X-Git-Url: https://pere.pagekite.me/gitweb/text-free-culture-lessig.git/blobdiff_plain/7628ead8b13766375cd031ab425dd81de487e20c..7b872c5d44fb04fd88f20bfc1fe854136b3d38b8:/freeculture.xml diff --git a/freeculture.xml b/freeculture.xml index aaa5cbf..a313493 100644 --- a/freeculture.xml +++ b/freeculture.xml @@ -124,7 +124,7 @@ Appeals. --> - 1-59420-006-8 + 978-82-92812-XX-Y - - - -You can buy a copy of this book by clicking on one of the links below: - - -Amazon -B&N -Penguin - - - - @@ -165,7 +151,7 @@ Code: And Other Laws of Cyberspace -To Eric Eldred—whose work first drew me to this cause, and for whom +To Eric Eldred — whose work first drew me to this cause, and for whom it continues still. @@ -1550,7 +1536,7 @@ flourish. As American graphic novelist Judd Winick said to me, The early days of comics in America are very much like what's going on in Japan now. … American comics were born out of copying each -other. … That's how [the artists] learn to draw—by going into comic +other. … That's how [the artists] learn to draw — by going into comic books and not tracing them, but looking at them and copying them and building from them. @@ -1646,8 +1632,8 @@ The term intellectual property is of relatively recent or Siva Vaidhyanathan, Copyrights and Copywrongs, 11 (New York: New York University Press, 2001). See also Lawrence Lessig, The Future of Ideas (New York: Random House, 2001), 293 n. 26. The term accurately -describes a set of property rights—copyright, patents, -trademark, and trade-secret—but the nature of those rights is +describes a set of property rights — copyright, patents, +trademark, and trade-secret — but the nature of those rights is very different. A large, diverse society cannot survive without property; a large, @@ -6465,7 +6451,7 @@ weaken the right or regulation. I represented it with this diagram:
How four different modalities of regulation interact to support or weaken the right or regulation. - +
Madonna @@ -6594,7 +6580,8 @@ driving.
Law has a special role in affecting the three. - + +
architecture, constraint effected through @@ -6657,7 +6644,8 @@ Internet:
Copyright's regulation before the Internet. - + +
architecture, constraint effected through lawas constraint modality @@ -6702,7 +6690,8 @@ looting that results.
effective state of anarchy after the Internet. - + +
Commerce, U.S. Department of regulationas establishment protectionism @@ -7025,14 +7014,14 @@ started here:
Copyright's regulation before the Internet. - +
We will end here:
<quote>Copyright</quote> today. - +
Let me explain how. @@ -7527,7 +7516,7 @@ empty circle.
All potential uