.xml:2057 msgid "" "Interview with Elizabeth Daley and Stephanie Barish, 13 December 2002. " "<placeholder type=\"indexterm\" id=\"0\"/> <placeholder type=\"indexterm\" " @@ -2662,7 +2730,7 @@ msgstr "" #. f12 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:2053 +#: freeculture.xml:2071 msgid "" "See Scott Steinberg, <quote>Crichton Gets Medieval on PCs,</quote> E!online, " "4 November 2000, available at <ulink " @@ -2672,7 +2740,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2029 +#: freeculture.xml:2047 msgid "" "This grammar has changed as media has changed. When it was just film, as " "Elizabeth Daley, executive director of the University of Southern " @@ -2691,12 +2759,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:2060 +#: freeculture.xml:2078 msgid "computer games" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2062 +#: freeculture.xml:2080 msgid "" "This skill is precisely the craft a filmmaker learns. As Daley describes, " "<quote>people are very surprised about how they are led through a film. [I]t " @@ -2706,7 +2774,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2069 +#: freeculture.xml:2087 msgid "" "Yet the push for an expanded literacy—one that goes beyond text to " "include audio and visual elements—is not about making better film " @@ -2715,7 +2783,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:2076 +#: freeculture.xml:2094 msgid "" "From my perspective, probably the most important digital divide is not " "access to a box. It's the ability to be empowered with the language that " @@ -2724,7 +2792,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2084 +#: freeculture.xml:2102 msgid "" "<quote>Read-only.</quote> Passive recipients of culture produced elsewhere. " "Couch potatoes. Consumers. This is the world of media from the twentieth " @@ -2732,18 +2800,18 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:2100 +#: freeculture.xml:2118 msgid "Interview with Daley and Barish. <placeholder type=\"indexterm\" id=\"0\"/>" msgstr "" #. f31 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:2105 freeculture.xml:3846 freeculture.xml:4886 freeculture.xml:8088 +#: freeculture.xml:2123 freeculture.xml:3908 freeculture.xml:4963 freeculture.xml:8224 msgid "Ibid." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2089 +#: freeculture.xml:2107 msgid "" "The twenty-first century could be different. This is the crucial point: It " "could be both read and write. Or at least reading and better understanding " @@ -2757,7 +2825,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2110 +#: freeculture.xml:2128 msgid "" "As with any language, this language comes more easily to some than to " "others. It doesn't necessarily come more easily to those who excel in " @@ -2771,7 +2839,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2122 +#: freeculture.xml:2140 msgid "" "The class was held on Friday afternoons, and it created a relatively new " "problem for the school. While the challenge in most classes was getting the " @@ -2782,7 +2850,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2130 +#: freeculture.xml:2148 msgid "" "Using whatever <quote>free web stuff they could find,</quote> and relatively " "simple tools to enable the kids to mix <quote>image, sound, and " @@ -2803,7 +2871,7 @@ msgstr "" #. PAGE BREAK 52 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2149 +#: freeculture.xml:2167 msgid "" "<quote>But isn't education about teaching kids to write?</quote> I asked. In " "part, of course, it is. But why are we teaching kids to write? Education, " @@ -2815,7 +2883,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:2160 +#: freeculture.xml:2178 msgid "" "What you want is to give these students ways of constructing meaning. If all " "you give them is text, they're not going to do it. Because they can't. You " @@ -2836,7 +2904,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:2179 +#: freeculture.xml:2197 msgid "" "That empowers enormously. And then what happens, of course, is eventually, " "as it has happened in all these classes, they bump up against the fact, " @@ -2847,7 +2915,7 @@ msgstr "" #. PAGE BREAK 53 #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:2186 +#: freeculture.xml:2204 msgid "" "Because they needed to. There was a reason for doing it. They needed to say " "something, as opposed to just jumping through your hoops. They actually " @@ -2855,21 +2923,27 @@ msgid "" "to understand that they had a lot of power with this language." msgstr "" +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:2214 +msgid "World Trade Center" +msgstr "" + #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2197 +#: freeculture.xml:2216 msgid "" -"When two planes crashed into the World Trade Center, another into the " -"Pentagon, and a fourth into a Pennsylvania field, all media around the world " -"shifted to this news. Every moment of just about every day for that week, " -"and for weeks after, television in particular, and media generally, retold " -"the story of the events we had just witnessed. The telling was a retelling, " -"because we had seen the events that were described. The genius of this awful " -"act of terrorism was that the delayed second attack was perfectly timed to " -"assure that the whole world would be watching." +"<emphasis role='strong'>When two planes</emphasis> crashed into the World " +"Trade Center, another into the Pentagon, and a fourth into a Pennsylvania " +"field, all media around the world shifted to this news. Every moment of just " +"about every day for that week, and for weeks after, television in " +"particular, and media generally, retold the story of the events we had just " +"witnessed. The telling was a retelling, because we had seen the events that " +"were described. The genius of this awful act of terrorism was that the " +"delayed second attack was perfectly timed to assure that the whole world " +"would be watching." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2208 +#: freeculture.xml:2228 msgid "" "These retellings had an increasingly familiar feel. There was music scored " "for the intermissions, and fancy graphics that flashed across the " @@ -2880,17 +2954,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:2215 freeculture.xml:8027 freeculture.xml:8263 +#: freeculture.xml:2235 freeculture.xml:8163 freeculture.xml:8402 msgid "ABC" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:2216 +#: freeculture.xml:2236 msgid "CBS" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2218 +#: freeculture.xml:2238 msgid "" "But in addition to this produced news about the <quote>tragedy of September " "11,</quote> those of us tied to the Internet came to see a very different " @@ -2907,7 +2981,7 @@ msgstr "" #. PAGE BREAK 54 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2232 +#: freeculture.xml:2252 msgid "" "I don't mean simply to praise the Internet—though I do think the " "people who supported this form of speech should be praised. I mean instead " @@ -2918,7 +2992,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2242 +#: freeculture.xml:2262 msgid "" "But unlike any technology for simply capturing images, the Internet allows " "these creations to be shared with an extraordinary number of people, " @@ -2930,7 +3004,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2251 +#: freeculture.xml:2271 msgid "" "September 11 was not an aberration. It was a beginning. Around the same " "time, a form of communication that has grown dramatically was just beginning " @@ -2941,8 +3015,13 @@ msgid "" "Springer</citetitle>, available anywhere in the world." msgstr "" +#. type: Content of: <book><part><chapter><para><footnote><para><indexterm><primary> +#: freeculture.xml:2279 freeculture.xml:2352 freeculture.xml:2477 +msgid "blogs (Web-logs)" +msgstr "" + #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2260 +#: freeculture.xml:2281 msgid "" "But in the United States, blogs have taken on a very different character. " "There are some who use the space simply to talk about their private " @@ -2959,7 +3038,7 @@ msgstr "" #. PAGE BREAK 55 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2274 +#: freeculture.xml:2295 msgid "" "That's a strong statement. Yet it says as much about our democracy as it " "does about blogs. This is the part of America that is most difficult for " @@ -2970,9 +3049,14 @@ msgid "" "and routinized. Most of us think this is democracy." msgstr "" +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:2305 +msgid "Tocqueville, Alexis de" +msgstr "" + #. f15 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:2300 +#: freeculture.xml:2322 msgid "" "See, for example, Alexis de Tocqueville, <citetitle>Democracy in " "America</citetitle>, bk. 1, trans. Henry Reeve (New York: Bantam Books, " @@ -2980,7 +3064,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2285 +#: freeculture.xml:2307 msgid "" "But democracy has never just been about elections. Democracy means rule by " "the people, but rule means something more than mere elections. In our " @@ -3000,14 +3084,14 @@ msgstr "" #. f16 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:2309 +#: freeculture.xml:2331 msgid "" "Bruce Ackerman and James Fishkin, <quote>Deliberation Day,</quote> " "<citetitle>Journal of Political Philosophy</citetitle> 10 (2) (2002): 129." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2305 +#: freeculture.xml:2327 msgid "" "Yet even this institution flags in American life today. And in its place, " "there is no systematic effort to enable citizen deliberation. Some are " @@ -3019,14 +3103,14 @@ msgstr "" #. f17 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:2324 +#: freeculture.xml:2346 msgid "" "Cass Sunstein, <citetitle>Republic.com</citetitle> (Princeton: Princeton " "University Press, 2001), 65–80, 175, 182, 183, 192." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2317 +#: freeculture.xml:2339 msgid "" "More bizarrely, there is generally not even permission for it to occur. We, " "the most powerful democracy in the world, have developed a strong norm " @@ -3039,7 +3123,7 @@ msgstr "" #. PAGE BREAK 56 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2330 +#: freeculture.xml:2355 msgid "" "Enter the blog. The blog's very architecture solves one part of this " "problem. People post when they want to post, and people read when they want " @@ -3050,7 +3134,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2341 +#: freeculture.xml:2366 msgid "" "But beyond architecture, blogs also have solved the problem of " "norms. There's no norm (yet) in blog space not to talk about politics. " @@ -3061,12 +3145,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:2353 +#: freeculture.xml:2378 msgid "Dean, Howard" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2349 +#: freeculture.xml:2374 msgid "" "The significance of these blogs is tiny now, though not so tiny. The name " "Howard Dean may well have faded from the 2004 presidential race but for " @@ -3074,21 +3158,26 @@ msgid "" "effect. <placeholder type=\"indexterm\" id=\"0\"/>" msgstr "" +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:2380 +msgid "Thurmond, Strom" +msgstr "" + #. f18 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:2367 +#: freeculture.xml:2393 msgid "" "Noah Shachtman, <quote>With Incessant Postings, a Pundit Stirs the " "Pot,</quote> New York Times, 16 January 2003, G5." msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:2370 +#: freeculture.xml:2396 msgid "Lott, Trent" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2356 +#: freeculture.xml:2382 msgid "" "One direct effect is on stories that had a different life cycle in the " "mainstream media. The Trent Lott affair is an example. When Lott " @@ -3104,7 +3193,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2373 +#: freeculture.xml:2399 msgid "" "This different cycle is possible because the same commercial pressures don't " "exist with blogs as with other ventures. Television and newspapers are " @@ -3113,7 +3202,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2380 +#: freeculture.xml:2406 msgid "" "But bloggers don't have a similar constraint. They can obsess, they can " "focus, they can get serious. If a particular blogger writes a particularly " @@ -3124,13 +3213,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:2389 +#: freeculture.xml:2415 msgid "Winer, Dave" msgstr "" #. PAGE BREAK 57 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2392 +#: freeculture.xml:2418 msgid "" "There's a second way, as well, in which blogs have a different cycle from " "the mainstream press. As Dave Winer, one of the fathers of this movement and " @@ -3143,18 +3232,23 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para><indexterm><primary> -#: freeculture.xml:2402 freeculture.xml:2455 +#: freeculture.xml:2428 freeculture.xml:2474 msgid "CNN" msgstr "" +#. type: Content of: <book><part><chapter><para><footnote><para><indexterm><primary> +#: freeculture.xml:2429 freeculture.xml:2475 freeculture.xml:5616 +msgid "Iraq war" +msgstr "" + #. f19 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:2410 +#: freeculture.xml:2437 msgid "Telephone interview with David Winer, 16 April 2003." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2404 +#: freeculture.xml:2431 msgid "" "These conflicts become more important as media becomes more concentrated " "(more on this below). A concentrated media can hide more from the public " @@ -3172,7 +3266,7 @@ msgstr "" #. f20 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:2428 +#: freeculture.xml:2455 msgid "" "John Schwartz, <quote>Loss of the Shuttle: The Internet; A Wealth of " "Information Online,</quote> <citetitle>New York Times</citetitle>, 2 " @@ -3182,7 +3276,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2420 +#: freeculture.xml:2447 msgid "" "Blog space gives amateurs a way to enter the " "debate—<quote>amateur</quote> not in the sense of inexperienced, but " @@ -3197,23 +3291,30 @@ msgid "" "benefits, and costs, that might entail." msgstr "" +#. type: Content of: <book><part><chapter><para><footnote><para><indexterm><primary> +#: freeculture.xml:2476 +msgid "Olafson, Steve" +msgstr "" + #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:2447 +#: freeculture.xml:2474 msgid "" -"See Michael Falcone, <quote>Does an Editor's Pencil Ruin a Web Log?</quote> " -"<citetitle>New York Times</citetitle>, 29 September 2003, C4. (<quote>Not " -"all news organizations have been as accepting of employees who blog. Kevin " -"Sites, a CNN correspondent in Iraq who started a blog about his reporting of " -"the war on March 9, stopped posting 12 days later at his bosses' " -"request. Last year Steve Olafson, a <citetitle>Houston Chronicle</citetitle> " -"reporter, was fired for keeping a personal Web log, published under a " -"pseudonym, that dealt with some of the issues and people he was " -"covering.</quote>) <placeholder type=\"indexterm\" id=\"0\"/>" +"<placeholder type=\"indexterm\" id=\"0\"/> <placeholder type=\"indexterm\" " +"id=\"1\"/> <placeholder type=\"indexterm\" id=\"2\"/> <placeholder " +"type=\"indexterm\" id=\"3\"/> See Michael Falcone, <quote>Does an Editor's " +"Pencil Ruin a Web Log?</quote> <citetitle>New York Times</citetitle>, 29 " +"September 2003, C4. (<quote>Not all news organizations have been as " +"accepting of employees who blog. Kevin Sites, a CNN correspondent in Iraq " +"who started a blog about his reporting of the war on March 9, stopped " +"posting 12 days later at his bosses' request. Last year Steve Olafson, a " +"<citetitle>Houston Chronicle</citetitle> reporter, was fired for keeping a " +"personal Web log, published under a pseudonym, that dealt with some of the " +"issues and people he was covering.</quote>)" msgstr "" #. PAGE BREAK 58 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2440 +#: freeculture.xml:2467 msgid "" "Winer is optimistic about the future of journalism infected with " "blogs. <quote>It's going to become an essential skill,</quote> Winer " @@ -3230,7 +3331,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2467 +#: freeculture.xml:2497 msgid "" "This speech affects democracy. Winer thinks that happens because <quote>you " "don't have to work for somebody who controls, [for] a gatekeeper.</quote> " @@ -3247,20 +3348,21 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:2483 +#: freeculture.xml:2514 msgid "Brown, John Seely" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2486 +#: freeculture.xml:2520 msgid "" -"John Seely Brown is the chief scientist of the Xerox Corporation. His work, " -"as his Web site describes it, is <quote>human learning and … the " -"creation of knowledge ecologies for creating … innovation.</quote>" +"<emphasis role='strong'>John Seely Brown</emphasis> is the chief scientist " +"of the Xerox Corporation. His work, as his Web site describes it, is " +"<quote>human learning and … the creation of knowledge ecologies for " +"creating … innovation.</quote>" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2491 +#: freeculture.xml:2526 msgid "" "Brown thus looks at these technologies of digital creativity a bit " "differently from the perspectives I've sketched so far. I'm sure he would be " @@ -3270,7 +3372,7 @@ msgstr "" #. PAGE BREAK 59 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2498 +#: freeculture.xml:2533 msgid "" "As Brown believes, we learn by tinkering. When <quote>a lot of us grew " "up,</quote> he explains, that tinkering was done <quote>on motorcycle " @@ -3285,7 +3387,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2511 +#: freeculture.xml:2546 msgid "" "The best large-scale example of this kind of tinkering so far is free " "software or open-source software (FS/OSS). FS/OSS is software whose source " @@ -3295,7 +3397,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2518 +#: freeculture.xml:2553 msgid "" "This opportunity creates a <quote>completely new kind of learning " "platform,</quote> as Brown describes. <quote>As soon as you start doing " @@ -3307,7 +3409,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2526 +#: freeculture.xml:2561 msgid "" "In this process, <quote>the concrete things you tinker with are abstract. " "They are code.</quote> Kids are <quote>shifting to the ability to tinker in " @@ -3319,7 +3421,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2535 +#: freeculture.xml:2570 msgid "" "This same thing happens with content, too. And it happens in the same " "collaborative way when that content is part of the Web. As Brown puts it, " @@ -3334,7 +3436,7 @@ msgstr "" #. PAGE BREAK 60 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2547 +#: freeculture.xml:2583 msgid "" "Brown is talking about what Elizabeth Daley, Stephanie Barish, and Just " "Think! teach: that this tinkering with culture teaches as well as " @@ -3343,7 +3445,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2555 +#: freeculture.xml:2591 msgid "" "Yet the freedom to tinker with these objects is not guaranteed. Indeed, as " "we'll see through the course of this book, that freedom is increasingly " @@ -3356,7 +3458,7 @@ msgstr "" #. f22 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:2571 +#: freeculture.xml:2607 msgid "" "See, for example, Edward Felten and Andrew Appel, <quote>Technological " "Access Control Interferes with Noninfringing Scholarship,</quote> " @@ -3365,7 +3467,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2564 +#: freeculture.xml:2600 msgid "" "These restrictions have become the focus of researchers and scholars. " "Professor Ed Felten of Princeton (whom we'll see more of in chapter <xref " @@ -3378,7 +3480,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2579 +#: freeculture.xml:2615 msgid "" "<quote>This is where education in the twenty-first century is going,</quote> " "Brown explains. We need to <quote>understand how kids who grow up digital " @@ -3386,7 +3488,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2584 +#: freeculture.xml:2620 msgid "" "<quote>Yet,</quote> as Brown continued, and as the balance of this book will " "evince, <quote>we are building a legal system that completely suppresses the " @@ -3396,7 +3498,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2592 +#: freeculture.xml:2628 msgid "" "We're building a technology that takes the magic of Kodak, mixes moving " "images and sound, and adds a space for commentary and an opportunity to " @@ -3405,7 +3507,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2598 +#: freeculture.xml:2634 msgid "" "<quote>No way to run a culture,</quote> as Brewster Kahle, whom we'll meet " "in chapter <xref xrefstyle=\"select: labelnumber\" linkend=\"collectors\"/>, " @@ -3413,32 +3515,33 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:2605 +#: freeculture.xml:2641 msgid "CHAPTER THREE: Catalogs" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:2606 +#: freeculture.xml:2642 msgid "RPI" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:2606 freeculture.xml:2608 +#: freeculture.xml:2642 freeculture.xml:2644 msgid "Rensselaer Polytechnic Institute (RPI)" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2611 +#: freeculture.xml:2647 msgid "" -"In the fall of 2002, Jesse Jordan of Oceanside, New York, enrolled as a " -"freshman at Rensselaer Polytechnic Institute, in Troy, New York. His major " -"at RPI was information technology. Though he is not a programmer, in October " -"Jesse decided to begin to tinker with search engine technology that was " -"available on the RPI network." +"<emphasis role='strong'>In the fall</emphasis> of 2002, Jesse Jordan of " +"Oceanside, New York, enrolled as a freshman at Rensselaer Polytechnic " +"Institute, in Troy, New York. His major at RPI was information " +"technology. Though he is not a programmer, in October Jesse decided to begin " +"to tinker with search engine technology that was available on the RPI " +"network." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2618 +#: freeculture.xml:2655 msgid "" "RPI is one of America's foremost technological research institutions. It " "offers degrees in fields ranging from architecture and engineering to " @@ -3449,7 +3552,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2626 +#: freeculture.xml:2663 msgid "" "RPI's computer network links students, faculty, and administration to one " "another. It also links RPI to the Internet. Not everything available on the " @@ -3460,7 +3563,7 @@ msgstr "" #. PAGE BREAK 62 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2633 +#: freeculture.xml:2670 msgid "" "Search engines are a measure of a network's intimacy. Google brought the " "Internet much closer to all of us by fantastically improving the quality of " @@ -3474,7 +3577,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2645 +#: freeculture.xml:2682 msgid "" "These engines are enabled by the network technology itself. Microsoft, for " "example, has a network file system that makes it very easy for search " @@ -3485,7 +3588,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2654 +#: freeculture.xml:2691 msgid "" "Jesse's wasn't the first search engine built for the RPI network. Indeed, " "his engine was a simple modification of engines that others had built. His " @@ -3499,7 +3602,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2666 +#: freeculture.xml:2703 msgid "" "Jesse's engine went on-line in late October. Over the following six months, " "he continued to tweak it to improve its functionality. By March, the system " @@ -3510,7 +3613,7 @@ msgstr "" #. PAGE BREAK 63 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2673 +#: freeculture.xml:2710 msgid "" "Thus the index his search engine produced included pictures, which students " "could use to put on their own Web sites; copies of notes or research; copies " @@ -3520,7 +3623,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2682 +#: freeculture.xml:2719 msgid "" "But the index also included music files. In fact, one quarter of the files " "that Jesse's search engine listed were music files. But that means, of " @@ -3537,7 +3640,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2697 +#: freeculture.xml:2734 msgid "" "On April 3, 2003, Jesse was contacted by the dean of students at RPI. The " "dean informed Jesse that the Recording Industry Association of America, the " @@ -3548,7 +3651,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2706 +#: freeculture.xml:2743 msgid "" "<quote>It was absurd,</quote> he told me. <quote>I don't think I did " "anything wrong. … I don't think there's anything wrong with the " @@ -3562,9 +3665,14 @@ msgid "" "majority of which had nothing to do with music." msgstr "" +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:2755 +msgid "statutory damages" +msgstr "" + #. PAGE BREAK 64 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2719 +#: freeculture.xml:2757 msgid "" "But the RIAA branded Jesse a pirate. They claimed he operated a network and " "had therefore <quote>willfully</quote> violated copyright laws. They " @@ -3576,9 +3684,19 @@ msgid "" "that Jesse pay them at least $15,000,000." msgstr "" +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:2767 +msgid "Princeton University" +msgstr "" + +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:2768 +msgid "Michigan Technical University" +msgstr "" + #. f1 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:2742 +#: freeculture.xml:2782 msgid "" "Tim Goral, <quote>Recording Industry Goes After Campus P-2-P Networks: Suit " "Alleges $97.8 Billion in Damages,</quote> <citetitle>Professional Media " @@ -3586,7 +3704,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2730 +#: freeculture.xml:2770 msgid "" "Similar lawsuits were brought against three other students: one other " "student at RPI, one at Michigan Technical University, and one at " @@ -3601,7 +3719,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2749 +#: freeculture.xml:2789 msgid "" "Jesse called his parents. They were supportive but a bit frightened. An " "uncle was a lawyer. He began negotiations with the RIAA. They demanded to " @@ -3609,8 +3727,13 @@ msgid "" "other employment. They demanded $12,000 to dismiss the case." msgstr "" +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:2795 +msgid "Oppenheimer, Matt" +msgstr "" + #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2756 +#: freeculture.xml:2797 msgid "" "The RIAA wanted Jesse to admit to doing something wrong. He refused. They " "wanted him to agree to an injunction that would essentially make it " @@ -3625,7 +3748,7 @@ msgstr "" #. PAGE BREAK 65 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2767 +#: freeculture.xml:2808 msgid "" "Jesse's family was outraged at these claims. They wanted to fight. But " "Jesse's uncle worked to educate the family about the nature of the American " @@ -3637,15 +3760,25 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2777 +#: freeculture.xml:2818 msgid "" "So Jesse faced a mafia-like choice: $250,000 and a chance at winning, or " "$12,000 and a settlement." msgstr "" +#. type: Content of: <book><chapter><section><section><indexterm><primary> +#: freeculture.xml:2822 freeculture.xml:3181 freeculture.xml:4104 freeculture.xml:5213 freeculture.xml:5264 freeculture.xml:9662 freeculture.xml:9763 freeculture.xml:9937 freeculture.xml:14509 freeculture.xml:14577 +msgid "artists" +msgstr "" + +#. type: Content of: <book><chapter><section><section><indexterm><secondary> +#: freeculture.xml:2823 freeculture.xml:3182 freeculture.xml:4105 freeculture.xml:9663 freeculture.xml:9764 freeculture.xml:9938 freeculture.xml:14510 freeculture.xml:14578 +msgid "recording industry payments to" +msgstr "" + #. f2 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:2789 +#: freeculture.xml:2834 msgid "" "Occupational Employment Survey, U.S. Dept. of Labor (2001) " "(27–2042—Musicians and Singers). See also National Endowment for " @@ -3654,7 +3787,7 @@ msgstr "" #. f3 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:2797 +#: freeculture.xml:2842 msgid "" "Douglas Lichtman makes a related point in <quote>KaZaA and " "Punishment,</quote> <citetitle>Wall Street Journal</citetitle>, 10 September " @@ -3662,7 +3795,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2781 +#: freeculture.xml:2826 msgid "" "The recording industry insists this is a matter of law and morality. Let's " "put the law aside for a moment and think about the morality. Where is the " @@ -3676,7 +3809,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2802 +#: freeculture.xml:2847 msgid "" "On June 23, Jesse wired his savings to the lawyer working for the RIAA. The " "case against him was then dismissed. And with this, this kid who had " @@ -3684,7 +3817,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:2809 +#: freeculture.xml:2854 msgid "" "I was definitely not an activist [before]. I never really meant to be an " "activist. … [But] I've been pushed into this. In no way did I ever " @@ -3693,7 +3826,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2816 +#: freeculture.xml:2861 msgid "" "Jesse's parents betray a certain pride in their reluctant activist. As his " "father told me, Jesse <quote>considers himself very conservative, and so do " @@ -3703,29 +3836,29 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:2825 +#: freeculture.xml:2870 msgid "CHAPTER FOUR: <quote>Pirates</quote>" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:2827 +#: freeculture.xml:2873 msgid "" -"If <quote>piracy</quote> means using the creative property of others without " -"their permission—if <quote>if value, then right</quote> is " -"true—then the history of the content industry is a history of " -"piracy. Every important sector of <quote>big media</quote> today—film, " -"records, radio, and cable TV—was born of a kind of piracy so " -"defined. The consistent story is how last generation's pirates join this " -"generation's country club—until now." +"<emphasis role='strong'>If <quote>piracy</quote> means</emphasis> using the " +"creative property of others without their permission—if <quote>if " +"value, then right</quote> is true—then the history of the content " +"industry is a history of piracy. Every important sector of <quote>big " +"media</quote> today—film, records, radio, and cable TV—was born " +"of a kind of piracy so defined. The consistent story is how last " +"generation's pirates join this generation's country club—until now." msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:2835 +#: freeculture.xml:2884 msgid "Film" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:2839 +#: freeculture.xml:2888 msgid "" "I am grateful to Peter DiMauro for pointing me to this extraordinary " "history. See also Siva Vaidhyanathan, <citetitle>Copyrights and " @@ -3736,7 +3869,7 @@ msgstr "" #. PAGE BREAK 67 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:2837 +#: freeculture.xml:2886 msgid "" "The film industry of Hollywood was built by fleeing pirates.<placeholder " "type=\"footnote\" id=\"0\"/> Creators and directors migrated from the East " @@ -3750,12 +3883,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:2855 +#: freeculture.xml:2904 msgid "As one commentator tells one part of the story," msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:2859 +#: freeculture.xml:2908 msgid "" "A January 1909 deadline was set for all companies to comply with the " "license. By February, unlicensed outlaws, who referred to themselves as " @@ -3765,9 +3898,13 @@ msgid "" "imported film stock to create their own underground market." msgstr "" -#. f2 +#. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> +#: freeculture.xml:2939 freeculture.xml:4317 freeculture.xml:9537 freeculture.xml:9656 +msgid "broadcast flag" +msgstr "" + #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:2879 +#: freeculture.xml:2928 msgid "" "J. A. Aberdeen, <citetitle>Hollywood Renegades: The Society of Independent " "Motion Picture Producers</citetitle> (Cobblestone Entertainment, 2000) and " @@ -3779,26 +3916,26 @@ msgid "" "to the Broadcast Flag: Mechanisms of Consent and Refusal and the " "Propertization of Copyright</quote> (September 2002), University of Chicago " "Law School, James M. Olin Program in Law and Economics, Working Paper " -"No. 159." +"No. 159. <placeholder type=\"indexterm\" id=\"0\"/>" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para><indexterm><primary> -#: freeculture.xml:2890 +#: freeculture.xml:2941 msgid "Fox, William" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para><indexterm><primary> -#: freeculture.xml:2891 +#: freeculture.xml:2942 msgid "General Film Company" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:2892 freeculture.xml:3145 freeculture.xml:4251 freeculture.xml:9635 +#: freeculture.xml:2943 freeculture.xml:3201 freeculture.xml:4318 freeculture.xml:9807 msgid "Picker, Randal C." msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:2868 +#: freeculture.xml:2917 msgid "" "With the country experiencing a tremendous expansion in the number of " "nickelodeons, the Patents Company reacted to the independent movement by " @@ -3816,7 +3953,7 @@ msgstr "" #. f3 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:2902 +#: freeculture.xml:2953 msgid "" "Marc Wanamaker, <quote>The First Studios,</quote> <citetitle>The Silents " "Majority</citetitle>, archived at <ulink " @@ -3824,7 +3961,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:2896 +#: freeculture.xml:2947 msgid "" "The Napsters of those days, the <quote>independents,</quote> were companies " "like Fox. And no less than today, these independents were vigorously " @@ -3839,7 +3976,7 @@ msgstr "" #. PAGE BREAK 68 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:2912 +#: freeculture.xml:2963 msgid "" "Of course, California grew quickly, and the effective enforcement of federal " "law eventually spread west. But because patents grant the patent holder a " @@ -3850,29 +3987,29 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:2923 +#: freeculture.xml:2974 msgid "Recorded Music" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:2925 +#: freeculture.xml:2976 msgid "" "The record industry was born of another kind of piracy, though to see how " "requires a bit of detail about the way the law regulates music." msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:2929 +#: freeculture.xml:2980 msgid "Fourneaux, Henri" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:2931 +#: freeculture.xml:2982 msgid "Russel, Phil" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:2933 +#: freeculture.xml:2984 msgid "" "At the time that Edison and Henri Fourneaux invented machines for " "reproducing music (Edison the phonograph, Fourneaux the player piano), the " @@ -3885,12 +4022,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:2942 freeculture.xml:3090 +#: freeculture.xml:2993 freeculture.xml:3142 msgid "Beatles" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:2944 +#: freeculture.xml:2995 msgid "" "But what if I wanted to record <quote>Happy Mose,</quote> using Edison's " "phonograph or Fourneaux's player piano? Here the law stumbled. It was clear " @@ -3910,12 +4047,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para><indexterm><primary> -#: freeculture.xml:2967 freeculture.xml:2984 +#: freeculture.xml:3018 freeculture.xml:3035 msgid "Kittredge, Alfred" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:2963 +#: freeculture.xml:3014 msgid "" "The composers (and publishers) were none too happy about this capacity to " "pirate. As South Dakota senator Alfred Kittredge put it, <placeholder " @@ -3923,7 +4060,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:2978 +#: freeculture.xml:3029 msgid "" "To Amend and Consolidate the Acts Respecting Copyright: Hearings on S. 6330 " "and H.R. 19853 Before the ( Joint) Committees on Patents, 59th Cong. 59, 1st " @@ -3935,7 +4072,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:2971 +#: freeculture.xml:3022 msgid "" "Imagine the injustice of the thing. A composer writes a song or an opera. A " "publisher buys at great expense the rights to the same and copyrights " @@ -3945,9 +4082,14 @@ msgid "" "id=\"0\"/>" msgstr "" +#. type: Content of: <book><part><chapter><section><indexterm><primary> +#: freeculture.xml:3039 +msgid "Sousa, John Philip" +msgstr "" + #. f5 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:2993 +#: freeculture.xml:3045 msgid "" "To Amend and Consolidate the Acts Respecting Copyright, 223 (statement of " "Nathan Burkan, attorney for the Music Publishers Association)." @@ -3955,7 +4097,7 @@ msgstr "" #. f6 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:2999 +#: freeculture.xml:3051 msgid "" "To Amend and Consolidate the Acts Respecting Copyright, 226 (statement of " "Nathan Burkan, attorney for the Music Publishers Association)." @@ -3963,14 +4105,14 @@ msgstr "" #. f7 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3006 +#: freeculture.xml:3058 msgid "" "To Amend and Consolidate the Acts Respecting Copyright, 23 (statement of " "John Philip Sousa, composer)." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:2989 +#: freeculture.xml:3041 msgid "" "The innovators who developed the technology to record other people's works " "were <quote>sponging upon the toil, the work, the talent, and genius of " @@ -3984,7 +4126,7 @@ msgstr "" #. f8 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3019 +#: freeculture.xml:3071 msgid "" "To Amend and Consolidate the Acts Respecting Copyright, 283–84 " "(statement of Albert Walker, representative of the Auto-Music Perforating " @@ -3993,7 +4135,7 @@ msgstr "" #. f9 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3030 +#: freeculture.xml:3082 msgid "" "To Amend and Consolidate the Acts Respecting Copyright, 376 (prepared " "memorandum of Philip Mauro, general patent counsel of the American " @@ -4001,12 +4143,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:3034 +#: freeculture.xml:3086 msgid "American Graphophone Company" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3011 +#: freeculture.xml:3063 msgid "" "These arguments have familiar echoes in the wars of our day. So, too, do the " "arguments on the other side. The innovators who developed the player piano " @@ -4025,7 +4167,7 @@ msgstr "" #. PAGE BREAK 70 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3037 +#: freeculture.xml:3089 msgid "" "The law soon resolved this battle in favor of the composer " "<emphasis>and</emphasis> the recording artist. Congress amended the law to " @@ -4040,7 +4182,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3052 +#: freeculture.xml:3104 msgid "" "American law ordinarily calls this a <quote>compulsory license,</quote> but " "I will refer to it as a <quote>statutory license.</quote> A statutory " @@ -4051,12 +4193,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para><indexterm><primary> -#: freeculture.xml:3067 freeculture.xml:13958 +#: freeculture.xml:3119 freeculture.xml:14209 msgid "Grisham, John" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3060 +#: freeculture.xml:3112 msgid "" "This is an exception within the law of copyright. When John Grisham writes a " "novel, a publisher is free to publish that novel only if Grisham gives the " @@ -4069,7 +4211,7 @@ msgstr "" #. f10 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3084 +#: freeculture.xml:3136 msgid "" "Copyright Law Revision: Hearings on S. 2499, S. 2900, H.R. 243, and " "H.R. 11794 Before the ( Joint) Committee on Patents, 60th Cong., 1st sess., " @@ -4080,7 +4222,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3070 +#: freeculture.xml:3122 msgid "" "But the law governing recordings gives recording artists less. And thus, in " "effect, the law <emphasis>subsidizes</emphasis> the recording industry " @@ -4097,7 +4239,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3093 +#: freeculture.xml:3145 msgid "" "While the recording industry has been quite coy about this recently, " "historically it has been quite a supporter of the statutory license for " @@ -4106,7 +4248,7 @@ msgstr "" #. f11 #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:3115 +#: freeculture.xml:3167 msgid "" "Copyright Law Revision: Report to Accompany H.R. 2512, House Committee on " "the Judiciary, 90th Cong., 1st sess., House Document no. 83, (8 March " @@ -4114,7 +4256,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:3100 +#: freeculture.xml:3152 msgid "" "the record producers argued vigorously that the compulsory license system " "must be retained. They asserted that the record industry is a " @@ -4131,29 +4273,29 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3122 +#: freeculture.xml:3174 msgid "" "By limiting the rights musicians have, by partially pirating their creative " "work, the record producers, and the public, benefit." msgstr "" #. type: Content of: <book><part><chapter><section><informaltable><tgroup><tbody><row><entry> -#: freeculture.xml:3127 freeculture.xml:4216 +#: freeculture.xml:3179 freeculture.xml:4282 msgid "Radio" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3129 +#: freeculture.xml:3185 msgid "Radio was also born of piracy." msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:3144 +#: freeculture.xml:3200 msgid "Hand, Learned" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3135 +#: freeculture.xml:3191 msgid "" "See 17 <citetitle>United States Code</citetitle>, sections 106 and 110. At " "the beginning, record companies printed <quote>Not Licensed for Radio " @@ -4170,7 +4312,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3132 +#: freeculture.xml:3188 msgid "" "When a radio station plays a record on the air, that constitutes a " "<quote>public performance</quote> of the composer's work.<placeholder " @@ -4181,13 +4323,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:3162 freeculture.xml:8726 freeculture.xml:9184 freeculture.xml:12110 +#: freeculture.xml:3218 freeculture.xml:8873 freeculture.xml:9338 freeculture.xml:12336 msgid "Lovett, Lyle" msgstr "" #. PAGE BREAK 72 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3152 +#: freeculture.xml:3208 msgid "" "But when the radio station plays a record, it is not only performing a copy " "of the <emphasis>composer's</emphasis> work. The radio station is also " @@ -4202,7 +4344,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3167 +#: freeculture.xml:3223 msgid "" "But it doesn't. Under the law governing radio performances, the radio " "station does not have to pay the recording artist. The radio station need " @@ -4212,12 +4354,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:3175 freeculture.xml:3678 freeculture.xml:6056 +#: freeculture.xml:3231 freeculture.xml:3740 freeculture.xml:6168 msgid "Madonna" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3178 +#: freeculture.xml:3234 msgid "" "This difference can be huge. Imagine you compose a piece of music. Imagine " "it is your first. You own the exclusive right to authorize public " @@ -4226,7 +4368,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3184 +#: freeculture.xml:3240 msgid "" "Imagine she does sing your song, and imagine she likes it a lot. She then " "decides to make a recording of your song, and it becomes a top hit. Under " @@ -4238,7 +4380,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3195 +#: freeculture.xml:3251 msgid "" "No doubt, one might argue that, on balance, the recording artists " "benefit. On average, the promotion they get is worth more than the " @@ -4249,18 +4391,18 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><informaltable><tgroup><tbody><row><entry> -#: freeculture.xml:3204 freeculture.xml:4222 +#: freeculture.xml:3261 freeculture.xml:4288 msgid "Cable TV" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3207 +#: freeculture.xml:3264 msgid "Cable TV was also born of a kind of piracy." msgstr "" #. PAGE BREAK 73 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3210 +#: freeculture.xml:3267 msgid "" "When cable entrepreneurs first started wiring communities with cable " "television in 1948, most refused to pay broadcasters for the content that " @@ -4272,22 +4414,22 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:3220 +#: freeculture.xml:3277 msgid "Anello, Douglas" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:3221 +#: freeculture.xml:3278 msgid "Burdick, Quentin" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:3222 freeculture.xml:3233 +#: freeculture.xml:3279 freeculture.xml:3290 msgid "Hyde, Rosel H." msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3228 +#: freeculture.xml:3285 msgid "" "Copyright Law Revision—CATV: Hearing on S. 1006 Before the " "Subcommittee on Patents, Trademarks, and Copyrights of the Senate Committee " @@ -4298,14 +4440,14 @@ msgstr "" #. f14 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3240 +#: freeculture.xml:3297 msgid "" "Copyright Law Revision—CATV, 116 (statement of Douglas A. Anello, " "general counsel of the National Association of Broadcasters)." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3224 +#: freeculture.xml:3281 msgid "" "Broadcasters and copyright owners were quick to attack this theft. Rosel " "Hyde, chairman of the FCC, viewed the practice as a kind of <quote>unfair " @@ -4320,14 +4462,14 @@ msgstr "" #. f15 #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:3251 +#: freeculture.xml:3308 msgid "" "Copyright Law Revision—CATV, 126 (statement of Ernest W. Jennes, " "general counsel of the Association of Maximum Service Telecasters, Inc.)." msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:3247 +#: freeculture.xml:3304 msgid "" "The extraordinary thing about the CATV business is that it is the only " "business I know of where the product that is being sold is not paid " @@ -4335,13 +4477,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3257 +#: freeculture.xml:3314 msgid "Again, the demand of the copyright holders seemed reasonable enough:" msgstr "" #. f16 #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:3266 +#: freeculture.xml:3323 msgid "" "Copyright Law Revision—CATV, 169 (joint statement of Arthur B. Krim, " "president of United Artists Corp., and John Sinn, president of United " @@ -4349,7 +4491,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:3261 +#: freeculture.xml:3318 msgid "" "All we are asking for is a very simple thing, that people who now take our " "property for nothing pay for it. We are trying to stop piracy and I don't " @@ -4358,12 +4500,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:3272 freeculture.xml:3280 +#: freeculture.xml:3329 freeculture.xml:3337 msgid "Heston, Charlton" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3278 +#: freeculture.xml:3335 msgid "" "Copyright Law Revision—CATV, 209 (statement of Charlton Heston, " "president of the Screen Actors Guild). <placeholder type=\"indexterm\" " @@ -4371,7 +4513,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3274 +#: freeculture.xml:3331 msgid "" "These were <quote>free-ride[rs],</quote> Screen Actor's Guild president " "Charlton Heston said, who were <quote>depriving actors of " @@ -4379,19 +4521,19 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3285 +#: freeculture.xml:3342 msgid "" "But again, there was another side to the debate. As Assistant Attorney " "General Edwin Zimmerman put it," msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para><indexterm><primary> -#: freeculture.xml:3301 freeculture.xml:3303 +#: freeculture.xml:3358 freeculture.xml:3360 msgid "Zimmerman, Edwin" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:3299 +#: freeculture.xml:3356 msgid "" "Copyright Law Revision—CATV, 216 (statement of Edwin M. Zimmerman, " "acting assistant attorney general). <placeholder type=\"indexterm\" " @@ -4399,7 +4541,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:3290 +#: freeculture.xml:3347 msgid "" "Our point here is that unlike the problem of whether you have any copyright " "protection at all, the problem here is whether copyright holders who are " @@ -4411,14 +4553,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3307 +#: freeculture.xml:3364 msgid "" "Copyright owners took the cable companies to court. Twice the Supreme Court " "held that the cable companies owed the copyright owners nothing." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3311 +#: freeculture.xml:3368 msgid "" "It took Congress almost thirty years before it resolved the question of " "whether cable companies had to pay for the content they " @@ -4434,7 +4576,7 @@ msgstr "" #. f19 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3328 +#: freeculture.xml:3385 msgid "" "See, for example, National Music Publisher's Association, <citetitle>The " "Engine of Free Expression: Copyright on the Internet—The Myth of Free " @@ -4445,36 +4587,38 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3323 +#: freeculture.xml:3380 msgid "" -"These separate stories sing a common theme. If <quote>piracy</quote> means " -"using value from someone else's creative property without permission from " -"that creator—as it is increasingly described today<placeholder " -"type=\"footnote\" id=\"0\"/> — then <emphasis>every</emphasis> " -"industry affected by copyright today is the product and beneficiary of a " -"certain kind of piracy. Film, records, radio, cable TV. … The list is " -"long and could well be expanded. Every generation welcomes the pirates from " -"the last. Every generation—until now." +"<emphasis role='strong'>These separate stories</emphasis> sing a common " +"theme. If <quote>piracy</quote> means using value from someone else's " +"creative property without permission from that creator—as it is " +"increasingly described today<placeholder type=\"footnote\" id=\"0\"/> " +"— then <emphasis>every</emphasis> industry affected by copyright today " +"is the product and beneficiary of a certain kind of piracy. Film, records, " +"radio, cable TV. … The list is long and could well be expanded. Every " +"generation welcomes the pirates from the last. Every generation—until " +"now." msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:3345 +#: freeculture.xml:3402 msgid "CHAPTER FIVE: <quote>Piracy</quote>" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:3347 +#: freeculture.xml:3404 msgid "" -"There is piracy of copyrighted material. Lots of it. This piracy comes in " -"many forms. The most significant is commercial piracy, the unauthorized " -"taking of other people's content within a commercial context. Despite the " -"many justifications that are offered in its defense, this taking is " -"wrong. No one should condone it, and the law should stop it." +"<emphasis role='strong'>There is piracy</emphasis> of copyrighted " +"material. Lots of it. This piracy comes in many forms. The most significant " +"is commercial piracy, the unauthorized taking of other people's content " +"within a commercial context. Despite the many justifications that are " +"offered in its defense, this taking is wrong. No one should condone it, and " +"the law should stop it." msgstr "" #. PAGE BREAK 76 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:3355 +#: freeculture.xml:3412 msgid "" "But as well as copy-shop piracy, there is another kind of " "<quote>taking</quote> that is more directly related to the Internet. That " @@ -4486,13 +4630,18 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:3365 +#: freeculture.xml:3422 msgid "Piracy I" msgstr "" +#. type: Content of: <book><chapter><section><section><indexterm><primary> +#: freeculture.xml:3423 freeculture.xml:3502 freeculture.xml:3551 freeculture.xml:14609 +msgid "Asia, commercial piracy in" +msgstr "" + #. f1 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3373 +#: freeculture.xml:3431 msgid "" "See IFPI (International Federation of the Phonographic Industry), " "<citetitle>The Recording Industry Commercial Piracy Report 2003</citetitle>, " @@ -4502,7 +4651,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3367 +#: freeculture.xml:3425 msgid "" "All across the world, but especially in Asia and Eastern Europe, there are " "businesses that do nothing but take others people's copyrighted content, " @@ -4514,7 +4663,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3383 +#: freeculture.xml:3441 msgid "" "This is piracy plain and simple. Nothing in the argument of this book, nor " "in the argument that most people make when talking about the subject of this " @@ -4522,7 +4671,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3389 +#: freeculture.xml:3447 msgid "" "Which is not to say that excuses and justifications couldn't be made for " "it. We could, for example, remind ourselves that for the first one hundred " @@ -4534,7 +4683,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3398 +#: freeculture.xml:3456 msgid "" "That excuse isn't terribly strong. Technically, our law did not ban the " "taking of foreign works. It explicitly limited itself to American " @@ -4548,7 +4697,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3409 +#: freeculture.xml:3467 msgid "" "True, these local rules have, in effect, been imposed upon these " "countries. No country can be part of the world economy and choose <beginpage " @@ -4558,17 +4707,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:3437 +#: freeculture.xml:3495 msgid "agricultural patents" msgstr "" #. type: Content of: <book><chapter><para><footnote><para><indexterm><primary> -#: freeculture.xml:3438 freeculture.xml:12399 freeculture.xml:12838 freeculture.xml:12845 +#: freeculture.xml:3496 freeculture.xml:12626 freeculture.xml:13075 freeculture.xml:13082 msgid "Drahos, Peter" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3422 +#: freeculture.xml:3480 msgid "" "See Peter Drahos with John Braithwaite, Information Feudalism: " "<citetitle>Who Owns the Knowledge Economy?</citetitle> (New York: The New " @@ -4588,7 +4737,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3417 +#: freeculture.xml:3475 msgid "" "If a country is to be treated as a sovereign, however, then its laws are its " "laws regardless of their source. The international law under which these " @@ -4600,12 +4749,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:3458 freeculture.xml:3725 freeculture.xml:14490 +#: freeculture.xml:3517 freeculture.xml:3787 freeculture.xml:14753 msgid "Liebowitz, Stan" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3451 +#: freeculture.xml:3510 msgid "" "For an analysis of the economic impact of copying technology, see Stan " "Liebowitz, <citetitle>Rethinking the Network Economy</citetitle> (New York: " @@ -4618,7 +4767,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3445 +#: freeculture.xml:3504 msgid "" "Alternatively, we could try to excuse this piracy by noting that in any " "case, it does no harm to the industry. The Chinese who get access to " @@ -4628,7 +4777,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3462 +#: freeculture.xml:3521 msgid "" "This is often true (though I have friends who have purchased many thousands " "of pirated DVDs who certainly have enough money to pay for the content they " @@ -4644,7 +4793,7 @@ msgstr "" #. PAGE BREAK 78 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3475 +#: freeculture.xml:3534 msgid "" "This argument is still very weak. However, although copyright is a property " "right of a very special sort, it <emphasis>is</emphasis> a property " @@ -4663,32 +4812,32 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para><indexterm><primary> -#: freeculture.xml:3504 freeculture.xml:3532 freeculture.xml:11235 freeculture.xml:12719 freeculture.xml:13271 +#: freeculture.xml:3564 freeculture.xml:3592 freeculture.xml:11434 freeculture.xml:12951 freeculture.xml:13516 msgid "GNU/Linux operating system" msgstr "" #. type: Content of: <book><chapter><section><section><para><indexterm><primary> -#: freeculture.xml:3505 freeculture.xml:3535 freeculture.xml:11237 freeculture.xml:12720 freeculture.xml:13272 +#: freeculture.xml:3565 freeculture.xml:3595 freeculture.xml:11436 freeculture.xml:12952 freeculture.xml:13517 msgid "Linux operating system" msgstr "" -#. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:3507 +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:3567 freeculture.xml:5203 msgid "Microsoft" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><secondary> -#: freeculture.xml:3508 +#: freeculture.xml:3568 msgid "Windows operating system of" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:3510 +#: freeculture.xml:3570 msgid "Windows" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3493 +#: freeculture.xml:3553 msgid "" "Finally, we could try to excuse this piracy with the argument that the " "piracy actually helps the copyright owner. When the Chinese " @@ -4706,7 +4855,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3513 +#: freeculture.xml:3573 msgid "" "This argument, too, is somewhat true. The addiction strategy is a good " "one. Many businesses practice it. Some thrive because of it. Law students, " @@ -4717,17 +4866,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:3533 +#: freeculture.xml:3593 msgid "Internet Explorer" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:3534 +#: freeculture.xml:3594 msgid "Netscape" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3521 +#: freeculture.xml:3581 msgid "" "Still, the argument is not terribly persuasive. We don't give the alcoholic " "a defense when he steals his first beer, merely because that will make it " @@ -4746,7 +4895,7 @@ msgstr "" #. PAGE BREAK 79 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3539 +#: freeculture.xml:3599 msgid "" "Thus, while I understand the pull of these justifications for piracy, and I " "certainly see the motivation, in my view, in the end, these efforts at " @@ -4758,7 +4907,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3549 +#: freeculture.xml:3609 msgid "" "But as the examples from the four chapters that introduced this part " "suggest, even if some piracy is plainly wrong, not all <quote>piracy</quote> " @@ -4771,7 +4920,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3558 +#: freeculture.xml:3618 msgid "" "This doesn't mean that there are no questions raised by the latest piracy " "concern, peer-to-peer file sharing. But it does mean that we need to " @@ -4780,7 +4929,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3564 +#: freeculture.xml:3624 msgid "" "For (1) like the original Hollywood, p2p sharing escapes an overly " "controlling industry; and (2) like the original recording industry, it " @@ -4789,20 +4938,20 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3570 +#: freeculture.xml:3630 msgid "" "These differences distinguish p2p sharing from true piracy. They should push " "us to find a way to protect artists while enabling this sharing to survive." msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:3576 +#: freeculture.xml:3636 msgid "Piracy II" msgstr "" #. f4 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3581 +#: freeculture.xml:3641 msgid "" "<citetitle>Bach</citetitle> v. <citetitle>Longman</citetitle>, 98 " "Eng. Rep. 1274 (1777)." @@ -4810,7 +4959,7 @@ msgstr "" #. PAGE BREAK 80 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3578 +#: freeculture.xml:3638 msgid "" "The key to the <quote>piracy</quote> that the law aims to quash is a use " "that <quote>rob[s] the author of [his] profit.</quote><placeholder " @@ -4819,32 +4968,38 @@ msgid "" "either prevent it or find an alternative to assure the author of his profit." msgstr "" +#. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> +#: freeculture.xml:3649 freeculture.xml:3656 +msgid "innovation" +msgstr "" + #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:3604 freeculture.xml:8157 +#: freeculture.xml:3666 freeculture.xml:8293 msgid "Christensen, Clayton M." msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3595 -msgid "" -"See Clayton M. Christensen, <citetitle>The Innovator's Dilemma: The " -"Revolutionary National Bestseller That Changed the Way We Do " -"Business</citetitle> (New York: HarperBusiness, 2000). Professor Christensen " -"examines why companies that give rise to and dominate a product area are " -"frequently unable to come up with the most creative, paradigm-shifting uses " -"for their own products. This job usually falls to outside innovators, who " -"reassemble existing technology in inventive ways. For a discussion of " -"Christensen's ideas, see Lawrence Lessig, <citetitle>Future</citetitle>, " -"89–92, 139. <placeholder type=\"indexterm\" id=\"0\"/>" +#: freeculture.xml:3656 +msgid "" +"<placeholder type=\"indexterm\" id=\"0\"/> See Clayton M. Christensen, " +"<citetitle>The Innovator's Dilemma: The Revolutionary National Bestseller " +"That Changed the Way We Do Business</citetitle> (New York: HarperBusiness, " +"2000). Professor Christensen examines why companies that give rise to and " +"dominate a product area are frequently unable to come up with the most " +"creative, paradigm-shifting uses for their own products. This job usually " +"falls to outside innovators, who reassemble existing technology in inventive " +"ways. For a discussion of Christensen's ideas, see Lawrence Lessig, " +"<citetitle>Future</citetitle>, 89–92, 139. <placeholder " +"type=\"indexterm\" id=\"1\"/>" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:3607 +#: freeculture.xml:3669 msgid "Fanning, Shawn" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3590 +#: freeculture.xml:3651 msgid "" "Peer-to-peer sharing was made famous by Napster. But the inventors of the " "Napster technology had not made any major technological innovations. Like " @@ -4856,7 +5011,7 @@ msgstr "" #. f6 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3615 +#: freeculture.xml:3677 msgid "" "See Carolyn Lochhead, <quote>Silicon Valley Dream, Hollywood " "Nightmare,</quote> <citetitle>San Francisco Chronicle</citetitle>, 24 " @@ -4870,7 +5025,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3610 +#: freeculture.xml:3672 msgid "" "The result was spontaneous combustion. Launched in July 1999, Napster " "amassed over 10 million users within nine months. After eighteen months, " @@ -4886,7 +5041,7 @@ msgstr "" #. f7 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3637 +#: freeculture.xml:3699 msgid "" "See Ipsos-Insight, <citetitle>TEMPO: Keeping Pace with Online Music " "Distribution</citetitle> (September 2002), reporting that 28 percent of " @@ -4897,14 +5052,14 @@ msgstr "" #. f8 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3646 +#: freeculture.xml:3708 msgid "" "Amy Harmon, <quote>Industry Offers a Carrot in Online Music Fight,</quote> " "<citetitle>New York Times</citetitle>, 6 June 2003, A1." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3631 +#: freeculture.xml:3693 msgid "" "According to a number of estimates, a huge proportion of Americans have " "tasted file-sharing technology. A study by Ipsos-Insight in September 2002 " @@ -4920,7 +5075,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3655 +#: freeculture.xml:3717 msgid "" "Some of this enjoying involves copyright infringement. Some of it does " "not. And even among the part that is technically copyright infringement, " @@ -4932,14 +5087,14 @@ msgstr "" #. PAGE BREAK 81 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3665 +#: freeculture.xml:3727 msgid "" "File sharers share different kinds of content. We can divide these different " "kinds into four types." msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:3671 +#: freeculture.xml:3733 msgid "" "There are some who use sharing networks as substitutes for purchasing " "content. Thus, when a new Madonna CD is released, rather than buying the CD, " @@ -4952,7 +5107,7 @@ msgstr "" #. B. #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:3682 +#: freeculture.xml:3744 msgid "" "There are some who use sharing networks to sample music before purchasing " "it. Thus, a friend sends another friend an MP3 of an artist he's not heard " @@ -4965,7 +5120,7 @@ msgstr "" #. C. #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:3693 +#: freeculture.xml:3755 msgid "" "There are many who use sharing networks to get access to copyrighted content " "that is no longer sold or that they would not have purchased because the " @@ -4984,26 +5139,26 @@ msgstr "" #. PAGE BREAK 82 #. D. #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:3710 +#: freeculture.xml:3772 msgid "" "Finally, there are many who use sharing networks to get access to content " "that is not copyrighted or that the copyright owner wants to give away." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3716 +#: freeculture.xml:3778 msgid "How do these different types of sharing balance out?" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3724 +#: freeculture.xml:3786 msgid "" "See Liebowitz, <citetitle>Rethinking the Network Economy</citetitle>, " "148–49. <placeholder type=\"indexterm\" id=\"0\"/>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3719 +#: freeculture.xml:3781 msgid "" "Let's start with some simple but important points. From the perspective of " "the law, only type D sharing is clearly legal. From the perspective of " @@ -5017,7 +5172,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3735 +#: freeculture.xml:3797 msgid "" "Whether on balance sharing is harmful depends importantly on how harmful " "type A sharing is. Just as Edison complained about Hollywood, composers " @@ -5029,7 +5184,7 @@ msgstr "" #. f10 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3750 +#: freeculture.xml:3812 msgid "" "See Cap Gemini Ernst & Young, <citetitle>Technology Evolution and the " "Music Industry's Business Model Crisis</citetitle> (2003), 3. This report " @@ -5046,7 +5201,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3743 +#: freeculture.xml:3805 msgid "" "While the numbers do suggest that sharing is harmful, how harmful is harder " "to reckon. It has long been the recording industry's practice to blame " @@ -5062,12 +5217,12 @@ msgstr "" #. f11 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3776 +#: freeculture.xml:3838 msgid "U.S. Congress, <citetitle>Copyright and Home Copying</citetitle>, 4." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3768 +#: freeculture.xml:3830 msgid "" "Yet soon thereafter, and before Congress was given an opportunity to enact " "regulation, MTV was launched, and the industry had a record " @@ -5079,7 +5234,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3780 +#: freeculture.xml:3842 msgid "" "But just because the industry was wrong before does not mean it is wrong " "today. To evaluate the real threat that p2p sharing presents to the industry " @@ -5092,7 +5247,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3790 +#: freeculture.xml:3852 msgid "" "We start to answer this question by focusing on the net harm, from the " "standpoint of the industry as a whole, that sharing networks cause. The " @@ -5104,7 +5259,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3801 +#: freeculture.xml:3863 msgid "" "Could that be true? Could the industry as a whole be gaining because of file " "sharing? Odd as that might sound, the data about CD sales actually suggest " @@ -5113,7 +5268,7 @@ msgstr "" #. f12 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3810 +#: freeculture.xml:3872 msgid "" "See Recording Industry Association of America, <citetitle>2002 Yearend " "Statistics</citetitle>, available at <ulink " @@ -5131,12 +5286,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:3837 +#: freeculture.xml:3899 msgid "Black, Jane" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3834 +#: freeculture.xml:3896 msgid "" "Jane Black, <quote>Big Music's Broken Record,</quote> BusinessWeek online, " "13 February 2003, available at <ulink " @@ -5145,7 +5300,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3806 +#: freeculture.xml:3868 msgid "" "In 2002, the RIAA reported that CD sales had fallen by 8.9 percent, from 882 " "million to 803 million units; revenues fell 6.7 percent.<placeholder " @@ -5166,7 +5321,7 @@ msgstr "" #. PAGE BREAK 84 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3852 +#: freeculture.xml:3914 msgid "" "But let's assume the RIAA is right, and all of the decline in CD sales is " "because of Internet sharing. Here's the rub: In the same period that the " @@ -5177,7 +5332,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3860 +#: freeculture.xml:3922 msgid "" "There are too many different things happening at the same time to explain " "these numbers definitively, but one conclusion is unavoidable: The recording " @@ -5195,7 +5350,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3875 +#: freeculture.xml:3937 msgid "" "These are the harms—alleged and perhaps exaggerated but, let's assume, " "real. What of the benefits? File sharing may impose costs on the recording " @@ -5204,7 +5359,7 @@ msgstr "" #. f15 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3887 +#: freeculture.xml:3949 msgid "" "By one estimate, 75 percent of the music released by the major labels is no " "longer in print. See Online Entertainment and Copyright Law—Coming " @@ -5215,7 +5370,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3881 +#: freeculture.xml:3943 msgid "" "One benefit is type C sharing—making available content that is " "technically still under copyright but is no longer commercially available. " @@ -5230,7 +5385,7 @@ msgstr "" #. f16 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:3907 +#: freeculture.xml:3969 msgid "" "While there are not good estimates of the number of used record stores in " "existence, in 2002, there were 7,198 used book dealers in the United States, " @@ -5244,7 +5399,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3901 +#: freeculture.xml:3963 msgid "" "In real space—long before the Internet—the market had a simple " "response to this problem: used book and record stores. There are thousands " @@ -5259,12 +5414,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:3927 +#: freeculture.xml:3989 msgid "Bernstein, Leonard" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3929 +#: freeculture.xml:3991 msgid "" "Type C sharing, then, is very much like used book stores or used record " "stores. It is different, of course, because the person making the content " @@ -5280,7 +5435,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3942 +#: freeculture.xml:4004 msgid "" "It may well be, all things considered, that it would be better if the " "copyright owner got something from this trade. But just because it may well " @@ -5292,7 +5447,7 @@ msgstr "" #. PAGE BREAK 86 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3950 +#: freeculture.xml:4012 msgid "" "Finally, and perhaps most importantly, file-sharing networks enable type D " "sharing to occur—the sharing of content that copyright owners want to " @@ -5310,7 +5465,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3967 +#: freeculture.xml:4029 msgid "" "Likewise for work in the public domain: This sharing benefits society with " "no legal harm to authors at all. If efforts to solve the problem of type A " @@ -5319,7 +5474,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3973 +#: freeculture.xml:4035 msgid "" "The point throughout is this: While the recording industry understandably " "says, <quote>This is how much we've lost,</quote> we must also ask, " @@ -5329,7 +5484,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3980 +#: freeculture.xml:4042 msgid "" "For unlike the piracy I described in the first section of this chapter, much " "of the <quote>piracy</quote> that file sharing enables is plainly legal and " @@ -5345,7 +5500,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3994 +#: freeculture.xml:4056 msgid "" "<quote>But isn't the war just a war against illegal sharing? Isn't the " "target just what you call type A sharing?</quote>" @@ -5353,7 +5508,7 @@ msgstr "" #. f17 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:4011 +#: freeculture.xml:4073 msgid "" "See Transcript of Proceedings, In Re: Napster Copyright Litigation at 34- 35 " "(N.D. Cal., 11 July 2001), nos. MDL-00-1369 MHP, C 99-5183 MHP, available at " @@ -5364,7 +5519,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:3998 +#: freeculture.xml:4060 msgid "" "You would think. And we should hope. But so far, it is not. The effect of " "the war purportedly on type A sharing alone has been felt far beyond that " @@ -5377,7 +5532,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4022 +#: freeculture.xml:4084 msgid "" "If 99.4 percent is not good enough, then this is a war on file-sharing " "technologies, not a war on copyright infringement. There is no way to assure " @@ -5391,7 +5546,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4033 +#: freeculture.xml:4095 msgid "" "Zero tolerance has not been our history. It has not produced the content " "industry that we know today. The history of American law has been a process " @@ -5403,7 +5558,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4042 +#: freeculture.xml:4108 msgid "" "So, as we've seen, when <quote>mechanical reproduction</quote> threatened " "the interests of composers, Congress balanced the rights of composers " @@ -5417,7 +5572,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4054 +#: freeculture.xml:4120 msgid "" "Cable TV followed the pattern of record albums. When the courts rejected the " "claim that cable broadcasters had to pay for the content they rebroadcast, " @@ -5428,7 +5583,7 @@ msgstr "" #. PAGE BREAK 88 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4064 +#: freeculture.xml:4130 msgid "" "This compromise, like the compromise affecting records and player pianos, " "served two important goals—indeed, the two central goals of any " @@ -5446,12 +5601,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:4079 +#: freeculture.xml:4145 msgid "Betamax" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4081 +#: freeculture.xml:4147 msgid "" "In the same year that Congress struck this balance, two major producers and " "distributors of film content filed a lawsuit against another technology, the " @@ -5468,7 +5623,7 @@ msgstr "" #. PAGE BREAK 89 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4094 +#: freeculture.xml:4160 msgid "" "There was something to Disney's and Universal's claim. Sony did decide to " "design its machine to make it very simple to record television shows. It " @@ -5485,7 +5640,7 @@ msgstr "" #. f18 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:4116 +#: freeculture.xml:4182 msgid "" "Copyright Infringements (Audio and Video Recorders): Hearing on S. 1758 " "Before the Senate Committee on the Judiciary, 97th Cong., 1st and 2nd sess., " @@ -5495,13 +5650,13 @@ msgstr "" #. f19 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:4128 +#: freeculture.xml:4194 msgid "Copyright Infringements (Audio and Video Recorders), 475." msgstr "" #. f20 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:4133 +#: freeculture.xml:4199 msgid "" "<citetitle>Universal City Studios, Inc</citetitle>. v. <citetitle>Sony " "Corp. of America</citetitle>, 480 F. Supp. 429, (C.D. Cal., 1979)." @@ -5509,14 +5664,14 @@ msgstr "" #. f21 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:4144 +#: freeculture.xml:4210 msgid "" "Copyright Infringements (Audio and Video Recorders), 485 (testimony of Jack " "Valenti)." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4109 +#: freeculture.xml:4175 msgid "" "MPAA president Jack Valenti became the studios' most vocal champion. Valenti " "called VCRs <quote>tapeworms.</quote> He warned, <quote>When there are 20, " @@ -5543,19 +5698,19 @@ msgstr "" #. f22 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:4161 +#: freeculture.xml:4227 msgid "" "<citetitle>Universal City Studios, Inc</citetitle>. v. <citetitle>Sony " "Corp. of America</citetitle>, 659 F. 2d 963 (9th Cir. 1981)." msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:4164 +#: freeculture.xml:4230 msgid "Kozinski, Alex" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4149 +#: freeculture.xml:4215 msgid "" "It took eight years for this case to be resolved by the Supreme Court. In " "the interim, the Ninth Circuit Court of Appeals, which includes Hollywood in " @@ -5572,7 +5727,7 @@ msgstr "" #. PAGE BREAK 90 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4167 +#: freeculture.xml:4233 msgid "" "But the Supreme Court reversed the decision of the Ninth Circuit. And in " "its reversal, the Court clearly articulated its understanding of when and " @@ -5581,14 +5736,14 @@ msgstr "" #. f23 #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:4186 +#: freeculture.xml:4252 msgid "" "<citetitle>Sony Corp. of America</citetitle> v. <citetitle>Universal City " "Studios, Inc</citetitle>., 464 U.S. 417, 431 (1984)." msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:4176 +#: freeculture.xml:4242 msgid "" "Sound policy, as well as history, supports our consistent deference to " "Congress when major technological innovations alter the market for " @@ -5599,7 +5754,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4191 +#: freeculture.xml:4257 msgid "" "Congress was asked to respond to the Supreme Court's decision. But as with " "the plea of recording artists about radio broadcasts, Congress ignored the " @@ -5609,77 +5764,77 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><informaltable><tgroup><thead><row><entry> -#: freeculture.xml:4202 +#: freeculture.xml:4268 msgid "CASE" msgstr "" #. type: Content of: <book><part><chapter><section><informaltable><tgroup><thead><row><entry> -#: freeculture.xml:4203 +#: freeculture.xml:4269 msgid "WHOSE VALUE WAS <quote>PIRATED</quote>" msgstr "" #. type: Content of: <book><part><chapter><section><informaltable><tgroup><thead><row><entry> -#: freeculture.xml:4204 +#: freeculture.xml:4270 msgid "RESPONSE OF THE COURTS" msgstr "" #. type: Content of: <book><part><chapter><section><informaltable><tgroup><thead><row><entry> -#: freeculture.xml:4205 +#: freeculture.xml:4271 msgid "RESPONSE OF CONGRESS" msgstr "" #. type: Content of: <book><part><chapter><section><informaltable><tgroup><tbody><row><entry> -#: freeculture.xml:4210 +#: freeculture.xml:4276 msgid "Recordings" msgstr "" #. type: Content of: <book><part><chapter><section><informaltable><tgroup><tbody><row><entry> -#: freeculture.xml:4211 +#: freeculture.xml:4277 msgid "Composers" msgstr "" #. type: Content of: <book><part><chapter><section><informaltable><tgroup><tbody><row><entry> -#: freeculture.xml:4212 freeculture.xml:4224 freeculture.xml:4230 +#: freeculture.xml:4278 freeculture.xml:4290 freeculture.xml:4296 msgid "No protection" msgstr "" #. type: Content of: <book><part><chapter><section><informaltable><tgroup><tbody><row><entry> -#: freeculture.xml:4213 freeculture.xml:4225 +#: freeculture.xml:4279 freeculture.xml:4291 msgid "Statutory license" msgstr "" #. type: Content of: <book><part><chapter><section><informaltable><tgroup><tbody><row><entry> -#: freeculture.xml:4217 +#: freeculture.xml:4283 msgid "Recording artists" msgstr "" #. type: Content of: <book><part><chapter><section><informaltable><tgroup><tbody><row><entry> -#: freeculture.xml:4218 +#: freeculture.xml:4284 msgid "N/A" msgstr "" #. type: Content of: <book><part><chapter><section><informaltable><tgroup><tbody><row><entry> -#: freeculture.xml:4219 freeculture.xml:4231 +#: freeculture.xml:4285 freeculture.xml:4297 msgid "Nothing" msgstr "" #. type: Content of: <book><part><chapter><section><informaltable><tgroup><tbody><row><entry> -#: freeculture.xml:4223 +#: freeculture.xml:4289 msgid "Broadcasters" msgstr "" #. type: Content of: <book><part><chapter><section><informaltable><tgroup><tbody><row><entry> -#: freeculture.xml:4228 +#: freeculture.xml:4294 msgid "VCR" msgstr "" #. type: Content of: <book><part><chapter><section><informaltable><tgroup><tbody><row><entry> -#: freeculture.xml:4229 +#: freeculture.xml:4295 msgid "Film creators" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:4241 +#: freeculture.xml:4307 msgid "" "These are the most important instances in our history, but there are other " "cases as well. The technology of digital audio tape (DAT), for example, was " @@ -5692,11 +5847,11 @@ msgid "" "Lessig, <citetitle>Future</citetitle>, 71. See also Picker, <quote>From " "Edison to the Broadcast Flag,</quote> <citetitle>University of Chicago Law " "Review</citetitle> 70 (2003): 293–96. <placeholder type=\"indexterm\" " -"id=\"0\"/>" +"id=\"0\"/> <placeholder type=\"indexterm\" id=\"1\"/>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4238 +#: freeculture.xml:4304 msgid "" "In each case throughout our history, a new technology changed the way " "content was distributed.<placeholder type=\"footnote\" id=\"0\"/> In each " @@ -5706,7 +5861,7 @@ msgstr "" #. PAGE BREAK 91 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4258 +#: freeculture.xml:4325 msgid "" "In <emphasis>none</emphasis> of these cases did either the courts or " "Congress eliminate all free riding. In <emphasis>none</emphasis> of these " @@ -5720,7 +5875,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4270 +#: freeculture.xml:4337 msgid "" "When you think across these examples, and the other examples that make up " "the first four chapters of this section, this balance makes sense. Was Walt " @@ -5734,14 +5889,14 @@ msgstr "" #. f25 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:4287 +#: freeculture.xml:4354 msgid "" "<citetitle>Sony Corp. of America</citetitle> v. <citetitle>Universal City " "Studios, Inc</citetitle>., 464 U.S. 417, (1984)." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4282 +#: freeculture.xml:4349 msgid "" "We could answer yes to each of these questions, but our tradition has " "answered no. In our tradition, as the Supreme Court has stated, copyright " @@ -5755,7 +5910,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4298 +#: freeculture.xml:4365 msgid "" "We should be doing the same thing today. The technology of the Internet is " "changing quickly. The way people connect to the Internet (wires " @@ -5772,7 +5927,7 @@ msgstr "" #. f26 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:4322 +#: freeculture.xml:4389 msgid "" "John Schwartz, <quote>New Economy: The Attack on Peer-to-Peer Software " "Echoes Past Efforts,</quote> <citetitle>New York Times</citetitle>, 22 " @@ -5780,7 +5935,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4314 +#: freeculture.xml:4381 msgid "" "This is especially true when a new technology enables a vastly superior mode " "of distribution. And this p2p has done. P2p technologies can be ideally " @@ -5788,20 +5943,25 @@ msgid "" "develop, they could make the network vastly more efficient. Yet these " "<quote>potential public benefits,</quote> as John Schwartz writes in " "<citetitle>The New York Times</citetitle>, <quote>could be delayed in the " -"P2P fight.</quote><placeholder type=\"footnote\" id=\"0\"/> Yet when anyone " -"begins to talk about <quote>balance,</quote> the copyright warriors raise a " -"different argument. <quote>All this hand waving about balance and " -"incentives,</quote> they say, <quote>misses a fundamental point. Our " -"content,</quote> the warriors insist, <quote>is our " -"<emphasis>property</emphasis>. Why should we wait for Congress to " -"`rebalance' our property rights? Do you have to wait before calling the " -"police when your car has been stolen? And why should Congress deliberate at " -"all about the merits of this theft? Do we ask whether the car thief had a " -"good use for the car before we arrest him?</quote>" +"P2P fight.</quote><placeholder type=\"footnote\" id=\"0\"/>" +msgstr "" + +#. type: Content of: <book><part><chapter><section><para> +#: freeculture.xml:4394 +msgid "" +"<emphasis role='strong'>Yet when anyone</emphasis> begins to talk about " +"<quote>balance,</quote> the copyright warriors raise a different " +"argument. <quote>All this hand waving about balance and incentives,</quote> " +"they say, <quote>misses a fundamental point. Our content,</quote> the " +"warriors insist, <quote>is our <emphasis>property</emphasis>. Why should we " +"wait for Congress to `rebalance' our property rights? Do you have to wait " +"before calling the police when your car has been stolen? And why should " +"Congress deliberate at all about the merits of this theft? Do we ask whether " +"the car thief had a good use for the car before we arrest him?</quote>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:4336 +#: freeculture.xml:4406 msgid "" "<quote>It is <emphasis>our property</emphasis>,</quote> the warriors " "insist. <quote>And it should be protected just as any other property is " @@ -5809,22 +5969,23 @@ msgid "" msgstr "" #. type: Content of: <book><part><title> -#: freeculture.xml:4345 +#: freeculture.xml:4415 msgid "<quote>PROPERTY</quote>" msgstr "" #. PAGE BREAK 94 #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:4350 +#: freeculture.xml:4420 msgid "" -"The copyright warriors are right: A copyright is a kind of property. It can " -"be owned and sold, and the law protects against its theft. Ordinarily, the " -"copyright owner gets to hold out for any price he wants. Markets reckon the " -"supply and demand that partially determine the price she can get." +"<emphasis role='strong'>The copyright warriors</emphasis> are right: A " +"copyright is a kind of property. It can be owned and sold, and the law " +"protects against its theft. Ordinarily, the copyright owner gets to hold out " +"for any price he wants. Markets reckon the supply and demand that partially " +"determine the price she can get." msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:4357 +#: freeculture.xml:4427 msgid "" "But in ordinary language, to call a copyright a <quote>property</quote> " "right is a bit misleading, for the property of copyright is an odd kind of " @@ -5839,7 +6000,7 @@ msgstr "" #. f1 #. type: Content of: <book><part><partintro><para><footnote><para> -#: freeculture.xml:4382 +#: freeculture.xml:4452 msgid "" "Letter from Thomas Jefferson to Isaac McPherson (13 August 1813) in " "<citetitle>The Writings of Thomas Jefferson</citetitle>, vol. 6 (Andrew " @@ -5847,7 +6008,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:4369 +#: freeculture.xml:4439 msgid "" "The point is not just about the thingness of picnic tables versus ideas, " "though that's an important difference. The point instead is that in the " @@ -5863,7 +6024,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:4388 +#: freeculture.xml:4458 msgid "" "The exceptions to free use are ideas and expressions within the reach of the " "law of patent and copyright, and a few other domains that I won't discuss " @@ -5873,7 +6034,7 @@ msgstr "" #. f2 #. type: Content of: <book><part><partintro><para><footnote><para> -#: freeculture.xml:4401 +#: freeculture.xml:4471 msgid "" "As the legal realists taught American law, all property rights are " "intangible. A property right is simply a right that an individual has " @@ -5885,7 +6046,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:4396 +#: freeculture.xml:4466 msgid "" "But how, and to what extent, and in what form—the details, in other " "words—matter. To get a good sense of how this practice of turning the " @@ -5895,7 +6056,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:4411 +#: freeculture.xml:4481 msgid "" "My strategy in doing this will be the same as my strategy in the preceding " "part. I offer four stories to help put the idea of <quote>copyright material " @@ -5908,45 +6069,61 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:4424 +#: freeculture.xml:4494 msgid "CHAPTER SIX: Founders" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:4425 +#: freeculture.xml:4495 msgid "Henry V" msgstr "" +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:4496 freeculture.xml:4639 +msgid "Branagh, Kenneth" +msgstr "" + #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4427 +#: freeculture.xml:4498 msgid "" -"William Shakespeare wrote <citetitle>Romeo and Juliet</citetitle> in " -"1595. The play was first published in 1597. It was the eleventh major play " -"that Shakespeare had written. He would continue to write plays through 1613, " -"and the plays that he wrote have continued to define Anglo-American culture " -"ever since. So deeply have the works of a sixteenth-century writer seeped " -"into our culture that we often don't even recognize their source. I once " -"overheard someone commenting on Kenneth Branagh's adaptation of Henry V: " -"<quote>I liked it, but Shakespeare is so full of clichés.</quote>" +"<emphasis role='strong'>William Shakespeare</emphasis> wrote " +"<citetitle>Romeo and Juliet</citetitle> in 1595. The play was first " +"published in 1597. It was the eleventh major play that Shakespeare had " +"written. He would continue to write plays through 1613, and the plays that " +"he wrote have continued to define Anglo-American culture ever since. So " +"deeply have the works of a sixteenth-century writer seeped into our culture " +"that we often don't even recognize their source. I once overheard someone " +"commenting on Kenneth Branagh's adaptation of Henry V: <quote>I liked it, " +"but Shakespeare is so full of clichés.</quote>" +msgstr "" + +#. type: Content of: <book><part><chapter><para><footnote><para><indexterm><primary> +#: freeculture.xml:4514 +msgid "Jonson, Ben" +msgstr "" + +#. type: Content of: <book><part><chapter><para><footnote><para><indexterm><primary> +#: freeculture.xml:4515 +msgid "Dryden, John" msgstr "" -#. f1 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4442 -msgid "" -"Jacob Tonson is typically remembered for his associations with prominent " -"eighteenth-century literary figures, especially John Dryden, and for his " -"handsome <quote>definitive editions</quote> of classic works. In addition to " -"<citetitle>Romeo and Juliet</citetitle>, he published an astonishing array " -"of works that still remain at the heart of the English canon, including " -"collected works of Shakespeare, Ben Jonson, John Milton, and John " -"Dryden. See Keith Walker, <quote>Jacob Tonson, Bookseller,</quote> " +#: freeculture.xml:4514 +msgid "" +"<placeholder type=\"indexterm\" id=\"0\"/> <placeholder type=\"indexterm\" " +"id=\"1\"/> Jacob Tonson is typically remembered for his associations with " +"prominent eighteenth-century literary figures, especially John Dryden, and " +"for his handsome <quote>definitive editions</quote> of classic works. In " +"addition to <citetitle>Romeo and Juliet</citetitle>, he published an " +"astonishing array of works that still remain at the heart of the English " +"canon, including collected works of Shakespeare, Ben Jonson, John Milton, " +"and John Dryden. See Keith Walker, <quote>Jacob Tonson, Bookseller,</quote> " "<citetitle>American Scholar</citetitle> 61:3 (1992): 424–31." msgstr "" #. f2 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4453 +#: freeculture.xml:4527 msgid "" "Lyman Ray Patterson, <citetitle>Copyright in Historical " "Perspective</citetitle> (Nashville: Vanderbilt University Press, 1968), " @@ -5955,7 +6132,7 @@ msgstr "" #. PAGE BREAK 97 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4438 +#: freeculture.xml:4510 msgid "" "In 1774, almost 180 years after <citetitle>Romeo and Juliet</citetitle> was " "written, the <quote>copy-right</quote> for the work was still thought by " @@ -5971,7 +6148,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4475 +#: freeculture.xml:4549 msgid "" "As Siva Vaidhyanathan nicely argues, it is erroneous to call this a " "<quote>copyright law.</quote> See Vaidhyanathan, <citetitle>Copyrights and " @@ -5979,7 +6156,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4466 +#: freeculture.xml:4540 msgid "" "Now, there's something puzzling about the year 1774 to anyone who knows a " "little about copyright law. The better-known year in the history of " @@ -5994,12 +6171,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4492 +#: freeculture.xml:4566 msgid "Licensing Act (1662)" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4483 +#: freeculture.xml:4557 msgid "" "The reason is that the English hadn't yet agreed on what a " "<quote>copyright</quote> was—indeed, no one had. At the time the " @@ -6013,7 +6190,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4495 +#: freeculture.xml:4569 msgid "" "There was no <emphasis>positive</emphasis> law, but that didn't mean that " "there was no law. The Anglo-American legal tradition looks to both the words " @@ -6029,7 +6206,7 @@ msgstr "" #. PAGE BREAK 98 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4507 +#: freeculture.xml:4581 msgid "" "This question was important to the publishers, or " "<quote>booksellers,</quote> as they were called, because there was growing " @@ -6041,7 +6218,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4519 +#: freeculture.xml:4593 msgid "" "The Statute of Anne granted the author or <quote>proprietor</quote> of a " "book an exclusive right to print that book. In an important limitation, " @@ -6052,7 +6229,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4528 +#: freeculture.xml:4602 msgid "" "Now, the thing to puzzle about for a moment is this: Why would Parliament " "limit the exclusive right? Not why would they limit it to the particular " @@ -6061,7 +6238,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4534 +#: freeculture.xml:4608 msgid "" "For the booksellers, and the authors whom they represented, had a very " "strong claim. Take <citetitle>Romeo and Juliet</citetitle> as an example: " @@ -6075,7 +6252,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4545 +#: freeculture.xml:4619 msgid "" "The answer comes in two parts. We first need to see something special about " "the notion of <quote>copyright</quote> that existed at the time of the " @@ -6085,7 +6262,7 @@ msgstr "" #. PAGE BREAK 99 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4551 +#: freeculture.xml:4625 msgid "" "First, about copyright. In the last three hundred years, we have come to " "apply the concept of <quote>copyright</quote> ever more broadly. But in " @@ -6101,7 +6278,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4566 +#: freeculture.xml:4641 msgid "" "So, for example, even if the copyright to Shakespeare's works were " "perpetual, all that would have meant under the original meaning of the term " @@ -6114,12 +6291,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:4575 +#: freeculture.xml:4650 msgid "Henry VIII, King of England" msgstr "" +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:4651 +msgid "Statute of Monopolies (1656)" +msgstr "" + #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4577 +#: freeculture.xml:4653 msgid "" "Even that limited right was viewed with skepticism by the British. They had " "had a long and ugly experience with <quote>exclusive rights,</quote> " @@ -6134,7 +6316,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4590 +#: freeculture.xml:4666 msgid "" "Thus the <quote>copy-right,</quote> when viewed as a monopoly right, was " "naturally viewed as a right that should be limited. (However convincing the " @@ -6147,14 +6329,14 @@ msgstr "" #. f4 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4614 +#: freeculture.xml:4690 msgid "" "Philip Wittenberg, <citetitle>The Protection and Marketing of Literary " "Property</citetitle> (New York: J. Messner, Inc., 1937), 31." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4599 +#: freeculture.xml:4675 msgid "" "Second, about booksellers. It wasn't just that the copyright was a " "monopoly. It was also that it was a monopoly held by the booksellers. " @@ -6170,7 +6352,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4619 +#: freeculture.xml:4695 msgid "" "Many believed the power the booksellers exercised over the spread of " "knowledge was harming that spread, just at the time the Enlightenment was " @@ -6180,7 +6362,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4627 +#: freeculture.xml:4703 msgid "" "To balance this power, Parliament decided to increase competition among " "booksellers, and the simplest way to do that was to spread the wealth of " @@ -6194,7 +6376,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4639 +#: freeculture.xml:4715 msgid "" "When 1731 (1710 + 21) came along, however, the booksellers were getting " "anxious. They saw the consequences of more competition, and like every " @@ -6206,7 +6388,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4648 +#: freeculture.xml:4724 msgid "" "Parliament rejected their requests. As one pamphleteer put it, in words that " "echo today," @@ -6214,7 +6396,7 @@ msgstr "" #. f5 #. type: Content of: <book><part><chapter><blockquote><para><footnote><para> -#: freeculture.xml:4663 +#: freeculture.xml:4739 msgid "" "A Letter to a Member of Parliament concerning the Bill now depending in the " "House of Commons, for making more effectual an Act in the Eighth Year of the " @@ -6226,7 +6408,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:4653 +#: freeculture.xml:4729 msgid "" "I see no Reason for granting a further Term now, which will not hold as well " "for granting it again and again, as often as the Old ones Expire; so that " @@ -6238,7 +6420,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4674 +#: freeculture.xml:4750 msgid "" "Having failed in Parliament, the publishers turned to the courts in a series " "of cases. Their argument was simple and direct: The Statute of Anne gave " @@ -6255,7 +6437,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4695 +#: freeculture.xml:4771 msgid "" "Lyman Ray Patterson, <quote>Free Speech, Copyright, and Fair Use,</quote> " "<citetitle>Vanderbilt Law Review</citetitle> 40 (1987): 28. For a " @@ -6264,7 +6446,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4689 +#: freeculture.xml:4765 msgid "" "This was a clever argument, and one that had the support of some of the " "leading jurists of the day. It also displayed extraordinary chutzpah. Until " @@ -6277,14 +6459,14 @@ msgstr "" #. f7 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4708 +#: freeculture.xml:4784 msgid "" "For a compelling account, see David Saunders, <citetitle>Authorship and " "Copyright</citetitle> (London: Routledge, 1992), 62–69." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4704 +#: freeculture.xml:4780 msgid "" "The booksellers' argument was not accepted without a fight. The hero of " "this fight was a Scottish bookseller named Alexander Donaldson.<placeholder " @@ -6292,12 +6474,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><indexterm><primary> -#: freeculture.xml:4720 freeculture.xml:14581 +#: freeculture.xml:4796 freeculture.xml:14845 msgid "Rose, Mark" msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4718 +#: freeculture.xml:4794 msgid "" "Mark Rose, <citetitle>Authors and Owners</citetitle> (Cambridge: Harvard " "University Press, 1993), 92. <placeholder type=\"indexterm\" id=\"0\"/>" @@ -6305,22 +6487,22 @@ msgstr "" #. f9 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4729 +#: freeculture.xml:4805 msgid "Ibid., 93." msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4731 +#: freeculture.xml:4807 msgid "Boswell, James" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4732 +#: freeculture.xml:4808 msgid "Erskine, Andrew" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4713 +#: freeculture.xml:4789 msgid "" "Donaldson was an outsider to the London Conger. He began his career in " "Edinburgh in 1750. The focus of his business was inexpensive reprints " @@ -6337,14 +6519,14 @@ msgstr "" #. f10 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4741 +#: freeculture.xml:4817 msgid "" "Lyman Ray Patterson, <citetitle>Copyright in Historical " "Perspective</citetitle>, 167 (quoting Borwell)." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4735 +#: freeculture.xml:4811 msgid "" "When the London booksellers tried to shut down Donaldson's shop in Scotland, " "he responded by moving his shop to London, where he sold inexpensive " @@ -6356,7 +6538,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4749 +#: freeculture.xml:4825 msgid "" "The London booksellers quickly brought suit to block <quote>piracy</quote> " "like Donaldson's. A number of actions were successful against the " @@ -6364,9 +6546,14 @@ msgid "" "<citetitle>Millar</citetitle> v. <citetitle>Taylor</citetitle>." msgstr "" +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:4829 +msgid "Taylor, Robert" +msgstr "" + #. f11 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4761 +#: freeculture.xml:4838 msgid "" "Howard B. Abrams, <quote>The Historic Foundation of American Copyright Law: " "Exploding the Myth of Common Law Copyright,</quote> <citetitle>Wayne Law " @@ -6374,7 +6561,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4754 +#: freeculture.xml:4831 msgid "" "Millar was a bookseller who in 1729 had purchased the rights to James " "Thomson's poem <quote>The Seasons.</quote> Millar complied with the " @@ -6386,7 +6573,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4770 +#: freeculture.xml:4847 msgid "" "Astonishingly to modern lawyers, one of the greatest judges in English " "history, Lord Mansfield, agreed with the booksellers. Whatever protection " @@ -6401,7 +6588,7 @@ msgstr "" #. PAGE BREAK 103 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4781 +#: freeculture.xml:4858 msgid "" "Considered as a matter of abstract justice—reasoning as if justice " "were just a matter of logical deduction from first " @@ -6416,25 +6603,25 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4796 +#: freeculture.xml:4873 msgid "" "The fight to defend the limits of the Statute of Anne was not to end there, " "however, and it is here that Donaldson enters the mix." msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:4799 +#: freeculture.xml:4876 msgid "Beckett, Thomas" msgstr "" #. f12 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4805 +#: freeculture.xml:4882 msgid "Ibid., 1156." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4801 +#: freeculture.xml:4878 msgid "" "Millar died soon after his victory, so his case was not appealed. His estate " "sold Thomson's poems to a syndicate of printers that included Thomas " @@ -6448,7 +6635,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4815 +#: freeculture.xml:4892 msgid "" "As few legal cases ever do, <citetitle>Donaldson</citetitle> " "v. <citetitle>Beckett</citetitle> drew an enormous amount of attention " @@ -6461,7 +6648,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4825 +#: freeculture.xml:4902 msgid "" "The House of Lords was an odd institution. Legal questions were presented to " "the House and voted upon first by the <quote>law lords,</quote> members of " @@ -6472,7 +6659,7 @@ msgstr "" #. PAGE BREAK 104 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4832 +#: freeculture.xml:4909 msgid "" "The reports about the law lords' votes are mixed. On some counts, it looks " "as if perpetual copyright prevailed. But there is no ambiguity about how the " @@ -6484,32 +6671,32 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4850 +#: freeculture.xml:4927 msgid "Bacon, Francis" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4851 +#: freeculture.xml:4928 msgid "Bunyan, John" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4852 +#: freeculture.xml:4929 msgid "Johnson, Samuel" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4853 +#: freeculture.xml:4930 msgid "Milton, John" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4854 +#: freeculture.xml:4931 msgid "Shakespeare, William" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4842 +#: freeculture.xml:4919 msgid "" "<quote>The public domain.</quote> Before the case of " "<citetitle>Donaldson</citetitle> v. <citetitle>Beckett</citetitle>, there " @@ -6526,12 +6713,12 @@ msgstr "" #. f13 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:4867 +#: freeculture.xml:4944 msgid "Rose, 97." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4857 +#: freeculture.xml:4934 msgid "" "It is hard for us to imagine, but this decision by the House of Lords fueled " "an extraordinarily popular and political reaction. In Scotland, where most " @@ -6546,7 +6733,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4871 +#: freeculture.xml:4948 msgid "" "In London, however, at least among publishers, the reaction was equally " "strong in the opposite direction. The <citetitle>Morning " @@ -6554,7 +6741,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:4877 +#: freeculture.xml:4954 msgid "" "By the above decision … near 200,000 pounds worth of what was " "honestly purchased at public sale, and which was yesterday thought property " @@ -6568,7 +6755,7 @@ msgstr "" #. PAGE BREAK 105 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4892 +#: freeculture.xml:4969 msgid "" "<quote>Ruined</quote> is a bit of an exaggeration. But it is not an " "exaggeration to say that the change was profound. The decision of the House " @@ -6591,7 +6778,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4913 +#: freeculture.xml:4990 msgid "" "At least, this was the rule in a world where the Parliament is antimonopoly, " "resistant to the protectionist pleas of publishers. In a world where the " @@ -6599,33 +6786,34 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:4921 +#: freeculture.xml:4998 msgid "CHAPTER SEVEN: Recorders" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4923 +#: freeculture.xml:5000 msgid "" -"Jon Else is a filmmaker. He is best known for his documentaries and has been " -"very successful in spreading his art. He is also a teacher, and as a teacher " -"myself, I envy the loyalty and admiration that his students feel for him. (I " -"met, by accident, two of his students at a dinner party. He was their god.)" +"<emphasis role='strong'>Jon Else</emphasis> is a filmmaker. He is best known " +"for his documentaries and has been very successful in spreading his art. He " +"is also a teacher, and as a teacher myself, I envy the loyalty and " +"admiration that his students feel for him. (I met, by accident, two of his " +"students at a dinner party. He was their god.)" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4930 +#: freeculture.xml:5007 msgid "" "Else worked on a documentary that I was involved in. At a break, he told me " "a story about the freedom to create with film in America today." msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4941 freeculture.xml:5010 +#: freeculture.xml:5018 freeculture.xml:5088 msgid "San Francisco Opera" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4935 +#: freeculture.xml:5012 msgid "" "In 1990, Else was working on a documentary about Wagner's Ring Cycle. The " "focus was stagehands at the San Francisco Opera. Stagehands are a " @@ -6637,7 +6825,7 @@ msgstr "" #. PAGE BREAK 107 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4944 +#: freeculture.xml:5021 msgid "" "During one of the performances, Else was shooting some stagehands playing " "checkers. In one corner of the room was a television set. Playing on the " @@ -6648,7 +6836,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4953 +#: freeculture.xml:5030 msgid "" "Years later, when he finally got funding to complete the film, Else " "attempted to clear the rights for those few seconds of <citetitle>The " @@ -6659,12 +6847,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:4965 freeculture.xml:4973 +#: freeculture.xml:5042 freeculture.xml:5050 msgid "Gracie Films" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4960 +#: freeculture.xml:5037 msgid "" "Else called <citetitle>Simpsons</citetitle> creator Matt Groening's office " "to get permission. Groening approved the shot. The shot was a " @@ -6675,7 +6863,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4968 +#: freeculture.xml:5045 msgid "" "Gracie Films was okay with it, too, but they, like Groening, wanted to be " "careful. So they told Else to contact Fox, Gracie's parent company. Else " @@ -6686,7 +6874,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4976 +#: freeculture.xml:5053 msgid "" "Then, as Else told me, <quote>two things happened. First we discovered " "… that Matt Groening doesn't own his own creation—or at least " @@ -6696,8 +6884,13 @@ msgid "" "<citetitle>Simpsons</citetitle> which was in the corner of the shot.</quote>" msgstr "" +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:5060 +msgid "Herrera, Rebecca" +msgstr "" + #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4984 +#: freeculture.xml:5062 msgid "" "Else was certain there was a mistake. He worked his way up to someone he " "thought was a vice president for licensing, Rebecca Herrera. He explained " @@ -6709,7 +6902,7 @@ msgstr "" #. PAGE BREAK 108 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:4992 +#: freeculture.xml:5070 msgid "" "<quote>I wanted to make sure I had my facts straight,</quote> he told " "me. <quote>Yes, you have your facts straight,</quote> she said. It would " @@ -6721,12 +6914,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:5011 +#: freeculture.xml:5089 msgid "Day After Trinity, The" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5004 +#: freeculture.xml:5082 msgid "" "Else didn't have the money to buy the right to replay what was playing on " "the television backstage at the San Francisco Opera. To reproduce this " @@ -6738,7 +6931,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5014 +#: freeculture.xml:5092 msgid "" "There's no doubt that someone, whether Matt Groening or Fox, owns the " "copyright to <citetitle>The Simpsons</citetitle>. That copyright is their " @@ -6752,7 +6945,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5025 +#: freeculture.xml:5103 msgid "" "For example, <quote>public performance</quote> is a use of <citetitle>The " "Simpsons</citetitle> that the copyright owner gets to control. If you take a " @@ -6765,7 +6958,7 @@ msgstr "" #. f1 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:5037 +#: freeculture.xml:5115 msgid "" "For an excellent argument that such use is <quote>fair use,</quote> but that " "lawyers don't permit recognition that it is <quote>fair use,</quote> see " @@ -6775,7 +6968,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5034 +#: freeculture.xml:5112 msgid "" "But when lawyers hear this story about Jon Else and Fox, their first thought " "is <quote>fair use.</quote><placeholder type=\"footnote\" id=\"0\"/> Else's " @@ -6787,14 +6980,14 @@ msgstr "" #. PAGE BREAK 109 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5049 +#: freeculture.xml:5127 msgid "" "So I asked Else why he didn't just rely upon <quote>fair use.</quote> Here's " "his reply:" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:5053 +#: freeculture.xml:5131 msgid "" "The <citetitle>Simpsons</citetitle> fiasco was for me a great lesson in the " "gulf between what lawyers find irrelevant in some abstract sense, and what " @@ -6806,7 +6999,7 @@ msgstr "" #. 1. #. type: Content of: <book><part><chapter><blockquote><orderedlist><listitem><para> -#: freeculture.xml:5063 +#: freeculture.xml:5141 msgid "" "Before our films can be broadcast, the network requires that we buy Errors " "and Omissions insurance. The carriers require a detailed <quote>visual cue " @@ -6815,13 +7008,18 @@ msgid "" "<quote>fair use</quote> can grind the application process to a halt." msgstr "" +#. type: Content of: <book><part><chapter><blockquote><orderedlist><listitem><indexterm><primary> +#: freeculture.xml:5148 +msgid "<citetitle>Star Wars</citetitle>" +msgstr "" + #. type: Content of: <book><part><chapter><blockquote><orderedlist><listitem><para><indexterm><primary> -#: freeculture.xml:5080 +#: freeculture.xml:5160 msgid "Lucas, George" msgstr "" #. type: Content of: <book><part><chapter><blockquote><orderedlist><listitem><para> -#: freeculture.xml:5071 +#: freeculture.xml:5151 msgid "" "I probably never should have asked Matt Groening in the first place. But I " "knew (at least from folklore) that Fox had a history of tracking down and " @@ -6837,7 +7035,7 @@ msgstr "" #. 3. #. PAGE BREAK 110 #. type: Content of: <book><part><chapter><blockquote><orderedlist><listitem><para> -#: freeculture.xml:5084 +#: freeculture.xml:5164 msgid "" "I did, in fact, speak with one of your colleagues at Stanford Law School " "… who confirmed that it was fair use. He also confirmed that Fox " @@ -6848,14 +7046,14 @@ msgstr "" #. 4. #. type: Content of: <book><part><chapter><blockquote><orderedlist><listitem><para> -#: freeculture.xml:5094 +#: freeculture.xml:5174 msgid "" "The question of fair use usually comes up at the end of the project, when we " "are up against a release deadline and out of money." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5101 +#: freeculture.xml:5181 msgid "" "In theory, fair use means you need no permission. The theory therefore " "supports free culture and insulates against a permission culture. But in " @@ -6866,7 +7064,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5109 +#: freeculture.xml:5189 msgid "" "This practice shows just how far the law has come from its " "eighteenth-century roots. The law was born as a shield to protect " @@ -6875,32 +7073,37 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:5118 +#: freeculture.xml:5198 msgid "CHAPTER EIGHT: Transformers" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:5119 +#: freeculture.xml:5199 msgid "Allen, Paul" msgstr "" -#. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:5120 freeculture.xml:5128 freeculture.xml:5139 freeculture.xml:5154 freeculture.xml:5163 freeculture.xml:5168 freeculture.xml:5220 freeculture.xml:5236 freeculture.xml:5259 freeculture.xml:5322 freeculture.xml:9738 +#. type: Content of: <book><chapter><section><section><indexterm><primary> +#: freeculture.xml:5201 freeculture.xml:5267 freeculture.xml:5451 freeculture.xml:9913 freeculture.xml:14224 msgid "Alben, Alex" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5122 +#: freeculture.xml:5205 msgid "" -"In 1993, Alex Alben was a lawyer working at Starwave, Inc. Starwave was an " -"innovative company founded by Microsoft cofounder Paul Allen to develop " -"digital entertainment. Long before the Internet became popular, Starwave " -"began investing in new technology for delivering entertainment in " -"anticipation of the power of networks." +"<emphasis role='strong'>In 1993</emphasis>, Alex Alben was a lawyer working " +"at Starwave, Inc. Starwave was an innovative company founded by Microsoft " +"cofounder Paul Allen to develop digital entertainment. Long before the " +"Internet became popular, Starwave began investing in new technology for " +"delivering entertainment in anticipation of the power of networks." +msgstr "" + +#. type: Content of: <book><part><chapter><indexterm><secondary> +#: freeculture.xml:5214 +msgid "retrospective compilations on" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5130 +#: freeculture.xml:5217 msgid "" "Alben had a special interest in new technology. He was intrigued by the " "emerging market for CD-ROM technology—not to distribute film, but to " @@ -6912,7 +7115,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5141 +#: freeculture.xml:5227 msgid "" "At that time, Eastwood had made more than fifty films, as an actor and as a " "director. Alben began with a series of interviews with Eastwood, asking him " @@ -6922,7 +7125,7 @@ msgstr "" #. PAGE BREAK 112 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5148 +#: freeculture.xml:5234 msgid "" "That alone would not have made a very interesting product, so Starwave " "wanted to add content from the movies in Eastwood's career: posters, " @@ -6932,7 +7135,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5156 +#: freeculture.xml:5241 msgid "" "Then Alben and his team decided to include actual film clips. <quote>Our " "goal was that we were going to have a clip from every one of Eastwood's " @@ -6943,34 +7146,29 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5165 +#: freeculture.xml:5249 msgid "" "Alben brought the idea to Michael Slade, the CEO of Starwave. Slade asked, " "<quote>Well, what will it take?</quote>" msgstr "" -#. type: Content of: <book><part><chapter><para><footnote><para><indexterm><primary> -#: freeculture.xml:5181 -msgid "artists" -msgstr "" - #. type: Content of: <book><part><chapter><para><footnote><para><indexterm><secondary> -#: freeculture.xml:5182 +#: freeculture.xml:5265 msgid "publicity rights on images of" msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:5176 +#: freeculture.xml:5259 msgid "" "Technically, the rights that Alben had to clear were mainly those of " "publicity—rights an artist has to control the commercial exploitation " "of his image. But these rights, too, burden <quote>Rip, Mix, Burn</quote> " "creativity, as this chapter evinces. <placeholder type=\"indexterm\" " -"id=\"0\"/>" +"id=\"0\"/> <placeholder type=\"indexterm\" id=\"1\"/>" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5170 +#: freeculture.xml:5253 msgid "" "Alben replied, <quote>Well, we're going to have to clear rights from " "everyone who appears in these films, and the music and everything else that " @@ -6979,7 +7177,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5187 +#: freeculture.xml:5271 msgid "" "The problem was that neither Alben nor Slade had any idea what clearing " "those rights would mean. Every actor in each of the films could have a claim " @@ -6989,7 +7187,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5194 +#: freeculture.xml:5278 msgid "" "I asked Alben how he dealt with the problem. With an obvious pride in his " "resourcefulness that obscured the obvious bizarreness of his tale, Alben " @@ -6997,7 +7195,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:5200 +#: freeculture.xml:5284 msgid "" "So we very mechanically went about looking up the film clips. We made some " "artistic decisions about what film clips to include—of course we were " @@ -7009,7 +7207,7 @@ msgstr "" #. PAGE BREAK 113 #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:5209 +#: freeculture.xml:5293 msgid "" "We decided that it would be fair if we offered them the dayplayer rate for " "the right to reuse that performance. We're talking about a clip of less than " @@ -7021,8 +7219,13 @@ msgid "" "just started calling people." msgstr "" +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:5304 +msgid "Sutherland, Donald" +msgstr "" + #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5222 +#: freeculture.xml:5306 msgid "" "Some actors were glad to help—Donald Sutherland, for example, followed " "up himself to be sure that the rights had been cleared. Others were " @@ -7035,14 +7238,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5233 +#: freeculture.xml:5317 msgid "" "It was one <emphasis>year</emphasis> later—<quote>and even then we " "weren't sure whether we were totally in the clear.</quote>" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5238 +#: freeculture.xml:5321 msgid "" "Alben is proud of his work. The project was the first of its kind and the " "only time he knew of that a team had undertaken such a massive project for " @@ -7050,7 +7253,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:5244 +#: freeculture.xml:5327 msgid "" "Everyone thought it would be too hard. Everyone just threw up their hands " "and said, <quote>Oh, my gosh, a film, it's so many copyrights, there's the " @@ -7063,20 +7266,20 @@ msgstr "" #. PAGE BREAK 114 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5256 +#: freeculture.xml:5339 msgid "" "And no doubt, the product itself was exceptionally good. Eastwood loved it, " "and it sold very well." msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:5260 +#: freeculture.xml:5342 msgid "Drucker, Peter" msgstr "" #. f2 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:5268 +#: freeculture.xml:5350 msgid "" "U.S. Department of Commerce Office of Acquisition Management, " "<citetitle>Seven Steps to Performance-Based Services " @@ -7085,7 +7288,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5262 +#: freeculture.xml:5344 msgid "" "But I pressed Alben about how weird it seems that it would have to take a " "year's work simply to clear rights. No doubt Alben had done this " @@ -7096,7 +7299,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5276 +#: freeculture.xml:5358 msgid "" "For, as he acknowledged, <quote>very few … have the time and " "resources, and the will to do this,</quote> and thus, very few such works " @@ -7106,7 +7309,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:5284 +#: freeculture.xml:5366 msgid "" "I don't think so. When an actor renders a performance in a movie, he or she " "gets paid very well. … And then when 30 seconds of that performance " @@ -7115,7 +7318,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5292 +#: freeculture.xml:5374 msgid "" "Or at least, is this <emphasis>how</emphasis> the artist should be " "compensated? Would it make sense, I asked, for there to be some kind of " @@ -7128,7 +7331,7 @@ msgstr "" #. PAGE BREAK 115 #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:5303 +#: freeculture.xml:5385 msgid "" "Absolutely. I think that if there were some fair-licensing " "mechanism—where you weren't subject to hold-ups and you weren't " @@ -7149,27 +7352,32 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5324 +#: freeculture.xml:5405 msgid "" "Alben worked for a big company. His company was backed by some of the " "richest investors in the world. He therefore had authority and access that " "the average Web designer would not have. So if it took him a year, how long " "would it take someone else? And how much creativity is never made just " -"because the costs of clearing the rights are so high? These costs are the " -"burdens of a kind of regulation. Put on a Republican hat for a moment, and " -"get angry for a bit. The government defines the scope of these rights, and " -"the scope defined determines how much it's going to cost to negotiate " -"them. (Remember the idea that land runs to the heavens, and imagine the " -"pilot purchasing flythrough rights as he negotiates to fly from Los Angeles " -"to San Francisco.) These rights might well have once made sense; but as " -"circumstances change, they make no sense at all. Or at least, a " -"well-trained, regulationminimizing Republican should look at the rights and " -"ask, <quote>Does this still make sense?</quote>" +"because the costs of clearing the rights are so high?" +msgstr "" + +#. type: Content of: <book><part><chapter><para> +#: freeculture.xml:5413 +msgid "" +"These costs are the burdens of a kind of regulation. Put on a Republican hat " +"for a moment, and get angry for a bit. The government defines the scope of " +"these rights, and the scope defined determines how much it's going to cost " +"to negotiate them. (Remember the idea that land runs to the heavens, and " +"imagine the pilot purchasing flythrough rights as he negotiates to fly from " +"Los Angeles to San Francisco.) These rights might well have once made " +"sense; but as circumstances change, they make no sense at all. Or at least, " +"a well-trained, regulationminimizing Republican should look at the rights " +"and ask, <quote>Does this still make sense?</quote>" msgstr "" #. PAGE BREAK 116 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5341 +#: freeculture.xml:5426 msgid "" "I've seen the flash of recognition when people get this point, but only a " "few times. The first was at a conference of federal judges in California. " @@ -7180,7 +7388,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5351 +#: freeculture.xml:5436 msgid "" "The video was a brilliant collage of film from every period in the twentieth " "century, all framed around the idea of a <citetitle>60 Minutes</citetitle> " @@ -7189,12 +7397,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:5356 +#: freeculture.xml:5441 msgid "Nimmer, David" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5358 +#: freeculture.xml:5443 msgid "" "When the lights came up, I looked over to my copanelist, David Nimmer, " "perhaps the leading copyright scholar and practitioner in the nation. He had " @@ -7205,12 +7413,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:5365 +#: freeculture.xml:5450 msgid "Boies, David" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5367 +#: freeculture.xml:5453 msgid "" "For of course, the two brilliantly talented creators who made this film " "hadn't done what Alben did. They hadn't spent a year clearing the rights to " @@ -7227,7 +7435,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5382 +#: freeculture.xml:5468 msgid "" "We live in a <quote>cut and paste</quote> culture enabled by " "technology. Anyone building a presentation knows the extraordinary freedom " @@ -7236,13 +7444,14 @@ msgid "" "can have it planted in your presentation." msgstr "" -#. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:5398 +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:5474 msgid "Camp Chaos" msgstr "" +#. PAGE BREAK 117 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5389 +#: freeculture.xml:5476 msgid "" "But presentations are just a tiny beginning. Using the Internet and its " "archives, musicians are able to string together mixes of sound never before " @@ -7251,11 +7460,11 @@ msgid "" "politicians and blends them with music to create biting political " "commentary. A site called Camp Chaos has produced some of the most biting " "criticism of the record industry that there is through the mixing of Flash! " -"and music. <placeholder type=\"indexterm\" id=\"0\"/>" +"and music." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5401 +#: freeculture.xml:5487 msgid "" "All of these creations are technically illegal. Even if the creators wanted " "to be <quote>legal,</quote> the cost of complying with the law is impossibly " @@ -7265,7 +7474,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5408 +#: freeculture.xml:5494 msgid "" "To some, these stories suggest a solution: Let's alter the mix of rights so " "that people are free to build upon our culture. Free to add or mix as they " @@ -7282,7 +7491,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5423 +#: freeculture.xml:5509 msgid "" "Who could possibly object to this? And what reason would there be for " "objecting? We're talking about work that is not now being made; which if " @@ -7292,20 +7501,21 @@ msgstr "" #. PAGE BREAK 118 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5429 +#: freeculture.xml:5515 msgid "" -"In February 2003, DreamWorks studios announced an agreement with Mike Myers, " -"the comic genius of <citetitle>Saturday Night Live</citetitle> and Austin " -"Powers. According to the announcement, Myers and Dream-Works would work " -"together to form a <quote>unique filmmaking pact.</quote> Under the " -"agreement, DreamWorks <quote>will acquire the rights to existing motion " -"picture hits and classics, write new storylines and—with the use of " -"stateof-the-art digital technology—insert Myers and other actors into " -"the film, thereby creating an entirely new piece of entertainment.</quote>" +"<emphasis role='strong'>In February 2003</emphasis>, DreamWorks studios " +"announced an agreement with Mike Myers, the comic genius of " +"<citetitle>Saturday Night Live</citetitle> and Austin Powers. According to " +"the announcement, Myers and Dream-Works would work together to form a " +"<quote>unique filmmaking pact.</quote> Under the agreement, DreamWorks " +"<quote>will acquire the rights to existing motion picture hits and classics, " +"write new storylines and—with the use of stateof-the-art digital " +"technology—insert Myers and other actors into the film, thereby " +"creating an entirely new piece of entertainment.</quote>" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5441 +#: freeculture.xml:5528 msgid "" "The announcement called this <quote>film sampling.</quote> As Myers " "explained, <quote>Film Sampling is an exciting way to put an original spin " @@ -7317,7 +7527,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5450 +#: freeculture.xml:5537 msgid "" "Spielberg is right. Film sampling by Myers will be brilliant. But if you " "don't think about it, you might miss the truly astonishing point about this " @@ -7330,7 +7540,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5460 +#: freeculture.xml:5547 msgid "" "This privilege becomes reserved for two sorts of reasons. The first " "continues the story of the last chapter: the vagueness of <quote>fair " @@ -7346,24 +7556,30 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:5475 +#: freeculture.xml:5562 msgid "CHAPTER NINE: Collectors" msgstr "" +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:5564 freeculture.xml:8701 freeculture.xml:10930 freeculture.xml:11179 +msgid "archives, digital" +msgstr "" + #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5477 +#: freeculture.xml:5567 msgid "" -"In April 1996, millions of <quote>bots</quote>—computer codes designed " -"to <quote>spider,</quote> or automatically search the Internet and copy " -"content—began running across the Net. Page by page, these bots copied " -"Internet-based information onto a small set of computers located in a " -"basement in San Francisco's Presidio. Once the bots finished the whole of " -"the Internet, they started again. Over and over again, once every two " -"months, these bits of code took copies of the Internet and stored them." +"<emphasis role='strong'>In April 1996</emphasis>, millions of " +"<quote>bots</quote>—computer codes designed to <quote>spider,</quote> " +"or automatically search the Internet and copy content—began running " +"across the Net. Page by page, these bots copied Internet-based information " +"onto a small set of computers located in a basement in San Francisco's " +"Presidio. Once the bots finished the whole of the Internet, they started " +"again. Over and over again, once every two months, these bits of code took " +"copies of the Internet and stored them." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5486 +#: freeculture.xml:5578 msgid "" "By October 2001, the bots had collected more than five years of copies. And " "at a small announcement in Berkeley, California, the archive that these " @@ -7373,8 +7589,13 @@ msgid "" "pages changed." msgstr "" +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:5586 +msgid "Orwell, George" +msgstr "" + #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5494 +#: freeculture.xml:5589 msgid "" "This is the thing about the Internet that Orwell would have appreciated. In " "the dystopia described in <citetitle>1984</citetitle>, old newspapers were " @@ -7384,7 +7605,7 @@ msgstr "" #. PAGE BREAK 120 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5502 +#: freeculture.xml:5597 msgid "" "Thousands of workers constantly reedited the past, meaning there was no way " "ever to know whether the story you were reading today was the story that was " @@ -7392,7 +7613,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5507 +#: freeculture.xml:5602 msgid "" "It's the same with the Internet. If you go to a Web page today, there's no " "way for you to know whether the content you are reading is the same as the " @@ -7401,19 +7622,24 @@ msgid "" "updated, without any reliable memory." msgstr "" -#. f1 +#. type: Content of: <book><part><chapter><para><footnote><para><indexterm><primary> +#: freeculture.xml:5617 +msgid "White House press releases" +msgstr "" + #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:5520 +#: freeculture.xml:5616 msgid "" -"The temptations remain, however. Brewster Kahle reports that the White House " -"changes its own press releases without notice. A May 13, 2003, press release " -"stated, <quote>Combat Operations in Iraq Have Ended.</quote> That was later " -"changed, without notice, to <quote>Major Combat Operations in Iraq Have " -"Ended.</quote> E-mail from Brewster Kahle, 1 December 2003." +"<placeholder type=\"indexterm\" id=\"0\"/> <placeholder type=\"indexterm\" " +"id=\"1\"/> The temptations remain, however. Brewster Kahle reports that the " +"White House changes its own press releases without notice. A May 13, 2003, " +"press release stated, <quote>Combat Operations in Iraq Have Ended.</quote> " +"That was later changed, without notice, to <quote>Major Combat Operations in " +"Iraq Have Ended.</quote> E-mail from Brewster Kahle, 1 December 2003." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5514 +#: freeculture.xml:5610 msgid "" "Until the Way Back Machine, at least. With the Way Back Machine, and the " "Internet Archive underlying it, you can see what the Internet was. You have " @@ -7422,21 +7648,26 @@ msgid "" "forget.<placeholder type=\"footnote\" id=\"0\"/>" msgstr "" +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:5625 +msgid "history, records of" +msgstr "" + #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5528 +#: freeculture.xml:5627 msgid "" -"We take it for granted that we can go back to see what we remember " -"reading. Think about newspapers. If you wanted to study the reaction of your " -"hometown newspaper to the race riots in Watts in 1965, or to Bull Connor's " -"water cannon in 1963, you could go to your public library and look at the " -"newspapers. Those papers probably exist on microfiche. If you're lucky, they " -"exist in paper, too. Either way, you are free, using a library, to go back " -"and remember—not just what it is convenient to remember, but remember " -"something close to the truth." +"<emphasis role='strong'>We take it</emphasis> for granted that we can go " +"back to see what we remember reading. Think about newspapers. If you wanted " +"to study the reaction of your hometown newspaper to the race riots in Watts " +"in 1965, or to Bull Connor's water cannon in 1963, you could go to your " +"public library and look at the newspapers. Those papers probably exist on " +"microfiche. If you're lucky, they exist in paper, too. Either way, you are " +"free, using a library, to go back and remember—not just what it is " +"convenient to remember, but remember something close to the truth." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5539 +#: freeculture.xml:5638 msgid "" "It is said that those who fail to remember history are doomed to repeat " "it. That's not quite correct. We <emphasis>all</emphasis> forget " @@ -7449,7 +7680,7 @@ msgstr "" #. PAGE BREAK 121 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5548 +#: freeculture.xml:5647 msgid "" "The Internet was an exception to this presumption. Until the Internet " "Archive, there was no way to go back. The Internet was the quintessentially " @@ -7461,7 +7692,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5559 +#: freeculture.xml:5658 msgid "" "Brewster Kahle is the founder of the Internet Archive. He was a very " "successful Internet entrepreneur after he was a successful computer " @@ -7473,8 +7704,13 @@ msgid "" "was growing at about a billion pages a month." msgstr "" +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:5667 +msgid "Vanderbilt University" +msgstr "" + #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5569 +#: freeculture.xml:5669 msgid "" "The Way Back Machine is the largest archive of human knowledge in human " "history. At the end of 2002, it held <quote>two hundred and thirty terabytes " @@ -7494,13 +7730,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><indexterm><primary> -#: freeculture.xml:5586 +#: freeculture.xml:5686 msgid "Quayle, Dan" msgstr "" #. PAGE BREAK 122 #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:5588 +#: freeculture.xml:5688 msgid "" "Do you remember when Dan Quayle was interacting with Murphy Brown? Remember " "that back and forth surreal experience of a politician interacting with a " @@ -7512,7 +7748,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5600 +#: freeculture.xml:5700 msgid "" "Why is that? Why is it that the part of our culture that is recorded in " "newspapers remains perpetually accessible, while the part that is recorded " @@ -7523,7 +7759,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5608 +#: freeculture.xml:5708 msgid "" "In part, this is because of the law. Early in American copyright law, " "copyright owners were required to deposit copies of their work in " @@ -7534,7 +7770,7 @@ msgstr "" #. f2 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:5625 +#: freeculture.xml:5725 msgid "" "Doug Herrick, <quote>Toward a National Film Collection: Motion Pictures at " "the Library of Congress,</quote> <citetitle>Film Library " @@ -7544,7 +7780,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5616 +#: freeculture.xml:5716 msgid "" "These rules applied to film as well. But in 1915, the Library of Congress " "made an exception for film. Film could be copyrighted so long as such " @@ -7557,7 +7793,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5633 +#: freeculture.xml:5733 msgid "" "The same is generally true about television. Television broadcasts were " "originally not copyrighted—there was no way to capture the broadcasts, " @@ -7572,7 +7808,7 @@ msgstr "" #. PAGE BREAK 123 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5644 +#: freeculture.xml:5744 msgid "" "Kahle was eager to correct this. Before September 11, 2001, he and his " "allies had started capturing television. They selected twenty stations from " @@ -7583,13 +7819,23 @@ msgid "" "from around the world covered the events of that day." msgstr "" -#. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:5671 +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:5754 msgid "Movie Archive" msgstr "" +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:5756 +msgid "archive.org" +msgstr "" + +#. type: Content of: <book><part><chapter><indexterm><seealso> +#: freeculture.xml:5757 +msgid "Internet Archive" +msgstr "" + #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5655 +#: freeculture.xml:5760 msgid "" "Kahle had the same idea with film. Working with Rick Prelinger, whose " "archive of film includes close to 45,000 <quote>ephemeral films</quote> " @@ -7605,12 +7851,11 @@ msgid "" "access to this important part of our culture. Want to see a copy of the " "<quote>Duck and Cover</quote> film that instructed children how to save " "themselves in the middle of nuclear attack? Go to archive.org, and you can " -"download the film in a few minutes—for free. <placeholder " -"type=\"indexterm\" id=\"0\"/>" +"download the film in a few minutes—for free." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5674 +#: freeculture.xml:5778 msgid "" "Here again, Kahle is providing access to a part of our culture that we " "otherwise could not get easily, if at all. It is yet another part of what " @@ -7620,7 +7865,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5682 +#: freeculture.xml:5786 msgid "" "The key here is access, not price. Kahle wants to enable free access to this " "content, but he also wants to enable others to sell access to it. His aim is " @@ -7631,7 +7876,7 @@ msgstr "" #. PAGE BREAK 124 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5690 +#: freeculture.xml:5794 msgid "" "For here is an idea that we should more clearly recognize. Every bit of " "creative property goes through different <quote>lives.</quote> In its first " @@ -7643,7 +7888,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5702 +#: freeculture.xml:5806 msgid "" "After the commercial life of creative property has ended, our tradition has " "always supported a second life as well. A newspaper delivers the news every " @@ -7655,7 +7900,7 @@ msgstr "" #. f3 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:5714 +#: freeculture.xml:5818 msgid "" "Dave Barns, <quote>Fledgling Career in Antique Books: Woodstock Landlord, " "Bar Owner Starts a New Chapter by Adopting Business,</quote> " @@ -7667,7 +7912,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5711 +#: freeculture.xml:5815 msgid "" "The same has always been true about books. A book goes out of print very " "quickly (the average today is after about a year<placeholder " @@ -7679,7 +7924,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5728 +#: freeculture.xml:5832 msgid "" "Yet increasingly, any assumption about a stable second life for creative " "property does not hold true with the most important components of popular " @@ -7693,19 +7938,20 @@ msgstr "" #. PAGE BREAK 125 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5739 +#: freeculture.xml:5843 msgid "" -"For most of the twentieth century, it was economics that made this so. It " -"would have been insanely expensive to collect and make accessible all " -"television and film and music: The cost of analog copies is extraordinarily " -"high. So even though the law in principle would have restricted the ability " -"of a Brewster Kahle to copy culture generally, the real restriction was " -"economics. The market made it impossibly difficult to do anything about this " -"ephemeral culture; the law had little practical effect." +"<emphasis role='strong'>For most of</emphasis> the twentieth century, it was " +"economics that made this so. It would have been insanely expensive to " +"collect and make accessible all television and film and music: The cost of " +"analog copies is extraordinarily high. So even though the law in principle " +"would have restricted the ability of a Brewster Kahle to copy culture " +"generally, the real restriction was economics. The market made it impossibly " +"difficult to do anything about this ephemeral culture; the law had little " +"practical effect." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5751 +#: freeculture.xml:5855 msgid "" "Perhaps the single most important feature of the digital revolution is that " "for the first time since the Library of Alexandria, it is feasible to " @@ -7716,7 +7962,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5759 +#: freeculture.xml:5863 msgid "" "The scale of this potential archive is something we've never imagined " "before. The Brewster Kahles of our history have dreamed about it; but we are " @@ -7724,8 +7970,18 @@ msgid "" "describes," msgstr "" +#. type: Content of: <book><part><chapter><blockquote><indexterm><primary> +#: freeculture.xml:5870 +msgid "books" +msgstr "" + +#. type: Content of: <book><part><chapter><blockquote><indexterm><secondary> +#: freeculture.xml:5871 +msgid "total number of" +msgstr "" + #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:5766 +#: freeculture.xml:5874 msgid "" "It looks like there's about two to three million recordings of music. " "Ever. There are about a hundred thousand theatrical releases of movies, " @@ -7742,7 +7998,7 @@ msgstr "" #. PAGE BREAK 126 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5780 +#: freeculture.xml:5888 msgid "" "Kahle is not the only librarian. The Internet Archive is not the only " "archive. But Kahle and the Internet Archive suggest what the future of " @@ -7758,7 +8014,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5795 +#: freeculture.xml:5903 msgid "" "Technologists have thus removed the economic costs of building such an " "archive. But lawyers' costs remain. For as much as we might like to call " @@ -7770,70 +8026,69 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:5805 +#: freeculture.xml:5914 msgid "CHAPTER TEN: <quote>Property</quote>" msgstr "" -#. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:5814 +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:5915 msgid "Johnson, Lyndon" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:5815 freeculture.xml:9510 +#: freeculture.xml:5916 freeculture.xml:9677 msgid "Kennedy, John F." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5807 +#: freeculture.xml:5918 msgid "" -"Jack Valenti has been the president of the Motion Picture Association of " -"America since 1966. He first came to Washington, D.C., with Lyndon Johnson's " -"administration—literally. The famous picture of Johnson's swearing-in " -"on Air Force One after the assassination of President Kennedy has Valenti in " -"the background. In his almost forty years of running the MPAA, Valenti has " -"established himself as perhaps the most prominent and effective lobbyist in " -"Washington. <placeholder type=\"indexterm\" id=\"0\"/> <placeholder " -"type=\"indexterm\" id=\"1\"/>" +"<emphasis role='strong'>Jack Valenti</emphasis> has been the president of " +"the Motion Picture Association of America since 1966. He first came to " +"Washington, D.C., with Lyndon Johnson's administration—literally. The " +"famous picture of Johnson's swearing-in on Air Force One after the " +"assassination of President Kennedy has Valenti in the background. In his " +"almost forty years of running the MPAA, Valenti has established himself as " +"perhaps the most prominent and effective lobbyist in Washington." msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:5828 +#: freeculture.xml:5938 msgid "Disney, Inc." msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:5829 +#: freeculture.xml:5939 msgid "Sony Pictures Entertainment" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:5830 +#: freeculture.xml:5940 msgid "MGM" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:5831 +#: freeculture.xml:5941 msgid "Paramount Pictures" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:5832 +#: freeculture.xml:5942 msgid "Twentieth Century Fox" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:5833 +#: freeculture.xml:5943 msgid "Universal Pictures" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:5834 freeculture.xml:7228 +#: freeculture.xml:5944 freeculture.xml:7359 msgid "Warner Brothers" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5818 +#: freeculture.xml:5928 msgid "" "The MPAA is the American branch of the international Motion Picture " "Association. It was formed in 1922 as a trade association whose goal was to " @@ -7852,7 +8107,7 @@ msgstr "" #. PAGE BREAK 128 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5838 +#: freeculture.xml:5948 msgid "" "Valenti is only the third president of the MPAA. No president before him has " "had as much influence over that organization, or over Washington. As a " @@ -7866,7 +8121,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5850 +#: freeculture.xml:5960 msgid "" "In defending artistic liberty and the freedom of speech that our culture " "depends upon, the MPAA has done important good. In crafting the MPAA rating " @@ -7878,13 +8133,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5859 +#: freeculture.xml:5969 msgid "In 1982, Valenti's testimony to Congress captured the strategy perfectly:" msgstr "" #. f1 #. type: Content of: <book><part><chapter><blockquote><para><footnote><para> -#: freeculture.xml:5873 +#: freeculture.xml:5983 msgid "" "Home Recording of Copyrighted Works: Hearings on H.R. 4783, H.R. 4794, " "H.R. 4808, H.R. 5250, H.R. 5488, and H.R. 5705 Before the Subcommittee on " @@ -7894,7 +8149,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:5864 +#: freeculture.xml:5974 msgid "" "No matter the lengthy arguments made, no matter the charges and the " "counter-charges, no matter the tumult and the shouting, reasonable men and " @@ -7908,7 +8163,7 @@ msgstr "" #. PAGE BREAK 129 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5883 +#: freeculture.xml:5993 msgid "" "The strategy of this rhetoric, like the strategy of most of Valenti's " "rhetoric, is brilliant and simple and brilliant because simple. The " @@ -7920,7 +8175,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5894 +#: freeculture.xml:6004 msgid "" "This claim has an obvious and powerful intuitive pull. It is stated with " "such clarity as to make the idea as obvious as the notion that we use " @@ -7936,7 +8191,7 @@ msgstr "" #. f2 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:5909 +#: freeculture.xml:6019 msgid "" "Lawyers speak of <quote>property</quote> not as an absolute thing, but as a " "bundle of rights that are sometimes associated with a particular " @@ -7949,7 +8204,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5906 +#: freeculture.xml:6016 msgid "" "While <quote>creative property</quote> is certainly <quote>property</quote> " "in a nerdy and precise sense that lawyers are trained to " @@ -7962,7 +8217,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5924 +#: freeculture.xml:6034 msgid "" "Valenti knows this. But he speaks for an industry that cares squat for our " "tradition and the values it represents. He speaks for an industry that is " @@ -7973,7 +8228,7 @@ msgstr "" #. PAGE BREAK 130 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5932 +#: freeculture.xml:6042 msgid "" "I have two purposes in this chapter. The first is to convince you that, " "historically, Valenti's claim is absolutely wrong. The second is to convince " @@ -7987,7 +8242,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5947 +#: freeculture.xml:6057 msgid "" "Organizations such as the MPAA, whose board includes the most powerful of " "the old guard, have little interest, their rhetoric notwithstanding, in " @@ -7995,13 +8250,19 @@ msgid "" "does. (Ask me about tenure, for example.) But what's good for the MPAA is " "not necessarily good for America. A society that defends the ideals of free " "culture must preserve precisely the opportunity for new creativity to " -"threaten the old. To get just a hint that there is something fundamentally " -"wrong in Valenti's argument, we need look no further than the United States " -"Constitution itself." +"threaten the old." +msgstr "" + +#. type: Content of: <book><part><chapter><para> +#: freeculture.xml:6066 +msgid "" +"<emphasis role='strong'>To get</emphasis> just a hint that there is " +"something fundamentally wrong in Valenti's argument, we need look no further " +"than the United States Constitution itself." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5959 +#: freeculture.xml:6071 msgid "" "The framers of our Constitution loved <quote>property.</quote> Indeed, so " "strongly did they love property that they built into the Constitution an " @@ -8016,7 +8277,7 @@ msgstr "" #. PAGE BREAK 131 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5970 +#: freeculture.xml:6082 msgid "" "Yet the very same Constitution speaks very differently about what Valenti " "calls <quote>creative property.</quote> In the clause granting Congress the " @@ -8033,7 +8294,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5985 +#: freeculture.xml:6097 msgid "" "The Constitution thus on its face states that these two forms of property " "are not to be accorded the same rights. They are plainly to be treated " @@ -8044,7 +8305,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:5994 +#: freeculture.xml:6106 msgid "" "Arguing for a change in our Constitution is not necessarily wrong. There " "was much in our original Constitution that was plainly wrong. The " @@ -8058,7 +8319,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:6006 +#: freeculture.xml:6118 msgid "" "Instead, my argument is that because Jefferson did it, we should at least " "try to understand <emphasis>why</emphasis>. Why did the framers, fanatical " @@ -8068,7 +8329,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:6014 +#: freeculture.xml:6126 msgid "" "To answer this question, we need to get some perspective on the history of " "these <quote>creative property</quote> rights, and the control that they " @@ -8084,7 +8345,7 @@ msgstr "" #. PAGE BREAK 132 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:6029 +#: freeculture.xml:6141 msgid "" "To answer these questions, we need a more general way to talk about how " "property is protected. More precisely, we need a more general way than the " @@ -8096,19 +8357,19 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><figure><title> -#: freeculture.xml:6038 +#: freeculture.xml:6150 msgid "" "How four different modalities of regulation interact to support or weaken " "the right or regulation." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:6039 freeculture.xml:6216 freeculture.xml:6519 +#: freeculture.xml:6151 freeculture.xml:6337 freeculture.xml:6645 msgid "<graphic fileref=\"images/1331.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:6042 +#: freeculture.xml:6154 msgid "" "At the center of this picture is a regulated dot: the individual or group " "that is the target of regulation, or the holder of a right. (In each case " @@ -8124,8 +8385,13 @@ msgid "" "by the state. <placeholder type=\"indexterm\" id=\"0\"/>" msgstr "" +#. type: Content of: <book><part><chapter><section><indexterm><primary> +#: freeculture.xml:6170 freeculture.xml:6231 freeculture.xml:6340 +msgid "norms, regulatory influence of" +msgstr "" + #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:6059 +#: freeculture.xml:6172 msgid "" "Norms are a different kind of constraint. They, too, punish an individual " "for violating a rule. But the punishment of a norm is imposed by a " @@ -8137,8 +8403,13 @@ msgid "" "the severity of the rule, but the source of the enforcement." msgstr "" +#. type: Content of: <book><part><chapter><section><indexterm><primary> +#: freeculture.xml:6182 freeculture.xml:6230 freeculture.xml:6320 freeculture.xml:6339 freeculture.xml:9290 freeculture.xml:9488 +msgid "market constraints" +msgstr "" + #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:6070 +#: freeculture.xml:6184 msgid "" "The market is a third type of constraint. Its constraint is effected through " "conditions: You can do X if you pay Y; you'll be paid M if you do N. These " @@ -8149,8 +8420,13 @@ msgid "" "simultaneous constraint upon how an individual or group might behave." msgstr "" +#. type: Content of: <book><part><chapter><para><footnote><para><indexterm><primary> +#: freeculture.xml:6193 freeculture.xml:6229 freeculture.xml:6278 freeculture.xml:6319 +msgid "architecture, constraint effected through" +msgstr "" + #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:6080 +#: freeculture.xml:6195 msgid "" "Finally, and for the moment, perhaps, most mysteriously, " "<quote>architecture</quote>—the physical world as one finds " @@ -8169,7 +8445,7 @@ msgstr "" #. PAGE BREAK 134 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:6097 +#: freeculture.xml:6212 msgid "" "So the first point about these four modalities of regulation is obvious: " "They interact. Restrictions imposed by one might be reinforced by " @@ -8177,7 +8453,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:6103 +#: freeculture.xml:6218 msgid "" "The second point follows directly: If we want to understand the effective " "freedom that anyone has at a given moment to do any particular thing, we " @@ -8189,12 +8465,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:6112 +#: freeculture.xml:6227 msgid "driving speed, constraints on" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:6115 +#: freeculture.xml:6233 msgid "" "So, for example, consider the <quote>freedom</quote> to drive a car at a " "high speed. That freedom is in part restricted by laws: speed limits that " @@ -8211,7 +8487,7 @@ msgstr "" #. f3 #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:6133 +#: freeculture.xml:6251 msgid "" "By describing the way law affects the other three modalities, I don't mean " "to suggest that the other three don't affect law. Obviously, they do. Law's " @@ -8225,7 +8501,7 @@ msgstr "" #. PAGE BREAK 135 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:6129 +#: freeculture.xml:6247 msgid "" "The final point about this simple model should also be fairly clear: While " "these four modalities are analytically independent, law has a special role " @@ -8242,27 +8518,27 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><figure><title> -#: freeculture.xml:6157 +#: freeculture.xml:6275 msgid "Law has a special role in affecting the three." msgstr "" #. type: Content of: <book><part><chapter><figure> -#: freeculture.xml:6158 +#: freeculture.xml:6276 msgid "<graphic fileref=\"images/1361.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para><indexterm><primary> -#: freeculture.xml:6198 +#: freeculture.xml:6317 msgid "Americans with Disabilities Act (1990)" msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para><indexterm><primary> -#: freeculture.xml:6199 +#: freeculture.xml:6318 msgid "Commons, John R." msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:6169 +#: freeculture.xml:6288 msgid "" "Some people object to this way of talking about <quote>liberty.</quote> They " "object because their focus when considering the constraints that exist at " @@ -8291,11 +8567,13 @@ msgid "" "change existing conditions changes the liberty of a particular group. The " "effect of those interventions should be accounted for in order to understand " "the effective liberty that each of these groups might face. <placeholder " -"type=\"indexterm\" id=\"0\"/> <placeholder type=\"indexterm\" id=\"1\"/>" +"type=\"indexterm\" id=\"0\"/> <placeholder type=\"indexterm\" id=\"1\"/> " +"<placeholder type=\"indexterm\" id=\"2\"/> <placeholder type=\"indexterm\" " +"id=\"3\"/>" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:6161 +#: freeculture.xml:6280 msgid "" "These constraints can thus change, and they can be changed. To understand " "the effective protection of liberty or protection of property at any " @@ -8306,12 +8584,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:6203 +#: freeculture.xml:6324 msgid "Why Hollywood Is Right" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6205 +#: freeculture.xml:6326 msgid "" "The most obvious point that this model reveals is just why, or just how, " "Hollywood is right. The copyright warriors have rallied Congress and the " @@ -8320,18 +8598,18 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6211 +#: freeculture.xml:6332 msgid "Let's say this is the picture of copyright's regulation before the Internet:" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:6215 freeculture.xml:6518 +#: freeculture.xml:6336 freeculture.xml:6644 msgid "Copyright's regulation before the Internet." msgstr "" #. PAGE BREAK 136 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6220 +#: freeculture.xml:6343 msgid "" "There is balance between law, norms, market, and architecture. The law " "limits the ability to copy and share content, by imposing penalties on those " @@ -8345,7 +8623,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6232 +#: freeculture.xml:6355 msgid "" "Enter the Internet, or, more precisely, technologies such as MP3s and p2p " "sharing. Now the constraint of architecture changes dramatically, as does " @@ -8357,7 +8635,7 @@ msgstr "" #. PAGE BREAK 137 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6240 +#: freeculture.xml:6363 msgid "" "Thus the sense of, and justification for, the warriors' response. " "Technology has changed, the warriors say, and the effect of this change, " @@ -8368,17 +8646,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:6250 +#: freeculture.xml:6373 msgid "effective state of anarchy after the Internet." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:6251 +#: freeculture.xml:6374 msgid "<graphic fileref=\"images/1381.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6254 +#: freeculture.xml:6377 msgid "" "Neither this analysis nor the conclusions that follow are new to the " "warriors. Indeed, in a <quote>White Paper</quote> prepared by the Commerce " @@ -8391,9 +8669,14 @@ msgid "" "material, and (4) educators should educate kids to better protect copyright." msgstr "" +#. type: Content of: <book><part><chapter><section><indexterm><primary> +#: freeculture.xml:6388 +msgid "steel industry" +msgstr "" + #. PAGE BREAK 138 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6266 +#: freeculture.xml:6390 msgid "" "This mixed strategy is just what copyright needed—if it was to " "preserve the particular balance that existed before the change induced by " @@ -8410,7 +8693,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6283 +#: freeculture.xml:6407 msgid "" "Thus, there's nothing wrong or surprising in the content industry's campaign " "to protect itself from the harmful consequences of a technological " @@ -8421,13 +8704,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:6290 +#: freeculture.xml:6414 msgid "railroad industry" msgstr "" #. f5 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6300 +#: freeculture.xml:6425 msgid "" "See Geoffrey Smith, <quote>Film vs. Digital: Can Kodak Build a " "Bridge?</quote> BusinessWeek online, 2 August 1999, available at <ulink " @@ -8439,7 +8722,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6292 +#: freeculture.xml:6417 msgid "" "But just because a particular interest asks for government support, it " "doesn't follow that support should be granted. And just because technology " @@ -8460,21 +8743,26 @@ msgid "" "second, or to switch to only ten channels within an hour?)" msgstr "" +#. type: Content of: <book><chapter><section><section><indexterm><primary> +#: freeculture.xml:6446 freeculture.xml:14792 +msgid "Brezhnev, Leonid" +msgstr "" + +#. type: Content of: <book><chapter><indexterm><primary> +#: freeculture.xml:6447 freeculture.xml:13034 +msgid "Gates, Bill" +msgstr "" + #. f6 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6332 +#: freeculture.xml:6459 msgid "" "Fred Warshofsky, <citetitle>The Patent Wars</citetitle> (New York: Wiley, " "1994), 170–71." msgstr "" -#. type: Content of: <book><chapter><para><indexterm><primary> -#: freeculture.xml:6341 freeculture.xml:12812 -msgid "Gates, Bill" -msgstr "" - #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6322 +#: freeculture.xml:6449 msgid "" "The obvious answer to these obviously rhetorical questions is no. In a free " "society, with a free market, supported by free enterprise and free trade, " @@ -8488,12 +8776,11 @@ msgid "" "radio.) A world in which competitors with new ideas must fight not only the " "market but also the government is a world in which competitors with new " "ideas will not succeed. It is a world of stasis and increasingly " -"concentrated stagnation. It is the Soviet Union under Brezhnev. " -"<placeholder type=\"indexterm\" id=\"1\"/>" +"concentrated stagnation. It is the Soviet Union under Brezhnev." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6344 +#: freeculture.xml:6470 msgid "" "Thus, while it is understandable for industries threatened with new " "technologies that change the way they do business to look to the government " @@ -8505,7 +8792,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6354 +#: freeculture.xml:6480 msgid "" "In the context of laws regulating speech—which include, obviously, " "copyright law—that duty is even stronger. When the industry " @@ -8522,7 +8809,7 @@ msgstr "" #. PAGE BREAK 140 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6368 +#: freeculture.xml:6494 msgid "" "My argument just now, however, has nothing to do with whether the changes " "that are being pushed by the copyright warriors are " @@ -8533,22 +8820,22 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6377 +#: freeculture.xml:6503 msgid "Here's the metaphor that will capture the argument to follow." msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:6380 +#: freeculture.xml:6506 msgid "DDT" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:6388 +#: freeculture.xml:6514 msgid "Müller, Paul Hermann" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6383 +#: freeculture.xml:6509 msgid "" "In 1873, the chemical DDT was first synthesized. In 1948, Swiss chemist Paul " "Hermann Müller won the Nobel Prize for his work demonstrating the " @@ -8558,35 +8845,34 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6391 +#: freeculture.xml:6517 msgid "" "No one doubts that killing disease-carrying pests or increasing crop " "production is a good thing. No one doubts that the work of Müller was " "important and valuable and probably saved lives, possibly millions." msgstr "" -#. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:6395 freeculture.xml:6401 +#. type: Content of: <book><part><chapter><section><indexterm><primary> +#: freeculture.xml:6521 msgid "Carson, Rachel" msgstr "" -#. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:6402 +#. type: Content of: <book><part><chapter><section><indexterm><primary> +#: freeculture.xml:6522 msgid "Silent Sprint (Carson)" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6397 +#: freeculture.xml:6524 msgid "" "But in 1962, Rachel Carson published <citetitle>Silent Spring</citetitle>, " "which argued that DDT, whatever its primary benefits, was also having " "unintended environmental consequences. Birds were losing the ability to " -"reproduce. Whole chains of the ecology were being destroyed. <placeholder " -"type=\"indexterm\" id=\"0\"/> <placeholder type=\"indexterm\" id=\"1\"/>" +"reproduce. Whole chains of the ecology were being destroyed." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6405 +#: freeculture.xml:6530 msgid "" "No one set out to destroy the environment. Paul Müller certainly did not aim " "to harm any birds. But the effort to solve one set of problems produced " @@ -8597,9 +8883,14 @@ msgid "" "solve." msgstr "" +#. type: Content of: <book><part><chapter><section><indexterm><primary> +#: freeculture.xml:6538 +msgid "Boyle, James" +msgstr "" + #. f7 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6418 +#: freeculture.xml:6544 msgid "" "See, for example, James Boyle, <quote>A Politics of Intellectual Property: " "Environmentalism for the Net?</quote> <citetitle>Duke Law " @@ -8608,7 +8899,7 @@ msgstr "" #. PAGE BREAK 141 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6414 +#: freeculture.xml:6540 msgid "" "It is to this image precisely that Duke University law professor James Boyle " "appeals when he argues that we need an <quote>environmentalism</quote> for " @@ -8626,7 +8917,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6435 +#: freeculture.xml:6561 msgid "" "My argument, in the balance of this chapter, tries to map exactly this " "effect. No doubt the technology of the Internet has had a dramatic effect on " @@ -8640,19 +8931,19 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6446 +#: freeculture.xml:6572 msgid "" "In a line: To kill a gnat, we are spraying DDT with consequences for free " "culture that will be far more devastating than that this gnat will be lost." msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:6453 +#: freeculture.xml:6579 msgid "Beginnings" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6455 +#: freeculture.xml:6581 msgid "" "America copied English copyright law. Actually, we copied and improved " "English copyright law. Our Constitution makes the purpose of <quote>creative " @@ -8661,7 +8952,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6461 +#: freeculture.xml:6587 msgid "" "The power to establish <quote>creative property</quote> rights is granted to " "Congress in a way that, for our Constitution, at least, is very odd. Article " @@ -8670,7 +8961,7 @@ msgstr "" #. PAGE BREAK 142 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6466 +#: freeculture.xml:6592 msgid "" "Congress has the power to promote the Progress of Science and useful Arts, " "by securing for limited Times to Authors and Inventors the exclusive Right " @@ -8684,7 +8975,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6479 +#: freeculture.xml:6605 msgid "" "The Progress Clause expressly limits the term of copyrights. As we saw in " "chapter <xref xrefstyle=\"select: labelnumber\" linkend=\"founders\"/>, the " @@ -8697,7 +8988,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6489 +#: freeculture.xml:6615 msgid "" "The design of the Progress Clause reflects something about the " "Constitution's design in general. To avoid a problem, the framers built " @@ -8714,7 +9005,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6504 +#: freeculture.xml:6630 msgid "" "I doubt the framers would recognize the regulation we call " "<quote>copyright</quote> today. The scope of that regulation is far beyond " @@ -8725,7 +9016,7 @@ msgstr "" #. PAGE BREAK 143 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6511 +#: freeculture.xml:6637 msgid "" "Some of these changes come from the law: some in light of changes in " "technology, and some in light of changes in technology given a particular " @@ -8733,38 +9024,38 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6522 +#: freeculture.xml:6648 msgid "We will end here:" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:6525 +#: freeculture.xml:6651 msgid "<quote>Copyright</quote> today." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:6526 +#: freeculture.xml:6652 msgid "<graphic fileref=\"images/1442.png\"></graphic>" msgstr "" #. PAGE BREAK 144 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6529 +#: freeculture.xml:6655 msgid "Let me explain how." msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:6534 +#: freeculture.xml:6660 msgid "Law: Duration" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:6550 +#: freeculture.xml:6676 msgid "Crosskey, William W." msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6544 +#: freeculture.xml:6670 msgid "" "William W. Crosskey, <citetitle>Politics and the Constitution in the History " "of the United States</citetitle> (London: Cambridge University Press, 1953), " @@ -8775,7 +9066,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6536 +#: freeculture.xml:6662 msgid "" "When the first Congress enacted laws to protect creative property, it faced " "the same uncertainty about the status of creative property that the English " @@ -8791,7 +9082,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6560 +#: freeculture.xml:6686 msgid "" "That uncertainty ended after Congress passed legislation granting " "copyrights. Because federal law overrides any contrary state law, federal " @@ -8802,7 +9093,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6568 +#: freeculture.xml:6694 msgid "" "In 1790, Congress enacted the first copyright law. It created a federal " "copyright and secured that copyright for fourteen years. If the author was " @@ -8813,7 +9104,7 @@ msgstr "" #. f9 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6583 +#: freeculture.xml:6709 msgid "" "Although 13,000 titles were published in the United States from 1790 to " "1799, only 556 copyright registrations were filed; John Tebbel, <citetitle>A " @@ -8832,7 +9123,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6575 +#: freeculture.xml:6701 msgid "" "While there were many works created in the United States in the first ten " "years of the Republic, only 5 percent of the works were actually registered " @@ -8845,7 +9136,7 @@ msgstr "" #. PAGE BREAK 145 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6599 +#: freeculture.xml:6725 msgid "" "This system of renewal was a crucial part of the American system of " "copyright. It assured that the maximum terms of copyright would be granted " @@ -8856,7 +9147,7 @@ msgstr "" #. f10 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6614 +#: freeculture.xml:6740 msgid "" "Few copyright holders ever chose to renew their copyrights. For instance, of " "the 25,006 copyrights registered in 1883, only 894 were renewed in 1910. For " @@ -8870,7 +9161,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6608 +#: freeculture.xml:6734 msgid "" "Fourteen years may not seem long to us, but for the vast majority of " "copyright owners at that time, it was long enough: Only a small minority of " @@ -8881,12 +9172,12 @@ msgstr "" #. f11 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6629 +#: freeculture.xml:6755 msgid "See Ringer, ch. 9, n. 2." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6625 +#: freeculture.xml:6751 msgid "" "Even today, this structure would make sense. Most creative work has an " "actual commercial life of just a couple of years. Most books fall out of " @@ -8899,7 +9190,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6637 +#: freeculture.xml:6763 msgid "" "In the first hundred years of the Republic, the term of copyright was " "changed once. In 1831, the term was increased from a maximum of 28 years to " @@ -8910,7 +9201,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6645 +#: freeculture.xml:6771 msgid "" "Then, beginning in 1962, Congress started a practice that has defined " "copyright law since. Eleven times in the last forty years, Congress has " @@ -8924,7 +9215,7 @@ msgstr "" #. PAGE BREAK 146 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6655 +#: freeculture.xml:6781 msgid "" "The effect of these extensions is simply to toll, or delay, the passing of " "works into the public domain. This latest extension means that the public " @@ -8936,7 +9227,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6666 +#: freeculture.xml:6792 msgid "" "The effect of these extensions has been exacerbated by another, " "little-noticed change in the copyright law. Remember I said that the framers " @@ -8948,7 +9239,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6676 +#: freeculture.xml:6802 msgid "" "The United States abandoned this sensible system in 1976. For all works " "created after 1978, there was only one copyright term—the maximum " @@ -8960,7 +9251,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6686 +#: freeculture.xml:6812 msgid "" "This change meant that American law no longer had an automatic way to assure " "that works that were no longer exploited passed into the public domain. And " @@ -8972,7 +9263,7 @@ msgstr "" #. f12 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6703 +#: freeculture.xml:6829 msgid "" "These statistics are understated. Between the years 1910 and 1962 (the first " "year the renewal term was extended), the average term was never more than " @@ -8981,7 +9272,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6695 +#: freeculture.xml:6821 msgid "" "The effect of these changes on the average duration of copyright is " "dramatic. In 1973, more than 85 percent of copyright owners failed to renew " @@ -8993,12 +9284,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:6712 +#: freeculture.xml:6838 msgid "Law: Scope" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6714 +#: freeculture.xml:6840 msgid "" "The <quote>scope</quote> of a copyright is the range of rights granted by " "the law. The scope of American copyright has changed dramatically. Those " @@ -9007,7 +9298,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6720 +#: freeculture.xml:6846 msgid "" "In 1790, that scope was very narrow. Copyright covered only <quote>maps, " "charts, and books.</quote> That means it didn't cover, for example, music or " @@ -9023,7 +9314,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6733 +#: freeculture.xml:6859 msgid "" "This, too, has changed dramatically. While the contours of copyright today " "are extremely hard to describe simply, in general terms, the right covers " @@ -9041,7 +9332,7 @@ msgstr "" #. PAGE BREAK 148 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6748 +#: freeculture.xml:6874 msgid "" "At the same time that the scope of copyright has expanded, procedural " "limitations on the right have been relaxed. I've already described the " @@ -9056,7 +9347,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6762 +#: freeculture.xml:6888 msgid "" "The reason for the registration requirement was the sensible understanding " "that for most works, no copyright was required. Again, in the first ten " @@ -9072,7 +9363,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6776 +#: freeculture.xml:6902 msgid "" "All of these <quote>formalities</quote> were abolished in the American " "system when we decided to follow European copyright law. There is no " @@ -9083,13 +9374,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6784 +#: freeculture.xml:6910 msgid "Consider a practical example to understand the scope of these differences." msgstr "" #. f13 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6795 +#: freeculture.xml:6921 msgid "" "See Thomas Bender and David Sampliner, <quote>Poets, Pirates, and the " "Creation of American Literature,</quote> 29 <citetitle>New York University " @@ -9099,7 +9390,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6788 +#: freeculture.xml:6914 msgid "" "If, in 1790, you wrote a book and you were one of the 5 percent who actually " "copyrighted that book, then the copyright law protected you against another " @@ -9113,7 +9404,7 @@ msgstr "" #. PAGE BREAK 149 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6807 +#: freeculture.xml:6933 msgid "" "The act left other creators totally unregulated. If I copied your poem by " "hand, over and over again, as a way to learn it by heart, my act was totally " @@ -9124,7 +9415,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6816 +#: freeculture.xml:6942 msgid "" "Today the story is very different: If you write a book, your book is " "automatically protected. Indeed, not just your book. Every e-mail, every " @@ -9135,7 +9426,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6825 +#: freeculture.xml:6951 msgid "" "That protection gives you the right (subject to a narrow range of fair use " "exceptions) to control how others copy the work, whether they copy it to " @@ -9143,7 +9434,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6830 +#: freeculture.xml:6956 msgid "" "That much is the obvious part. Any system of copyright would control " "competing publishing. But there's a second part to the copyright of today " @@ -9158,7 +9449,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6844 +#: freeculture.xml:6970 msgid "" "It is this derivative right that would seem most bizarre to our framers, " "though it has become second nature to us. Initially, this expansion was " @@ -9170,7 +9461,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6866 +#: freeculture.xml:6992 msgid "" "Jonathan Zittrain, <quote>The Copyright Cage,</quote> <citetitle>Legal " "Affairs</citetitle>, July/August 2003, available at <ulink " @@ -9179,7 +9470,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6856 +#: freeculture.xml:6982 msgid "" "In preventing that joke, the law created an astonishing power within a free " "culture—at least, it's astonishing when you understand that the law " @@ -9194,12 +9485,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:6888 +#: freeculture.xml:7014 msgid "Rubenfeld, Jeb" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6881 +#: freeculture.xml:7007 msgid "" "Professor Rubenfeld has presented a powerful constitutional argument about " "the difference that copyright law should draw (from the perspective of the " @@ -9211,7 +9502,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6876 +#: freeculture.xml:7002 msgid "" "Yet copyright law treats these two different wrongs in the same way. I can " "go to court and get an injunction against your pirating my book. I can go to " @@ -9221,7 +9512,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6893 +#: freeculture.xml:7019 msgid "" "This again may seem right to you. If I wrote a book, then why should you be " "able to write a movie that takes my story and makes money from it without " @@ -9231,7 +9522,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6901 +#: freeculture.xml:7027 msgid "" "These are good arguments, and, in general, my point is not that the " "derivative right is unjustified. My aim just now is much narrower: simply to " @@ -9240,13 +9531,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:6908 +#: freeculture.xml:7034 msgid "Law and Architecture: Reach" msgstr "" #. f16 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6915 +#: freeculture.xml:7041 msgid "" "This is a simplification of the law, but not much of one. The law certainly " "regulates more than <quote>copies</quote>—a public performance of a " @@ -9260,7 +9551,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6910 +#: freeculture.xml:7036 msgid "" "Whereas originally the law regulated only publishers, the change in " "copyright's scope means that the law today regulates publishers, users, and " @@ -9271,7 +9562,7 @@ msgstr "" #. PAGE BREAK 151 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6927 +#: freeculture.xml:7053 msgid "" "<quote>Copies.</quote> That certainly sounds like the obvious thing for " "<emphasis>copy</emphasis>right law to regulate. But as with Jack Valenti's " @@ -9287,7 +9578,7 @@ msgstr "" #. f17 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:6945 +#: freeculture.xml:7071 msgid "" "Thus, my argument is not that in each place that copyright law extends, we " "should repeal it. It is instead that we should have a good argument for its " @@ -9296,7 +9587,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6940 +#: freeculture.xml:7066 msgid "" "This is perhaps the central claim of this book, so let me take this very " "slowly so that the point is not easily missed. My claim is that the Internet " @@ -9308,25 +9599,25 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6956 +#: freeculture.xml:7082 msgid "" "We can see this point abstractly by beginning with this largely empty " "circle." msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:6960 +#: freeculture.xml:7086 msgid "All potential uses of a book." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:6961 +#: freeculture.xml:7087 msgid "<graphic fileref=\"images/1521.png\"></graphic>" msgstr "" #. PAGE BREAK 152 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6965 +#: freeculture.xml:7091 msgid "" "Think about a book in real space, and imagine this circle to represent all " "its potential <emphasis>uses</emphasis>. Most of these uses are unregulated " @@ -9341,17 +9632,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:6978 +#: freeculture.xml:7104 msgid "Examples of unregulated uses of a book." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:6979 +#: freeculture.xml:7105 msgid "<graphic fileref=\"images/1531.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6982 +#: freeculture.xml:7108 msgid "" "Obviously, however, some uses of a copyrighted book are regulated by " "copyright law. Republishing the book, for example, makes a copy. It is " @@ -9362,26 +9653,26 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6990 +#: freeculture.xml:7116 msgid "" "Finally, there is a tiny sliver of otherwise regulated copying uses that " "remain unregulated because the law considers these <quote>fair uses.</quote>" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:6995 +#: freeculture.xml:7121 msgid "" "Republishing stands at the core of this circle of possible uses of a " "copyrighted work." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:6996 +#: freeculture.xml:7122 msgid "<graphic fileref=\"images/1541.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:6999 +#: freeculture.xml:7125 msgid "" "These are uses that themselves involve copying, but which the law treats as " "unregulated because public policy demands that they remain unregulated. You " @@ -9394,30 +9685,30 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:7009 +#: freeculture.xml:7135 msgid "Unregulated copying considered <quote>fair uses.</quote>" msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:7010 +#: freeculture.xml:7136 msgid "<graphic fileref=\"images/1542.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:7014 +#: freeculture.xml:7140 msgid "" "Uses that before were presumptively unregulated are now presumptively " "regulated." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:7015 +#: freeculture.xml:7141 msgid "<graphic fileref=\"images/1551.png\"></graphic>" msgstr "" #. PAGE BREAK 154 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7019 +#: freeculture.xml:7145 msgid "" "In real space, then, the possible uses of a book are divided into three " "sorts: (1) unregulated uses, (2) regulated uses, and (3) regulated uses that " @@ -9427,7 +9718,7 @@ msgstr "" #. f18 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:7027 +#: freeculture.xml:7153 msgid "" "I don't mean <quote>nature</quote> in the sense that it couldn't be " "different, but rather that its present instantiation entails a copy. Optical " @@ -9437,7 +9728,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7024 +#: freeculture.xml:7150 msgid "" "Enter the Internet—a distributed, digital network where every use of a " "copyrighted work produces a copy.<placeholder type=\"footnote\" id=\"0\"/> " @@ -9454,7 +9745,7 @@ msgstr "" #. PAGE BREAK 155 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7045 +#: freeculture.xml:7171 msgid "" "So let's be very specific to make this general point clear. Before the " "Internet, if you purchased a book and read it ten times, there would be no " @@ -9467,7 +9758,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7057 +#: freeculture.xml:7183 msgid "" "But the same book as an e-book is effectively governed by a different set of " "rules. Now if the copyright owner says you may read the book only once or " @@ -9481,7 +9772,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7069 +#: freeculture.xml:7195 msgid "" "There are some people who think this makes perfect sense. My aim just now is " "not to argue about whether it makes sense or not. My aim is only to make " @@ -9490,7 +9781,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7075 +#: freeculture.xml:7201 msgid "" "First, making category 1 disappear is not anything any policy maker ever " "intended. Congress did not think through the collapse of the presumptively " @@ -9501,7 +9792,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7083 +#: freeculture.xml:7209 msgid "" "Second, this shift is especially troubling in the context of transformative " "uses of creative content. Again, we can all understand the wrong in " @@ -9516,7 +9807,7 @@ msgstr "" #. PAGE BREAK 156 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7095 +#: freeculture.xml:7221 msgid "" "Third, this shift from category 1 to category 2 puts an extraordinary burden " "on category 3 (<quote>fair use</quote>) that fair use never before had to " @@ -9530,7 +9821,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7109 +#: freeculture.xml:7235 msgid "" "This point about fair use is totally ignored, even by advocates for free " "culture. We have been cornered into arguing that our rights depend upon fair " @@ -9542,7 +9833,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7119 +#: freeculture.xml:7248 msgid "" "The case of Video Pipeline is a good example. Video Pipeline was in the " "business of making <quote>trailer</quote> advertisements for movies " @@ -9552,7 +9843,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7126 +#: freeculture.xml:7255 msgid "" "The company did this for about fifteen years. Then, in 1997, it began to " "think about the Internet as another way to distribute these previews. The " @@ -9565,7 +9856,7 @@ msgstr "" #. PAGE BREAK 157 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7135 +#: freeculture.xml:7264 msgid "" "In 1998, Video Pipeline informed Disney and other film distributors that it " "intended to distribute the trailers through the Internet (rather than " @@ -9581,7 +9872,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7150 +#: freeculture.xml:7279 msgid "" "Disney countersued—for $100 million in damages. Those damages were " "predicated upon a claim that Video Pipeline had <quote>willfully " @@ -9594,7 +9885,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7160 +#: freeculture.xml:7289 msgid "" "Disney has the right to control its property, of course. But the video " "stores that were selling Disney's films also had some sort of right to be " @@ -9606,7 +9897,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7169 +#: freeculture.xml:7299 msgid "" "Now, you might think this is a close case, and I think the courts would " "consider it a close case. My point here is to map the change that gives " @@ -9621,9 +9912,14 @@ msgid "" "control, because the technology builds a copy into every transaction." msgstr "" +#. type: Content of: <book><part><chapter><section><indexterm><primary> +#: freeculture.xml:7312 +msgid "Barnes & Noble" +msgstr "" + #. PAGE BREAK 158 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7184 +#: freeculture.xml:7315 msgid "" "No doubt, a potential is not yet an abuse, and so the potential for control " "is not yet the abuse of control. Barnes & Noble has the right to say you " @@ -9640,7 +9936,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7199 +#: freeculture.xml:7330 msgid "" "Again, my aim so far is simply to map the changes that this changed " "architecture enables. Enabling technology to enforce the control of " @@ -9651,12 +9947,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:7208 +#: freeculture.xml:7339 msgid "Architecture and Law: Force" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7210 +#: freeculture.xml:7341 msgid "" "The disappearance of unregulated uses would be change enough, but a second " "important change brought about by the Internet magnifies its " @@ -9665,7 +9961,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7216 +#: freeculture.xml:7347 msgid "" "In the world before digital technology, it was generally the law that " "controlled whether and how someone was regulated by copyright law. The law, " @@ -9675,18 +9971,18 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:7223 +#: freeculture.xml:7354 msgid "Casablanca" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:7225 freeculture.xml:7404 +#: freeculture.xml:7356 freeculture.xml:7535 msgid "Marx Brothers" msgstr "" #. f19 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:7239 +#: freeculture.xml:7370 msgid "" "See David Lange, <quote>Recognizing the Public Domain,</quote> " "<citetitle>Law and Contemporary Problems</citetitle> 44 (1981): " @@ -9694,7 +9990,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7231 +#: freeculture.xml:7362 msgid "" "There's a famous story about a battle between the Marx Brothers and Warner " "Brothers. The Marxes intended to make a parody of " @@ -9705,7 +10001,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:7248 +#: freeculture.xml:7379 msgid "" "Ibid. See also Vaidhyanathan, <citetitle>Copyrights and " "Copywrongs</citetitle>, 1–3. <placeholder type=\"indexterm\" " @@ -9713,7 +10009,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7244 +#: freeculture.xml:7375 msgid "" "This led the Marx Brothers to respond in kind. They warned Warner Brothers " "that the Marx Brothers <quote>were brothers long before you " @@ -9725,7 +10021,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7258 +#: freeculture.xml:7389 msgid "" "An absurd and hollow threat, of course, because Warner Brothers, like the " "Marx Brothers, knew that no court would ever enforce such a silly " @@ -9734,7 +10030,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7264 +#: freeculture.xml:7395 msgid "" "On the Internet, however, there is no check on silly rules, because on the " "Internet, increasingly, rules are enforced not by a human but by a machine: " @@ -9746,17 +10042,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:7277 +#: freeculture.xml:7408 msgid "Adobe eBook Reader" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7280 +#: freeculture.xml:7411 msgid "Consider the life of my Adobe eBook Reader." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7283 +#: freeculture.xml:7414 msgid "" "An e-book is a book delivered in electronic form. An Adobe eBook is not a " "book that Adobe has published; Adobe simply produces the software that " @@ -9765,13 +10061,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7290 +#: freeculture.xml:7421 msgid "On the next page is a picture of an old version of my Adobe eBook Reader." msgstr "" #. PAGE BREAK 160 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7294 +#: freeculture.xml:7425 msgid "" "As you can see, I have a small collection of e-books within this e-book " "library. Some of these books reproduce content that is in the public domain: " @@ -9784,35 +10080,35 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:7307 +#: freeculture.xml:7438 msgid "Picture of an old version of Adobe eBook Reader" msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:7308 +#: freeculture.xml:7439 msgid "<graphic fileref=\"images/1611.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7311 +#: freeculture.xml:7442 msgid "" "If you click on the Permissions button, you'll see a list of the permissions " "that the publisher purports to grant with this book." msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:7315 +#: freeculture.xml:7446 msgid "List of the permissions that the publisher purports to grant." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:7316 +#: freeculture.xml:7447 msgid "<graphic fileref=\"images/1612.png\"></graphic>" msgstr "" #. PAGE BREAK 161 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7320 +#: freeculture.xml:7451 msgid "" "According to my eBook Reader, I have the permission to copy to the clipboard " "of the computer ten text selections every ten days. (So far, I've copied no " @@ -9823,17 +10119,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:7330 +#: freeculture.xml:7461 msgid "Aristotle" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:7331 +#: freeculture.xml:7462 msgid "<citetitle>Politics</citetitle>, (Aristotle)" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7328 +#: freeculture.xml:7459 msgid "" "Here's the e-book for another work in the public domain (including the " "translation): Aristotle's <citetitle>Politics</citetitle>. <placeholder " @@ -9841,57 +10137,57 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:7334 +#: freeculture.xml:7465 msgid "E-book of Aristotle;s <quote>Politics</quote>" msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:7335 +#: freeculture.xml:7466 msgid "<graphic fileref=\"images/1621.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7338 +#: freeculture.xml:7469 msgid "" "According to its permissions, no printing or copying is permitted at " "all. But fortunately, you can use the Read Aloud button to hear the book." msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:7343 +#: freeculture.xml:7474 msgid "List of the permissions for Aristotle;s <quote>Politics</quote>." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:7344 +#: freeculture.xml:7475 msgid "<graphic fileref=\"images/1622.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7347 +#: freeculture.xml:7478 msgid "" "Finally (and most embarrassingly), here are the permissions for the original " "e-book version of my last book, <citetitle>The Future of Ideas</citetitle>:" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:7353 +#: freeculture.xml:7484 msgid "List of the permissions for <quote>The Future of Ideas</quote>." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:7354 +#: freeculture.xml:7485 msgid "<graphic fileref=\"images/1631.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7357 +#: freeculture.xml:7488 msgid "No copying, no printing, and don't you dare try to listen to this book!" msgstr "" #. f21 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:7367 +#: freeculture.xml:7498 msgid "" "In principle, a contract might impose a requirement on me. I might, for " "example, buy a book from you that includes a contract that says I will read " @@ -9902,7 +10198,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7360 +#: freeculture.xml:7491 msgid "" "Now, the Adobe eBook Reader calls these controls " "<quote>permissions</quote>— as if the publisher has the power to " @@ -9917,7 +10213,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7382 +#: freeculture.xml:7513 msgid "" "The control comes instead from the code—from the technology within " "which the e-book <quote>lives.</quote> Though the e-book says that these are " @@ -9936,7 +10232,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7400 +#: freeculture.xml:7531 msgid "" "These are <emphasis>controls</emphasis>, not permissions. Imagine a world " "where the Marx Brothers sold word processing software that, when you tried " @@ -9945,7 +10241,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7407 +#: freeculture.xml:7538 msgid "" "This is the future of copyright law: not so much copyright " "<emphasis>law</emphasis> as copyright <emphasis>code</emphasis>. The " @@ -9957,7 +10253,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7416 +#: freeculture.xml:7547 msgid "" "How significant is this? Isn't it always possible to get around the controls " "built into the technology? Software used to be sold with technologies that " @@ -9967,19 +10263,19 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7423 +#: freeculture.xml:7554 msgid "" "We've only scratched the surface of this story. Return to the Adobe eBook " "Reader." msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:7433 +#: freeculture.xml:7564 msgid "Alice's Adventures in Wonderland (Carroll)" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7427 +#: freeculture.xml:7558 msgid "" "Early in the life of the Adobe eBook Reader, Adobe suffered a public " "relations nightmare. Among the books that you could download for free on the " @@ -9990,17 +10286,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:7436 +#: freeculture.xml:7567 msgid "List of the permissions for <quote>Alice's Adventures in Wonderland</quote>." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:7438 +#: freeculture.xml:7569 msgid "<graphic fileref=\"images/1641.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7442 +#: freeculture.xml:7573 msgid "" "Here was a public domain children's book that you were not allowed to copy, " "not allowed to lend, not allowed to give, and, as the " @@ -10009,7 +10305,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7447 +#: freeculture.xml:7578 msgid "" "The public relations nightmare attached to that final permission. For the " "text did not say that you were not permitted to use the Read Aloud button; " @@ -10020,7 +10316,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7455 +#: freeculture.xml:7586 msgid "" "Adobe responded quickly that it was absurd to think that it was trying to " "restrict the right to read a book aloud. Obviously it was only restricting " @@ -10035,7 +10331,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7468 +#: freeculture.xml:7599 msgid "" "The point is not to blame Adobe. Indeed, Adobe is among the most innovative " "companies developing strategies to balance open access to content with " @@ -10045,34 +10341,34 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7477 +#: freeculture.xml:7608 msgid "" "To see the point in a particularly absurd context, consider a favorite story " "of mine that makes the same point." msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:7481 freeculture.xml:7630 freeculture.xml:7701 freeculture.xml:7807 +#: freeculture.xml:7612 freeculture.xml:7762 freeculture.xml:7833 freeculture.xml:7943 msgid "Aibo robotic dog" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:7484 freeculture.xml:7633 freeculture.xml:7702 freeculture.xml:7808 +#: freeculture.xml:7615 freeculture.xml:7765 freeculture.xml:7834 freeculture.xml:7944 msgid "robotic dog" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:7487 freeculture.xml:7636 freeculture.xml:7704 freeculture.xml:7810 +#: freeculture.xml:7618 freeculture.xml:7768 freeculture.xml:7836 freeculture.xml:7946 msgid "Sony" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><secondary> -#: freeculture.xml:7488 freeculture.xml:7637 freeculture.xml:7705 freeculture.xml:7811 +#: freeculture.xml:7619 freeculture.xml:7769 freeculture.xml:7837 freeculture.xml:7947 msgid "Aibo robotic dog produced by" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7491 +#: freeculture.xml:7622 msgid "" "Consider the robotic dog made by Sony named <quote>Aibo.</quote> The Aibo " "learns tricks, cuddles, and follows you around. It eats only electricity and " @@ -10080,7 +10376,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7496 +#: freeculture.xml:7627 msgid "" "The Aibo is expensive and popular. Fans from around the world have set up " "clubs to trade stories. One fan in particular set up a Web site to enable " @@ -10091,7 +10387,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7505 +#: freeculture.xml:7636 msgid "" "<quote>Teach</quote> here has a special meaning. Aibos are just cute " "computers. You teach a computer how to do something by programming it " @@ -10101,8 +10397,13 @@ msgid "" "<quote>dog</quote> to make it do new tricks (thus, aibohack.com)." msgstr "" +#. type: Content of: <book><part><chapter><section><indexterm><primary> +#: freeculture.xml:7643 +msgid "hacks" +msgstr "" + #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7513 +#: freeculture.xml:7645 msgid "" "If you're not a programmer or don't know many programmers, the word " "<citetitle>hack</citetitle> has a particularly unfriendly " @@ -10118,7 +10419,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7527 +#: freeculture.xml:7659 msgid "" "Some hacks are easy. Some are unbelievably hard. Hackers as a community like " "to challenge themselves and others with increasingly difficult " @@ -10128,7 +10429,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7534 +#: freeculture.xml:7666 msgid "" "The Aibo fan was displaying a bit of both when he hacked the program and " "offered to the world a bit of code that would enable the Aibo to dance " @@ -10139,7 +10440,7 @@ msgstr "" #. PAGE BREAK 166 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7544 +#: freeculture.xml:7676 msgid "" "I've told this story in many contexts, both inside and outside the United " "States. Once I was asked by a puzzled member of the audience, is it " @@ -10154,7 +10455,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7560 +#: freeculture.xml:7692 msgid "" "Let's put the dog to sleep for a minute, and turn to a pony show— not " "literally a pony show, but rather a paper that a Princeton academic named Ed " @@ -10167,13 +10468,13 @@ msgid "" "knew very well." msgstr "" -#. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:7583 freeculture.xml:10053 +#. type: Content of: <book><part><chapter><section><indexterm><primary> +#: freeculture.xml:7715 freeculture.xml:10227 msgid "Electronic Frontier Foundation" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:7573 +#: freeculture.xml:7705 msgid "" "See Pamela Samuelson, <quote>Anticircumvention Rules: Threat to " "Science,</quote> <citetitle>Science</citetitle> 293 (2001): 2028; Brendan " @@ -10192,7 +10493,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7571 +#: freeculture.xml:7703 msgid "" "But Felten's bravery was really tested in April 2001.<placeholder " "type=\"footnote\" id=\"0\"/> He and a group of colleagues were working on a " @@ -10202,7 +10503,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7591 +#: freeculture.xml:7723 msgid "" "The SDMI coalition had as its goal a technology to enable content owners to " "exercise much better control over their content than the Internet, as it " @@ -10214,7 +10515,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7601 +#: freeculture.xml:7733 msgid "" "When SDMI thought it was close to a standard, it set up a competition. In " "exchange for providing contestants with the code to an SDMI-encrypted bit of " @@ -10224,7 +10525,7 @@ msgstr "" #. PAGE BREAK 167 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7608 +#: freeculture.xml:7740 msgid "" "Felten and his team figured out the encryption system quickly. He and the " "team saw the weakness of this system as a type: Many encryption systems " @@ -10233,7 +10534,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7614 +#: freeculture.xml:7746 msgid "" "Let's review just what Felten was doing. Again, this is the United " "States. We have a principle of free speech. We have this principle not just " @@ -10244,7 +10545,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7622 +#: freeculture.xml:7754 msgid "" "What Felten and his colleagues were doing was publishing a paper describing " "the weakness in a technology. They were not spreading free music, or " @@ -10254,7 +10555,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7640 +#: freeculture.xml:7772 msgid "" "What links these two, aibopet.com and Felten, is the letters they then " "received. Aibopet.com received a letter from Sony about the aibopet.com " @@ -10262,7 +10563,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:7647 +#: freeculture.xml:7779 msgid "" "Your site contains information providing the means to circumvent AIBO-ware's " "copy protection protocol constituting a violation of the anti-circumvention " @@ -10270,7 +10571,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7656 +#: freeculture.xml:7788 msgid "" "And though an academic paper describing the weakness in a system of " "encryption should also be perfectly legal, Felten received a letter from an " @@ -10279,7 +10580,7 @@ msgstr "" #. PAGE BREAK 168 #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:7662 +#: freeculture.xml:7794 msgid "" "Any disclosure of information gained from participating in the Public " "Challenge would be outside the scope of activities permitted by the " @@ -10288,7 +10589,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7670 +#: freeculture.xml:7802 msgid "" "In both cases, this weirdly Orwellian law was invoked to control the spread " "of information. The Digital Millennium Copyright Act made spreading such " @@ -10296,7 +10597,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7675 +#: freeculture.xml:7807 msgid "" "The DMCA was enacted as a response to copyright owners' first fear about " "cyberspace. The fear was that copyright control was effectively dead; the " @@ -10309,7 +10610,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7686 +#: freeculture.xml:7818 msgid "" "The DMCA was a bit of law intended to back up the protection of this code " "designed to protect copyrighted material. It was, we could say, " @@ -10319,7 +10620,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7693 +#: freeculture.xml:7825 msgid "" "But the DMCA was not designed merely to protect copyrighted works to the " "extent copyright law protected them. Its protection, that is, did not end at " @@ -10331,7 +10632,7 @@ msgstr "" #. PAGE BREAK 169 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7708 +#: freeculture.xml:7840 msgid "" "Aibopet.com and Felten make the point. The Aibo hack circumvented a " "copyright protection system for the purpose of enabling the dog to dance " @@ -10345,7 +10646,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7720 +#: freeculture.xml:7852 msgid "" "The threat against Felten was more attenuated, but it followed the same line " "of reasoning. By publishing a paper describing how a copyright protection " @@ -10356,17 +10657,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para><indexterm><primary> -#: freeculture.xml:7727 freeculture.xml:7760 +#: freeculture.xml:7859 freeculture.xml:7892 msgid "Rogers, Fred" msgstr "" -#. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:7737 freeculture.xml:7773 freeculture.xml:7805 +#. type: Content of: <book><part><chapter><section><indexterm><primary> +#: freeculture.xml:7869 freeculture.xml:7905 freeculture.xml:7933 msgid "Conrad, Paul" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7729 +#: freeculture.xml:7861 msgid "" "The bizarreness of these arguments is captured in a cartoon drawn in 1981 by " "Paul Conrad. At that time, a court in California had held that the VCR could " @@ -10379,7 +10680,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:7756 +#: freeculture.xml:7888 msgid "" "<citetitle>Sony Corporation of America</citetitle> v. <citetitle>Universal " "City Studios, Inc</citetitle>., 464 U.S. 417, 455 fn. 27 (1984). Rogers " @@ -10390,7 +10691,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:7741 +#: freeculture.xml:7873 msgid "" "Some public stations, as well as commercial stations, program the " "<quote>Neighborhood</quote> at hours when some children cannot use it. I " @@ -10410,7 +10711,7 @@ msgstr "" #. PAGE BREAK 170 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7766 +#: freeculture.xml:7898 msgid "" "Even though there were uses that were legal, because there were some uses " "that were illegal, the court held the companies producing the VCR " @@ -10418,19 +10719,19 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7771 +#: freeculture.xml:7903 msgid "" "This led Conrad to draw the cartoon below, which we can adopt to the DMCA. " "<placeholder type=\"indexterm\" id=\"0\"/>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7776 +#: freeculture.xml:7908 msgid "No argument I have can top this picture, but let me try to get close." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7779 +#: freeculture.xml:7911 msgid "" "The anticircumvention provisions of the DMCA target copyright circumvention " "technologies. Circumvention technologies can be used for different " @@ -10440,9 +10741,14 @@ msgid "" "use—a good end." msgstr "" +#. type: Content of: <book><part><chapter><section><indexterm><primary> +#: freeculture.xml:7919 +msgid "handguns" +msgstr "" + #. PAGE BREAK 171 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7787 +#: freeculture.xml:7922 msgid "" "A handgun can be used to shoot a police officer or a child. Most would agree " "such a use is bad. Or a handgun can be used for target practice or to " @@ -10451,29 +10757,28 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:7795 +#: freeculture.xml:7930 msgid "VCR/handgun cartoon." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:7796 +#: freeculture.xml:7931 msgid "<graphic fileref=\"images/1711.png\"></graphic>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7799 +#: freeculture.xml:7935 msgid "" "The obvious point of Conrad's cartoon is the weirdness of a world where guns " "are legal, despite the harm they can do, while VCRs (and circumvention " "technologies) are illegal. Flash: <emphasis>No one ever died from copyright " "circumvention</emphasis>. Yet the law bans circumvention technologies " "absolutely, despite the potential that they might do some good, but permits " -"guns, despite the obvious and tragic harm they do. <placeholder " -"type=\"indexterm\" id=\"0\"/>" +"guns, despite the obvious and tragic harm they do." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7814 +#: freeculture.xml:7950 msgid "" "The Aibo and RIAA examples demonstrate how copyright owners are changing the " "balance that copyright law grants. Using code, copyright owners restrict " @@ -10484,7 +10789,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7822 +#: freeculture.xml:7958 msgid "" "This is how <emphasis>code</emphasis> becomes <emphasis>law</emphasis>. The " "controls built into the technology of copy and access protection become " @@ -10498,7 +10803,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7834 +#: freeculture.xml:7970 msgid "" "There is one final aspect of the interaction between architecture and law " "that contributes to the force of copyright's regulation. This is the ease " @@ -10513,7 +10818,7 @@ msgstr "" #. f24 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:7853 +#: freeculture.xml:7989 msgid "" "For an early and prescient analysis, see Rebecca Tushnet, <quote>Legal " "Fictions, Copyright, Fan Fiction, and a New Common Law,</quote> " @@ -10522,7 +10827,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7847 +#: freeculture.xml:7983 msgid "" "For example, imagine you were part of a <citetitle>Star Trek</citetitle> fan " "club. You gathered every month to share trivia, and maybe to enact a kind of " @@ -10532,7 +10837,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7859 +#: freeculture.xml:7995 msgid "" "Before the Internet, this was, in effect, a totally unregulated activity. " "No matter what happened inside your club room, you would never be interfered " @@ -10542,7 +10847,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7866 +#: freeculture.xml:8002 msgid "" "But if you moved your club onto the Internet, and made it generally " "available for others to join, the story would be very different. Bots " @@ -10555,7 +10860,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7876 +#: freeculture.xml:8012 msgid "" "This change in the effective force of the law is caused by a change in the " "ease with which the law can be enforced. That change too shifts the law's " @@ -10566,13 +10871,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:7885 +#: freeculture.xml:8021 msgid "Market: Concentration" msgstr "" #. PAGE BREAK 173 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7887 +#: freeculture.xml:8023 msgid "" "So copyright's duration has increased dramatically—tripled in the past " "thirty years. And copyright's scope has increased as well—from " @@ -10590,7 +10895,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7905 +#: freeculture.xml:8041 msgid "" "Still, in my view, all of these changes would not matter much if it weren't " "for one more change that we must also consider. This is a change that is in " @@ -10600,7 +10905,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7912 +#: freeculture.xml:8048 msgid "" "This is the change in the concentration and integration of the media. In " "the past twenty years, the nature of media ownership has undergone a radical " @@ -10613,13 +10918,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7923 +#: freeculture.xml:8059 msgid "These changes are of two sorts: the scope of concentration, and its nature." msgstr "" #. f25 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:7931 +#: freeculture.xml:8067 msgid "" "FCC Oversight: Hearing Before the Senate Commerce, Science and " "Transportation Committee, 108th Cong., 1st sess. (22 May 2003) (statement " @@ -10628,7 +10933,7 @@ msgstr "" #. f26 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:7938 +#: freeculture.xml:8074 msgid "" "Lynette Holloway, <quote>Despite a Marketing Blitz, CD Sales Continue to " "Slide,</quote> <citetitle>New York Times</citetitle>, 23 December 2002." @@ -10636,39 +10941,39 @@ msgstr "" #. f27 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:7944 +#: freeculture.xml:8080 msgid "" "Molly Ivins, <quote>Media Consolidation Must Be Stopped,</quote> " "<citetitle>Charleston Gazette</citetitle>, 31 May 2003." msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:7947 +#: freeculture.xml:8083 msgid "BMG" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:7948 freeculture.xml:9287 +#: freeculture.xml:8084 freeculture.xml:9441 msgid "EMI" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:7949 +#: freeculture.xml:8085 msgid "McCain, John" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:7950 freeculture.xml:9288 +#: freeculture.xml:8086 freeculture.xml:9442 msgid "Universal Music Group" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:7951 +#: freeculture.xml:8087 msgid "Warner Music Group" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7927 +#: freeculture.xml:8063 msgid "" "Changes in scope are the easier ones to describe. As Senator John McCain " "summarized the data produced in the FCC's review of media ownership, " @@ -10686,7 +10991,7 @@ msgstr "" #. PAGE BREAK 174 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7954 +#: freeculture.xml:8090 msgid "" "The story with radio is even more dramatic. Before deregulation, the " "nation's largest radio broadcasting conglomerate owned fewer than " @@ -10699,7 +11004,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7965 +#: freeculture.xml:8101 msgid "" "Newspaper ownership is becoming more concentrated as well. Today, there are " "six hundred fewer daily newspapers in the United States than there were " @@ -10713,12 +11018,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para><indexterm><primary> -#: freeculture.xml:7979 freeculture.xml:7996 +#: freeculture.xml:8115 freeculture.xml:8132 msgid "Fallows, James" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:7976 +#: freeculture.xml:8112 msgid "" "Concentration in size alone is one thing. The more invidious change is in " "the nature of that concentration. As author James Fallows put it in a recent " @@ -10726,7 +11031,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:7994 +#: freeculture.xml:8130 msgid "" "James Fallows, <quote>The Age of Murdoch,</quote> <citetitle>Atlantic " "Monthly</citetitle> (September 2003): 89. <placeholder type=\"indexterm\" " @@ -10734,7 +11039,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:7983 +#: freeculture.xml:8119 msgid "" "Murdoch's companies now constitute a production system unmatched in its " "integration. They supply content—Fox movies … Fox TV shows " @@ -10749,7 +11054,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8001 +#: freeculture.xml:8137 msgid "" "The pattern with Murdoch is the pattern of modern media. Not just large " "companies owning many radio stations, but a few companies owning as many " @@ -10758,18 +11063,18 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><figure><title> -#: freeculture.xml:8007 +#: freeculture.xml:8143 msgid "Pattern of modern media ownership." msgstr "" #. type: Content of: <book><part><chapter><section><figure> -#: freeculture.xml:8008 +#: freeculture.xml:8144 msgid "<graphic fileref=\"images/1761.png\"></graphic>" msgstr "" #. PAGE BREAK 175 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8012 +#: freeculture.xml:8148 msgid "" "Does this concentration matter? Will it affect what is made, or what is " "distributed? Or is it merely a more efficient way to produce and distribute " @@ -10777,7 +11082,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8017 +#: freeculture.xml:8153 msgid "" "My view was that concentration wouldn't matter. I thought it was nothing " "more than a more efficient financial structure. But now, after reading and " @@ -10786,24 +11091,24 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8023 +#: freeculture.xml:8159 msgid "" "Here's a representative story that begins to suggest how this integration " "may matter." msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:8026 +#: freeculture.xml:8162 msgid "Lear, Norman" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:8028 freeculture.xml:8091 +#: freeculture.xml:8164 freeculture.xml:8227 msgid "All in the Family" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8030 +#: freeculture.xml:8166 msgid "" "In 1969, Norman Lear created a pilot for <citetitle>All in the " "Family</citetitle>. He took the pilot to ABC. The network didn't like it. It " @@ -10814,7 +11119,7 @@ msgstr "" #. f29 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:8042 +#: freeculture.xml:8178 msgid "" "Leonard Hill, <quote>The Axis of Access,</quote> remarks before Weidenbaum " "Center Forum, <quote>Entertainment Economics: The Movie Industry,</quote> " @@ -10825,7 +11130,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8037 +#: freeculture.xml:8173 msgid "" "Rather than comply, Lear simply took the show elsewhere. CBS was happy to " "have the series; ABC could not stop Lear from walking. The copyrights that " @@ -10835,7 +11140,7 @@ msgstr "" #. PAGE BREAK 176 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8053 +#: freeculture.xml:8189 msgid "" "The network did not control those copyrights because the law forbade the " "networks from controlling the content they syndicated. The law required a " @@ -10847,7 +11152,7 @@ msgstr "" #. f30 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:8072 +#: freeculture.xml:8208 msgid "" "NewsCorp./DirecTV Merger and Media Consolidation: Hearings on Media " "Ownership Before the Senate Commerce Committee, 108th Cong., 1st " @@ -10859,7 +11164,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8062 +#: freeculture.xml:8198 msgid "" "In 1994, the FCC abandoned the rules that required this independence. After " "that change, the networks quickly changed the balance. In 1985, there were " @@ -10878,7 +11183,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8093 +#: freeculture.xml:8229 msgid "" "Today, another Norman Lear with another <citetitle>All in the " "Family</citetitle> would find that he had the choice either to make the show " @@ -10887,17 +11192,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:8102 +#: freeculture.xml:8238 msgid "Diller, Barry" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:8103 +#: freeculture.xml:8239 msgid "Moyers, Bill" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8099 +#: freeculture.xml:8235 msgid "" "While the number of channels has increased dramatically, the ownership of " "those channels has narrowed to an ever smaller and smaller few. As Barry " @@ -10907,7 +11212,7 @@ msgstr "" #. f32 #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:8116 +#: freeculture.xml:8252 msgid "" "<quote>Barry Diller Takes on Media Deregulation,</quote> <citetitle>Now with " "Bill Moyers</citetitle>, Bill Moyers, 25 April 2003, edited transcript " @@ -10915,7 +11220,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:8107 +#: freeculture.xml:8243 msgid "" "Well, if you have companies that produce, that finance, that air on their " "channel and then distribute worldwide everything that goes through their " @@ -10926,7 +11231,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8123 +#: freeculture.xml:8259 msgid "" "This narrowing has an effect on what is produced. The product of such large " "and concentrated networks is increasingly homogenous. Increasingly " @@ -10940,13 +11245,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:8134 +#: freeculture.xml:8270 msgid "Clark, Kim B." msgstr "" #. f33 #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:8143 +#: freeculture.xml:8279 msgid "" "Clayton M. Christensen, <citetitle>The Innovator's Dilemma: The " "Revolutionary National Bestseller that Changed the Way We Do " @@ -10962,7 +11267,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8136 +#: freeculture.xml:8272 msgid "" "Economics itself offers a parallel that explains why this integration " "affects creativity. Clay Christensen has written about the " @@ -10977,7 +11282,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8160 +#: freeculture.xml:8296 msgid "" "I don't think we know enough about the economics of the media market to say " "with certainty what concentration and integration will do. The efficiencies " @@ -10985,14 +11290,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8166 +#: freeculture.xml:8302 msgid "" "But there is a quintessentially obvious example that does strongly suggest " "the concern." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8170 +#: freeculture.xml:8306 msgid "" "In addition to the copyright wars, we're in the middle of the drug " "wars. Government policy is strongly directed against the drug cartels; " @@ -11001,7 +11306,7 @@ msgstr "" #. PAGE BREAK 178 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8175 +#: freeculture.xml:8311 msgid "" "Let me hereby disqualify myself from any possible appointment to any " "position in government by saying I believe this war is a profound mistake. I " @@ -11019,7 +11324,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8194 +#: freeculture.xml:8330 msgid "" "You may not be convinced. That's fine. We live in a democracy, and it is " "through votes that we are to choose policy. But to do that, we depend " @@ -11027,7 +11332,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8200 +#: freeculture.xml:8339 msgid "" "Beginning in 1998, the Office of National Drug Control Policy launched a " "media campaign as part of the <quote>war on drugs.</quote> The campaign " @@ -11042,14 +11347,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8212 +#: freeculture.xml:8351 msgid "" "Fair enough. It's a good ad. Not terribly misleading. It delivers its " "message well. It's a fair and reasonable message." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8216 +#: freeculture.xml:8355 msgid "" "But let's say you think it is a wrong message, and you'd like to run a " "countercommercial. Say you want to run a series of ads that try to " @@ -11059,7 +11364,7 @@ msgstr "" #. PAGE BREAK 179 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8222 +#: freeculture.xml:8361 msgid "" "Well, obviously, these ads cost lots of money. Assume you raise the " "money. Assume a group of concerned citizens donates all the money in the " @@ -11068,32 +11373,32 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:8264 +#: freeculture.xml:8403 msgid "Comcast" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:8265 +#: freeculture.xml:8404 msgid "Marijuana Policy Project" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:8266 +#: freeculture.xml:8405 msgid "NBC" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:8267 +#: freeculture.xml:8406 msgid "WJOA" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:8268 +#: freeculture.xml:8407 msgid "WRC" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:8239 +#: freeculture.xml:8378 msgid "" "The Marijuana Policy Project, in February 2003, sought to place ads that " "directly responded to the Nick and Norm series on stations within the " @@ -11123,11 +11428,11 @@ msgid "" "type=\"indexterm\" id=\"0\"/> <placeholder type=\"indexterm\" id=\"1\"/> " "<placeholder type=\"indexterm\" id=\"2\"/> <placeholder type=\"indexterm\" " "id=\"3\"/> <placeholder type=\"indexterm\" id=\"4\"/> <placeholder " -"type=\"indexterm\" id=\"5\"/>" +"type=\"indexterm\" id=\"5\"/> <placeholder type=\"indexterm\" id=\"6\"/>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8229 +#: freeculture.xml:8368 msgid "" "No. You cannot. Television stations have a general policy of avoiding " "<quote>controversial</quote> ads. Ads sponsored by the government are deemed " @@ -11141,7 +11446,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8272 +#: freeculture.xml:8412 msgid "" "I'd be happy to defend the networks' rights, as well—if we lived in a " "media market that was truly diverse. But concentration in the media throws " @@ -11154,12 +11459,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:8284 +#: freeculture.xml:8425 msgid "Together" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8286 +#: freeculture.xml:8427 msgid "" "There is something innocent and obvious about the claim of the copyright " "warriors that the government should <quote>protect my property.</quote> In " @@ -11169,7 +11474,7 @@ msgstr "" #. PAGE BREAK 180 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8292 +#: freeculture.xml:8433 msgid "" "But when we see how dramatically this <quote>property</quote> has " "changed— when we recognize how it might now interact with both " @@ -11184,7 +11489,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8308 +#: freeculture.xml:8449 msgid "" "Not starkly. Or absolutely. My point is not that we should abolish copyright " "or go back to the eighteenth century. That would be a total mistake, " @@ -11193,7 +11498,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8314 +#: freeculture.xml:8455 msgid "" "But there is a space between zero and one, Internet culture " "notwithstanding. And these massive shifts in the effective power of " @@ -11207,7 +11512,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8326 +#: freeculture.xml:8467 msgid "" "Copyright law has not been a rock of Gibraltar. It's not a set of constant " "commitments that, for some mysterious reason, teenagers and geeks now " @@ -11222,7 +11527,7 @@ msgstr "" #. PAGE BREAK 181 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8338 +#: freeculture.xml:8479 msgid "" "For the single point that is lost in this war on pirates is a point that we " "see only after surveying the range of these changes. When you add together " @@ -11233,7 +11538,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:8362 +#: freeculture.xml:8503 msgid "" "Siva Vaidhyanathan captures a similar point in his <quote>four " "surrenders</quote> of copyright law in the digital age. See Vaidhyanathan, " @@ -11241,7 +11546,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8347 +#: freeculture.xml:8488 msgid "" "Not when copyrights were perpetual, for when copyrights were perpetual, they " "affected only that precise creative work. Not when only publishers had the " @@ -11259,12 +11564,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8368 -msgid "This has been a long chapter. Its point can now be briefly stated." +#: freeculture.xml:8509 +msgid "" +"<emphasis role='strong'>This has been</emphasis> a long chapter. Its point " +"can now be briefly stated." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8371 +#: freeculture.xml:8513 msgid "" "At the start of this book, I distinguished between commercial and " "noncommercial culture. In the course of this chapter, I have distinguished " @@ -11274,38 +11581,38 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><informaltable><tgroup><thead><row><entry> -#: freeculture.xml:8383 freeculture.xml:8420 +#: freeculture.xml:8525 freeculture.xml:8562 msgid "PUBLISH" msgstr "" #. type: Content of: <book><part><chapter><section><informaltable><tgroup><thead><row><entry> -#: freeculture.xml:8384 freeculture.xml:8421 freeculture.xml:8459 freeculture.xml:8491 +#: freeculture.xml:8526 freeculture.xml:8563 freeculture.xml:8601 freeculture.xml:8633 msgid "TRANSFORM" msgstr "" #. type: Content of: <book><part><chapter><section><informaltable><tgroup><tbody><row><entry> -#: freeculture.xml:8389 freeculture.xml:8426 freeculture.xml:8464 freeculture.xml:8496 +#: freeculture.xml:8531 freeculture.xml:8568 freeculture.xml:8606 freeculture.xml:8638 msgid "Commercial" msgstr "" #. type: Content of: <book><part><chapter><section><informaltable><tgroup><tbody><row><entry> -#: freeculture.xml:8390 freeculture.xml:8427 freeculture.xml:8428 freeculture.xml:8465 freeculture.xml:8466 freeculture.xml:8497 freeculture.xml:8498 freeculture.xml:8502 freeculture.xml:8503 +#: freeculture.xml:8532 freeculture.xml:8569 freeculture.xml:8570 freeculture.xml:8607 freeculture.xml:8608 freeculture.xml:8639 freeculture.xml:8640 freeculture.xml:8644 freeculture.xml:8645 msgid "©" msgstr "" #. type: Content of: <book><part><chapter><section><informaltable><tgroup><tbody><row><entry> -#: freeculture.xml:8391 freeculture.xml:8395 freeculture.xml:8396 freeculture.xml:8432 freeculture.xml:8433 freeculture.xml:8471 +#: freeculture.xml:8533 freeculture.xml:8537 freeculture.xml:8538 freeculture.xml:8574 freeculture.xml:8575 freeculture.xml:8613 msgid "Free" msgstr "" #. type: Content of: <book><part><chapter><section><informaltable><tgroup><tbody><row><entry> -#: freeculture.xml:8394 freeculture.xml:8431 freeculture.xml:8469 freeculture.xml:8501 +#: freeculture.xml:8536 freeculture.xml:8573 freeculture.xml:8611 freeculture.xml:8643 msgid "Noncommercial" msgstr "" #. PAGE BREAK 182 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8403 +#: freeculture.xml:8545 msgid "" "The act of publishing a map, chart, and book was regulated by copyright " "law. Nothing else was. Transformations were free. And as copyright attached " @@ -11315,12 +11622,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8412 +#: freeculture.xml:8554 msgid "By the end of the nineteenth century, the law had changed to this:" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8440 +#: freeculture.xml:8582 msgid "" "Derivative works were now regulated by copyright law—if published, " "which again, given the economics of publishing at the time, means if offered " @@ -11329,7 +11636,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8446 +#: freeculture.xml:8588 msgid "" "In 1909 the law changed to regulate copies, not publishing, and after this " "change, the scope of the law was tied to technology. As the technology of " @@ -11339,17 +11646,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><informaltable><tgroup><thead><row><entry> -#: freeculture.xml:8458 freeculture.xml:8490 +#: freeculture.xml:8600 freeculture.xml:8632 msgid "COPY" msgstr "" #. type: Content of: <book><part><chapter><section><informaltable><tgroup><tbody><row><entry> -#: freeculture.xml:8470 +#: freeculture.xml:8612 msgid "©/Free" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8478 +#: freeculture.xml:8620 msgid "" "The law was interpreted to reach noncommercial copying through, say, copy " "machines, but still much of copying outside of the commercial market " @@ -11360,7 +11667,7 @@ msgstr "" #. PAGE BREAK 183 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8510 +#: freeculture.xml:8652 msgid "" "Every realm is governed by copyright law, whereas before most creativity was " "not. The law now regulates the full range of creativity— commercial or " @@ -11369,7 +11676,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8518 +#: freeculture.xml:8660 msgid "" "Obviously, copyright law is not the enemy. The enemy is regulation that does " "no good. So the question that we should be asking just now is whether " @@ -11378,7 +11685,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8524 +#: freeculture.xml:8666 msgid "" "I have no doubt that it does good in regulating commercial copying. But I " "also have no doubt that it does more harm than good when regulating (as it " @@ -11392,12 +11699,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:8548 +#: freeculture.xml:8690 msgid "legal realist movement" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:8542 +#: freeculture.xml:8684 msgid "" "It was the single most important contribution of the legal realist movement " "to demonstrate that all property rights are always crafted to balance public " @@ -11408,7 +11715,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8536 +#: freeculture.xml:8678 msgid "" "The issue is therefore not simply whether copyright is property. Of course " "copyright is a kind of <quote>property,</quote> and of course, as with any " @@ -11426,7 +11733,7 @@ msgstr "" #. PAGE BREAK 184 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8560 +#: freeculture.xml:8703 msgid "" "We achieved that free culture because our law respected important limits on " "the scope of the interests protected by <quote>property.</quote> The very " @@ -11445,7 +11752,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8579 +#: freeculture.xml:8722 msgid "" "Free culture is increasingly the casualty in this war on piracy. In response " "to a real, if not yet quantified, threat that the technologies of the " @@ -11460,33 +11767,33 @@ msgid "" msgstr "" #. type: Content of: <book><part><title> -#: freeculture.xml:8596 +#: freeculture.xml:8739 msgid "PUZZLES" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:8600 +#: freeculture.xml:8743 msgid "CHAPTER ELEVEN: Chimera" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:8602 +#: freeculture.xml:8745 msgid "chimeras" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:8605 +#: freeculture.xml:8748 msgid "Wells, H. G." msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:8608 +#: freeculture.xml:8751 msgid "<quote>Country of the Blind, The</quote> (Wells)" msgstr "" #. f1. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:8616 +#: freeculture.xml:8760 msgid "" "H. G. Wells, <quote>The Country of the Blind</quote> (1904, 1911). See " "H. G. Wells, <citetitle>The Country of the Blind and Other " @@ -11495,11 +11802,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8612 +#: freeculture.xml:8755 msgid "" -"In a well-known short story by H. G. Wells, a mountain climber named Nunez " -"trips (literally, down an ice slope) into an unknown and isolated valley in " -"the Peruvian Andes.<placeholder type=\"footnote\" id=\"0\"/> The valley is " +"<emphasis role='strong'>In a well-known</emphasis> short story by " +"H. G. Wells, a mountain climber named Nunez trips (literally, down an ice " +"slope) into an unknown and isolated valley in the Peruvian " +"Andes.<placeholder type=\"footnote\" id=\"0\"/> The valley is " "extraordinarily beautiful, with <quote>sweet water, pasture, an even " "climate, slopes of rich brown soil with tangles of a shrub that bore an " "excellent fruit.</quote> But the villagers are all blind. Nunez takes this " @@ -11509,7 +11817,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8628 +#: freeculture.xml:8772 msgid "" "Things don't go quite as he planned. He tries to explain the idea of sight " "to the villagers. They don't understand. He tells them they are " @@ -11524,7 +11832,7 @@ msgstr "" #. PAGE BREAK 187 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8640 +#: freeculture.xml:8784 msgid "" "The villagers don't leave him alone. Nor do they see (so to speak) the " "virtue of his special power. Not even the ultimate target of his affection, " @@ -11538,7 +11846,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8651 +#: freeculture.xml:8795 msgid "" "When Nunez announces his desire to marry his <quote>mysteriously " "delighted</quote> love, the father and the village object. <quote>You see, " @@ -11548,14 +11856,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8657 +#: freeculture.xml:8801 msgid "" "After a careful examination, the doctor gives his opinion. <quote>His brain " "is affected,</quote> he reports." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8661 +#: freeculture.xml:8805 msgid "" "<quote>What affects it?</quote> the father asks. <quote>Those queer things " "that are called the eyes … are diseased … in such a way as to " @@ -11563,7 +11871,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8666 +#: freeculture.xml:8810 msgid "" "The doctor continues: <quote>I think I may say with reasonable certainty " "that in order to cure him completely, all that we need to do is a simple and " @@ -11571,24 +11879,30 @@ msgid "" "eyes].</quote>" msgstr "" -#. PAGE BREAK 188 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8672 +#: freeculture.xml:8816 msgid "" "<quote>Thank Heaven for science!</quote> says the father to the doctor. They " "inform Nunez of this condition necessary for him to be allowed his bride. " "(You'll have to read the original to learn what happens in the end. I " -"believe in free culture, but never in giving away the end of a story.) It " -"sometimes happens that the eggs of twins fuse in the mother's womb. That " -"fusion produces a <quote>chimera.</quote> A chimera is a single creature " -"with two sets of DNA. The DNA in the blood, for example, might be different " -"from the DNA of the skin. This possibility is an underused plot for murder " +"believe in free culture, but never in giving away the end of a story.)" +msgstr "" + +#. PAGE BREAK 188 +#. type: Content of: <book><part><chapter><para> +#: freeculture.xml:8822 +msgid "" +"<emphasis role='strong'>It sometimes</emphasis> happens that the eggs of " +"twins fuse in the mother's womb. That fusion produces a " +"<quote>chimera.</quote> A chimera is a single creature with two sets of " +"DNA. The DNA in the blood, for example, might be different from the DNA of " +"the skin. This possibility is an underused plot for murder " "mysteries. <quote>But the DNA shows with 100 percent certainty that she was " "not the person whose blood was at the scene. …</quote>" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8689 +#: freeculture.xml:8836 msgid "" "Before I had read about chimeras, I would have said they were impossible. A " "single person can't have two sets of DNA. The very idea of DNA is that it is " @@ -11599,7 +11913,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8697 +#: freeculture.xml:8844 msgid "" "The more I work to understand the current struggle over copyright and " "culture, which I've sometimes called unfairly, and sometimes not unfairly " @@ -11616,7 +11930,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8711 +#: freeculture.xml:8858 msgid "" "But the description is also false in part. For when my p2p server is on a " "p2p network through which anyone can get access to my music, then sure, my " @@ -11629,7 +11943,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8720 +#: freeculture.xml:8867 msgid "" "Likewise, when the other side says, <quote>File sharing is just like walking " "into a Tower Records and taking a CD off the shelf and walking out with " @@ -11641,7 +11955,7 @@ msgstr "" #. PAGE BREAK 189 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8731 +#: freeculture.xml:8878 msgid "" "But it is not quite stealing from Tower. After all, when I take a CD from " "Tower Records, Tower has one less CD to sell. And when I take a CD from " @@ -11653,7 +11967,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8741 +#: freeculture.xml:8888 msgid "" "The point is not that it is as neither side describes. The point is that it " "is both—both as the RIAA describes it and as Kazaa describes it. It is " @@ -11662,53 +11976,59 @@ msgid "" "rules should govern it?" msgstr "" +#. type: Content of: <book><part><chapter><section><indexterm><primary> +#: freeculture.xml:8904 freeculture.xml:9186 freeculture.xml:10229 +msgid "ISPs (Internet service providers), user identities revealed by" +msgstr "" + #. type: Content of: <book><part><chapter><para><footnote><para><indexterm><primary> -#: freeculture.xml:8787 +#: freeculture.xml:8935 msgid "Conyers, John, Jr." msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:8788 freeculture.xml:9492 +#: freeculture.xml:8936 freeculture.xml:9654 msgid "Berman, Howard L." msgstr "" #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:8757 -msgid "" -"For an excellent summary, see the report prepared by GartnerG2 and the " -"Berkman Center for Internet and Society at Harvard Law School, " -"<quote>Copyright and Digital Media in a Post-Napster World,</quote> 27 June " +#: freeculture.xml:8904 +msgid "" +"<placeholder type=\"indexterm\" id=\"0\"/> For an excellent summary, see the " +"report prepared by GartnerG2 and the Berkman Center for Internet and Society " +"at Harvard Law School, <quote>Copyright and Digital Media in a Post-Napster " +"World,</quote> 27 June 2003, available at <ulink " +"url=\"http://free-culture.cc/notes/\">link #33</ulink>. Reps. John Conyers " +"Jr. (D-Mich.) and Howard L. Berman (D-Calif.) have introduced a bill that " +"would treat unauthorized on-line copying as a felony offense with " +"punishments ranging as high as five years imprisonment; see Jon Healey, " +"<quote>House Bill Aims to Up Stakes on Piracy,</quote> <citetitle>Los " +"Angeles Times</citetitle>, 17 July 2003, available at <ulink " +"url=\"http://free-culture.cc/notes/\">link #34</ulink>. Civil penalties are " +"currently set at $150,000 per copied song. For a recent (and unsuccessful) " +"legal challenge to the RIAA's demand that an ISP reveal the identity of a " +"user accused of sharing more than 600 songs through a family computer, see " +"<citetitle>RIAA</citetitle> v. <citetitle>Verizon Internet Services (In " +"re. Verizon Internet Services)</citetitle>, 240 F. Supp. 2d 24 " +"(D.D.C. 2003). Such a user could face liability ranging as high as $90 " +"million. Such astronomical figures furnish the RIAA with a powerful arsenal " +"in its prosecution of file sharers. Settlements ranging from $12,000 to " +"$17,500 for four students accused of heavy file sharing on university " +"networks must have seemed a mere pittance next to the $98 billion the RIAA " +"could seek should the matter proceed to court. See Elizabeth Young, " +"<quote>Downloading Could Lead to Fines,</quote> redandblack.com, August " "2003, available at <ulink url=\"http://free-culture.cc/notes/\">link " -"#33</ulink>. Reps. John Conyers Jr. (D-Mich.) and Howard L. Berman " -"(D-Calif.) have introduced a bill that would treat unauthorized on-line " -"copying as a felony offense with punishments ranging as high as five years " -"imprisonment; see Jon Healey, <quote>House Bill Aims to Up Stakes on " -"Piracy,</quote> <citetitle>Los Angeles Times</citetitle>, 17 July 2003, " -"available at <ulink url=\"http://free-culture.cc/notes/\">link " -"#34</ulink>. Civil penalties are currently set at $150,000 per copied " -"song. For a recent (and unsuccessful) legal challenge to the RIAA's demand " -"that an ISP reveal the identity of a user accused of sharing more than 600 " -"songs through a family computer, see <citetitle>RIAA</citetitle> " -"v. <citetitle>Verizon Internet Services (In re. Verizon Internet " -"Services)</citetitle>, 240 F. Supp. 2d 24 (D.D.C. 2003). Such a user could " -"face liability ranging as high as $90 million. Such astronomical figures " -"furnish the RIAA with a powerful arsenal in its prosecution of file " -"sharers. Settlements ranging from $12,000 to $17,500 for four students " -"accused of heavy file sharing on university networks must have seemed a mere " -"pittance next to the $98 billion the RIAA could seek should the matter " -"proceed to court. See Elizabeth Young, <quote>Downloading Could Lead to " -"Fines,</quote> redandblack.com, August 2003, available at <ulink " -"url=\"http://free-culture.cc/notes/\">link #35</ulink>. For an example of " -"the RIAA's targeting of student file sharing, and of the subpoenas issued to " -"universities to reveal student file-sharer identities, see James Collins, " -"<quote>RIAA Steps Up Bid to Force BC, MIT to Name Students,</quote> " -"<citetitle>Boston Globe</citetitle>, 8 August 2003, D3, available at <ulink " -"url=\"http://free-culture.cc/notes/\">link #36</ulink>. <placeholder " -"type=\"indexterm\" id=\"0\"/> <placeholder type=\"indexterm\" id=\"1\"/>" +"#35</ulink>. For an example of the RIAA's targeting of student file sharing, " +"and of the subpoenas issued to universities to reveal student file-sharer " +"identities, see James Collins, <quote>RIAA Steps Up Bid to Force BC, MIT to " +"Name Students,</quote> <citetitle>Boston Globe</citetitle>, 8 August 2003, " +"D3, available at <ulink url=\"http://free-culture.cc/notes/\">link " +"#36</ulink>. <placeholder type=\"indexterm\" id=\"1\"/> <placeholder " +"type=\"indexterm\" id=\"2\"/>" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8748 +#: freeculture.xml:8895 msgid "" "We could respond by simply pretending that it is not a chimera. We could, " "with the RIAA, decide that every act of file sharing should be a felony. We " @@ -11721,7 +12041,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8794 +#: freeculture.xml:8942 msgid "" "Alternatively, we could respond to file sharing the way many kids act as " "though we've responded. We could totally legalize it. Let there be no " @@ -11731,7 +12051,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8801 +#: freeculture.xml:8949 msgid "" "Either response is possible. I think either would be a mistake. Rather than " "embrace one of these two extremes, we should embrace something that " @@ -11745,7 +12065,7 @@ msgstr "" #. PAGE BREAK 190 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8813 +#: freeculture.xml:8961 msgid "" "Yet zero tolerance is increasingly our government's policy. In the middle of " "the chaos that the Internet has created, an extraordinary land grab is " @@ -11756,7 +12076,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8821 +#: freeculture.xml:8969 msgid "" "I'm not talking about the opportunities for kids to <quote>steal</quote> " "music. My focus instead is the commercial and cultural innovation that this " @@ -11770,14 +12090,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:8834 +#: freeculture.xml:8982 msgid "" "eMusic opposes music piracy. We are a distributor of copyrighted material, " "and we want to protect those rights." msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:8838 +#: freeculture.xml:8986 msgid "" "But building a technology fortress that locks in the clout of the major " "labels is by no means the only way to protect copyright interests, nor is it " @@ -11788,7 +12108,7 @@ msgstr "" #. f3. #. type: Content of: <book><part><chapter><blockquote><para><footnote><para> -#: freeculture.xml:8855 +#: freeculture.xml:9003 msgid "" "WIPO and the DMCA One Year Later: Assessing Consumer Access to Digital " "Entertainment on the Internet and Other Media: Hearing Before the " @@ -11799,7 +12119,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:8845 +#: freeculture.xml:8993 msgid "" "This is a critical point. The choices that industry sectors make with " "respect to these systems will in many ways directly shape the market for " @@ -11812,12 +12132,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:8869 freeculture.xml:9220 +#: freeculture.xml:9017 freeculture.xml:9374 msgid "Vivendi Universal" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8866 +#: freeculture.xml:9014 msgid "" "In April 2001, eMusic.com was purchased by Vivendi Universal, one of " "<quote>the major labels.</quote> Its position on these matters has now " @@ -11825,7 +12145,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8872 +#: freeculture.xml:9020 msgid "" "Reversing our tradition of tolerance now will not merely quash piracy. It " "will sacrifice values that are important to this culture, and will kill " @@ -11833,22 +12153,23 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:8880 +#: freeculture.xml:9028 msgid "CHAPTER TWELVE: Harms" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8882 +#: freeculture.xml:9030 msgid "" -"To fight <quote>piracy,</quote> to protect <quote>property,</quote> the " -"content industry has launched a war. Lobbying and lots of campaign " -"contributions have now brought the government into this war. As with any " -"war, this one will have both direct and collateral damage. As with any war " -"of prohibition, these damages will be suffered most by our own people." +"<emphasis role='strong'>To fight</emphasis> <quote>piracy,</quote> to " +"protect <quote>property,</quote> the content industry has launched a " +"war. Lobbying and lots of campaign contributions have now brought the " +"government into this war. As with any war, this one will have both direct " +"and collateral damage. As with any war of prohibition, these damages will be " +"suffered most by our own people." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8889 +#: freeculture.xml:9038 msgid "" "My aim so far has been to describe the consequences of this war, in " "particular, the consequences for <quote>free culture.</quote> But my aim now " @@ -11857,7 +12178,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8895 +#: freeculture.xml:9044 msgid "" "In my view, it is not. There is no good reason why this time, for the first " "time, the law should defend the old against the new, just when the power of " @@ -11866,7 +12187,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8903 +#: freeculture.xml:9052 msgid "" "Yet <quote>common sense</quote> does not see it this way. Common sense is " "still on the side of the Causbys and the content industry. The extreme " @@ -11876,7 +12197,7 @@ msgstr "" #. PAGE BREAK 193 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:8910 +#: freeculture.xml:9060 msgid "" "There will be many consequences of continuing this war. I want to describe " "just three. All three might be said to be unintended. I am quite confident " @@ -11886,12 +12207,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:8917 +#: freeculture.xml:9067 msgid "Constraining Creators" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8919 +#: freeculture.xml:9069 msgid "" "In the next ten years we will see an explosion of digital technologies. " "These technologies will enable almost anyone to capture and share " @@ -11908,7 +12229,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8934 +#: freeculture.xml:9084 msgid "" "This digital <quote>capturing and sharing</quote> is in part an extension of " "the capturing and sharing that has always been integral to our culture, and " @@ -11923,7 +12244,7 @@ msgstr "" #. PAGE BREAK 194 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8945 +#: freeculture.xml:9095 msgid "" "Technology has thus given us an opportunity to do something with culture " "that has only ever been possible for individuals in small groups, isolated " @@ -11933,7 +12254,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8955 +#: freeculture.xml:9105 msgid "" "Yet all this is possible only if the activity is presumptively legal. In the " "current regime of legal regulation, it is not. Forget file sharing for a " @@ -11947,12 +12268,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:8983 freeculture.xml:9004 +#: freeculture.xml:9133 freeculture.xml:9154 msgid "Worldcom" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:8978 +#: freeculture.xml:9128 msgid "" "See Lynne W. Jeter, <citetitle>Disconnected: Deceit and Betrayal at " "WorldCom</citetitle> (Hoboken, N.J.: John Wiley & Sons, 2003), 176, 204; " @@ -11963,12 +12284,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:8999 +#: freeculture.xml:9149 msgid "Bush, George W." msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:8990 +#: freeculture.xml:9140 msgid "" "The bill, modeled after California's tort reform model, was passed in the " "House of Representatives but defeated in a Senate vote in July 2003. For an " @@ -11982,7 +12303,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:8966 +#: freeculture.xml:9116 msgid "" "That presumption will increasingly chill creativity, as the examples of " "extreme penalties for vague infringements continue to proliferate. It is " @@ -12002,9 +12323,14 @@ msgid "" "negligently butchering a patient? <placeholder type=\"indexterm\" id=\"2\"/>" msgstr "" +#. type: Content of: <book><part><chapter><section><indexterm><primary> +#: freeculture.xml:9156 +msgid "art, underground" +msgstr "" + #. f3. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9026 +#: freeculture.xml:9177 msgid "" "See Danit Lidor, <quote>Artists Just Wanna Be Free,</quote> " "<citetitle>Wired</citetitle>, 7 July 2003, available at <ulink " @@ -12014,7 +12340,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9007 +#: freeculture.xml:9158 msgid "" "The consequence of this legal uncertainty, tied to these extremely high " "penalties, is that an extraordinary amount of creativity will either never " @@ -12034,7 +12360,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9036 +#: freeculture.xml:9188 msgid "" "Part of the reason for this fear of illegality has to do with the changing " "law. I described that change in detail in chapter <xref xrefstyle=\"select: " @@ -12048,7 +12374,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9048 +#: freeculture.xml:9201 msgid "" "Never in our history has a painter had to worry about whether his painting " "infringed on someone else's work; but the modern-day painter, using the " @@ -12062,7 +12388,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9059 +#: freeculture.xml:9212 msgid "" "Lawyers rarely see this because lawyers are rarely empirical. As I described " "in chapter <xref xrefstyle=\"select: labelnumber\" linkend=\"recorders\"/>, " @@ -12073,7 +12399,7 @@ msgstr "" #. PAGE BREAK 196 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9070 +#: freeculture.xml:9223 msgid "" "But fair use in America simply means the right to hire a lawyer to defend " "your right to create. And as lawyers love to forget, our system for " @@ -12086,7 +12412,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9080 +#: freeculture.xml:9233 msgid "" "Judges and lawyers can tell themselves that fair use provides adequate " "<quote>breathing room</quote> between regulation by the law and the access " @@ -12099,7 +12425,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9091 +#: freeculture.xml:9244 msgid "" "For in a world that threatens $150,000 for a single willful infringement of " "a copyright, and which demands tens of thousands of dollars to even defend " @@ -12112,13 +12438,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9102 +#: freeculture.xml:9255 msgid "As Jed Horovitz, the businessman behind Video Pipeline, said to me," msgstr "" #. PAGE BREAK 197 #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:9106 +#: freeculture.xml:9259 msgid "" "We're losing [creative] opportunities right and left. Creative people are " "being forced not to express themselves. Thoughts are not being " @@ -12131,12 +12457,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:9119 +#: freeculture.xml:9272 msgid "Constraining Innovators" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9121 +#: freeculture.xml:9274 msgid "" "The story of the last section was a crunchy-lefty story—creativity " "quashed, artists who can't speak, yada yada yada. Maybe that doesn't get you " @@ -12147,7 +12473,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9129 +#: freeculture.xml:9282 msgid "" "But there's an aspect of this story that is not lefty in any sense. Indeed, " "it is an aspect that could be written by the most extreme promarket " @@ -12159,7 +12485,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9138 +#: freeculture.xml:9292 msgid "" "The charge I've been making about the regulation of culture is the same " "charge free marketers make about regulating markets. Everyone, of course, " @@ -12174,13 +12500,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:9150 freeculture.xml:9258 +#: freeculture.xml:9304 freeculture.xml:9412 msgid "Barry, Hank" msgstr "" #. PAGE BREAK 198 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9152 +#: freeculture.xml:9306 msgid "" "This is the single most dramatic effect of the shift in regulatory strategy " "that I described in chapter <xref xrefstyle=\"select: labelnumber\" " @@ -12195,7 +12521,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9165 +#: freeculture.xml:9319 msgid "" "Consider one example to make the point, a story whose beginning I told in " "<citetitle>The Future of Ideas</citetitle> and which has progressed in a way " @@ -12203,12 +12529,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:9169 +#: freeculture.xml:9323 msgid "Roberts, Michael" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9171 +#: freeculture.xml:9325 msgid "" "In 1997, Michael Roberts launched a company called MP3.com. MP3.com was " "keen to remake the music business. Their goal was not just to facilitate new " @@ -12219,7 +12545,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9179 +#: freeculture.xml:9333 msgid "" "To make this system work, however, MP3.com needed a reliable way to " "recommend music to its users. The idea behind this alternative was to " @@ -12229,7 +12555,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9187 +#: freeculture.xml:9341 msgid "" "This idea required a simple way to gather data about user preferences. " "MP3.com came up with an extraordinarily clever way to gather this preference " @@ -12244,7 +12570,7 @@ msgstr "" #. PAGE BREAK 199 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9199 +#: freeculture.xml:9353 msgid "" "No doubt some could use this system to illegally copy content. But that " "opportunity existed with or without MP3.com. The aim of the my.mp3.com " @@ -12254,7 +12580,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9208 +#: freeculture.xml:9362 msgid "" "To make this system function, however, MP3.com needed to copy 50,000 CDs to " "a server. (In principle, it could have been the user who uploaded the music, " @@ -12268,7 +12594,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9223 +#: freeculture.xml:9377 msgid "" "Nine days after MP3.com launched its service, the five major labels, headed " "by the RIAA, brought a lawsuit against MP3.com. MP3.com settled with four of " @@ -12280,12 +12606,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9233 +#: freeculture.xml:9387 msgid "That part of the story I have told before. Now consider its conclusion." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9236 +#: freeculture.xml:9390 msgid "" "After Vivendi purchased MP3.com, Vivendi turned around and filed a " "malpractice lawsuit against the lawyers who had advised it that they had a " @@ -12298,7 +12624,7 @@ msgstr "" #. PAGE BREAK 200 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9246 +#: freeculture.xml:9400 msgid "" "The clear purpose of this lawsuit (which was settled for an unspecified " "amount shortly after the story was no longer covered in the press) was to " @@ -12310,18 +12636,18 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:9257 +#: freeculture.xml:9411 msgid "Hummer, John" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:9259 +#: freeculture.xml:9413 msgid "Hummer Winblad" msgstr "" #. f4. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9267 +#: freeculture.xml:9421 msgid "" "See Joseph Menn, <quote>Universal, EMI Sue Napster Investor,</quote> " "<citetitle>Los Angeles Times</citetitle>, 23 April 2003. For a parallel " @@ -12334,7 +12660,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9261 +#: freeculture.xml:9415 msgid "" "This strategy is not just limited to the lawyers. In April 2003, Universal " "and EMI brought a lawsuit against Hummer Winblad, the venture capital firm " @@ -12355,17 +12681,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><indexterm><primary> -#: freeculture.xml:9291 +#: freeculture.xml:9445 msgid "BMW" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para><indexterm><primary> -#: freeculture.xml:9306 +#: freeculture.xml:9460 msgid "Needleman, Rafe" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:9302 +#: freeculture.xml:9456 msgid "" "Rafe Needleman, <quote>Driving in Cars with MP3s,</quote> " "<citetitle>Business 2.0</citetitle>, 16 June 2003, available at <ulink " @@ -12375,7 +12701,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:9293 +#: freeculture.xml:9447 msgid "" "I asked why, with all the storage capacity and computer power in the car, " "there was no way to play MP3 files. I was told that BMW engineers in Germany " @@ -12387,7 +12713,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9311 +#: freeculture.xml:9465 msgid "" "This is the world of the mafia—filled with <quote>your money or your " "life</quote> offers, governed in the end not by courts but by the threats " @@ -12399,7 +12725,7 @@ msgstr "" #. PAGE BREAK 201 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9321 +#: freeculture.xml:9475 msgid "" "The point is not that businesses should have a right to start illegal " "enterprises. The point is the definition of <quote>illegal.</quote> The law " @@ -12415,7 +12741,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9335 +#: freeculture.xml:9490 msgid "" "The point is directly parallel to the crunchy-lefty point about fair " "use. Whatever the <quote>real</quote> law is, realism about the effect of " @@ -12430,7 +12756,7 @@ msgstr "" #. PAGE BREAK 202 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9347 +#: freeculture.xml:9502 msgid "" "The building of a permission culture, rather than a free culture, is the " "first important way in which the changes I have described will burden " @@ -12445,7 +12771,13 @@ msgid "" "least do everything it can to limit the reach of the law where the law is " "not doing any good. The transaction costs buried within a permission culture " "are enough to bury a wide range of creativity. Someone needs to do a lot of " -"justifying to justify that result. The uncertainty of the law is one burden " +"justifying to justify that result." +msgstr "" + +#. type: Content of: <book><part><chapter><section><para> +#: freeculture.xml:9521 +msgid "" +"<emphasis role='strong'>The uncertainty</emphasis> of the law is one burden " "on innovation. There is a second burden that operates more directly. This is " "the effort by many in the content industry to use the law to directly " "regulate the technology of the Internet so that it better protects their " @@ -12453,7 +12785,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9369 +#: freeculture.xml:9528 msgid "" "The motivation for this response is obvious. The Internet enables the " "efficient spread of content. That efficiency is a feature of the Internet's " @@ -12467,7 +12799,7 @@ msgstr "" #. f6. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9383 +#: freeculture.xml:9543 msgid "" "<quote>Copyright and Digital Media in a Post-Napster World,</quote> " "GartnerG2 and the Berkman Center for Internet and Society at Harvard Law " @@ -12477,12 +12809,12 @@ msgstr "" #. f7. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9396 +#: freeculture.xml:9556 msgid "GartnerG2, 26–27." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9379 +#: freeculture.xml:9539 msgid "" "The examples of this form of legislation are many. At the urging of the " "content industry, some in Congress have threatened legislation that would " @@ -12500,7 +12832,7 @@ msgstr "" #. PAGE BREAK 203 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9400 +#: freeculture.xml:9560 msgid "" "In one sense, these solutions seem sensible. If the problem is the code, why " "not regulate the code to remove the problem. But any regulation of technical " @@ -12511,19 +12843,19 @@ msgstr "" #. f8. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9414 +#: freeculture.xml:9574 msgid "" "See David McGuire, <quote>Tech Execs Square Off Over Piracy,</quote> " "Newsbytes, February 2002 (Entertainment)." msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:9420 freeculture.xml:11236 +#: freeculture.xml:9580 freeculture.xml:11435 msgid "Intel" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9410 +#: freeculture.xml:9570 msgid "" "In March 2002, a broad coalition of technology companies, led by Intel, " "tried to get Congress to see the harm that such legislation would " @@ -12534,15 +12866,15 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9423 +#: freeculture.xml:9583 msgid "" -"There is one more obvious way in which this war has harmed " -"innovation—again, a story that will be quite familiar to the free " -"market crowd." +"<emphasis role='strong'>There is one</emphasis> more obvious way in which " +"this war has harmed innovation—again, a story that will be quite " +"familiar to the free market crowd." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9428 +#: freeculture.xml:9588 msgid "" "Copyright may be property, but like all property, it is also a form of " "regulation. It is a regulation that benefits some and harms others. When " @@ -12551,14 +12883,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9440 +#: freeculture.xml:9600 msgid "" "Jessica Litman, <citetitle>Digital Copyright</citetitle> (Amherst, N.Y.: " "Prometheus Books, 2001). <placeholder type=\"indexterm\" id=\"0\"/>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9434 +#: freeculture.xml:9594 msgid "" "As I described in chapter <xref xrefstyle=\"select: labelnumber\" " "linkend=\"property-i\"/>, despite this feature of copyright as regulation, " @@ -12572,7 +12904,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9451 +#: freeculture.xml:9611 msgid "" "But that pattern of deference to new technologies has now changed with the " "rise of the Internet. Rather than striking a balance between the claims of a " @@ -12581,18 +12913,23 @@ msgid "" "effect of smothering the new to benefit the old." msgstr "" -#. f10. +#. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> +#: freeculture.xml:9620 +msgid "Grokster, Ltd." +msgstr "" + #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9460 -msgid "" -"The only circuit court exception is found in <citetitle>Recording Industry " -"Association of America (RIAA)</citetitle> v. <citetitle>Diamond Multimedia " -"Systems</citetitle>, 180 F. 3d 1072 (9th Cir. 1999). There the court of " -"appeals for the Ninth Circuit reasoned that makers of a portable MP3 player " -"were not liable for contributory copyright infringement for a device that is " -"unable to record or redistribute music (a device whose only copying function " -"is to render portable a music file already stored on a user's hard drive). " -"At the district court level, the only exception is found in " +#: freeculture.xml:9620 +msgid "" +"<placeholder type=\"indexterm\" id=\"0\"/> The only circuit court exception " +"is found in <citetitle>Recording Industry Association of America " +"(RIAA)</citetitle> v. <citetitle>Diamond Multimedia Systems</citetitle>, 180 " +"F. 3d 1072 (9th Cir. 1999). There the court of appeals for the Ninth Circuit " +"reasoned that makers of a portable MP3 player were not liable for " +"contributory copyright infringement for a device that is unable to record or " +"redistribute music (a device whose only copying function is to render " +"portable a music file already stored on a user's hard drive). At the " +"district court level, the only exception is found in " "<citetitle>Metro-Goldwyn-Mayer Studios, " "Inc</citetitle>. v. <citetitle>Grokster, Ltd</citetitle>., 259 F. Supp. 2d " "1029 (C.D. Cal., 2003), where the court found the link between the " @@ -12601,31 +12938,38 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:9493 +#: freeculture.xml:9639 +msgid "Tauzin, Billy" +msgstr "" + +#. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> +#: freeculture.xml:9655 msgid "Hollings, Fritz" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9478 -msgid "" -"For example, in July 2002, Representative Howard Berman introduced the " -"Peer-to-Peer Piracy Prevention Act (H.R. 5211), which would immunize " -"copyright holders from liability for damage done to computers when the " -"copyright holders use technology to stop copyright infringement. In August " -"2002, Representative Billy Tauzin introduced a bill to mandate that " -"technologies capable of rebroadcasting digital copies of films broadcast on " -"TV (i.e., computers) respect a <quote>broadcast flag</quote> that would " -"disable copying of that content. And in March of the same year, Senator " -"Fritz Hollings introduced the Consumer Broadband and Digital Television " -"Promotion Act, which mandated copyright protection technology in all digital " -"media devices. See GartnerG2, <quote>Copyright and Digital Media in a " -"Post-Napster World,</quote> 27 June 2003, 33–34, available at <ulink " +#: freeculture.xml:9639 +msgid "" +"<placeholder type=\"indexterm\" id=\"0\"/> For example, in July 2002, " +"Representative Howard Berman introduced the Peer-to-Peer Piracy Prevention " +"Act (H.R. 5211), which would immunize copyright holders from liability for " +"damage done to computers when the copyright holders use technology to stop " +"copyright infringement. In August 2002, Representative Billy Tauzin " +"introduced a bill to mandate that technologies capable of rebroadcasting " +"digital copies of films broadcast on TV (i.e., computers) respect a " +"<quote>broadcast flag</quote> that would disable copying of that " +"content. And in March of the same year, Senator Fritz Hollings introduced " +"the Consumer Broadband and Digital Television Promotion Act, which mandated " +"copyright protection technology in all digital media devices. See GartnerG2, " +"<quote>Copyright and Digital Media in a Post-Napster World,</quote> 27 June " +"2003, 33–34, available at <ulink " "url=\"http://free-culture.cc/notes/\">link #44</ulink>. <placeholder " -"type=\"indexterm\" id=\"0\"/> <placeholder type=\"indexterm\" id=\"1\"/>" +"type=\"indexterm\" id=\"1\"/> <placeholder type=\"indexterm\" id=\"2\"/> " +"<placeholder type=\"indexterm\" id=\"3\"/>" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9458 +#: freeculture.xml:9618 msgid "" "The response by the courts has been fairly universal.<placeholder " "type=\"footnote\" id=\"0\"/> It has been mirrored in the responses " @@ -12636,7 +12980,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9501 +#: freeculture.xml:9668 msgid "" "As I described in chapter <xref xrefstyle=\"select: labelnumber\" " "linkend=\"pirates\"/>, when a radio station plays a song, the recording " @@ -12650,7 +12994,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9513 +#: freeculture.xml:9680 msgid "" "The reasoning behind this balance struck by Congress makes some sense. The " "justification was that radio was a kind of advertising. The recording artist " @@ -12663,7 +13007,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9524 +#: freeculture.xml:9691 msgid "" "Enter Internet radio. Like regular radio, Internet radio is a technology to " "stream content from a broadcaster to a listener. The broadcast travels " @@ -12674,7 +13018,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9533 +#: freeculture.xml:9700 msgid "" "This feature of the architecture of Internet radio means that there are " "potentially an unlimited number of radio stations that a user could tune in " @@ -12690,7 +13034,7 @@ msgstr "" #. PAGE BREAK 205 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9548 +#: freeculture.xml:9716 msgid "" "Internet radio is thus to radio what FM was to AM. It is an improvement " "potentially vastly more significant than the FM improvement over AM, since " @@ -12702,12 +13046,12 @@ msgstr "" #. f12. #. type: Content of: <book><part><chapter><section><blockquote><para><footnote><para> -#: freeculture.xml:9572 +#: freeculture.xml:9740 msgid "Lessing, 239." msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:9558 +#: freeculture.xml:9726 msgid "" "An almost unlimited number of FM stations was possible in the shortwaves, " "thus ending the unnatural restrictions imposed on radio in the crowded " @@ -12725,12 +13069,12 @@ msgstr "" #. f13. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9582 +#: freeculture.xml:9750 msgid "Ibid., 229." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9577 +#: freeculture.xml:9745 msgid "" "This potential for FM radio was never realized—not because Armstrong " "was wrong about the technology, but because he underestimated the power of " @@ -12740,7 +13084,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9587 +#: freeculture.xml:9755 msgid "" "Now the very same claim could be made about Internet radio. For again, there " "is no technical limitation that could restrict the number of Internet radio " @@ -12751,7 +13095,7 @@ msgstr "" #. PAGE BREAK 206 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9595 +#: freeculture.xml:9767 msgid "" "But here the power of the lobbyists is reversed. Internet radio is a new " "industry. The recording artists, on the other hand, have a very powerful " @@ -12766,12 +13110,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:9634 +#: freeculture.xml:9806 msgid "CARP (Copyright Arbitration Royalty Panel)" msgstr "" #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9617 +#: freeculture.xml:9789 msgid "" "This example was derived from fees set by the original Copyright Arbitration " "Royalty Panel (CARP) proceedings, and is drawn from an example offered by " @@ -12793,7 +13137,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9610 +#: freeculture.xml:9782 msgid "" "This financial burden is not slight. As Harvard law professor William Fisher " "estimates, if an Internet radio station distributed adfree popular music to " @@ -12804,7 +13148,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9641 +#: freeculture.xml:9814 msgid "" "The burden is not financial only. Under the original rules that were " "proposed, an Internet radio station (but not a terrestrial radio station) " @@ -12813,57 +13157,57 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9649 +#: freeculture.xml:9822 msgid "name of the service;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9652 +#: freeculture.xml:9825 msgid "channel of the program (AM/FM stations use station ID);" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9655 +#: freeculture.xml:9828 msgid "type of program (archived/looped/live);" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9658 +#: freeculture.xml:9831 msgid "date of transmission;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9661 +#: freeculture.xml:9834 msgid "time of transmission;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9664 +#: freeculture.xml:9837 msgid "time zone of origination of transmission;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9667 +#: freeculture.xml:9840 msgid "numeric designation of the place of the sound recording within the program;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9670 +#: freeculture.xml:9843 msgid "duration of transmission (to nearest second);" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9673 +#: freeculture.xml:9846 msgid "sound recording title;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9676 +#: freeculture.xml:9849 msgid "ISRC code of the recording;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9679 +#: freeculture.xml:9852 msgid "" "release year of the album per copyright notice and in the case of " "compilation albums, the release year of the album and copy- right date of " @@ -12871,77 +13215,77 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9682 +#: freeculture.xml:9855 msgid "featured recording artist;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9685 +#: freeculture.xml:9858 msgid "retail album title;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9688 +#: freeculture.xml:9861 msgid "recording label;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9691 +#: freeculture.xml:9864 msgid "UPC code of the retail album;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9694 +#: freeculture.xml:9867 msgid "catalog number;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9697 +#: freeculture.xml:9870 msgid "copyright owner information;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9700 +#: freeculture.xml:9873 msgid "musical genre of the channel or program (station format);" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9703 +#: freeculture.xml:9876 msgid "name of the service or entity;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9706 +#: freeculture.xml:9879 msgid "channel or program;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9709 +#: freeculture.xml:9882 msgid "date and time that the user logged in (in the user's time zone);" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9712 +#: freeculture.xml:9885 msgid "date and time that the user logged out (in the user's time zone);" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9715 +#: freeculture.xml:9888 msgid "time zone where the signal was received (user);" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9718 +#: freeculture.xml:9891 msgid "unique user identifier;" msgstr "" #. type: Content of: <book><part><chapter><section><orderedlist><listitem><para> -#: freeculture.xml:9721 +#: freeculture.xml:9894 msgid "the country in which the user received the transmissions." msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9726 +#: freeculture.xml:9899 msgid "" "The Librarian of Congress eventually suspended these reporting requirements, " "pending further study. And he also changed the original rates set by the " @@ -12952,7 +13296,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9734 +#: freeculture.xml:9907 msgid "" "Why? What justifies this difference? Was there any study of the economic " "consequences from Internet radio that would justify these differences? Was " @@ -12960,12 +13304,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><indexterm><primary> -#: freeculture.xml:9739 freeculture.xml:14331 +#: freeculture.xml:9911 freeculture.xml:14593 msgid "Real Networks" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9741 +#: freeculture.xml:9916 msgid "" "In a rare bit of candor, one RIAA expert admitted what seemed obvious to " "everyone at the time. As Alex Alben, vice president for Public Policy at " @@ -12974,7 +13318,7 @@ msgstr "" #. PAGE BREAK 208 #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:9747 +#: freeculture.xml:9922 msgid "" "The RIAA, which was representing the record labels, presented some testimony " "about what they thought a willing buyer would pay to a willing seller, and " @@ -12988,7 +13332,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:9762 +#: freeculture.xml:9941 msgid "" "And the RIAA experts said, <quote>Well, we don't really model this as an " "industry with thousands of webcasters, <emphasis>we think it should be an " @@ -12997,7 +13341,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9770 +#: freeculture.xml:9950 msgid "" "Translation: The aim is to use the law to eliminate competition, so that " "this platform of potentially immense competition, which would cause the " @@ -13008,12 +13352,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><title> -#: freeculture.xml:9780 +#: freeculture.xml:9960 msgid "Corrupting Citizens" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9782 +#: freeculture.xml:9962 msgid "" "Overregulation stifles creativity. It smothers innovation. It gives " "dinosaurs a veto over the future. It wastes the extraordinary opportunity " @@ -13021,7 +13365,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9788 +#: freeculture.xml:9968 msgid "" "In addition to these important harms, there is one more that was important " "to our forebears, but seems forgotten today. Overregulation corrupts " @@ -13030,7 +13374,7 @@ msgstr "" #. f15. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9797 +#: freeculture.xml:9977 msgid "" "Mike Graziano and Lee Rainie, <quote>The Music Downloading Deluge,</quote> " "Pew Internet and American Life Project (24 April 2001), available at <ulink " @@ -13041,7 +13385,7 @@ msgstr "" #. PAGE BREAK 209 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9793 +#: freeculture.xml:9973 msgid "" "The war that is being waged today is a war of prohibition. As with every war " "of prohibition, it is targeted against the behavior of a very large number " @@ -13059,7 +13403,7 @@ msgstr "" #. f16. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9831 +#: freeculture.xml:10011 msgid "" "Alex Pham, <quote>The Labels Strike Back: N.Y. Girl Settles RIAA " "Case,</quote> <citetitle>Los Angeles Times</citetitle>, 10 September 2003, " @@ -13067,7 +13411,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9818 +#: freeculture.xml:9998 msgid "" "The content industry's tactics exploit the failings of the American legal " "system. When the RIAA brought suit against Jesse Jordan, it knew that in " @@ -13090,7 +13434,7 @@ msgstr "" #. f17. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9853 +#: freeculture.xml:10033 msgid "" "Jeffrey A. Miron and Jeffrey Zwiebel, <quote>Alcohol Consumption During " "Prohibition,</quote> <citetitle>American Economic Review</citetitle> 81, " @@ -13099,7 +13443,7 @@ msgstr "" #. f18. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9861 +#: freeculture.xml:10041 msgid "" "National Drug Control Policy: Hearing Before the House Government Reform " "Committee, 108th Cong., 1st sess. (5 March 2003) (statement of John " @@ -13108,7 +13452,7 @@ msgstr "" #. f19. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:9871 +#: freeculture.xml:10051 msgid "" "See James Andreoni, Brian Erard, and Jonathon Feinstein, <quote>Tax " "Compliance,</quote> <citetitle>Journal of Economic Literature</citetitle> 36 " @@ -13116,12 +13460,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:9878 +#: freeculture.xml:10058 msgid "alcohol prohibition" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9843 +#: freeculture.xml:10023 msgid "" "Wars of prohibition are nothing new in America. This one is just something " "more extreme than anything we've seen before. We experimented with alcohol " @@ -13145,12 +13489,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:9896 +#: freeculture.xml:10076 msgid "law schools" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9881 +#: freeculture.xml:10061 msgid "" "This state of affairs is not without consequence. It is a particularly " "salient issue for teachers like me, whose job it is to teach law students " @@ -13170,7 +13514,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9899 +#: freeculture.xml:10079 msgid "" "The response to this general illegality is either to enforce the law more " "severely or to change the law. We, as a society, have to learn how to make " @@ -13184,7 +13528,7 @@ msgstr "" #. PAGE BREAK 211 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9912 +#: freeculture.xml:10092 msgid "" "My point is not the idiotic one: Just because people violate a law, we " "should therefore repeal it. Obviously, we could reduce murder statistics " @@ -13194,7 +13538,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9919 +#: freeculture.xml:10099 msgid "" "My point is instead one that democracies understood for generations, but " "that we recently have learned to forget. The rule of law depends upon people " @@ -13211,7 +13555,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9933 +#: freeculture.xml:10113 msgid "" "When at least forty-three million citizens download content from the " "Internet, and when they use tools to combine that content in ways " @@ -13225,13 +13569,13 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9945 +#: freeculture.xml:10125 msgid "This abstract point can be made more clear with a particular example." msgstr "" #. PAGE BREAK 212 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9948 +#: freeculture.xml:10128 msgid "" "We all own CDs. Many of us still own phonograph records. These pieces of " "plastic encode music that in a certain sense we have bought. The law " @@ -13242,7 +13586,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9959 +#: freeculture.xml:10139 msgid "" "But as the MP3 craze has demonstrated, there is another use of phonograph " "records that is effectively free. Because these recordings were made without " @@ -13254,12 +13598,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><indexterm><primary> -#: freeculture.xml:9967 +#: freeculture.xml:10147 msgid "Adromeda" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9969 +#: freeculture.xml:10149 msgid "" "This <quote>use</quote> of my records is certainly valuable. I have begun a " "large process at home of ripping all of my and my wife's CDs, and storing " @@ -13273,7 +13617,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9980 +#: freeculture.xml:10160 msgid "" "This use is enabled by unprotected media—either CDs or records. But " "unprotected media also enable file sharing. File sharing threatens (or so " @@ -13286,7 +13630,7 @@ msgstr "" #. PAGE BREAK 213 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:9990 +#: freeculture.xml:10170 msgid "" "If these technologies took off, then the building of large archives of your " "own music would become quite difficult. You might hang in hacker circles, " @@ -13300,7 +13644,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:10004 +#: freeculture.xml:10184 msgid "" "If the only way to assure that artists get paid were the elimination of the " "ability to freely move content, then these technologies to interfere with " @@ -13312,7 +13656,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:10013 +#: freeculture.xml:10193 msgid "" "My point just now is not to prove that there is such a system. I offer a " "version of such a system in the last chapter of this book. For now, the only " @@ -13325,7 +13669,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:10024 +#: freeculture.xml:10204 msgid "" "I believe there is a way to assure that artists are paid without turning " "forty-three million Americans into felons. But the salient feature of this " @@ -13337,7 +13681,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:10033 +#: freeculture.xml:10213 msgid "" "Except that this generation's buggy manufacturers have already saddled " "Congress, and are riding the law to protect themselves against this new form " @@ -13345,35 +13689,42 @@ msgid "" "as criminals and their own survival." msgstr "" +#. PAGE BREAK 214 #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:10039 +#: freeculture.xml:10219 msgid "" "It is understandable why they choose as they do. It is not understandable " "why we as a democracy continue to choose as we do. Jack Valenti is charming; " "but not so charming as to justify giving up a tradition as deep and " -"important as our tradition of free culture. There's one more aspect to this " +"important as our tradition of free culture." +msgstr "" + +#. type: Content of: <book><part><chapter><section><para> +#: freeculture.xml:10232 +msgid "" +"<emphasis role='strong'>There's one more</emphasis> aspect to this " "corruption that is particularly important to civil liberties, and follows " "directly from any war of prohibition. As Electronic Frontier Foundation " "attorney Fred von Lohmann describes, this is the <quote>collateral " "damage</quote> that <quote>arises whenever you turn a very large percentage " "of the population into criminals.</quote> This is the collateral damage to " -"civil liberties generally. <placeholder type=\"indexterm\" id=\"0\"/>" +"civil liberties generally." msgstr "" #. type: Content of: <book><part><chapter><section><para><indexterm><primary> -#: freeculture.xml:10058 freeculture.xml:10167 +#: freeculture.xml:10243 freeculture.xml:10353 msgid "von Lohmann, Fred" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:10056 +#: freeculture.xml:10241 msgid "" "<quote>If you can treat someone as a putative lawbreaker,</quote> von " "Lohmann explains, <placeholder type=\"indexterm\" id=\"0\"/>" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:10062 +#: freeculture.xml:10247 msgid "" "then all of a sudden a lot of basic civil liberty protections evaporate to " "one degree or another. … If you're a copyright infringer, how can you " @@ -13387,7 +13738,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:10074 +#: freeculture.xml:10259 msgid "" "And the consequence of this transformation of the American public into " "criminals is that it becomes trivial, as a matter of due process, to " @@ -13395,7 +13746,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:10079 +#: freeculture.xml:10264 msgid "" "Users of the Internet began to see this generally in 2003 as the RIAA " "launched its campaign to force Internet service providers to turn over the " @@ -13407,7 +13758,7 @@ msgstr "" #. f20. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:10097 +#: freeculture.xml:10282 msgid "" "See Frank Ahrens, <quote>RIAA's Lawsuits Meet Surprised Targets; Single " "Mother in Calif., 12-Year-Old Girl in N.Y. Among Defendants,</quote> " @@ -13424,7 +13775,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:10088 +#: freeculture.xml:10273 msgid "" "The RIAA then expanded this campaign, by announcing a general strategy to " "sue individual users of the Internet who are alleged to have downloaded " @@ -13438,7 +13789,7 @@ msgstr "" #. f21. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:10115 +#: freeculture.xml:10300 msgid "" "See <quote>Revealed: How RIAA Tracks Downloaders: Music Industry Discloses " "Some Methods Used,</quote> CNN.com, available at <ulink " @@ -13446,7 +13797,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:10111 +#: freeculture.xml:10296 msgid "" "Even this understates the espionage that is being waged by the RIAA. A " "report from CNN late last summer described a strategy the RIAA had adopted " @@ -13458,7 +13809,7 @@ msgstr "" #. f22. #. type: Content of: <book><part><chapter><section><para><footnote><para> -#: freeculture.xml:10136 +#: freeculture.xml:10321 msgid "" "See Jeff Adler, <quote>Cambridge: On Campus, Pirates Are Not " "Penitent,</quote> <citetitle>Boston Globe</citetitle>, 18 May 2003, City " @@ -13481,7 +13832,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:10124 +#: freeculture.xml:10309 msgid "" "So imagine the following not-implausible scenario: Imagine a friend gives a " "CD to your daughter—a collection of songs just like the cassettes you " @@ -13498,7 +13849,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:10155 +#: freeculture.xml:10341 msgid "" "Now, of course, she'll have the right to defend herself. You can hire a " "lawyer for her (at $300 per hour, if you're lucky), and she can plead that " @@ -13512,7 +13863,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><blockquote><para> -#: freeculture.xml:10171 +#: freeculture.xml:10357 msgid "" "So when we're talking about numbers like forty to sixty million Americans " "that are essentially copyright infringers, you create a situation where the " @@ -13533,7 +13884,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><section><para> -#: freeculture.xml:10191 +#: freeculture.xml:10377 msgid "" "When forty to sixty million Americans are considered " "<quote>criminals</quote> under the law, and when the law could achieve the " @@ -13544,21 +13895,22 @@ msgid "" msgstr "" #. type: Content of: <book><part><title> -#: freeculture.xml:10204 +#: freeculture.xml:10390 msgid "BALANCES" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:10209 +#: freeculture.xml:10395 msgid "" -"So here's the picture: You're standing at the side of the road. Your car is " -"on fire. You are angry and upset because in part you helped start the " -"fire. Now you don't know how to put it out. Next to you is a bucket, filled " -"with gasoline. Obviously, gasoline won't put the fire out." +"<emphasis role='strong'>So here's</emphasis> the picture: You're standing at " +"the side of the road. Your car is on fire. You are angry and upset because " +"in part you helped start the fire. Now you don't know how to put it " +"out. Next to you is a bucket, filled with gasoline. Obviously, gasoline " +"won't put the fire out." msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:10215 +#: freeculture.xml:10402 msgid "" "As you ponder the mess, someone else comes along. In a panic, she grabs the " "bucket. Before you have a chance to tell her to stop—or before she " @@ -13568,19 +13920,20 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:10223 +#: freeculture.xml:10410 msgid "" -"A war about copyright rages all around—and we're all focusing on the " -"wrong thing. No doubt, current technologies threaten existing businesses. " -"No doubt they may threaten artists. But technologies change. The industry " -"and technologists have plenty of ways to use technology to protect " -"themselves against the current threats of the Internet. This is a fire that " -"if let alone would burn itself out." +"<emphasis role='strong'>A war</emphasis> about copyright rages all " +"around—and we're all focusing on the wrong thing. No doubt, current " +"technologies threaten existing businesses. No doubt they may threaten " +"artists. But technologies change. The industry and technologists have " +"plenty of ways to use technology to protect themselves against the current " +"threats of the Internet. This is a fire that if let alone would burn itself " +"out." msgstr "" #. PAGE BREAK 219 #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:10232 +#: freeculture.xml:10420 msgid "" "Yet policy makers are not willing to leave this fire to itself. Primed with " "plenty of lobbyists' money, they are keen to intervene to eliminate the " @@ -13590,7 +13943,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:10240 +#: freeculture.xml:10428 msgid "" "Somehow we have to find a way to turn attention to this more important and " "fundamental issue. Somehow we have to find a way to avoid pouring gasoline " @@ -13598,7 +13951,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:10245 +#: freeculture.xml:10433 msgid "" "We have not found that way yet. Instead, we seem trapped in a simpler, " "binary view. However much many people push to frame this debate more " @@ -13607,7 +13960,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><partintro><para> -#: freeculture.xml:10251 +#: freeculture.xml:10439 msgid "" "This challenge has been my life these last few years. It has also been my " "failure. In the two chapters that follow, I describe one small brace of " @@ -13616,28 +13969,29 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:10261 +#: freeculture.xml:10449 msgid "CHAPTER THIRTEEN: Eldred" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:10263 +#: freeculture.xml:10451 msgid "Hawthorne, Nathaniel" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10266 +#: freeculture.xml:10454 msgid "" -"In 1995, a father was frustrated that his daughters didn't seem to like " -"Hawthorne. No doubt there was more than one such father, but at least one " -"did something about it. Eric Eldred, a retired computer programmer living in " -"New Hampshire, decided to put Hawthorne on the Web. An electronic version, " -"Eldred thought, with links to pictures and explanatory text, would make this " -"nineteenth-century author's work come alive." +"<emphasis role='strong'>In 1995</emphasis>, a father was frustrated that his " +"daughters didn't seem to like Hawthorne. No doubt there was more than one " +"such father, but at least one did something about it. Eric Eldred, a retired " +"computer programmer living in New Hampshire, decided to put Hawthorne on the " +"Web. An electronic version, Eldred thought, with links to pictures and " +"explanatory text, would make this nineteenth-century author's work come " +"alive." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10275 +#: freeculture.xml:10463 msgid "" "It didn't work—at least for his daughters. They didn't find Hawthorne " "any more interesting than before. But Eldred's experiment gave birth to a " @@ -13647,7 +14001,7 @@ msgstr "" #. PAGE BREAK 221 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10282 +#: freeculture.xml:10470 msgid "" "Eldred's library was not simply a copy of certain public domain works, " "though even a copy would have been of great value to people across the world " @@ -13659,7 +14013,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10293 +#: freeculture.xml:10481 msgid "" "Eldred's freedom to do this with Hawthorne's work grew from the same source " "as Disney's. Hawthorne's <citetitle>Scarlet Letter</citetitle> had passed " @@ -13676,7 +14030,7 @@ msgstr "" #. f1. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10317 +#: freeculture.xml:10505 msgid "" "There's a parallel here with pornography that is a bit hard to describe, but " "it's a strong one. One phenomenon that the Internet created was a world of " @@ -13694,7 +14048,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10306 +#: freeculture.xml:10494 msgid "" "The Internet created the possibility of noncommercial publications of public " "domain works. Eldred's is just one example. There are literally thousands of " @@ -13709,7 +14063,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10334 +#: freeculture.xml:10522 msgid "" "As I said, Eldred lives in New Hampshire. In 1998, Robert Frost's collection " "of poems <citetitle>New Hampshire</citetitle> was slated to pass into the " @@ -13724,21 +14078,31 @@ msgid "" "period, more than 1 million patents will pass into the public domain." msgstr "" -#. f2. +#. type: Content of: <book><part><chapter><para><footnote><para><indexterm><primary> +#: freeculture.xml:10535 freeculture.xml:10545 +msgid "Bono, Mary" +msgstr "" + +#. type: Content of: <book><part><chapter><para><footnote><para><indexterm><primary> +#: freeculture.xml:10536 freeculture.xml:10546 +msgid "Bono, Sonny" +msgstr "" + #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10355 -msgid "" -"The full text is: <quote>Sonny [Bono] wanted the term of copyright " -"protection to last forever. I am informed by staff that such a change would " -"violate the Constitution. I invite all of you to work with me to strengthen " -"our copyright laws in all of the ways available to us. As you know, there is " -"also Jack Valenti's proposal for a term to last forever less one " -"day. Perhaps the Committee may look at that next Congress,</quote> 144 " +#: freeculture.xml:10545 +msgid "" +"<placeholder type=\"indexterm\" id=\"0\"/> <placeholder type=\"indexterm\" " +"id=\"1\"/> The full text is: <quote>Sonny [Bono] wanted the term of " +"copyright protection to last forever. I am informed by staff that such a " +"change would violate the Constitution. I invite all of you to work with me " +"to strengthen our copyright laws in all of the ways available to us. As you " +"know, there is also Jack Valenti's proposal for a term to last forever less " +"one day. Perhaps the Committee may look at that next Congress,</quote> 144 " "Cong. Rec. H9946, 9951-2 (October 7, 1998)." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10350 +#: freeculture.xml:10540 msgid "" "This was the Sonny Bono Copyright Term Extension Act (CTEA), enacted in " "memory of the congressman and former musician Sonny Bono, who, his widow, " @@ -13747,7 +14111,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10366 +#: freeculture.xml:10558 msgid "" "Eldred decided to fight this law. He first resolved to fight it through " "civil disobedience. In a series of interviews, Eldred announced that he " @@ -13758,7 +14122,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10375 +#: freeculture.xml:10567 msgid "" "It was here that I became involved in Eldred's battle. I was a " "constitutional scholar whose first passion was constitutional " @@ -13768,7 +14132,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:10386 +#: freeculture.xml:10578 msgid "" "Congress has the power to promote the Progress of Science … by " "securing for limited Times to Authors … exclusive Right to their " @@ -13776,7 +14140,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10392 +#: freeculture.xml:10584 msgid "" "As I've described, this clause is unique within the power-granting clause of " "Article I, section 8 of our Constitution. Every other clause granting power " @@ -13790,12 +14154,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:10411 freeculture.xml:11868 +#: freeculture.xml:10603 freeculture.xml:12088 msgid "Jaszi, Peter" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10402 +#: freeculture.xml:10594 msgid "" "In the past forty years, Congress has gotten into the practice of extending " "existing terms of copyright protection. What puzzled me about this was, if " @@ -13809,7 +14173,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10414 +#: freeculture.xml:10606 msgid "" "As an academic, my first response was to hit the books. I remember sitting " "late at the office, scouring on-line databases for any serious consideration " @@ -13822,7 +14186,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10425 +#: freeculture.xml:10617 msgid "" "For this is the core of the corruption in our present system of " "government. <quote>Corruption</quote> not in the sense that representatives " @@ -13834,7 +14198,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10434 +#: freeculture.xml:10626 msgid "" "If that's not obvious to you, consider the following: Say you're one of the " "very few lucky copyright owners whose copyright continues to make money one " @@ -13846,7 +14210,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10444 +#: freeculture.xml:10636 msgid "" "So imagine the Robert Frost estate is earning $100,000 a year from three of " "Frost's poems. And imagine the copyright for those poems is about to " @@ -13856,7 +14220,7 @@ msgstr "" #. PAGE BREAK 224 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10451 +#: freeculture.xml:10643 msgid "" "<quote>Next year,</quote> the adviser announces, <quote>our copyrights in " "works A, B, and C will expire. That means that after next year, we will no " @@ -13865,7 +14229,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10459 +#: freeculture.xml:10651 msgid "" "<quote>There's a proposal in Congress, however,</quote> she continues, " "<quote>that could change this. A few congressmen are floating a bill to " @@ -13874,14 +14238,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10465 +#: freeculture.xml:10657 msgid "" "<quote>Hope?</quote> a fellow board member says. <quote>Can't we be doing " "something about it?</quote>" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10469 +#: freeculture.xml:10661 msgid "" "<quote>Well, obviously, yes,</quote> the adviser responds. <quote>We could " "contribute to the campaigns of a number of representatives to try to assure " @@ -13889,7 +14253,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10474 +#: freeculture.xml:10666 msgid "" "You hate politics. You hate contributing to campaigns. So you want to know " "whether this disgusting practice is worth it. <quote>How much would we get " @@ -13898,7 +14262,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10480 +#: freeculture.xml:10672 msgid "" "<quote>Well,</quote> the adviser says, <quote>if you're confident that you " "will continue to get at least $100,000 a year from these copyrights, and you " @@ -13907,14 +14271,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10486 +#: freeculture.xml:10678 msgid "" "You're a bit shocked by the number, but you quickly come to the correct " "conclusion:" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10490 +#: freeculture.xml:10682 msgid "" "<quote>So you're saying it would be worth it for us to pay more than " "$1,000,000 in campaign contributions if we were confident those " @@ -13922,7 +14286,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10496 +#: freeculture.xml:10688 msgid "" "<quote>Absolutely,</quote> the adviser responds. <quote>It is worth it to " "you to contribute up to the `present value' of the income you expect from " @@ -13931,7 +14295,7 @@ msgstr "" #. PAGE BREAK 225 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10502 +#: freeculture.xml:10694 msgid "" "You quickly get the point—you as the member of the board and, I trust, " "you the reader. Each time copyrights are about to expire, every beneficiary " @@ -13943,7 +14307,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10513 +#: freeculture.xml:10705 msgid "" "Thus a congressional perpetual motion machine: So long as legislation can be " "bought (albeit indirectly), there will be all the incentive in the world to " @@ -13952,7 +14316,7 @@ msgstr "" #. f3. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10525 +#: freeculture.xml:10717 msgid "" "Associated Press, <quote>Disney Lobbying for Copyright Extension No Mickey " "Mouse Effort; Congress OKs Bill Granting Creators 20 More Years,</quote> " @@ -13961,7 +14325,7 @@ msgstr "" #. f4. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10532 +#: freeculture.xml:10724 msgid "" "See Nick Brown, <quote>Fair Use No More?: Copyright in the Information " "Age,</quote> available at <ulink url=\"http://free-culture.cc/notes/\">link " @@ -13970,7 +14334,7 @@ msgstr "" #. f5. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10540 +#: freeculture.xml:10732 msgid "" "Alan K. Ota, <quote>Disney in Washington: The Mouse That Roars,</quote> " "<citetitle>Congressional Quarterly This Week</citetitle>, 8 August 1990, " @@ -13978,7 +14342,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10518 +#: freeculture.xml:10710 msgid "" "In the lobbying that led to the passage of the Sonny Bono Copyright Term " "Extension Act, this <quote>theory</quote> about incentives was proved " @@ -13993,21 +14357,22 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10547 +#: freeculture.xml:10739 msgid "" -"Constitutional law is not oblivious to the obvious. Or at least, it need not " -"be. So when I was considering Eldred's complaint, this reality about the " -"never-ending incentives to increase the copyright term was central to my " -"thinking. In my view, a pragmatic court committed to interpreting and " -"applying the Constitution of our framers would see that if Congress has the " -"power to extend existing terms, then there would be no effective " -"constitutional requirement that terms be <quote>limited.</quote> If they " -"could extend it once, they would extend it again and again and again." +"<emphasis role='strong'>Constitutional law</emphasis> is not oblivious to " +"the obvious. Or at least, it need not be. So when I was considering Eldred's " +"complaint, this reality about the never-ending incentives to increase the " +"copyright term was central to my thinking. In my view, a pragmatic court " +"committed to interpreting and applying the Constitution of our framers would " +"see that if Congress has the power to extend existing terms, then there " +"would be no effective constitutional requirement that terms be " +"<quote>limited.</quote> If they could extend it once, they would extend it " +"again and again and again." msgstr "" #. PAGE BREAK 226 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10560 +#: freeculture.xml:10751 msgid "" "It was also my judgment that <emphasis>this</emphasis> Supreme Court would " "not allow Congress to extend existing terms. As anyone close to the Supreme " @@ -14019,7 +14384,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10573 +#: freeculture.xml:10764 msgid "" "Since 1937, the Supreme Court had interpreted Congress's granted powers very " "broadly; so, while the Constitution grants Congress the power to regulate " @@ -14029,7 +14394,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10583 +#: freeculture.xml:10774 msgid "" "As the economy grew, this standard increasingly meant that there was no " "limit to Congress's power to regulate, since just about every activity, when " @@ -14039,12 +14404,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:10589 freeculture.xml:11365 +#: freeculture.xml:10780 freeculture.xml:11567 msgid "Rehnquist, William H." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10591 +#: freeculture.xml:10782 msgid "" "The Supreme Court, under Chief Justice Rehnquist's command, changed that in " "<citetitle>United States</citetitle> v. <citetitle>Lopez</citetitle>. The " @@ -14060,7 +14425,7 @@ msgstr "" #. f6. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10606 +#: freeculture.xml:10797 msgid "" "<citetitle>United States</citetitle> v. <citetitle>Lopez</citetitle>, 514 " "U.S. 549, 564 (1995)." @@ -14068,14 +14433,14 @@ msgstr "" #. f7. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10613 +#: freeculture.xml:10804 msgid "" "<citetitle>United States</citetitle> v. <citetitle>Morrison</citetitle>, 529 " "U.S. 598 (2000)." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10604 +#: freeculture.xml:10795 msgid "" "<quote>We pause to consider the implications of the government's " "arguments,</quote> the Chief Justice wrote.<placeholder type=\"footnote\" " @@ -14088,7 +14453,7 @@ msgstr "" #. f8. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10620 +#: freeculture.xml:10811 msgid "" "If it is a principle about enumerated powers, then the principle carries " "from one enumerated power to another. The animating point in the context of " @@ -14103,7 +14468,7 @@ msgstr "" #. PAGE BREAK 227 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10617 +#: freeculture.xml:10808 msgid "" "If a principle were at work here, then it should apply to the Progress " "Clause as much as the Commerce Clause.<placeholder type=\"footnote\" " @@ -14117,7 +14482,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10641 +#: freeculture.xml:10832 msgid "" "<emphasis>If</emphasis>, that is, the principle announced in " "<citetitle>Lopez</citetitle> stood for a principle. Many believed the " @@ -14133,27 +14498,28 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10654 +#: freeculture.xml:10845 msgid "" -"Now let's pause for a moment to make sure we understand what the argument in " -"<citetitle>Eldred</citetitle> was not about. By insisting on the " -"Constitution's limits to copyright, obviously Eldred was not endorsing " -"piracy. Indeed, in an obvious sense, he was fighting a kind of " -"piracy—piracy of the public domain. When Robert Frost wrote his work " -"and when Walt Disney created Mickey Mouse, the maximum copyright term was " -"just fifty-six years. Because of interim changes, Frost and Disney had " -"already enjoyed a seventy-five-year monopoly for their work. They had gotten " -"the benefit of the bargain that the Constitution envisions: In exchange for " -"a monopoly protected for fifty-six years, they created new work. But now " -"these entities were using their power—expressed through the power of " -"lobbyists' money—to get another twenty-year dollop of monopoly. That " -"twenty-year dollop would be taken from the public domain. Eric Eldred was " -"fighting a piracy that affects us all." +"<emphasis role='strong'>Now let's pause</emphasis> for a moment to make sure " +"we understand what the argument in <citetitle>Eldred</citetitle> was not " +"about. By insisting on the Constitution's limits to copyright, obviously " +"Eldred was not endorsing piracy. Indeed, in an obvious sense, he was " +"fighting a kind of piracy—piracy of the public domain. When Robert " +"Frost wrote his work and when Walt Disney created Mickey Mouse, the maximum " +"copyright term was just fifty-six years. Because of interim changes, Frost " +"and Disney had already enjoyed a seventy-five-year monopoly for their " +"work. They had gotten the benefit of the bargain that the Constitution " +"envisions: In exchange for a monopoly protected for fifty-six years, they " +"created new work. But now these entities were using their " +"power—expressed through the power of lobbyists' money—to get " +"another twenty-year dollop of monopoly. That twenty-year dollop would be " +"taken from the public domain. Eric Eldred was fighting a piracy that affects " +"us all." msgstr "" #. f9. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10677 +#: freeculture.xml:10869 msgid "" "Brief of the Nashville Songwriters Association, " "<citetitle>Eldred</citetitle> v. <citetitle>Ashcroft</citetitle>, 537 U.S. " @@ -14162,12 +14528,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:10685 +#: freeculture.xml:10877 msgid "Nashville Songwriters Association" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10671 +#: freeculture.xml:10863 msgid "" "Some people view the public domain with contempt. In their brief before the " "Supreme Court, the Nashville Songwriters Association wrote that the public " @@ -14179,7 +14545,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10688 +#: freeculture.xml:10880 msgid "" "As we've seen, our constitutional system requires limits on copyright as a " "way to assure that copyright holders do not too heavily influence the " @@ -14191,21 +14557,22 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10700 +#: freeculture.xml:10892 msgid "" -"It is valuable copyrights that are responsible for terms being extended. " -"Mickey Mouse and <quote>Rhapsody in Blue.</quote> These works are too " -"valuable for copyright owners to ignore. But the real harm to our society " -"from copyright extensions is not that Mickey Mouse remains Disney's. Forget " -"Mickey Mouse. Forget Robert Frost. Forget all the works from the 1920s and " -"1930s that have continuing commercial value. The real harm of term extension " -"comes not from these famous works. The real harm is to the works that are " -"not famous, not commercially exploited, and no longer available as a result." +"<emphasis role='strong'>It is valuable</emphasis> copyrights that are " +"responsible for terms being extended. Mickey Mouse and <quote>Rhapsody in " +"Blue.</quote> These works are too valuable for copyright owners to " +"ignore. But the real harm to our society from copyright extensions is not " +"that Mickey Mouse remains Disney's. Forget Mickey Mouse. Forget Robert " +"Frost. Forget all the works from the 1920s and 1930s that have continuing " +"commercial value. The real harm of term extension comes not from these " +"famous works. The real harm is to the works that are not famous, not " +"commercially exploited, and no longer available as a result." msgstr "" #. f10. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10721 +#: freeculture.xml:10910 msgid "" "The figure of 2 percent is an extrapolation from the study by the " "Congressional Research Service, in light of the estimated renewal " @@ -14215,7 +14582,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10715 +#: freeculture.xml:10904 msgid "" "If you look at the work created in the first twenty years (1923 to 1942) " "affected by the Sonny Bono Copyright Term Extension Act, 2 percent of that " @@ -14227,7 +14594,7 @@ msgstr "" #. PAGE BREAK 229 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10730 +#: freeculture.xml:10919 msgid "" "Think practically about the consequence of this extension—practically, " "as a businessperson, and not as a lawyer eager for more legal work. In 1930, " @@ -14238,7 +14605,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10742 +#: freeculture.xml:10932 msgid "" "Well, first, you'd have to determine which of the 9,873 books were still " "under copyright. That requires going to a library (these data are not " @@ -14249,14 +14616,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10750 +#: freeculture.xml:10940 msgid "" "Then for the books still under copyright, you would need to locate the " "current copyright owners. How would you do that?" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10754 +#: freeculture.xml:10944 msgid "" "Most people think that there must be a list of these copyright owners " "somewhere. Practical people think this way. How could there be thousands and " @@ -14264,7 +14631,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10761 +#: freeculture.xml:10951 msgid "" "But there is no list. There may be a name from 1930, and then in 1959, of " "the person who registered the copyright. But just think practically about " @@ -14274,7 +14641,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10770 +#: freeculture.xml:10960 msgid "" "<quote>But there isn't a list of who owns property generally,</quote> the " "apologists for the system respond. <quote>Why should there be a list of " @@ -14282,7 +14649,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10775 +#: freeculture.xml:10965 msgid "" "Well, actually, if you think about it, there <emphasis>are</emphasis> plenty " "of lists of who owns what property. Think about deeds on houses, or titles " @@ -14294,7 +14661,7 @@ msgstr "" #. PAGE BREAK 230 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10784 +#: freeculture.xml:10974 msgid "" "So: You walk down a street and see a house. You can know who owns the house " "by looking it up in the courthouse registry. If you see a car, there is " @@ -14308,7 +14675,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10799 +#: freeculture.xml:10989 msgid "" "Compare this story to intangible property. You go into a library. The " "library owns the books. But who owns the copyrights? As I've already " @@ -14322,7 +14689,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10811 +#: freeculture.xml:11001 msgid "" "The consequence with respect to old books is that they won't be digitized, " "and hence will simply rot away on shelves. But the consequence for other " @@ -14330,23 +14697,23 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:10816 +#: freeculture.xml:11007 msgid "Agee, Michael" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:10817 freeculture.xml:11248 +#: freeculture.xml:11009 freeculture.xml:11447 msgid "Hal Roach Studios" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:10818 +#: freeculture.xml:11010 msgid "Laurel and Hardy Films" msgstr "" #. f11. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10831 +#: freeculture.xml:11023 msgid "" "See David G. Savage, <quote>High Court Scene of Showdown on Copyright " "Law,</quote> <citetitle>Los Angeles Times</citetitle>, 6 October 2002; David " @@ -14356,12 +14723,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:10837 +#: freeculture.xml:11029 msgid "Lucky Dog, The" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10820 +#: freeculture.xml:11012 msgid "" "Consider the story of Michael Agee, chairman of Hal Roach Studios, which " "owns the copyrights for the Laurel and Hardy films. Agee is a direct " @@ -14377,7 +14744,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10840 +#: freeculture.xml:11032 msgid "" "Yet Agee opposed the CTEA. His reasons demonstrate a rare virtue in this " "culture: selflessness. He argued in a brief before the Supreme Court that " @@ -14387,7 +14754,7 @@ msgstr "" #. PAGE BREAK 231 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10846 +#: freeculture.xml:11038 msgid "" "His argument is straightforward. A tiny fraction of this work has any " "continuing commercial value. The rest—to the extent it survives at " @@ -14399,7 +14766,7 @@ msgstr "" #. f12. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:10864 +#: freeculture.xml:11056 msgid "" "Brief of Hal Roach Studios and Michael Agee as Amicus Curiae Supporting the " "Petitoners, <citetitle>Eldred</citetitle> " @@ -14411,7 +14778,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10857 +#: freeculture.xml:11049 msgid "" "We can't know the benefits, but we do know a lot about the costs. For most " "of the history of film, the costs of restoring film were very high; digital " @@ -14422,7 +14789,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10874 +#: freeculture.xml:11066 msgid "" "Restoration technology is not the only cost, nor the most important. " "Lawyers, too, are a cost, and increasingly, a very important one. In " @@ -14432,7 +14799,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10882 +#: freeculture.xml:11074 msgid "" "Or more accurately, <emphasis>owners</emphasis>. As we've seen, there isn't " "only a single copyright associated with a film; there are many. There isn't " @@ -14443,7 +14810,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10890 +#: freeculture.xml:11082 msgid "" "<quote>But can't you just restore the film, distribute it, and then pay the " "copyright owner when she shows up?</quote> Sure, if you want to commit a " @@ -14458,7 +14825,7 @@ msgstr "" #. PAGE BREAK 232 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10901 +#: freeculture.xml:11093 msgid "" "For some films, the benefit of releasing the film may well exceed these " "costs. But for the vast majority of them, there is no way the benefit would " @@ -14468,7 +14835,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10911 +#: freeculture.xml:11104 msgid "" "But by the time the copyright for these films expires, the film will have " "expired. These films were produced on nitrate-based stock, and nitrate stock " @@ -14477,18 +14844,18 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10919 +#: freeculture.xml:11112 msgid "" -"Of all the creative work produced by humans anywhere, a tiny fraction has " -"continuing commercial value. For that tiny fraction, the copyright is a " -"crucially important legal device. For that tiny fraction, the copyright " -"creates incentives to produce and distribute the creative work. For that " -"tiny fraction, the copyright acts as an <quote>engine of free " -"expression.</quote>" +"<emphasis role='strong'>Of all the</emphasis> creative work produced by " +"humans anywhere, a tiny fraction has continuing commercial value. For that " +"tiny fraction, the copyright is a crucially important legal device. For that " +"tiny fraction, the copyright creates incentives to produce and distribute " +"the creative work. For that tiny fraction, the copyright acts as an " +"<quote>engine of free expression.</quote>" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10928 +#: freeculture.xml:11120 msgid "" "But even for that tiny fraction, the actual time during which the creative " "work has a commercial life is extremely short. As I've indicated, most books " @@ -14499,7 +14866,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10938 +#: freeculture.xml:11130 msgid "" "Yet that doesn't mean the life of the creative work ends. We don't keep " "libraries of books in order to compete with Barnes & Noble, and we don't " @@ -14513,7 +14880,7 @@ msgstr "" #. PAGE BREAK 233 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10951 +#: freeculture.xml:11143 msgid "" "Copyrights in this context do not drive an engine of free expression. In " "this context, there is no need for an exclusive right. Copyrights in this " @@ -14521,7 +14888,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10958 +#: freeculture.xml:11150 msgid "" "Yet, for most of our history, they also did little harm. For most of our " "history, when a work ended its commercial life, there was no " @@ -14534,7 +14901,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10969 +#: freeculture.xml:11161 msgid "" "The same was effectively true of film. Because the costs of restoring a " "film—the real economic costs, not the lawyer costs—were so high, " @@ -14545,7 +14912,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10978 +#: freeculture.xml:11170 msgid "" "In other words, though copyright has been relatively short for most of our " "history, long copyrights wouldn't have mattered for the works that lost " @@ -14554,12 +14921,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10984 +#: freeculture.xml:11176 msgid "But this situation has now changed." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:10987 +#: freeculture.xml:11182 msgid "" "One crucially important consequence of the emergence of digital technologies " "is to enable the archive that Brewster Kahle dreams of. Digital " @@ -14574,7 +14941,7 @@ msgstr "" #. PAGE BREAK 234 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11000 +#: freeculture.xml:11195 msgid "" "And now copyright law does get in the way. Every step of producing this " "digital archive of our culture infringes on the exclusive right of " @@ -14587,7 +14954,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11010 +#: freeculture.xml:11205 msgid "" "Here is the core of the harm that comes from extending terms: Now that " "technology enables us to rebuild the library of Alexandria, the law gets in " @@ -14601,7 +14968,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11021 +#: freeculture.xml:11216 msgid "" "You may well ask, <quote>But if digital technologies lower the costs for " "Brewster Kahle, then they will lower the costs for Random House, too. So " @@ -14610,7 +14977,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11027 +#: freeculture.xml:11222 msgid "" "Maybe. Someday. But there is absolutely no evidence to suggest that " "publishers would be as complete as libraries. If Barnes & Noble offered " @@ -14625,7 +14992,7 @@ msgstr "" #. f13. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:11050 +#: freeculture.xml:11246 msgid "" "Jason Schultz, <quote>The Myth of the 1976 Copyright `Chaos' Theory,</quote> " "20 December 2002, available at <ulink " @@ -14633,7 +15000,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11038 +#: freeculture.xml:11234 msgid "" "I would be the first to agree that it should do as much as it can: We should " "rely upon the market as much as possible to spread and enable culture. My " @@ -14647,18 +15014,19 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11057 +#: freeculture.xml:11253 msgid "" -"In January 1999, we filed a lawsuit on Eric Eldred's behalf in federal " -"district court in Washington, D.C., asking the court to declare the Sonny " -"Bono Copyright Term Extension Act unconstitutional. The two central claims " -"that we made were (1) that extending existing terms violated the " -"Constitution's <quote>limited Times</quote> requirement, and (2) that " -"extending terms by another twenty years violated the First Amendment." +"<emphasis role='strong'>In January 1999</emphasis>, we filed a lawsuit on " +"Eric Eldred's behalf in federal district court in Washington, D.C., asking " +"the court to declare the Sonny Bono Copyright Term Extension Act " +"unconstitutional. The two central claims that we made were (1) that " +"extending existing terms violated the Constitution's <quote>limited " +"Times</quote> requirement, and (2) that extending terms by another twenty " +"years violated the First Amendment." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11065 +#: freeculture.xml:11262 msgid "" "The district court dismissed our claims without even hearing an argument. A " "panel of the Court of Appeals for the D.C. Circuit also dismissed our " @@ -14668,7 +15036,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11072 +#: freeculture.xml:11269 msgid "" "Judge David Sentelle said the CTEA violated the requirement that copyrights " "be for <quote>limited Times</quote> only. His argument was as elegant as it " @@ -14682,7 +15050,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11083 +#: freeculture.xml:11280 msgid "" "We asked the Court of Appeals for the D.C. Circuit as a whole to hear the " "case. Cases are ordinarily heard in panels of three, except for important " @@ -14690,9 +15058,14 @@ msgid "" "the court will sit <quote>en banc</quote> to hear the case." msgstr "" +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:11285 +msgid "Tatel, David" +msgstr "" + #. PAGE BREAK 236 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11089 +#: freeculture.xml:11287 msgid "" "The Court of Appeals rejected our request to hear the case en banc. This " "time, Judge Sentelle was joined by the most liberal member of the " @@ -14702,7 +15075,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11098 +#: freeculture.xml:11296 msgid "" "It was here that most expected Eldred v. Ashcroft would die, for the Supreme " "Court rarely reviews any decision by a court of appeals. (It hears about one " @@ -14712,7 +15085,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11105 +#: freeculture.xml:11303 msgid "" "But in February 2002, the Supreme Court surprised the world by granting our " "petition to review the D.C. Circuit opinion. Argument was set for October of " @@ -14720,20 +15093,20 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11111 +#: freeculture.xml:11309 msgid "" -"It is over a year later as I write these words. It is still astonishingly " -"hard. If you know anything at all about this story, you know that we lost " -"the appeal. And if you know something more than just the minimum, you " -"probably think there was no way this case could have been won. After our " -"defeat, I received literally thousands of missives by well-wishers and " -"supporters, thanking me for my work on behalf of this noble but doomed " -"cause. And none from this pile was more significant to me than the e-mail " -"from my client, Eric Eldred." +"<emphasis role='strong'>It is over</emphasis> a year later as I write these " +"words. It is still astonishingly hard. If you know anything at all about " +"this story, you know that we lost the appeal. And if you know something more " +"than just the minimum, you probably think there was no way this case could " +"have been won. After our defeat, I received literally thousands of missives " +"by well-wishers and supporters, thanking me for my work on behalf of this " +"noble but doomed cause. And none from this pile was more significant to me " +"than the e-mail from my client, Eric Eldred." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11121 +#: freeculture.xml:11320 msgid "" "But my client and these friends were wrong. This case could have been " "won. It should have been won. And no matter how hard I try to retell this " @@ -14741,35 +15114,35 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11126 freeculture.xml:11140 +#: freeculture.xml:11325 freeculture.xml:11339 msgid "Steward, Geoffrey" msgstr "" #. PAGE BREAK 237 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11128 +#: freeculture.xml:11327 msgid "" -"The mistake was made early, though it became obvious only at the very " -"end. Our case had been supported from the very beginning by an extraordinary " -"lawyer, Geoffrey Stewart, and by the law firm he had moved to, Jones, Day, " -"Reavis and Pogue. Jones Day took a great deal of heat from its " -"copyright-protectionist clients for supporting us. They ignored this " -"pressure (something that few law firms today would ever do), and throughout " -"the case, they gave it everything they could." +"<emphasis role='strong'>The mistake</emphasis> was made early, though it " +"became obvious only at the very end. Our case had been supported from the " +"very beginning by an extraordinary lawyer, Geoffrey Stewart, and by the law " +"firm he had moved to, Jones, Day, Reavis and Pogue. Jones Day took a great " +"deal of heat from its copyright-protectionist clients for supporting " +"us. They ignored this pressure (something that few law firms today would " +"ever do), and throughout the case, they gave it everything they could." msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11138 freeculture.xml:11488 freeculture.xml:11504 freeculture.xml:11597 freeculture.xml:11811 freeculture.xml:11842 freeculture.xml:11935 +#: freeculture.xml:11337 freeculture.xml:11698 freeculture.xml:11714 freeculture.xml:11811 freeculture.xml:12031 freeculture.xml:12062 freeculture.xml:12160 msgid "Ayer, Don" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11139 +#: freeculture.xml:11338 msgid "Bromberg, Dan" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11142 +#: freeculture.xml:11341 msgid "" "There were three key lawyers on the case from Jones Day. Geoff Stewart was " "the first, but then Dan Bromberg and Don Ayer became quite " @@ -14782,7 +15155,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11152 +#: freeculture.xml:11351 msgid "" "I hate this view of the law. Of course I thought the Sonny Bono Act was a " "dramatic harm to free speech and free culture. Of course I still think it " @@ -14804,7 +15177,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11173 +#: freeculture.xml:11372 msgid "" "In any case, I thought, the Court must already see the danger and the harm " "caused by this sort of law. Why else would they grant review? There was no " @@ -14815,7 +15188,7 @@ msgstr "" #. PAGE BREAK 238 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11181 +#: freeculture.xml:11380 msgid "" "There was one way, however, in which I felt politics would matter and in " "which I thought a response was appropriate. I was convinced that the Court " @@ -14834,17 +15207,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:11212 freeculture.xml:11238 +#: freeculture.xml:11411 freeculture.xml:11437 msgid "Eagle Forum" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:11213 +#: freeculture.xml:11412 msgid "Schlafly, Phyllis" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11200 +#: freeculture.xml:11399 msgid "" "The first step happened all by itself. Phyllis Schlafly's organization, " "Eagle Forum, had been an opponent of the CTEA from the very beginning. " @@ -14862,7 +15235,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11216 +#: freeculture.xml:11415 msgid "" "In the Court of Appeals, Eagle Forum was eager to file a brief supporting " "our position. Their brief made the argument that became the core claim in " @@ -14872,7 +15245,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11224 +#: freeculture.xml:11423 msgid "" "In the Supreme Court, the briefs on our side were about as diverse as it " "gets. They included an extraordinary historical brief by the Free Software " @@ -14888,17 +15261,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:11245 +#: freeculture.xml:11444 msgid "American Association of Law Libraries" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:11246 +#: freeculture.xml:11445 msgid "National Writers Union" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11241 +#: freeculture.xml:11440 msgid "" "Those briefs framed a legal argument. Then to support the legal argument, " "there were a number of powerful briefs by libraries and archives, including " @@ -14908,7 +15281,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11250 +#: freeculture.xml:11449 msgid "" "But two briefs captured the policy argument best. One made the argument I've " "already described: A brief by Hal Roach Studios argued that unless the law " @@ -14917,32 +15290,32 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11256 +#: freeculture.xml:11455 msgid "Akerlof, George" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11257 +#: freeculture.xml:11456 msgid "Arrow, Kenneth" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11258 +#: freeculture.xml:11457 msgid "Buchanan, James" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11259 +#: freeculture.xml:11458 msgid "Coase, Ronald" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11260 +#: freeculture.xml:11459 msgid "Friedman, Milton" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11262 +#: freeculture.xml:11461 msgid "" "This economists' brief was signed by seventeen economists, including five " "Nobel Prize winners, including Ronald Coase, James Buchanan, Milton " @@ -14956,27 +15329,27 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:11285 freeculture.xml:11301 freeculture.xml:11495 freeculture.xml:11847 +#: freeculture.xml:11484 freeculture.xml:11500 freeculture.xml:11705 freeculture.xml:12067 msgid "Fried, Charles" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:11286 +#: freeculture.xml:11485 msgid "Morrison, Alan" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:11287 +#: freeculture.xml:11486 msgid "Public Citizen" msgstr "" #. type: Content of: <book><chapter><indexterm><primary> -#: freeculture.xml:11288 freeculture.xml:11489 freeculture.xml:12593 +#: freeculture.xml:11487 freeculture.xml:11699 freeculture.xml:12820 msgid "Reagan, Ronald" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11273 +#: freeculture.xml:11472 msgid "" "The same effort at balance was reflected in the legal team we gathered to " "write our briefs in the case. The Jones Day lawyers had been with us from " @@ -14993,7 +15366,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11291 +#: freeculture.xml:11490 msgid "" "Fried was a special victory for our side. Every other former solicitor " "general was hired by the other side to defend Congress's power to give media " @@ -15008,7 +15381,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11304 +#: freeculture.xml:11503 msgid "" "The government, in defending the statute, had its collection of friends, as " "well. Significantly, however, none of these <quote>friends</quote> included " @@ -15018,7 +15391,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11311 +#: freeculture.xml:11510 msgid "" "The media companies were not surprising. They had the most to gain from the " "law. The congressmen were not surprising either—they were defending " @@ -15030,7 +15403,7 @@ msgstr "" #. f14. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:11327 +#: freeculture.xml:11526 msgid "" "Brief of Amici Dr. Seuss Enterprise et al., <citetitle>Eldred</citetitle> " "v. <citetitle>Ashcroft</citetitle>, 537 U.S. (2003) (No. 01-618), 19." @@ -15038,7 +15411,7 @@ msgstr "" #. f15. #. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:11335 +#: freeculture.xml:11534 msgid "" "Dinitia Smith, <quote>Immortal Words, Immortal Royalties? Even Mickey Mouse " "Joins the Fray,</quote> <citetitle>New York Times</citetitle>, 28 March " @@ -15046,12 +15419,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:11342 +#: freeculture.xml:11541 msgid "Gershwin, George" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11320 +#: freeculture.xml:11519 msgid "" "Dr. Seuss's representatives, for example, argued that it was better for the " "Dr. Seuss estate to control what happened to Dr. Seuss's work— better " @@ -15068,7 +15441,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11345 +#: freeculture.xml:11544 msgid "" "This argument made clear a theme that is rarely noticed in this debate. " "When Congress decides to extend the term of existing copyrights, Congress is " @@ -15083,19 +15456,30 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11357 +#: freeculture.xml:11556 msgid "" "We argued as much in a final brief. Not only would upholding the CTEA mean " "that there was no limit to the power of Congress to extend " "copyrights—extensions that would further concentrate the market; it " "would also mean that there was no limit to Congress's power to play " -"favorites, through copyright, with who has the right to speak. Between " -"February and October, there was little I did beyond preparing for this " -"case. Early on, as I said, I set the strategy." +"favorites, through copyright, with who has the right to speak." +msgstr "" + +#. type: Content of: <book><part><chapter><para> +#: freeculture.xml:11563 +msgid "" +"<emphasis role='strong'>Between February</emphasis> and October, there was " +"little I did beyond preparing for this case. Early on, as I said, I set the " +"strategy." +msgstr "" + +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:11568 freeculture.xml:11756 +msgid "O'Connor, Sandra Day" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11367 +#: freeculture.xml:11570 msgid "" "The Supreme Court was divided into two important camps. One camp we called " "<quote>the Conservatives.</quote> The other we called <quote>the " @@ -15108,13 +15492,18 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11376 freeculture.xml:11400 freeculture.xml:11740 freeculture.xml:11752 +#: freeculture.xml:11579 freeculture.xml:11606 freeculture.xml:11958 freeculture.xml:11970 msgid "Breyer, Stephen" msgstr "" +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:11581 freeculture.xml:11922 +msgid "Ginsburg, Ruth Bader" +msgstr "" + #. PAGE BREAK 242 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11378 +#: freeculture.xml:11584 msgid "" "The Rest were the four Justices who had strongly opposed limits on " "Congress's power. These four—Justice Stevens, Justice Souter, Justice " @@ -15127,7 +15516,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11390 +#: freeculture.xml:11596 msgid "" "In particular, the least likely was Justice Ginsburg's. In addition to her " "general view about deference to Congress (except where issues of gender are " @@ -15140,7 +15529,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11402 +#: freeculture.xml:11608 msgid "" "Close behind Justice Ginsburg were two justices whom we also viewed as " "unlikely allies, though possible surprises. Justice Souter strongly favored " @@ -15150,7 +15539,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11410 +#: freeculture.xml:11617 msgid "" "The only vote we could be confident about was that of Justice " "Stevens. History will record Justice Stevens as one of the greatest judges " @@ -15161,7 +15550,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11418 +#: freeculture.xml:11625 msgid "" "This analysis of <quote>the Rest</quote> showed most clearly where our focus " "had to be: on the Conservatives. To win this case, we had to crack open " @@ -15174,7 +15563,7 @@ msgstr "" #. PAGE BREAK 243 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11428 +#: freeculture.xml:11635 msgid "" "This then was the core of our strategy—a strategy for which I am " "responsible. We would get the Court to see that just as with the " @@ -15189,17 +15578,17 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11442 +#: freeculture.xml:11649 msgid "" -"The argument on the government's side came down to this: Congress has done " -"it before. It should be allowed to do it again. The government claimed that " -"from the very beginning, Congress has been extending the term of existing " -"copyrights. So, the government argued, the Court should not now say that " -"practice is unconstitutional." +"<emphasis role='strong'>The argument</emphasis> on the government's side " +"came down to this: Congress has done it before. It should be allowed to do " +"it again. The government claimed that from the very beginning, Congress has " +"been extending the term of existing copyrights. So, the government argued, " +"the Court should not now say that practice is unconstitutional." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11449 +#: freeculture.xml:11657 msgid "" "There was some truth to the government's claim, but not much. We certainly " "agreed that Congress had extended existing terms in 1831 and in 1909. And of " @@ -15207,9 +15596,8 @@ msgid "" "regularly—eleven times in forty years." msgstr "" -#. PAGE BREAK 244 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11456 +#: freeculture.xml:11664 msgid "" "But this <quote>consistency</quote> should be kept in perspective. Congress " "extended existing terms once in the first hundred years of the Republic. It " @@ -15219,15 +15607,22 @@ msgid "" "now gone. Congress was now in a cycle of extensions; there was no reason to " "expect that cycle would end. This Court had not hesitated to intervene where " "Congress was in a similar cycle of extension. There was no reason it " -"couldn't intervene here. Oral argument was scheduled for the first week in " -"October. I arrived in D.C. two weeks before the argument. During those two " -"weeks, I was repeatedly <quote>mooted</quote> by lawyers who had volunteered " -"to help in the case. Such <quote>moots</quote> are basically practice " -"rounds, where wannabe justices fire questions at wannabe winners." +"couldn't intervene here." +msgstr "" + +#. PAGE BREAK 244 +#. type: Content of: <book><part><chapter><para> +#: freeculture.xml:11679 +msgid "" +"<emphasis role='strong'>Oral argument</emphasis> was scheduled for the first " +"week in October. I arrived in D.C. two weeks before the argument. During " +"those two weeks, I was repeatedly <quote>mooted</quote> by lawyers who had " +"volunteered to help in the case. Such <quote>moots</quote> are basically " +"practice rounds, where wannabe justices fire questions at wannabe winners." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11479 +#: freeculture.xml:11689 msgid "" "I was convinced that to win, I had to keep the Court focused on a single " "point: that if this extension is permitted, then there is no limit to the " @@ -15238,7 +15633,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11491 +#: freeculture.xml:11701 msgid "" "One moot was before the lawyers at Jones Day. Don Ayer was the skeptic. He " "had served in the Reagan Justice Department with Solicitor General Charles " @@ -15248,7 +15643,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11498 +#: freeculture.xml:11708 msgid "" "<quote>I'm just afraid that unless they really see the harm, they won't be " "willing to upset this practice that the government says has been a " @@ -15257,9 +15652,8 @@ msgid "" "that, then we haven't any chance of winning.</quote>" msgstr "" -#. PAGE BREAK 245 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11506 +#: freeculture.xml:11716 msgid "" "He may have argued many cases before this Court, I thought, but he didn't " "understand its soul. As a clerk, I had seen the Justices do the right " @@ -15268,16 +15662,22 @@ msgid "" "right thing—not because of politics but because it is right. As I " "listened to Ayer's plea for passion in pressing politics, I understood his " "point, and I rejected it. Our argument was right. That was enough. Let the " -"politicians learn to see that it was also good. The night before the " -"argument, a line of people began to form in front of the Supreme Court. The " -"case had become a focus of the press and of the movement to free " -"culture. Hundreds stood in line for the chance to see the " -"proceedings. Scores spent the night on the Supreme Court steps so that they " -"would be assured a seat." +"politicians learn to see that it was also good." +msgstr "" + +#. PAGE BREAK 245 +#. type: Content of: <book><part><chapter><para> +#: freeculture.xml:11726 +msgid "" +"<emphasis role='strong'>The night before</emphasis> the argument, a line of " +"people began to form in front of the Supreme Court. The case had become a " +"focus of the press and of the movement to free culture. Hundreds stood in " +"line for the chance to see the proceedings. Scores spent the night on the " +"Supreme Court steps so that they would be assured a seat." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11523 +#: freeculture.xml:11736 msgid "" "Not everyone has to wait in line. People who know the Justices can ask for " "seats they control. (I asked Justice Scalia's chambers for seats for my " @@ -15293,7 +15693,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11538 +#: freeculture.xml:11751 msgid "" "When the Chief Justice called me to begin my argument, I began where I " "intended to stay: on the question of the limits on Congress's power. This " @@ -15302,14 +15702,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11544 +#: freeculture.xml:11758 msgid "" "Justice O'Connor stopped me within one minute of my opening. The history " "was bothering her." msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:11549 +#: freeculture.xml:11763 msgid "" "justice o'connor: Congress has extended the term so often through the years, " "and if you are right, don't we run the risk of upsetting previous extensions " @@ -15318,7 +15718,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11556 +#: freeculture.xml:11770 msgid "" "She was quite willing to concede <quote>that this flies directly in the face " "of what the framers had in mind.</quote> But my response again and again was " @@ -15327,7 +15727,7 @@ msgstr "" #. PAGE BREAK 246 #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:11562 +#: freeculture.xml:11776 msgid "" "mr. lessig: Well, if it flies in the face of what the framers had in mind, " "then the question is, is there a way of interpreting their words that gives " @@ -15335,14 +15735,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11570 +#: freeculture.xml:11784 msgid "" "There were two points in this argument when I should have seen where the " "Court was going. The first was a question by Justice Kennedy, who observed," msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:11576 +#: freeculture.xml:11790 msgid "" "justice kennedy: Well, I suppose implicit in the argument that the '76 act, " "too, should have been declared void, and that we might leave it alone " @@ -15352,14 +15752,14 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11584 +#: freeculture.xml:11798 msgid "" "Here follows my clear mistake. Like a professor correcting a student, I " "answered," msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:11590 +#: freeculture.xml:11804 msgid "" "mr. lessig: Justice, we are not making an empirical claim at all. Nothing " "in our Copyright Clause claim hangs upon the empirical assertion about " @@ -15369,7 +15769,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11599 +#: freeculture.xml:11813 msgid "" "That was a correct answer, but it wasn't the right answer. The right answer " "was instead that there was an obvious and profound harm. Any number of " @@ -15379,7 +15779,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11606 +#: freeculture.xml:11820 msgid "" "The second came from the Chief, for whom the whole case had been " "crafted. For the Chief Justice had crafted the <citetitle>Lopez</citetitle> " @@ -15388,21 +15788,21 @@ msgstr "" #. PAGE BREAK 247 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11611 +#: freeculture.xml:11825 msgid "" "It was clear a second into his question that he wasn't at all sympathetic. " "To him, we were a bunch of anarchists. As he asked:" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:11618 +#: freeculture.xml:11832 msgid "" "chief justice: Well, but you want more than that. You want the right to copy " "verbatim other people's books, don't you?" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:11622 +#: freeculture.xml:11836 msgid "" "mr. lessig: We want the right to copy verbatim works that should be in the " "public domain and would be in the public domain but for a statute that " @@ -15410,8 +15810,13 @@ msgid "" "proper reading of the limits built into the Copyright Clause." msgstr "" +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:11844 +msgid "Olson, Theodore B." +msgstr "" + #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11631 +#: freeculture.xml:11846 msgid "" "Things went better for us when the government gave its argument; for now the " "Court picked up on the core of our claim. As Justice Scalia asked Solicitor " @@ -15419,7 +15824,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:11637 +#: freeculture.xml:11852 msgid "" "justice scalia: You say that the functional equivalent of an unlimited time " "would be a violation [of the Constitution], but that's precisely the " @@ -15428,7 +15833,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11645 +#: freeculture.xml:11860 msgid "" "When Olson was finished, it was my turn to give a closing rebuttal. Olson's " "flailing had revived my anger. But my anger still was directed to the " @@ -15444,15 +15849,16 @@ msgstr "" #. PAGE BREAK 248 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11658 +#: freeculture.xml:11873 msgid "" -"As I left the court that day, I knew there were a hundred points I wished I " -"could remake. There were a hundred questions I wished I had answered " -"differently. But one way of thinking about this case left me optimistic." +"<emphasis role='strong'>As I left</emphasis> the court that day, I knew " +"there were a hundred points I wished I could remake. There were a hundred " +"questions I wished I had answered differently. But one way of thinking about " +"this case left me optimistic." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11666 +#: freeculture.xml:11882 msgid "" "The government had been asked over and over again, what is the limit? Over " "and over again, it had answered there is no limit. This was precisely the " @@ -15469,17 +15875,18 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11681 +#: freeculture.xml:11897 msgid "" -"The morning of January 15, 2003, I was five minutes late to the office and " -"missed the 7:00 A.M. call from the Supreme Court clerk. Listening to the " -"message, I could tell in an instant that she had bad news to report.The " -"Supreme Court had affirmed the decision of the Court of Appeals. Seven " -"justices had voted in the majority. There were two dissents." +"<emphasis role='strong'>The morning</emphasis> of January 15, 2003, I was " +"five minutes late to the office and missed the 7:00 A.M. call from the " +"Supreme Court clerk. Listening to the message, I could tell in an instant " +"that she had bad news to report.The Supreme Court had affirmed the decision " +"of the Court of Appeals. Seven justices had voted in the majority. There " +"were two dissents." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11688 +#: freeculture.xml:11905 msgid "" "A few seconds later, the opinions arrived by e-mail. I took the phone off " "the hook, posted an announcement to our blog, and sat down to see where I " @@ -15487,7 +15894,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11693 +#: freeculture.xml:11910 msgid "" "My <emphasis>reasoning</emphasis>. Here was a case that pitted all the money " "in the world against <emphasis>reasoning</emphasis>. And here was the last " @@ -15495,7 +15902,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11699 +#: freeculture.xml:11916 msgid "" "I first scoured the opinion, looking for how the Court would distinguish the " "principle in this case from the principle in " @@ -15506,7 +15913,7 @@ msgstr "" #. PAGE BREAK 249 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11708 +#: freeculture.xml:11926 msgid "" "Justice Ginsburg simply ignored the enumerated powers argument. Consistent " "with her view that Congress's power was not limited generally, she had found " @@ -15514,7 +15921,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11713 +#: freeculture.xml:11931 msgid "" "Her opinion was perfectly reasonable—for her, and for Justice " "Souter. Neither believes in <citetitle>Lopez</citetitle>. It would be too " @@ -15523,7 +15930,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11719 +#: freeculture.xml:11937 msgid "" "But as I realized what had happened, I couldn't quite believe what I was " "reading. I had said there was no way this Court could reconcile limited " @@ -15537,7 +15944,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11730 +#: freeculture.xml:11948 msgid "" "Yet by what right did they get to choose which of the framers' values they " "would respect? By what right did they—the silent five—get to " @@ -15550,7 +15957,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11742 +#: freeculture.xml:11960 msgid "" "Justices Breyer and Stevens wrote very strong dissents. Stevens's opinion " "was crafted internal to the law: He argued that the tradition of " @@ -15565,7 +15972,7 @@ msgstr "" #. PAGE BREAK 250 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11755 +#: freeculture.xml:11973 msgid "" "Justice Breyer's opinion, perhaps the best opinion he has ever written, was " "external to the Constitution. He argued that the term of copyrights has " @@ -15579,7 +15986,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11766 +#: freeculture.xml:11984 msgid "" "These two justices understood all the arguments we had made. But because " "neither believed in the <citetitle>Lopez</citetitle> case, neither was " @@ -15590,15 +15997,20 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11773 +#: freeculture.xml:11991 msgid "" -"Defeat brings depression. They say it is a sign of health when depression " -"gives way to anger. My anger came quickly, but it didn't cure the " -"depression. This anger was of two sorts." +"<emphasis role='strong'>Defeat brings depression</emphasis>. They say it is " +"a sign of health when depression gives way to anger. My anger came quickly, " +"but it didn't cure the depression. This anger was of two sorts." +msgstr "" + +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:11996 +msgid "originalism" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11778 +#: freeculture.xml:11998 msgid "" "It was first anger with the five <quote>Conservatives.</quote> It would have " "been one thing for them to have explained why the principle of " @@ -15616,7 +16028,7 @@ msgstr "" #. PAGE BREAK 251 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11791 +#: freeculture.xml:12011 msgid "" "Here, they had joined an opinion that never once tried to explain what the " "framers had meant by crafting the Progress Clause as they did; they joined " @@ -15631,7 +16043,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11806 +#: freeculture.xml:12026 msgid "" "My anger with the Conservatives quickly yielded to anger with myself. For I " "had let a view of the law that I liked interfere with a view of the law as " @@ -15639,7 +16051,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11813 +#: freeculture.xml:12033 msgid "" "Most lawyers, and most law professors, have little patience for idealism " "about courts in general and this Supreme Court in particular. Most have a " @@ -15654,7 +16066,7 @@ msgstr "" #. PAGE BREAK 252 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11824 +#: freeculture.xml:12044 msgid "" "As I read back over the transcript from that argument in October, I can see " "a hundred places where the answers could have taken the conversation in " @@ -15673,7 +16085,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11844 +#: freeculture.xml:12064 msgid "" "Would it have been different if I had argued it differently? Would it have " "been different if Don Ayer had argued it? Or Charles Fried? Or Kathleen " @@ -15681,7 +16093,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11850 +#: freeculture.xml:12070 msgid "" "My friends huddled around me to insist it would not. The Court was not " "ready, my friends insisted. This was a loss that was destined. It would take " @@ -15690,7 +16102,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11856 +#: freeculture.xml:12076 msgid "" "Maybe, but I doubt it. These Justices have no financial interest in doing " "anything except the right thing. They are not lobbied. They have little " @@ -15700,7 +16112,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11863 +#: freeculture.xml:12083 msgid "" "And even if I couldn't, then that doesn't excuse what happened in " "January. For at the start of this case, one of America's leading " @@ -15710,9 +16122,8 @@ msgid "" "id=\"0\"/>" msgstr "" -#. PAGE BREAK 253 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11871 +#: freeculture.xml:12091 msgid "" "After the argument and after the decision, Peter said to me, and publicly, " "that he was wrong. But if indeed that Court could not have been persuaded, " @@ -15720,19 +16131,26 @@ msgid "" "was right. Either I was not ready to argue this case in a way that would do " "some good or they were not ready to hear this case in a way that would do " "some good. Either way, the decision to bring this case—a decision I " -"had made four years before—was wrong. While the reaction to the Sonny " -"Bono Act itself was almost unanimously negative, the reaction to the Court's " -"decision was mixed. No one, at least in the press, tried to say that " -"extending the term of copyright was a good idea. We had won that battle over " -"ideas. Where the decision was praised, it was praised by papers that had " -"been skeptical of the Court's activism in other cases. Deference was a good " -"thing, even if it left standing a silly law. But where the decision was " -"attacked, it was attacked because it left standing a silly and harmful " -"law. <citetitle>The New York Times</citetitle> wrote in its editorial," +"had made four years before—was wrong." +msgstr "" + +#. PAGE BREAK 253 +#. type: Content of: <book><part><chapter><para> +#: freeculture.xml:12100 +msgid "" +"<emphasis role='strong'>While the reaction</emphasis> to the Sonny Bono Act " +"itself was almost unanimously negative, the reaction to the Court's decision " +"was mixed. No one, at least in the press, tried to say that extending the " +"term of copyright was a good idea. We had won that battle over ideas. Where " +"the decision was praised, it was praised by papers that had been skeptical " +"of the Court's activism in other cases. Deference was a good thing, even if " +"it left standing a silly law. But where the decision was attacked, it was " +"attacked because it left standing a silly and harmful law. <citetitle>The " +"New York Times</citetitle> wrote in its editorial," msgstr "" #. type: Content of: <book><part><chapter><blockquote><para> -#: freeculture.xml:11892 +#: freeculture.xml:12115 msgid "" "In effect, the Supreme Court's decision makes it likely that we are seeing " "the beginning of the end of public domain and the birth of copyright " @@ -15743,12 +16161,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><figure><indexterm><primary> -#: freeculture.xml:11906 freeculture.xml:11911 +#: freeculture.xml:12129 freeculture.xml:12134 msgid "Bolling, Ruben" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11901 +#: freeculture.xml:12124 msgid "" "The best responses were in the cartoons. There was a gaggle of hilarious " "images—of Mickey in jail and the like. The best, from my view of the " @@ -15759,19 +16177,19 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><figure><title> -#: freeculture.xml:11909 +#: freeculture.xml:12132 msgid "Tom the Dancing Bug cartoon" msgstr "" #. type: Content of: <book><part><chapter><figure> -#: freeculture.xml:11910 +#: freeculture.xml:12133 msgid "" "<graphic fileref=\"images/18.png\"></graphic> <placeholder " "type=\"indexterm\" id=\"0\"/>" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11914 +#: freeculture.xml:12137 msgid "" "The image that will always stick in my head is that evoked by the quote from " "<citetitle>The New York Times</citetitle>. That <quote>grand " @@ -15784,24 +16202,25 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><title> -#: freeculture.xml:11925 +#: freeculture.xml:12148 msgid "CHAPTER FOURTEEN: Eldred II" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11927 +#: freeculture.xml:12150 msgid "" -"The day <citetitle>Eldred</citetitle> was decided, fate would have it that I " -"was to travel to Washington, D.C. (The day the rehearing petition in " -"<citetitle>Eldred</citetitle> was denied—meaning the case was really " -"finally over—fate would have it that I was giving a speech to " -"technologists at Disney World.) This was a particularly long flight to my " -"least favorite city. The drive into the city from Dulles was delayed because " -"of traffic, so I opened up my computer and wrote an op-ed piece." +"<emphasis role='strong'>The day</emphasis> <citetitle>Eldred</citetitle> was " +"decided, fate would have it that I was to travel to Washington, D.C. (The " +"day the rehearing petition in <citetitle>Eldred</citetitle> was " +"denied—meaning the case was really finally over—fate would have " +"it that I was giving a speech to technologists at Disney World.) This was a " +"particularly long flight to my least favorite city. The drive into the city " +"from Dulles was delayed because of traffic, so I opened up my computer and " +"wrote an op-ed piece." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11937 +#: freeculture.xml:12162 msgid "" "It was an act of contrition. During the whole of the flight from San " "Francisco to Washington, I had heard over and over again in my head the same " @@ -15815,7 +16234,7 @@ msgstr "" #. PAGE BREAK 256 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11947 +#: freeculture.xml:12172 msgid "" "<citetitle>The New York Times</citetitle> published the piece. In it, I " "proposed a simple fix: Fifty years after a work has been published, the " @@ -15825,7 +16244,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11955 +#: freeculture.xml:12180 msgid "" "We called this the Eldred Act, but that was just to give it a name. Eric " "Eldred was kind enough to let his name be used once again, but as he said " @@ -15833,7 +16252,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11960 +#: freeculture.xml:12185 msgid "" "Or another two names. For depending upon your perspective, this is either " "the <quote>Public Domain Enhancement Act</quote> or the <quote>Copyright " @@ -15845,12 +16264,12 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11968 freeculture.xml:12168 +#: freeculture.xml:12193 freeculture.xml:12394 msgid "Forbes, Steve" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11970 +#: freeculture.xml:12195 msgid "" "The reaction to this idea was amazingly strong. Steve Forbes endorsed it in " "an editorial. I received an avalanche of e-mail and letters expressing " @@ -15864,7 +16283,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11982 +#: freeculture.xml:12207 msgid "" "Indeed, many recognized the obvious benefit of the registration " "requirement. For one of the hardest things about the current system for " @@ -15877,40 +16296,45 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11992 +#: freeculture.xml:12217 msgid "Berlin Act (1908)" msgstr "" #. type: Content of: <book><part><chapter><indexterm><primary> -#: freeculture.xml:11993 freeculture.xml:12033 +#: freeculture.xml:12218 freeculture.xml:12259 msgid "Berne Convention (1908)" msgstr "" -#. f1. -#. type: Content of: <book><part><chapter><para><footnote><para> -#: freeculture.xml:12001 -msgid "" -"Until the 1908 Berlin Act of the Berne Convention, national copyright " -"legislation sometimes made protection depend upon compliance with " -"formalities such as registration, deposit, and affixation of notice of the " -"author's claim of copyright. However, starting with the 1908 act, every text " -"of the Convention has provided that <quote>the enjoyment and the " -"exercise</quote> of rights guaranteed by the Convention <quote>shall not be " -"subject to any formality.</quote> The prohibition against formalities is " -"presently embodied in Article 5(2) of the Paris Text of the Berne " -"Convention. Many countries continue to impose some form of deposit or " -"registration requirement, albeit not as a condition of copyright. French " -"law, for example, requires the deposit of copies of works in national " -"repositories, principally the National Museum. Copies of books published in " -"the United Kingdom must be deposited in the British Library. The German " -"Copyright Act provides for a Registrar of Authors where the author's true " -"name can be filed in the case of anonymous or pseudonymous works. Paul " -"Goldstein, <citetitle>International Intellectual Property Law, Cases and " -"Materials</citetitle> (New York: Foundation Press, 2001), 153–54." +#. type: Content of: <book><part><chapter><para><footnote><para><indexterm><primary> +#: freeculture.xml:12226 +msgid "German copyright law" msgstr "" -#. type: Content of: <book><part><chapter><para> -#: freeculture.xml:11996 +#. type: Content of: <book><part><chapter><para><footnote><para> +#: freeculture.xml:12226 +msgid "" +"<placeholder type=\"indexterm\" id=\"0\"/> Until the 1908 Berlin Act of the " +"Berne Convention, national copyright legislation sometimes made protection " +"depend upon compliance with formalities such as registration, deposit, and " +"affixation of notice of the author's claim of copyright. However, starting " +"with the 1908 act, every text of the Convention has provided that <quote>the " +"enjoyment and the exercise</quote> of rights guaranteed by the Convention " +"<quote>shall not be subject to any formality.</quote> The prohibition " +"against formalities is presently embodied in Article 5(2) of the Paris Text " +"of the Berne Convention. Many countries continue to impose some form of " +"deposit or registration requirement, albeit not as a condition of " +"copyright. French law, for example, requires the deposit of copies of works " +"in national repositories, principally the National Museum. Copies of books " +"published in the United Kingdom must be deposited in the British " +"Library. The German Copyright Act provides for a Registrar of Authors where " +"the author's true name can be filed in the case of anonymous or pseudonymous " +"works. Paul Goldstein, <citetitle>International Intellectual Property Law, " +"Cases and Materials</citetitle> (New York: Foundation Press, 2001), " +"153–54." +msgstr "" + +#. type: Content of: <book><part><chapter><para> +#: freeculture.xml:12221 msgid "" "As I described in chapter <xref xrefstyle=\"select: labelnumber\" " "linkend=\"property-i\"/>, formalities in copyright law were removed in 1976, " @@ -15925,7 +16349,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12027 +#: freeculture.xml:12253 msgid "" "That's great rhetoric. It sounds wonderfully romantic. But it is absurd " "copyright policy. It is absurd especially for authors, because a world " @@ -15935,7 +16359,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12035 +#: freeculture.xml:12261 msgid "" "The fight against formalities achieved its first real victory in Berlin in " "1908. International copyright lawyers amended the Berne Convention in 1908, " @@ -15948,7 +16372,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12045 +#: freeculture.xml:12271 msgid "" "These complaints were real and sensible. And the strictness of the " "formalities, especially in the United States, was absurd. The law should " @@ -15959,7 +16383,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12053 +#: freeculture.xml:12279 msgid "" "Even that would have been resisted, however, because registration in the " "nineteenth and twentieth centuries was still expensive. It was also a " @@ -15970,7 +16394,7 @@ msgstr "" #. PAGE BREAK 258 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12061 +#: freeculture.xml:12287 msgid "" "In addition to the practical complaint of authors in 1908, there was a moral " "claim as well. There was no reason that creative property should be a " @@ -15982,7 +16406,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12073 +#: freeculture.xml:12299 msgid "" "This argument is correct, but its implications are misleading. For the " "argument in favor of formalities does not depend upon creative property " @@ -15993,7 +16417,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12082 +#: freeculture.xml:12308 msgid "" "No one thinks, for example, that land is second-class property just because " "you have to register a deed with a court if your sale of land is to be " @@ -16011,7 +16435,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12098 +#: freeculture.xml:12324 msgid "" "It is similarly special physics that makes formalities important in " "copyright law. Unlike a carpenter's table, there's nothing in nature that " @@ -16026,7 +16450,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12113 +#: freeculture.xml:12339 msgid "" "This was the understanding of the problem with the Sonny Bono Act that we " "tried to demonstrate to the Court. This was the part it didn't " @@ -16039,7 +16463,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12123 +#: freeculture.xml:12349 msgid "" "But now that copyrights can be just about a century long, the inability to " "know what is protected and what is not protected becomes a huge and obvious " @@ -16051,7 +16475,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12132 +#: freeculture.xml:12358 msgid "" "The Eldred Act was designed to respond to exactly this problem. If it is " "worth $1 to you, then register your work and you can get the longer " @@ -16061,7 +16485,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12139 +#: freeculture.xml:12365 msgid "" "If it isn't worth it to you to register to get the benefit of an extended " "term, then it shouldn't be worth it for the government to defend your " @@ -16071,7 +16495,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12146 +#: freeculture.xml:12372 msgid "" "Some worry about the burden on authors. Won't the burden of registering the " "work mean that the $1 is really misleading? Isn't the hassle worth more than " @@ -16080,7 +16504,7 @@ msgstr "" #. PAGE BREAK 260 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12152 +#: freeculture.xml:12378 msgid "" "It is. The hassle is terrible. The system that exists now is awful. I " "completely agree that the Copyright Office has done a terrible job (no doubt " @@ -16098,21 +16522,22 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12170 +#: freeculture.xml:12396 msgid "" -"When Steve Forbes endorsed the idea, some in Washington began to pay " -"attention. Many people contacted me pointing to representatives who might be " -"willing to introduce the Eldred Act. And I had a few who directly suggested " -"that they might be willing to take the first step." +"<emphasis role='strong'>When Steve Forbes</emphasis> endorsed the idea, some " +"in Washington began to pay attention. Many people contacted me pointing to " +"representatives who might be willing to introduce the Eldred Act. And I had " +"a few who directly suggested that they might be willing to take the first " +"step." msgstr "" #. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:12183 +#: freeculture.xml:12410 msgid "Lofgren, Zoe" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12176 +#: freeculture.xml:12403 msgid "" "One representative, Zoe Lofgren of California, went so far as to get the " "bill drafted. The draft solved any problem with international law. It " @@ -16124,7 +16549,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12186 +#: freeculture.xml:12413 msgid "" "But at this stage, the lobbyists began to intervene. Jack Valenti and the " "MPAA general counsel came to the congresswoman's office to give the view of " @@ -16136,7 +16561,7 @@ msgstr "" #. PAGE BREAK 261 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12194 +#: freeculture.xml:12421 msgid "" "The MPAA argued first that Congress had <quote>firmly rejected the central " "concept in the proposed bill</quote>—that copyrights be renewed. That " @@ -16158,7 +16583,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12215 +#: freeculture.xml:12442 msgid "" "Finally, the MPAA argued that existing law enabled copyright owners to do " "this if they wanted. But the whole point is that there are thousands of " @@ -16169,19 +16594,20 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12223 +#: freeculture.xml:12450 msgid "" -"At the beginning of this book, I told two stories about the law reacting to " -"changes in technology. In the one, common sense prevailed. In the other, " -"common sense was delayed. The difference between the two stories was the " -"power of the opposition—the power of the side that fought to defend " -"the status quo. In both cases, a new technology threatened old " -"interests. But in only one case did those interest's have the power to " -"protect themselves against this new competitive threat." +"<emphasis role='strong'>At the beginning</emphasis> of this book, I told two " +"stories about the law reacting to changes in technology. In the one, common " +"sense prevailed. In the other, common sense was delayed. The difference " +"between the two stories was the power of the opposition—the power of " +"the side that fought to defend the status quo. In both cases, a new " +"technology threatened old interests. But in only one case did those " +"interest's have the power to protect themselves against this new competitive " +"threat." msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12233 +#: freeculture.xml:12460 msgid "" "I used these two cases as a way to frame the war that this book has been " "about. For here, too, a new technology is forcing the law to react. And " @@ -16191,7 +16617,7 @@ msgstr "" #. PAGE BREAK 262 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12242 +#: freeculture.xml:12469 msgid "" "When the issue is piracy, it is right for the law to back the copyright " "owners. The commercial piracy that I described is wrong and harmful, and the " @@ -16204,13 +16630,13 @@ msgid "" "resistance." msgstr "" -#. type: Content of: <book><part><chapter><para><indexterm><primary> -#: freeculture.xml:12261 +#. type: Content of: <book><part><chapter><indexterm><primary> +#: freeculture.xml:12479 msgid "Kelly, Kevin" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12253 +#: freeculture.xml:12481 msgid "" "But when the copyright owners oppose a proposal such as the Eldred Act, " "then, finally, there is an example that lays bare the naked selfinterest " @@ -16219,16 +16645,16 @@ msgid "" "to exercise continued control over his content. It would simply liberate " "what Kevin Kelly calls the <quote>Dark Content</quote> that fills archives " "around the world. So when the warriors oppose a change like this, we should " -"ask one simple question: <placeholder type=\"indexterm\" id=\"0\"/>" +"ask one simple question:" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12264 +#: freeculture.xml:12491 msgid "What does this industry really want?" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12267 +#: freeculture.xml:12494 msgid "" "With very little effort, the warriors could protect their content. So the " "effort to block something like the Eldred Act is not really about protecting " @@ -16241,7 +16667,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12278 +#: freeculture.xml:12505 msgid "" "The opposition to the Eldred Act reveals how extreme the other side is. The " "most powerful and sexy and well loved of lobbies really has as its aim not " @@ -16252,7 +16678,7 @@ msgstr "" #. PAGE BREAK 263 #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12286 +#: freeculture.xml:12513 msgid "" "It is not hard to understand why the warriors take this view. It is not hard " "to see why it would benefit them if the competition of the public domain " @@ -16263,7 +16689,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12298 +#: freeculture.xml:12525 msgid "" "What is hard to understand is why the public takes this view. It is as if " "the law made airplanes trespassers. The MPAA stands with the Causbys and " @@ -16273,7 +16699,7 @@ msgid "" msgstr "" #. type: Content of: <book><part><chapter><para> -#: freeculture.xml:12305 +#: freeculture.xml:12532 msgid "" "All this seems to follow easily from this untroubled acceptance of the " "<quote>property</quote> in intellectual property. Common sense supports it, " @@ -16285,37 +16711,37 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><title> -#: freeculture.xml:12317 +#: freeculture.xml:12544 msgid "CONCLUSION" msgstr "" #. type: Content of: <book><chapter><indexterm><primary> -#: freeculture.xml:12319 +#: freeculture.xml:12546 msgid "antiretroviral drugs" msgstr "" #. type: Content of: <book><chapter><indexterm><primary> -#: freeculture.xml:12322 +#: freeculture.xml:12549 msgid "HIV/AIDS therapies" msgstr "" #. type: Content of: <book><chapter><indexterm><primary> -#: freeculture.xml:12325 +#: freeculture.xml:12552 msgid "Africa, medications for HIV patients in" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12328 +#: freeculture.xml:12555 msgid "" -"There are more than 35 million people with the AIDS virus " -"worldwide. Twenty-five million of them live in sub-Saharan Africa. " -"Seventeen million have already died. Seventeen million Africans is " -"proportional percentage-wise to seven million Americans. More importantly, " -"it is seventeen million Africans." +"<emphasis role='strong'>There are more</emphasis> than 35 million people " +"with the AIDS virus worldwide. Twenty-five million of them live in " +"sub-Saharan Africa. Seventeen million have already died. Seventeen million " +"Africans is proportional percentage-wise to seven million Americans. More " +"importantly, it is seventeen million Africans." msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12335 +#: freeculture.xml:12562 msgid "" "There is no cure for AIDS, but there are drugs to slow its progression. " "These antiretroviral therapies are still experimental, but they have already " @@ -16326,7 +16752,7 @@ msgstr "" #. f1. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12350 +#: freeculture.xml:12577 msgid "" "Commission on Intellectual Property Rights, <quote>Final Report: Integrating " "Intellectual Property Rights and Development Policy</quote> (London, 2002), " @@ -16337,7 +16763,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12343 +#: freeculture.xml:12570 msgid "" "These drugs are expensive. When they were first introduced in the United " "States, they cost between $10,000 and $15,000 per person per year. Today, " @@ -16350,7 +16776,7 @@ msgstr "" #. PAGE BREAK 265 #. type: Content of: <book><chapter><para> -#: freeculture.xml:12361 +#: freeculture.xml:12588 msgid "" "These prices are not high because the ingredients of the drugs are " "expensive. These prices are high because the drugs are protected by " @@ -16361,7 +16787,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12369 +#: freeculture.xml:12596 msgid "" "There are many who are skeptical of patents, especially drug patents. I am " "not. Indeed, of all the areas of research that might be supported by " @@ -16374,7 +16800,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12380 +#: freeculture.xml:12607 msgid "" "But it is one thing to support patents, even drug patents. It is another " "thing to determine how best to deal with a crisis. And as African leaders " @@ -16384,12 +16810,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><indexterm><primary> -#: freeculture.xml:12398 freeculture.xml:12839 +#: freeculture.xml:12625 freeculture.xml:13076 msgid "Braithwaite, John" msgstr "" #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12396 +#: freeculture.xml:12623 msgid "" "See Peter Drahos with John Braithwaite, <citetitle>Information Feudalism: " "Who Owns the Knowledge Economy?</citetitle> (New York: The New Press, 2003), " @@ -16398,7 +16824,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12387 +#: freeculture.xml:12614 msgid "" "In 1997, South Africa tried one tack. It passed a law to allow the " "importation of patented medicines that had been produced or sold in another " @@ -16411,7 +16837,7 @@ msgstr "" #. f3. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12409 +#: freeculture.xml:12636 msgid "" "International Intellectual Property Institute (IIPI), <citetitle>Patent " "Protection and Access to HIV/AIDS Pharmaceuticals in Sub-Saharan Africa, a " @@ -16426,7 +16852,7 @@ msgstr "" #. f4. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12436 +#: freeculture.xml:12663 msgid "" "International Intellectual Property Institute (IIPI), <citetitle>Patent " "Protection and Access to HIV/AIDS Pharmaceuticals in Sub-Saharan Africa, a " @@ -16435,7 +16861,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12403 +#: freeculture.xml:12630 msgid "" "However, the United States government opposed the bill. Indeed, more than " "opposed. As the International Intellectual Property Association " @@ -16458,7 +16884,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12442 +#: freeculture.xml:12669 msgid "" "We should place the intervention by the United States in context. No doubt " "patents are not the most important reason that Africans don't have access to " @@ -16470,7 +16896,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12452 +#: freeculture.xml:12679 msgid "" "By stopping the flow of HIV treatment into Africa, the United States " "government was not saving drugs for United States citizens. This is not " @@ -16481,7 +16907,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12460 +#: freeculture.xml:12687 msgid "" "Nor was the intervention by the United States going to protect the profits " "of United States drug companies—at least, not substantially. It was " @@ -16495,7 +16921,7 @@ msgstr "" #. f5. #. PAGE BREAK 333 #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12475 +#: freeculture.xml:12702 msgid "" "See Sabin Russell, <quote>New Crusade to Lower AIDS Drug Costs: Africa's " "Needs at Odds with Firms' Profit Motive,</quote> <citetitle>San Francisco " @@ -16513,7 +16939,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12469 +#: freeculture.xml:12696 msgid "" "Instead, the argument in favor of restricting this flow of information, " "which was needed to save the lives of millions, was an argument about the " @@ -16525,7 +16951,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12496 +#: freeculture.xml:12723 msgid "" "Now just step back for a moment. There will be a time thirty years from now " "when our children look back at us and ask, how could we have let this " @@ -16538,7 +16964,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12506 +#: freeculture.xml:12733 msgid "" "Some blame the drug companies. I don't. They are corporations. Their " "managers are ordered by law to make money for the corporation. They push a " @@ -16549,7 +16975,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12514 +#: freeculture.xml:12741 msgid "" "The corruption is our own politicians' failure of integrity. For the drug " "companies would love—they say, and I believe them—to sell their " @@ -16561,7 +16987,7 @@ msgstr "" #. PAGE BREAK 268 #. type: Content of: <book><chapter><para> -#: freeculture.xml:12522 +#: freeculture.xml:12749 msgid "" "A different problem, however, could not be overcome. This is the fear of the " "grandstanding politician who would call the presidents of the drug companies " @@ -16578,7 +17004,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12537 +#: freeculture.xml:12764 msgid "" "So when the common sense of your child confronts you, what will you say? " "When the common sense of a generation finally revolts against what we have " @@ -16586,7 +17012,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12543 +#: freeculture.xml:12770 msgid "" "A sensible patent policy could endorse and strongly support the patent " "system without having to reach everyone everywhere in exactly the same " @@ -16600,7 +17026,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12555 +#: freeculture.xml:12782 msgid "" "But we as a culture have lost this sense of balance. We have lost the " "critical eye that helps us see the difference between truth and extremism. " @@ -16612,21 +17038,22 @@ msgstr "" #. PAGE BREAK 269 #. type: Content of: <book><chapter><para> -#: freeculture.xml:12566 +#: freeculture.xml:12793 msgid "" -"A simple idea blinds us, and under the cover of darkness, much happens that " -"most of us would reject if any of us looked. So uncritically do we accept " -"the idea of property in ideas that we don't even notice how monstrous it is " -"to deny ideas to a people who are dying without them. So uncritically do we " -"accept the idea of property in culture that we don't even question when the " -"control of that property removes our ability, as a people, to develop our " -"culture democratically. Blindness becomes our common sense. And the " -"challenge for anyone who would reclaim the right to cultivate our culture is " -"to find a way to make this common sense open its eyes." +"<emphasis role='strong'>A simple idea</emphasis> blinds us, and under the " +"cover of darkness, much happens that most of us would reject if any of us " +"looked. So uncritically do we accept the idea of property in ideas that we " +"don't even notice how monstrous it is to deny ideas to a people who are " +"dying without them. So uncritically do we accept the idea of property in " +"culture that we don't even question when the control of that property " +"removes our ability, as a people, to develop our culture " +"democratically. Blindness becomes our common sense. And the challenge for " +"anyone who would reclaim the right to cultivate our culture is to find a way " +"to make this common sense open its eyes." msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12580 +#: freeculture.xml:12807 msgid "" "So far, common sense sleeps. There is no revolt. Common sense does not yet " "see what there could be to revolt about. The extremism that now dominates " @@ -16642,9 +17069,19 @@ msgid "" "storm</quote> for free culture." msgstr "" +#. type: Content of: <book><chapter><indexterm><primary> +#: freeculture.xml:12822 +msgid "biomedical research" +msgstr "" + +#. type: Content of: <book><chapter><indexterm><primary> +#: freeculture.xml:12824 +msgid "Wellcome Trust" +msgstr "" + #. f6. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12598 +#: freeculture.xml:12829 msgid "" "Jonathan Krim, <quote>The Quiet War over Open-Source,</quote> " "<citetitle>Washington Post</citetitle>, August 2003, E1, available at <ulink " @@ -16659,48 +17096,48 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><indexterm><primary> -#: freeculture.xml:12626 freeculture.xml:13299 +#: freeculture.xml:12857 freeculture.xml:13544 msgid "academic journals" msgstr "" #. type: Content of: <book><chapter><section><section><para><indexterm><primary> -#: freeculture.xml:12627 freeculture.xml:12717 freeculture.xml:13225 +#: freeculture.xml:12858 freeculture.xml:12949 freeculture.xml:13469 msgid "IBM" msgstr "" #. type: Content of: <book><chapter><section><section><para><indexterm><primary> -#: freeculture.xml:12628 freeculture.xml:13363 +#: freeculture.xml:12859 freeculture.xml:13608 msgid "PLoS (Public Library of Science)" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12595 -msgid "" -"In August 2003, a fight broke out in the United States about a decision by " -"the World Intellectual Property Organization to cancel a " -"meeting.<placeholder type=\"footnote\" id=\"0\"/> At the request of a wide " -"range of interests, WIPO had decided to hold a meeting to discuss " -"<quote>open and collaborative projects to create public goods.</quote> These " -"are projects that have been successful in producing public goods without " -"relying exclusively upon a proprietary use of intellectual " -"property. Examples include the Internet and the World Wide Web, both of " -"which were developed on the basis of protocols in the public domain. It " -"included an emerging trend to support open academic journals, including the " -"Public Library of Science project that I describe in the Afterword. It " -"included a project to develop single nucleotide polymorphisms (SNPs), which " -"are thought to have great significance in biomedical research. (That " -"nonprofit project comprised a consortium of the Wellcome Trust and " -"pharmaceutical and technological companies, including Amersham Biosciences, " -"AstraZeneca, Aventis, Bayer, Bristol-Myers Squibb, Hoffmann-La Roche, " -"Glaxo-SmithKline, IBM, Motorola, Novartis, Pfizer, and Searle.) It included " -"the Global Positioning System, which Ronald Reagan set free in the early " -"1980s. And it included <quote>open source and free software.</quote> " +#: freeculture.xml:12826 +msgid "" +"<emphasis role='strong'>In August 2003</emphasis>, a fight broke out in the " +"United States about a decision by the World Intellectual Property " +"Organization to cancel a meeting.<placeholder type=\"footnote\" id=\"0\"/> " +"At the request of a wide range of interests, WIPO had decided to hold a " +"meeting to discuss <quote>open and collaborative projects to create public " +"goods.</quote> These are projects that have been successful in producing " +"public goods without relying exclusively upon a proprietary use of " +"intellectual property. Examples include the Internet and the World Wide Web, " +"both of which were developed on the basis of protocols in the public " +"domain. It included an emerging trend to support open academic journals, " +"including the Public Library of Science project that I describe in the " +"Afterword. It included a project to develop single nucleotide polymorphisms " +"(SNPs), which are thought to have great significance in biomedical " +"research. (That nonprofit project comprised a consortium of the Wellcome " +"Trust and pharmaceutical and technological companies, including Amersham " +"Biosciences, AstraZeneca, Aventis, Bayer, Bristol-Myers Squibb, Hoffmann-La " +"Roche, Glaxo-SmithKline, IBM, Motorola, Novartis, Pfizer, and Searle.) It " +"included the Global Positioning System, which Ronald Reagan set free in the " +"early 1980s. And it included <quote>open source and free software.</quote> " "<placeholder type=\"indexterm\" id=\"1\"/> <placeholder type=\"indexterm\" " "id=\"2\"/> <placeholder type=\"indexterm\" id=\"3\"/>" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12631 +#: freeculture.xml:12863 msgid "" "The aim of the meeting was to consider this wide range of projects from one " "common perspective: that none of these projects relied upon intellectual " @@ -16711,14 +17148,14 @@ msgstr "" #. f7. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12639 +#: freeculture.xml:12871 msgid "" "I should disclose that I was one of the people who asked WIPO for the " "meeting." msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12638 +#: freeculture.xml:12870 msgid "" "From the perspective of this book, then, the conference was " "ideal.<placeholder type=\"footnote\" id=\"0\"/> The projects within its " @@ -16730,7 +17167,7 @@ msgstr "" #. PAGE BREAK 271 #. type: Content of: <book><chapter><para> -#: freeculture.xml:12649 +#: freeculture.xml:12881 msgid "" "Indeed, I was once publicly scolded for not recognizing this fact about " "WIPO. In February 2003, I delivered a keynote address to a preparatory " @@ -16754,7 +17191,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12673 +#: freeculture.xml:12905 msgid "" "So whether or not WSIS can discuss balance in intellectual property, I had " "thought it was taken for granted that WIPO could and should. And thus the " @@ -16763,7 +17200,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12679 +#: freeculture.xml:12911 msgid "" "But there is one project within that list that is highly controversial, at " "least among lobbyists. That project is <quote>open source and free " @@ -16778,7 +17215,7 @@ msgstr "" #. f8. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12701 +#: freeculture.xml:12933 msgid "" "Microsoft's position about free and open source software is more " "sophisticated. As it has repeatedly asserted, it has no problem with " @@ -16799,12 +17236,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para><indexterm><primary> -#: freeculture.xml:12718 +#: freeculture.xml:12950 msgid "<quote>copyleft</quote> licenses" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12690 +#: freeculture.xml:12922 msgid "" "I don't mean to enter that debate here. It is important only to make clear " "that the distinction is not between commercial and noncommercial " @@ -16823,7 +17260,7 @@ msgstr "" #. PAGE BREAK 272 #. type: Content of: <book><chapter><para> -#: freeculture.xml:12723 +#: freeculture.xml:12955 msgid "" "More important for our purposes, to support <quote>open source and free " "software</quote> is not to oppose copyright. <quote>Open source and free " @@ -16842,19 +17279,19 @@ msgstr "" #. f9. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12749 +#: freeculture.xml:12981 msgid "" "Krim, <quote>The Quiet War over Open-Source,</quote> available at <ulink " "url=\"http://free-culture.cc/notes/\">link #64</ulink>." msgstr "" #. type: Content of: <book><chapter><para><indexterm><primary> -#: freeculture.xml:12753 +#: freeculture.xml:12985 msgid "Krim, Jonathan" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12741 +#: freeculture.xml:12973 msgid "" "It is therefore understandable that as a proprietary software developer, " "Microsoft would oppose this WIPO meeting, and understandable that it would " @@ -16867,7 +17304,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12756 +#: freeculture.xml:12988 msgid "" "I don't blame Microsoft for doing what it can to advance its own interests, " "consistent with the law. And lobbying governments is plainly consistent with " @@ -16876,8 +17313,13 @@ msgid "" "States having succeeded in its lobbying efforts." msgstr "" +#. type: Content of: <book><chapter><indexterm><primary> +#: freeculture.xml:12995 freeculture.xml:13049 +msgid "Boland, Lois" +msgstr "" + #. type: Content of: <book><chapter><para> -#: freeculture.xml:12764 +#: freeculture.xml:12997 msgid "" "What was surprising was the United States government's reason for opposing " "the meeting. Again, as reported by Krim, Lois Boland, acting director of " @@ -16889,12 +17331,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12774 +#: freeculture.xml:13007 msgid "These statements are astonishing on a number of levels." msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12778 +#: freeculture.xml:13011 msgid "" "First, they are just flat wrong. As I described, most open source and free " "software relies fundamentally upon the intellectual property right called " @@ -16906,8 +17348,13 @@ msgid "" "dealing with intellectual property issues." msgstr "" +#. type: Content of: <book><chapter><indexterm><primary> +#: freeculture.xml:13020 +msgid "generic drugs" +msgstr "" + #. type: Content of: <book><chapter><para> -#: freeculture.xml:12788 +#: freeculture.xml:13022 msgid "" "Second, who ever said that WIPO's exclusive aim was to " "<quote>promote</quote> intellectual property maximally? As I had been " @@ -16923,7 +17370,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12801 +#: freeculture.xml:13036 msgid "" "Third, even if one believed that the purpose of WIPO was to maximize " "intellectual property rights, in our tradition, intellectual property rights " @@ -16934,13 +17381,12 @@ msgid "" "away more than $20 billion to do good in the world, that is not inconsistent " "with the objectives of the property system. That is, on the contrary, just " "what a property system is supposed to be about: giving individuals the right " -"to decide what to do with <emphasis>their</emphasis> property. <placeholder " -"type=\"indexterm\" id=\"0\"/>" +"to decide what to do with <emphasis>their</emphasis> property." msgstr "" #. PAGE BREAK 274 #. type: Content of: <book><chapter><para> -#: freeculture.xml:12815 +#: freeculture.xml:13052 msgid "" "When Ms. Boland says that there is something wrong with a meeting " "<quote>which has as its purpose to disclaim or waive such rights,</quote> " @@ -16954,7 +17400,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12827 +#: freeculture.xml:13064 msgid "" "There is a history of just such a property system that is well known in the " "Anglo-American tradition. It is called <quote>feudalism.</quote> Under " @@ -16968,14 +17414,14 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12844 +#: freeculture.xml:13081 msgid "" "See Drahos with Braithwaite, <citetitle>Information Feudalism</citetitle>, " "210–20. <placeholder type=\"indexterm\" id=\"0\"/>" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12841 +#: freeculture.xml:13078 msgid "" "As Peter Drahos and John Braithwaite relate, this is precisely the choice we " "are now making about intellectual property.<placeholder type=\"footnote\" " @@ -16986,7 +17432,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12853 +#: freeculture.xml:13090 msgid "" "When this battle broke, I blogged it. A spirited debate within the comment " "section ensued. Ms. Boland had a number of supporters who tried to show why " @@ -16996,7 +17442,7 @@ msgstr "" #. PAGE BREAK 275 #. type: Content of: <book><chapter><blockquote><para> -#: freeculture.xml:12860 +#: freeculture.xml:13097 msgid "" "George, you misunderstand Lessig: He's only talking about the world as it " "should be (<quote>the goal of WIPO, and the goal of any government, should " @@ -17009,7 +17455,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12872 +#: freeculture.xml:13109 msgid "" "I missed the irony the first time I read it. I read it quickly and thought " "the poster was supporting the idea that seeking balance was what our " @@ -17022,7 +17468,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12882 +#: freeculture.xml:13120 msgid "" "Obviously, however, the poster was not supporting that idea. Instead, the " "poster was ridiculing the very idea that in the real world, the " @@ -17034,7 +17480,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12890 +#: freeculture.xml:13128 msgid "" "I understand criticism of academic utopianism. I think utopianism is silly, " "too, and I'd be the first to poke fun at the absurdly unrealistic ideals of " @@ -17042,7 +17488,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12896 +#: freeculture.xml:13134 msgid "" "But when it has become silly to suppose that the role of our government " "should be to <quote>seek balance,</quote> then count me with the silly, for " @@ -17057,7 +17503,7 @@ msgstr "" #. PAGE BREAK 276 #. type: Content of: <book><chapter><para> -#: freeculture.xml:12907 +#: freeculture.xml:13145 msgid "" "It might be crazy to expect a high government official to speak the " "truth. It might be crazy to believe that government policy will be something " @@ -17066,28 +17512,32 @@ msgid "" "tradition for most of our history—free culture." msgstr "" -#. type: Content of: <book><chapter><para><indexterm><primary> -#: freeculture.xml:12926 +#. type: Content of: <book><chapter><indexterm><primary> +#: freeculture.xml:13154 msgid "Turner, Ted" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12916 -msgid "" -"If this is crazy, then let there be more crazies. Soon. There are moments " -"of hope in this struggle. And moments that surprise. When the FCC was " -"considering relaxing ownership rules, which would thereby further increase " -"the concentration in media ownership, an extraordinary bipartisan coalition " -"formed to fight this change. For perhaps the first time in history, " -"interests as diverse as the NRA, the ACLU, Moveon.org, William Safire, Ted " -"Turner, and CodePink Women for Peace organized to oppose this change in FCC " -"policy. An astonishing 700,000 letters were sent to the FCC, demanding more " -"hearings and a different result. <placeholder type=\"indexterm\" id=\"0\"/> " -"<placeholder type=\"indexterm\" id=\"1\"/>" +#: freeculture.xml:13156 +msgid "If this is crazy, then let there be more crazies. Soon." +msgstr "" + +#. type: Content of: <book><chapter><para> +#: freeculture.xml:13159 +msgid "" +"<emphasis role='strong'>There are moments</emphasis> of hope in this " +"struggle. And moments that surprise. When the FCC was considering relaxing " +"ownership rules, which would thereby further increase the concentration in " +"media ownership, an extraordinary bipartisan coalition formed to fight this " +"change. For perhaps the first time in history, interests as diverse as the " +"NRA, the ACLU, Moveon.org, William Safire, Ted Turner, and CodePink Women " +"for Peace organized to oppose this change in FCC policy. An astonishing " +"700,000 letters were sent to the FCC, demanding more hearings and a " +"different result." msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12930 +#: freeculture.xml:13170 msgid "" "This activism did not stop the FCC, but soon after, a broad coalition in the " "Senate voted to reverse the FCC decision. The hostile hearings leading up to " @@ -17097,7 +17547,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12938 +#: freeculture.xml:13178 msgid "" "But even this movement misses an important piece of the puzzle. Largeness " "as such is not bad. Freedom is not threatened just because some become very " @@ -17107,7 +17557,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12945 +#: freeculture.xml:13185 msgid "" "The danger in media concentration comes not from the concentration, but " "instead from the feudalism that this concentration, tied to the change in " @@ -17119,7 +17569,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12955 +#: freeculture.xml:13195 msgid "" "It is therefore significant that so many would rally to demand competition " "and increased diversity. Still, if the rally is understood as being about " @@ -17129,7 +17579,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12962 +#: freeculture.xml:13202 msgid "" "It would be something new, and something very important, if an equal number " "could be rallied to fight the increasing extremism built within the idea of " @@ -17140,20 +17590,20 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12970 +#: freeculture.xml:13210 msgid "" "If we were Achilles, this would be our heel. This would be the place of our " "tragedy." msgstr "" #. type: Content of: <book><chapter><indexterm><primary> -#: freeculture.xml:12973 +#: freeculture.xml:13213 msgid "Dylan, Bob" msgstr "" #. f11. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12978 +#: freeculture.xml:13219 msgid "" "John Borland, <quote>RIAA Sues 261 File Swappers,</quote> CNET News.com, " "September 2003, available at <ulink " @@ -17172,7 +17622,7 @@ msgstr "" #. f12. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:12996 +#: freeculture.xml:13237 msgid "" "Jon Wiederhorn, <quote>Eminem Gets Sued … by a Little Old " "Lady,</quote> mtv.com, 17 September 2003, available at <ulink " @@ -17182,7 +17632,7 @@ msgstr "" #. f13. #. PAGE BREAK 334 #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:13003 +#: freeculture.xml:13244 msgid "" "Kenji Hall, Associated Press, <quote>Japanese Book May Be Inspiration for " "Dylan Songs,</quote> Kansascity.com, 9 July 2003, available at <ulink " @@ -17190,38 +17640,48 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:12975 -msgid "" -"As I write these final words, the news is filled with stories about the RIAA " -"lawsuits against almost three hundred individuals.<placeholder " -"type=\"footnote\" id=\"0\"/> Eminem has just been sued for " -"<quote>sampling</quote> someone else's music.<placeholder type=\"footnote\" " -"id=\"1\"/> The story about Bob Dylan <quote>stealing</quote> from a Japanese " -"author has just finished making the rounds.<placeholder type=\"footnote\" " -"id=\"2\"/> An insider from Hollywood—who insists he must remain " -"anonymous—reports <quote>an amazing conversation with these studio " -"guys. They've got extraordinary [old] content that they'd love to use but " -"can't because they can't begin to clear the rights. They've got scores of " -"kids who could do amazing things with the content, but it would take scores " -"of lawyers to clean it first.</quote> Congressmen are talking about " -"deputizing computer viruses to bring down computers thought to violate the " -"law. Universities are threatening expulsion for kids who use a computer to " -"share content." +#: freeculture.xml:13215 +msgid "" +"<emphasis role='strong'>As I write</emphasis> these final words, the news is " +"filled with stories about the RIAA lawsuits against almost three hundred " +"individuals.<placeholder type=\"footnote\" id=\"0\"/> Eminem has just been " +"sued for <quote>sampling</quote> someone else's music.<placeholder " +"type=\"footnote\" id=\"1\"/> The story about Bob Dylan " +"<quote>stealing</quote> from a Japanese author has just finished making the " +"rounds.<placeholder type=\"footnote\" id=\"2\"/> An insider from " +"Hollywood—who insists he must remain anonymous—reports <quote>an " +"amazing conversation with these studio guys. They've got extraordinary [old] " +"content that they'd love to use but can't because they can't begin to clear " +"the rights. They've got scores of kids who could do amazing things with the " +"content, but it would take scores of lawyers to clean it first.</quote> " +"Congressmen are talking about deputizing computer viruses to bring down " +"computers thought to violate the law. Universities are threatening expulsion " +"for kids who use a computer to share content." msgstr "" #. type: Content of: <book><chapter><section><section><indexterm><primary> -#: freeculture.xml:13020 freeculture.xml:13380 +#: freeculture.xml:13261 freeculture.xml:13625 msgid "Creative Commons" msgstr "" #. type: Content of: <book><chapter><indexterm><primary> -#: freeculture.xml:13021 +#: freeculture.xml:13262 msgid "Gil, Gilberto" msgstr "" +#. type: Content of: <book><chapter><indexterm><primary> +#: freeculture.xml:13263 +msgid "BBC" +msgstr "" + +#. type: Content of: <book><chapter><indexterm><primary> +#: freeculture.xml:13264 +msgid "Brazil, free culture in" +msgstr "" + #. f14. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:13026 +#: freeculture.xml:13269 msgid "" "<quote>BBC Plans to Open Up Its Archive to the Public,</quote> BBC press " "release, 24 August 2003, available at <ulink " @@ -17230,7 +17690,7 @@ msgstr "" #. f15. #. type: Content of: <book><chapter><para><footnote><para> -#: freeculture.xml:13035 +#: freeculture.xml:13278 msgid "" "<quote>Creative Commons and Brazil,</quote> Creative Commons Weblog, 6 " "August 2003, available at <ulink url=\"http://free-culture.cc/notes/\">link " @@ -17239,7 +17699,7 @@ msgstr "" #. PAGE BREAK 278 #. type: Content of: <book><chapter><para> -#: freeculture.xml:13023 +#: freeculture.xml:13266 msgid "" "Yet on the other side of the Atlantic, the BBC has just announced that it " "will build a <quote>Creative Archive,</quote> from which British citizens " @@ -17258,28 +17718,28 @@ msgstr "" #. PAGE BREAK 279 #. type: Content of: <book><chapter><para> -#: freeculture.xml:13049 +#: freeculture.xml:13292 msgid "" "Common sense must revolt. It must act to free culture. Soon, if this " "potential is ever to be realized." msgstr "" #. type: Content of: <book><chapter><title> -#: freeculture.xml:13057 +#: freeculture.xml:13300 msgid "AFTERWORD" msgstr "" #. PAGE BREAK 280 #. type: Content of: <book><chapter><para> -#: freeculture.xml:13061 +#: freeculture.xml:13304 msgid "" -"At least some who have read this far will agree with me that something must " -"be done to change where we are heading. The balance of this book maps what " -"might be done." +"<emphasis role='strong'>At least some</emphasis> who have read this far will " +"agree with me that something must be done to change where we are " +"heading. The balance of this book maps what might be done." msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:13066 +#: freeculture.xml:13309 msgid "" "I divide this map into two parts: that which anyone can do now, and that " "which requires the help of lawmakers. If there is one lesson that we can " @@ -17288,7 +17748,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:13072 +#: freeculture.xml:13315 msgid "" "That means this movement must begin in the streets. It must recruit a " "significant number of parents, teachers, librarians, creators, authors, " @@ -17297,7 +17757,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:13079 +#: freeculture.xml:13322 msgid "" "Once this movement has its effect in the streets, it has some hope of having " "an effect in Washington. We are still a democracy. What people think " @@ -17307,21 +17767,22 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><title> -#: freeculture.xml:13088 +#: freeculture.xml:13331 msgid "US, NOW" msgstr "" #. type: Content of: <book><chapter><section><para> -#: freeculture.xml:13090 +#: freeculture.xml:13333 msgid "" -"Common sense is with the copyright warriors because the debate so far has " -"been framed at the extremes—as a grand either/or: either property or " -"anarchy, either total control or artists won't be paid. If that really is " -"the choice, then the warriors should win." +"<emphasis role='strong'>Common sense</emphasis> is with the copyright " +"warriors because the debate so far has been framed at the extremes—as " +"a grand either/or: either property or anarchy, either total control or " +"artists won't be paid. If that really is the choice, then the warriors " +"should win." msgstr "" #. type: Content of: <book><chapter><section><para> -#: freeculture.xml:13096 +#: freeculture.xml:13340 msgid "" "The mistake here is the error of the excluded middle. There are extremes in " "this debate, but the extremes are not all that there is. There are those who " @@ -17335,7 +17796,7 @@ msgstr "" #. PAGE BREAK 282 #. type: Content of: <book><chapter><section><para> -#: freeculture.xml:13106 +#: freeculture.xml:13350 msgid "" "When the Internet was first born, its initial architecture effectively " "tilted in the <quote>no rights reserved</quote> direction. Content could be " @@ -17347,7 +17808,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><para> -#: freeculture.xml:13118 +#: freeculture.xml:13362 msgid "" "This initial character produced a reaction (opposite, but not quite equal) " "by copyright owners. That reaction has been the topic of this book. Through " @@ -17364,7 +17825,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><para> -#: freeculture.xml:13132 +#: freeculture.xml:13376 msgid "" "What's needed is a way to say something in the middle—neither " "<quote>all rights reserved</quote> nor <quote>no rights reserved</quote> but " @@ -17375,12 +17836,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><title> -#: freeculture.xml:13141 +#: freeculture.xml:13385 msgid "Rebuilding Freedoms Previously Presumed: Examples" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13143 +#: freeculture.xml:13387 msgid "" "If you step back from the battle I've been describing here, you will " "recognize this problem from other contexts. Think about privacy. Before the " @@ -17392,12 +17853,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13153 +#: freeculture.xml:13397 msgid "What made it assured?" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13157 +#: freeculture.xml:13401 msgid "" "Well, if we think in terms of the modalities I described in chapter <xref " "xrefstyle=\"select: labelnumber\" linkend=\"property-i\"/>, your privacy was " @@ -17415,17 +17876,17 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><indexterm><primary> -#: freeculture.xml:13172 +#: freeculture.xml:13416 msgid "Amazon" msgstr "" #. type: Content of: <book><chapter><section><section><para><indexterm><primary> -#: freeculture.xml:13182 +#: freeculture.xml:13426 msgid "cookies, Internet" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13174 +#: freeculture.xml:13418 msgid "" "Enter the Internet, where the cost of tracking browsing in particular has " "become quite tiny. If you're a customer at Amazon, then as you browse the " @@ -17439,7 +17900,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13185 +#: freeculture.xml:13429 msgid "" "Amazon, of course, is not the problem. But we might begin to worry about " "libraries. If you're one of those crazy lefties who thinks that people " @@ -17452,7 +17913,7 @@ msgstr "" #. f1. #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:13201 +#: freeculture.xml:13445 msgid "" "See, for example, Marc Rotenberg, <quote>Fair Information Practices and the " "Architecture of Privacy (What Larry Doesn't Get),</quote> " @@ -17467,7 +17928,7 @@ msgstr "" #. PAGE BREAK 284 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13195 +#: freeculture.xml:13439 msgid "" "It is this reality that explains the push of many to define " "<quote>privacy</quote> on the Internet. It is the recognition that " @@ -17481,7 +17942,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13219 +#: freeculture.xml:13463 msgid "" "A similar story could be told about the birth of the free software " "movement. When computers with software were first made available " @@ -17493,12 +17954,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><indexterm><primary> -#: freeculture.xml:13227 +#: freeculture.xml:13471 msgid "Stallman, Richard" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13229 +#: freeculture.xml:13473 msgid "" "That was the world Richard Stallman was born into, and while he was a " "researcher at MIT, he grew to love the community that developed when one was " @@ -17508,7 +17969,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13237 +#: freeculture.xml:13481 msgid "" "In an academic setting, at least, that's not a terribly radical idea. In a " "math department, anyone would be free to tinker with a proof that someone " @@ -17522,7 +17983,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13249 +#: freeculture.xml:13493 msgid "" "No one answered that question. Instead, the architecture of revenue for " "computing changed. As it became possible to import programs from one system " @@ -17535,7 +17996,7 @@ msgstr "" #. PAGE BREAK 285 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13258 +#: freeculture.xml:13502 msgid "" "Thus, the practice of proprietary code began to spread, and by the early " "1980s, Stallman found himself surrounded by proprietary code. The world of " @@ -17544,8 +18005,13 @@ msgid "" "share software would be fundamentally weakened." msgstr "" +#. type: Content of: <book><chapter><section><section><indexterm><primary> +#: freeculture.xml:13510 +msgid "Torvalds, Linus" +msgstr "" + #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13267 +#: freeculture.xml:13512 msgid "" "Therefore, in 1984, Stallman began a project to build a free operating " "system, so that at least a strain of free software would survive. That was " @@ -17556,7 +18022,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13275 +#: freeculture.xml:13520 msgid "" "Stallman's technique was to use copyright law to build a world of software " "that must be kept free. Software licensed under the Free Software " @@ -17569,7 +18035,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13286 +#: freeculture.xml:13531 msgid "" "Stallman was thus doing for software what privacy advocates now do for " "privacy. He was seeking a way to rebuild a kind of freedom that was taken " @@ -17580,7 +18046,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13294 +#: freeculture.xml:13539 msgid "" "Finally, consider a very recent example that more directly resonates with " "the story of this book. This is the shift in the way academic and scientific " @@ -17589,7 +18055,7 @@ msgstr "" #. PAGE BREAK 286 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13302 +#: freeculture.xml:13547 msgid "" "As digital technologies develop, it is becoming obvious to many that " "printing thousands of copies of journals every month and sending them to " @@ -17606,7 +18072,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13318 +#: freeculture.xml:13563 msgid "" "There's nothing wrong in general with this, and indeed, the ability to " "charge for access to even public domain materials is a good incentive for " @@ -17618,7 +18084,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13327 +#: freeculture.xml:13572 msgid "" "But what if the only way to get access to social and scientific data was " "through proprietary services? What if no one had the ability to browse this " @@ -17626,7 +18092,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13332 +#: freeculture.xml:13577 msgid "" "As many are beginning to notice, this is increasingly the reality with " "scientific journals. When these journals were distributed in paper form, " @@ -17641,7 +18107,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13344 +#: freeculture.xml:13589 msgid "" "As journals become electronic, however, the publishers are demanding that " "libraries not give the general public access to the journals. This means " @@ -17651,7 +18117,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13352 +#: freeculture.xml:13597 msgid "" "This shrinking freedom has led many to take affirmative steps to restore the " "freedom that has been lost. The Public Library of Science (PLoS), for " @@ -17666,7 +18132,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13366 +#: freeculture.xml:13611 msgid "" "This is one of many such efforts to restore a freedom taken for granted " "before, but now threatened by changing technology and markets. There's no " @@ -17677,19 +18143,24 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><title> -#: freeculture.xml:13378 +#: freeculture.xml:13623 msgid "Rebuilding Free Culture: One Idea" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13383 +#: freeculture.xml:13628 msgid "" "The same strategy could be applied to culture, as a response to the " "increasing control effected through law and technology." msgstr "" +#. type: Content of: <book><chapter><section><section><indexterm><primary> +#: freeculture.xml:13631 +msgid "Stanford University" +msgstr "" + #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13387 +#: freeculture.xml:13633 msgid "" "Enter the Creative Commons. The Creative Commons is a nonprofit corporation " "established in Massachusetts, but with its home at Stanford University. Its " @@ -17703,7 +18174,7 @@ msgstr "" #. PAGE BREAK 288 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13398 +#: freeculture.xml:13644 msgid "" "<emphasis>Simple</emphasis>—which means without a middleman, or " "without a lawyer. By developing a free set of licenses that people can " @@ -17722,7 +18193,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13416 +#: freeculture.xml:13662 msgid "" "These freedoms are beyond the freedoms promised by fair use. Their precise " "contours depend upon the choices the creator makes. The creator can choose a " @@ -17736,7 +18207,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13427 +#: freeculture.xml:13673 msgid "" "These choices thus establish a range of freedoms beyond the default of " "copyright law. They also enable freedoms that go beyond traditional fair " @@ -17749,12 +18220,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para><indexterm><primary> -#: freeculture.xml:13448 +#: freeculture.xml:13694 msgid "Garlick, Mia" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13438 +#: freeculture.xml:13684 msgid "" "This is just one project among many within the Creative Commons. And of " "course, Creative Commons is not the only organization pursuing such " @@ -17768,7 +18239,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13451 +#: freeculture.xml:13697 msgid "" "The aim is not to fight the <quote>All Rights Reserved</quote> sorts. The " "aim is to complement them. The problems that the law creates for us as a " @@ -17783,7 +18254,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13463 +#: freeculture.xml:13709 msgid "" "Why would creators participate in giving up total control? Some participate " "to better spread their content. Cory Doctorow, for example, is a science " @@ -17793,7 +18264,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13470 +#: freeculture.xml:13716 msgid "" "Why would a publisher ever agree to this? I suspect his publisher reasoned " "like this: There are two groups of people out there: (1) those who will buy " @@ -17807,7 +18278,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13482 +#: freeculture.xml:13728 msgid "" "Indeed, the experience of his publisher clearly supports that conclusion. " "The book's first printing was exhausted months before the publisher had " @@ -17815,17 +18286,17 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para><indexterm><primary> -#: freeculture.xml:13497 +#: freeculture.xml:13743 msgid "Free for All (Wayner)" msgstr "" #. type: Content of: <book><chapter><section><section><para><indexterm><primary> -#: freeculture.xml:13498 +#: freeculture.xml:13744 msgid "Wayner, Peter" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13488 +#: freeculture.xml:13734 msgid "" "The idea that free content might increase the value of nonfree content was " "confirmed by the experience of another author. Peter Wayner, who wrote a " @@ -17839,18 +18310,23 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><indexterm><primary> -#: freeculture.xml:13500 +#: freeculture.xml:13746 msgid "Public Enemy" msgstr "" #. type: Content of: <book><chapter><section><section><indexterm><primary> -#: freeculture.xml:13501 +#: freeculture.xml:13747 msgid "rap music" msgstr "" +#. type: Content of: <book><chapter><section><section><indexterm><primary> +#: freeculture.xml:13748 +msgid "Leaphart, Walter" +msgstr "" + #. f2. #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:13518 +#: freeculture.xml:13765 msgid "" "<citetitle>Willful Infringement: A Report from the Front Lines of the Real " "Culture Wars</citetitle> (2003), produced by Jed Horovitz, directed by Greg " @@ -17858,13 +18334,8 @@ msgid "" "url=\"http://free-culture.cc/notes/\">link #72</ulink>." msgstr "" -#. type: Content of: <book><chapter><section><section><para><indexterm><primary> -#: freeculture.xml:13525 -msgid "Leaphart, Walter" -msgstr "" - #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13503 +#: freeculture.xml:13750 msgid "" "These are examples of using the Commons to better spread proprietary " "content. I believe that is a wonderful and common use of the Commons. There " @@ -17880,12 +18351,11 @@ msgid "" "<quote>allow</quote> Public Enemy to sample anymore, because the legal costs " "are so high<placeholder type=\"footnote\" id=\"0\"/>), these artists release " "into the creative environment content that others can build upon, so that " -"their form of creativity might grow. <placeholder type=\"indexterm\" " -"id=\"1\"/>" +"their form of creativity might grow." msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13528 +#: freeculture.xml:13774 msgid "" "Finally, there are many who mark their content with a Creative Commons " "license just because they want to express to others the importance of " @@ -17900,7 +18370,7 @@ msgstr "" #. PAGE BREAK 291 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13540 +#: freeculture.xml:13786 msgid "" "In the first six months of the Creative Commons experiment, over 1 million " "objects were licensed with these free-culture licenses. The next step is " @@ -17911,7 +18381,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13550 +#: freeculture.xml:13796 msgid "" "These are first steps to rebuilding a public domain. They are not mere " "arguments; they are action. Building a public domain is the first step to " @@ -17922,7 +18392,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13558 +#: freeculture.xml:13804 msgid "" "Creative Commons is just one example of voluntary efforts by individuals and " "creators to change the mix of rights that now govern the creative field. The " @@ -17933,22 +18403,22 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><title> -#: freeculture.xml:13572 +#: freeculture.xml:13818 msgid "THEM, SOON" msgstr "" #. type: Content of: <book><chapter><section><para> -#: freeculture.xml:13574 +#: freeculture.xml:13820 msgid "" -"We will not reclaim a free culture by individual action alone. It will also " -"take important reforms of laws. We have a long way to go before the " -"politicians will listen to these ideas and implement these reforms. But " -"that also means that we have time to build awareness around the changes that " -"we need." +"<emphasis role='strong'>We will</emphasis> not reclaim a free culture by " +"individual action alone. It will also take important reforms of laws. We " +"have a long way to go before the politicians will listen to these ideas and " +"implement these reforms. But that also means that we have time to build " +"awareness around the changes that we need." msgstr "" #. type: Content of: <book><chapter><section><para> -#: freeculture.xml:13581 +#: freeculture.xml:13827 msgid "" "In this chapter, I outline five kinds of changes: four that are general, and " "one that's specific to the most heated battle of the day, music. Each is a " @@ -17957,12 +18427,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><title> -#: freeculture.xml:13588 +#: freeculture.xml:13834 msgid "1. More Formalities" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13590 +#: freeculture.xml:13836 msgid "" "If you buy a house, you have to record the sale in a deed. If you buy land " "upon which to build a house, you have to record the purchase in a deed. If " @@ -17972,14 +18442,14 @@ msgstr "" #. PAGE BREAK 293 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13597 +#: freeculture.xml:13843 msgid "" "These are all formalities associated with property. They are requirements " "that we all must bear if we want our property to be protected." msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13602 +#: freeculture.xml:13848 msgid "" "In contrast, under current copyright law, you automatically get a copyright, " "regardless of whether you comply with any formality. You don't have to " @@ -17988,12 +18458,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13608 +#: freeculture.xml:13854 msgid "Why?" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13611 +#: freeculture.xml:13857 msgid "" "As I suggested in chapter <xref xrefstyle=\"select: labelnumber\" " "linkend=\"property-i\"/>, the motivation to abolish formalities was a good " @@ -18004,7 +18474,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13620 +#: freeculture.xml:13866 msgid "" "But the Internet changes all this. Formalities today need not be a " "burden. Rather, the world without formalities is the world that burdens " @@ -18019,7 +18489,7 @@ msgstr "" #. f1. #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:13634 +#: freeculture.xml:13880 msgid "" "The proposal I am advancing here would apply to American works only. " "Obviously, I believe it would be beneficial for the same idea to be adopted " @@ -18027,7 +18497,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13632 +#: freeculture.xml:13878 msgid "" "The law should therefore change this requirement<placeholder " "type=\"footnote\" id=\"0\"/>—but it should not change it by going back " @@ -18037,7 +18507,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13642 +#: freeculture.xml:13888 msgid "" "The important formalities are three: marking copyrighted work, registering " "copyrights, and renewing the claim to copyright. Traditionally, the first of " @@ -18048,12 +18518,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><title> -#: freeculture.xml:13654 +#: freeculture.xml:13900 msgid "REGISTRATION AND RENEWAL" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13656 +#: freeculture.xml:13902 msgid "" "Under the old system, a copyright owner had to file a registration with the " "Copyright Office to register or renew a copyright. When filing that " @@ -18068,7 +18538,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13669 +#: freeculture.xml:13915 msgid "" "Yet it is always astonishing to me that we, who come from a tradition of " "extraordinary innovation in governmental design, can no longer think " @@ -18080,7 +18550,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13678 +#: freeculture.xml:13924 msgid "" "In the context of registration, one obvious model is the Internet. There " "are at least 32 million Web sites registered around the world. Domain name " @@ -18093,7 +18563,7 @@ msgstr "" #. PAGE BREAK 295 #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13688 +#: freeculture.xml:13934 msgid "" "We should adopt a similar model for the registration and renewal of " "copyrights. The Copyright Office may well serve as the central registry, but " @@ -18107,12 +18577,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><title> -#: freeculture.xml:13703 +#: freeculture.xml:13949 msgid "MARKING" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13705 +#: freeculture.xml:13951 msgid "" "It used to be that the failure to include a copyright notice on a creative " "work meant that the copyright was forfeited. That was a harsh punishment for " @@ -18124,7 +18594,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13715 +#: freeculture.xml:13961 msgid "" "The aim of marking is to signal to the public that this work is copyrighted " "and that the author wants to enforce his rights. The mark also makes it easy " @@ -18132,7 +18602,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13721 +#: freeculture.xml:13967 msgid "" "One of the problems the copyright system confronted early on was that " "different copyrighted works had to be differently marked. It wasn't clear " @@ -18146,7 +18616,7 @@ msgstr "" #. f2. #. type: Content of: <book><chapter><section><section><section><para><footnote><para> -#: freeculture.xml:13738 +#: freeculture.xml:13984 msgid "" "There would be a complication with derivative works that I have not solved " "here. In my view, the law of derivatives creates a more complicated system " @@ -18155,7 +18625,7 @@ msgstr "" #. PAGE BREAK 296 #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13731 +#: freeculture.xml:13977 msgid "" "Let's start with the last point. If a copyright owner allows his work to be " "published without a copyright notice, the consequence of that failure need " @@ -18171,7 +18641,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13751 +#: freeculture.xml:13997 msgid "" "That in turn raises the question about how work should best be marked. Here " "again, the system needs to adjust as the technologies evolve. The best way " @@ -18181,7 +18651,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13758 +#: freeculture.xml:14004 msgid "" "For example, if a recording industry association devises a method for " "marking CDs, it would propose that to the Copyright Office. The Copyright " @@ -18195,7 +18665,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13770 +#: freeculture.xml:14016 msgid "" "Finally, marking content clearly would simplify registration requirements. " "If photographs were marked by author and year, there would be little reason " @@ -18206,7 +18676,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13778 +#: freeculture.xml:14024 msgid "" "The objective of formalities is to make things clear. The existing system " "does nothing to make things clear. Indeed, it seems designed to make things " @@ -18214,7 +18684,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><section><para> -#: freeculture.xml:13783 +#: freeculture.xml:14029 msgid "" "If formalities such as registration were reinstated, one of the most " "difficult aspects of relying upon the public domain would be removed. It " @@ -18225,12 +18695,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><title> -#: freeculture.xml:13795 +#: freeculture.xml:14041 msgid "2. Shorter Terms" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13797 +#: freeculture.xml:14043 msgid "" "The term of copyright has gone from fourteen years to ninety-five years for " "corporate authors, and life of the author plus seventy years for natural " @@ -18239,7 +18709,7 @@ msgstr "" #. f3. #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:13810 +#: freeculture.xml:14056 msgid "" "<quote>A Radical Rethink,</quote> <citetitle>Economist</citetitle>, 366:8308 " "(25 January 2003): 15, available at <ulink " @@ -18247,7 +18717,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13802 +#: freeculture.xml:14048 msgid "" "In <citetitle>The Future of Ideas</citetitle>, I proposed a " "seventy-five-year term, granted in five-year increments with a requirement " @@ -18260,7 +18730,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13817 +#: freeculture.xml:14063 msgid "" "I agree with those who believe that we need a radical change in copyright's " "term. But whether fourteen years or seventy-five, there are four principles " @@ -18269,7 +18739,7 @@ msgstr "" #. (1) #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:13825 +#: freeculture.xml:14071 msgid "" "<emphasis>Keep it short:</emphasis> The term should be as long as necessary " "to give incentives to create, but no longer. If it were tied to very strong " @@ -18282,7 +18752,7 @@ msgstr "" #. (2) #. PAGE BREAK 298 #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:13834 +#: freeculture.xml:14080 msgid "" "<emphasis>Keep it simple:</emphasis> The line between the public domain and " "protected content must be kept clear. Lawyers like the fuzziness of " @@ -18297,7 +18767,7 @@ msgstr "" #. f4. #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para><footnote><para> -#: freeculture.xml:13855 +#: freeculture.xml:14101 msgid "" "Department of Veterans Affairs, Veteran's Application for Compensation " "and/or Pension, VA Form 21-526 (OMB Approved No. 2900-0001), available at " @@ -18305,12 +18775,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para><indexterm><primary> -#: freeculture.xml:13863 +#: freeculture.xml:14109 msgid "veterans' pensions" msgstr "" #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:13847 +#: freeculture.xml:14093 msgid "" "<emphasis>Keep it alive:</emphasis> Copyright should have to be renewed. " "Especially if the maximum term is long, the copyright owner should be " @@ -18325,7 +18795,7 @@ msgstr "" #. (4) #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:13867 +#: freeculture.xml:14113 msgid "" "<emphasis>Keep it prospective:</emphasis> Whatever the term of copyright " "should be, the clearest lesson that economists teach is that a term once " @@ -18342,7 +18812,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13883 +#: freeculture.xml:14129 msgid "" "These changes together should produce an <emphasis>average</emphasis> " "copyright term that is much shorter than the current term. Until 1976, the " @@ -18350,7 +18820,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13889 +#: freeculture.xml:14135 msgid "" "No doubt the extremists will call these ideas <quote>radical.</quote> (After " "all, I call them <quote>extremists.</quote>) But again, the term I " @@ -18360,12 +18830,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><title> -#: freeculture.xml:13899 +#: freeculture.xml:14145 msgid "3. Free Use Vs. Fair Use" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13901 +#: freeculture.xml:14152 msgid "" "As I observed at the beginning of this book, property law originally granted " "property owners the right to control their property from the ground to the " @@ -18376,7 +18846,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13909 +#: freeculture.xml:14160 msgid "" "Our Constitution gives Congress the power to give authors <quote>exclusive " "right</quote> to <quote>their writings.</quote> Congress has given authors " @@ -18389,19 +18859,19 @@ msgstr "" #. f5. #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:13922 +#: freeculture.xml:14173 msgid "" "Benjamin Kaplan, <citetitle>An Unhurried View of Copyright</citetitle> (New " "York: Columbia University Press, 1967), 32." msgstr "" #. type: Content of: <book><chapter><section><section><para><indexterm><primary> -#: freeculture.xml:13928 +#: freeculture.xml:14179 msgid "Kaplan, Benjamin" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13918 +#: freeculture.xml:14169 msgid "" "Congress granted the beginnings of this right in 1870, when it expanded the " "exclusive right of copyright to include a right to control translations and " @@ -18413,12 +18883,12 @@ msgstr "" #. f6. #. type: Content of: <book><chapter><section><section><blockquote><para><footnote><para> -#: freeculture.xml:13936 +#: freeculture.xml:14187 msgid "Ibid., 56." msgstr "" #. type: Content of: <book><chapter><section><section><blockquote><para> -#: freeculture.xml:13932 +#: freeculture.xml:14183 msgid "" "So inured have we become to the extension of the monopoly to a large range " "of so-called derivative works, that we no longer sense the oddity of " @@ -18427,7 +18897,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13941 +#: freeculture.xml:14192 msgid "" "I think it's time to recognize that there are airplanes in this field and " "the expansiveness of these rights of derivative use no longer make " @@ -18437,7 +18907,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13948 +#: freeculture.xml:14199 msgid "" "<emphasis>Term:</emphasis> If Congress wants to grant a derivative right, " "then that right should be for a much shorter term. It makes sense to protect " @@ -18449,7 +18919,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13961 +#: freeculture.xml:14212 msgid "" "<emphasis>Scope:</emphasis> Likewise should the scope of derivative rights " "be narrowed. Again, there are some cases in which derivative rights are " @@ -18464,7 +18934,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13974 +#: freeculture.xml:14226 msgid "" "This was the point that Alben made when describing the making of the Clint " "Eastwood CD. While it makes sense to require negotiation for foreseeable " @@ -18474,12 +18944,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:13990 +#: freeculture.xml:14242 msgid "Goldstein, Paul" msgstr "" #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:13988 +#: freeculture.xml:14240 msgid "" "Paul Goldstein, <citetitle>Copyright's Highway: From Gutenberg to the " "Celestial Jukebox</citetitle> (Stanford: Stanford University Press, 2003), " @@ -18487,7 +18957,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13982 +#: freeculture.xml:14234 msgid "" "In each of these cases, the law should mark the uses that are protected, and " "the presumption should be that other uses are not protected. This is the " @@ -18497,7 +18967,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:13996 +#: freeculture.xml:14248 msgid "" "Goldstein's analysis would make perfect sense if the cost of the legal " "system were small. But as we are currently seeing in the context of the " @@ -18508,7 +18978,7 @@ msgstr "" #. PAGE BREAK 301 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14003 +#: freeculture.xml:14255 msgid "" "The law could remedy this problem either by removing protection beyond the " "part explicitly drawn or by granting reuse rights upon certain statutory " @@ -18518,12 +18988,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><title> -#: freeculture.xml:14013 +#: freeculture.xml:14265 msgid "4. Liberate the Music—Again" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14015 +#: freeculture.xml:14267 msgid "" "The battle that got this whole war going was about music, so it wouldn't be " "fair to end this book without addressing the issue that is, to most people, " @@ -18533,7 +19003,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14022 +#: freeculture.xml:14274 msgid "" "The appeal of file-sharing music was the crack cocaine of the Internet's " "growth. It drove demand for access to the Internet more powerfully than any " @@ -18544,7 +19014,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14031 +#: freeculture.xml:14283 msgid "" "The aim of copyright, with respect to content in general and music in " "particular, is to create the incentives for music to be composed, performed, " @@ -18554,7 +19024,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14038 +#: freeculture.xml:14290 msgid "" "File-sharing networks complicate this model by enabling the spread of " "content for which the performer has not been paid. But of course, that's not " @@ -18565,7 +19035,7 @@ msgstr "" #. A. #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:14047 +#: freeculture.xml:14299 msgid "" "There are some who are using sharing networks as substitutes for purchasing " "CDs." @@ -18573,7 +19043,7 @@ msgstr "" #. B. #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:14052 +#: freeculture.xml:14304 msgid "" "There are also some who are using sharing networks to sample, on the way to " "purchasing CDs." @@ -18582,7 +19052,7 @@ msgstr "" #. PAGE BREAK 302 #. C. #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:14058 +#: freeculture.xml:14310 msgid "" "There are many who are using file-sharing networks to get access to content " "that is no longer sold but is still under copyright or that would have been " @@ -18591,7 +19061,7 @@ msgstr "" #. D. #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:14064 +#: freeculture.xml:14316 msgid "" "There are many who are using file-sharing networks to get access to content " "that is not copyrighted or to get access that the copyright owner plainly " @@ -18599,7 +19069,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14070 +#: freeculture.xml:14322 msgid "" "Any reform of the law needs to keep these different uses in focus. It must " "avoid burdening type D even if it aims to eliminate type A. The eagerness " @@ -18610,7 +19080,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14078 +#: freeculture.xml:14330 msgid "" "As I said in chapter <xref xrefstyle=\"select: labelnumber\" " "linkend=\"piracy\"/>, the actual harm caused by sharing is controversial. " @@ -18620,7 +19090,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14086 +#: freeculture.xml:14338 msgid "" "Nonetheless, there is a crucial fact about the current technological context " "that we must keep in mind if we are to understand how the law should " @@ -18628,7 +19098,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14091 +#: freeculture.xml:14343 msgid "" "Today, file sharing is addictive. In ten years, it won't be. It is addictive " "today because it is the easiest way to gain access to a broad range of " @@ -18643,7 +19113,7 @@ msgstr "" #. PAGE BREAK 303 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14103 +#: freeculture.xml:14355 msgid "" "But it will become a reality, and that means the way we get access to the " "Internet today is a technology in transition. Policy makers should not make " @@ -18658,9 +19128,14 @@ msgid "" "where with the flip of a device, you are connected." msgstr "" +#. type: Content of: <book><chapter><section><section><indexterm><primary> +#: freeculture.xml:14369 +msgid "cell phones, music streamed over" +msgstr "" + #. f8. #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:14136 +#: freeculture.xml:14389 msgid "" "See, for example, <quote>Music Media Watch,</quote> The J@pan " "Inc. Newsletter, 3 April 2002, available at <ulink " @@ -18668,7 +19143,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14118 +#: freeculture.xml:14371 msgid "" "In that world, it will be extremely easy to connect to services that give " "you access to content on the fly—such as Internet radio, content that " @@ -18690,7 +19165,7 @@ msgstr "" #. PAGE BREAK 304 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14143 +#: freeculture.xml:14396 msgid "" "This point about the future is meant to suggest a perspective on the " "present: It is emphatically temporary. The <quote>problem</quote> with file " @@ -18706,7 +19181,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14159 +#: freeculture.xml:14412 msgid "" "The answer begins with recognizing that there are different " "<quote>problems</quote> here to solve. Let's start with type D " @@ -18720,7 +19195,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14170 +#: freeculture.xml:14423 msgid "" "Type C content raises a different <quote>problem.</quote> This is content " "that was, at one time, published and is no longer available. It may be " @@ -18732,7 +19207,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14179 +#: freeculture.xml:14432 msgid "" "Again, the model here is the used book store. Once a book goes out of print, " "it may still be available in libraries and used book stores. But libraries " @@ -18745,7 +19220,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14189 +#: freeculture.xml:14442 msgid "" "The model of used book stores suggests that the law could simply deem " "out-of-print music fair game. If the publisher does not make copies of the " @@ -18758,7 +19233,7 @@ msgstr "" #. PAGE BREAK 305 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14200 +#: freeculture.xml:14453 msgid "" "Alternatively, the law could create a statutory license that would ensure " "that artists get something from the trade of their work. For example, if the " @@ -18770,7 +19245,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14210 +#: freeculture.xml:14463 msgid "" "This system would also create an incentive for publishers to keep works " "available commercially. Works that are available commercially would not be " @@ -18783,7 +19258,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14220 +#: freeculture.xml:14473 msgid "" "The hard case is content of types A and B, and again, this case is hard only " "because the extent of the problem will change over time, as the technologies " @@ -18794,14 +19269,14 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14228 +#: freeculture.xml:14481 msgid "" "So here's a solution that will at first seem very strange to both sides in " "this war, but which upon reflection, I suggest, should make some sense." msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14232 +#: freeculture.xml:14485 msgid "" "Stripped of the rhetoric about the sanctity of property, the basic claim of " "the content industry is this: A new technology (the Internet) has harmed a " @@ -18815,7 +19290,7 @@ msgstr "" #. PAGE BREAK 306 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14243 +#: freeculture.xml:14496 msgid "" "I love the Internet, and so I don't like likening it to tobacco or " "asbestos. But the analogy is a fair one from the perspective of the law. " @@ -18826,22 +19301,23 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para><footnote><para><indexterm><primary> -#: freeculture.xml:14288 +#: freeculture.xml:14545 msgid "Fisher, William" msgstr "" -#. type: Content of: <book><chapter><section><section><para><indexterm><primary> -#: freeculture.xml:14290 freeculture.xml:14316 +#. type: Content of: <book><chapter><section><section><indexterm><primary> +#: freeculture.xml:14547 freeculture.xml:14560 msgid "Promises to Keep (Fisher)" msgstr "" #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:14255 +#: freeculture.xml:14508 msgid "" -"William Fisher, <citetitle>Digital Music: Problems and " -"Possibilities</citetitle> (last revised: 10 October 2000), available at " -"<ulink url=\"http://free-culture.cc/notes/\">link #77</ulink>; William " -"Fisher, <citetitle>Promises to Keep: Technology, Law, and the Future of " +"<placeholder type=\"indexterm\" id=\"0\"/> William Fisher, " +"<citetitle>Digital Music: Problems and Possibilities</citetitle> (last " +"revised: 10 October 2000), available at <ulink " +"url=\"http://free-culture.cc/notes/\">link #77</ulink>; William Fisher, " +"<citetitle>Promises to Keep: Technology, Law, and the Future of " "Entertainment</citetitle> (forthcoming) (Stanford: Stanford University " "Press, 2004), ch. 6, available at <ulink " "url=\"http://free-culture.cc/notes/\">link #78</ulink>. Professor Netanel " @@ -18872,12 +19348,12 @@ msgid "" "more popular artists would get more than the less popular. As is typical " "with Stallman, his proposal predates the current debate by about a " "decade. See <ulink url=\"http://free-culture.cc/notes/\">link #85</ulink>. " -"<placeholder type=\"indexterm\" id=\"0\"/> <placeholder type=\"indexterm\" " -"id=\"1\"/> <placeholder type=\"indexterm\" id=\"2\"/>" +"<placeholder type=\"indexterm\" id=\"1\"/> <placeholder type=\"indexterm\" " +"id=\"2\"/> <placeholder type=\"indexterm\" id=\"3\"/>" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14251 +#: freeculture.xml:14504 msgid "" "The idea would be a modification of a proposal that has been floated by " "Harvard law professor William Fisher.<placeholder type=\"footnote\" " @@ -18892,7 +19368,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14303 +#: freeculture.xml:14562 msgid "" "Fisher's proposal is careful and comprehensive. It raises a million " "questions, most of which he answers well in his upcoming book, " @@ -18905,13 +19381,12 @@ msgid "" "years. If it continues to make sense to facilitate free exchange of content, " "supported through a taxation system, then it can be continued. If this form " "of protection is no longer necessary, then the system could lapse into the " -"old system of controlling access. <placeholder type=\"indexterm\" " -"id=\"0\"/>" +"old system of controlling access." msgstr "" #. PAGE BREAK 307 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14319 +#: freeculture.xml:14581 msgid "" "Fisher would balk at the idea of allowing the system to lapse. His aim is " "not just to ensure that artists are paid, but also to ensure that the system " @@ -18924,7 +19399,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14333 +#: freeculture.xml:14595 msgid "" "No doubt it would be difficult to calculate the proper measure of " "<quote>harm</quote> to an industry. But the difficulty of making that " @@ -18942,7 +19417,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14348 +#: freeculture.xml:14611 msgid "" "This competition has already occurred against the background of " "<quote>free</quote> music from p2p systems. As the sellers of cable " @@ -18958,7 +19433,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14360 +#: freeculture.xml:14623 msgid "" "This regime of competition, with a backstop to assure that artists don't " "lose, would facilitate a great deal of innovation in the delivery of " @@ -18969,13 +19444,13 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14369 +#: freeculture.xml:14632 msgid "In summary, then, my proposal is this:" msgstr "" #. PAGE BREAK 308 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14374 +#: freeculture.xml:14637 msgid "" "The Internet is in transition. We should not be regulating a technology in " "transition. We should instead be regulating to minimize the harm to " @@ -18984,19 +19459,19 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14381 +#: freeculture.xml:14644 msgid "We can minimize that harm while maximizing the benefit to innovation by" msgstr "" #. 1. #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:14387 +#: freeculture.xml:14650 msgid "guaranteeing the right to engage in type D sharing;" msgstr "" #. 2. #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:14391 +#: freeculture.xml:14654 msgid "" "permitting noncommercial type C sharing without liability, and commercial " "type C sharing at a low and fixed rate set by statute;" @@ -19004,14 +19479,14 @@ msgstr "" #. 3. #. type: Content of: <book><chapter><section><section><orderedlist><listitem><para> -#: freeculture.xml:14397 +#: freeculture.xml:14660 msgid "" "while in this transition, taxing and compensating for type A sharing, to the " "extent actual harm is demonstrated." msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14402 +#: freeculture.xml:14665 msgid "" "But what if <quote>piracy</quote> doesn't disappear? What if there is a " "competitive market providing content at a low cost, but a significant number " @@ -19020,7 +19495,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14408 +#: freeculture.xml:14671 msgid "" "Yes, it should. But, again, what it should do depends upon how the facts " "develop. These changes may not eliminate type A sharing. But the real issue " @@ -19037,7 +19512,7 @@ msgstr "" #. PAGE BREAK 309 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14422 +#: freeculture.xml:14685 msgid "" "But we're a long way away from whittling the problem down to this subset of " "type A sharers. And our focus until we're there should not be on finding " @@ -19047,12 +19522,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><title> -#: freeculture.xml:14433 +#: freeculture.xml:14696 msgid "5. Fire Lots of Lawyers" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14435 +#: freeculture.xml:14698 msgid "" "I'm a lawyer. I make lawyers for a living. I believe in the law. I believe " "in the law of copyright. Indeed, I have devoted my life to working in law, " @@ -19061,7 +19536,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14441 +#: freeculture.xml:14704 msgid "" "Yet much of this book has been a criticism of lawyers, or the role lawyers " "have played in this debate. The law speaks to ideals, but it is my view that " @@ -19072,7 +19547,7 @@ msgstr "" #. f10. #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:14458 +#: freeculture.xml:14721 msgid "" "Lawrence Lessig, <quote>Copyright's First Amendment</quote> (Melville " "B. Nimmer Memorial Lecture), <citetitle>UCLA Law Review</citetitle> 48 " @@ -19080,7 +19555,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14449 +#: freeculture.xml:14712 msgid "" "The evidence of this bending is compelling. I'm attacked as a " "<quote>radical</quote> by many within the profession, yet the positions that " @@ -19093,7 +19568,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14464 +#: freeculture.xml:14727 msgid "" "However, my criticism of the role that lawyers have played in this debate is " "not just about a professional bias. It is more importantly about our failure " @@ -19101,7 +19576,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para><footnote><para> -#: freeculture.xml:14474 +#: freeculture.xml:14737 msgid "" "A good example is the work of Professor Stan Liebowitz. Liebowitz is to be " "commended for his careful review of data about infringement, leading him to " @@ -19121,7 +19596,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14469 +#: freeculture.xml:14732 msgid "" "Economists are supposed to be good at reckoning costs and benefits. But " "more often than not, economists, with no clue about how the legal system " @@ -19133,7 +19608,7 @@ msgstr "" #. PAGE BREAK 310 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14498 +#: freeculture.xml:14761 msgid "" "But the legal system doesn't work. Or more accurately, it doesn't work for " "anyone except those with the most resources. Not because the system is " @@ -19143,7 +19618,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14506 +#: freeculture.xml:14769 msgid "" "These costs distort free culture in many ways. A lawyer's time is billed at " "the largest firms at more than $400 per hour. How much time should such a " @@ -19156,7 +19631,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14516 +#: freeculture.xml:14779 msgid "" "The costliness and clumsiness and randomness of this system mock our " "tradition. And lawyers, as well as academics, should consider it their duty " @@ -19167,7 +19642,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14524 +#: freeculture.xml:14787 msgid "" "But until that reform is complete, we as a society should keep the law away " "from areas that we know it will only harm. And that is precisely what the " @@ -19175,7 +19650,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14530 +#: freeculture.xml:14794 msgid "" "Think about the amazing things your kid could do or make with digital " "technology—the film, the music, the Web page, the blog. Or think about " @@ -19188,7 +19663,7 @@ msgstr "" #. PAGE BREAK 311 #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14539 +#: freeculture.xml:14803 msgid "" "The law should regulate in certain areas of culture—but it should " "regulate culture only where that regulation does good. Yet lawyers rarely " @@ -19198,7 +19673,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><section><section><para> -#: freeculture.xml:14548 +#: freeculture.xml:14812 msgid "" "We should ask, <quote>Why?</quote> Show me why your regulation of culture is " "needed. Show me how it does good. And until you can show me both, keep your " @@ -19206,12 +19681,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><title> -#: freeculture.xml:14557 +#: freeculture.xml:14821 msgid "NOTES" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:14559 +#: freeculture.xml:14823 msgid "" "Throughout this text, there are references to links on the World Wide " "Web. As anyone who has tried to use the Web knows, these links can be highly " @@ -19225,12 +19700,12 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><title> -#: freeculture.xml:14574 +#: freeculture.xml:14838 msgid "ACKNOWLEDGMENTS" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:14576 +#: freeculture.xml:14840 msgid "" "This book is the product of a long and as yet unsuccessful struggle that " "began when I read of Eric Eldred's war to keep books free. Eldred's work " @@ -19239,7 +19714,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:14583 +#: freeculture.xml:14847 msgid "" "I received guidance in various places from friends and academics, including " "Glenn Brown, Peter DiCola, Jennifer Mnookin, Richard Posner, Mark Rose, and " @@ -19255,7 +19730,7 @@ msgstr "" #. PAGE BREAK 337 #. type: Content of: <book><chapter><para> -#: freeculture.xml:14596 +#: freeculture.xml:14860 msgid "" "Yuko Noguchi helped me to understand the laws of Japan as well as its " "culture. I am thankful to her, and to the many in Japan who helped me " @@ -19268,7 +19743,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:14607 +#: freeculture.xml:14871 msgid "" "These are the traditional sorts of help that academics regularly draw " "upon. But in addition to them, the Internet has made it possible to receive " @@ -19290,7 +19765,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:14627 +#: freeculture.xml:14891 msgid "" "Richard Stallman and Michael Carroll each read the whole book in draft, and " "each provided extremely helpful correction and advice. Michael helped me to " @@ -19301,7 +19776,7 @@ msgid "" msgstr "" #. type: Content of: <book><chapter><para> -#: freeculture.xml:14636 +#: freeculture.xml:14900 msgid "" "Finally, and forever, I am thankful to Bettina, who has always insisted that " "there would be unending happiness away from these battles, and who has "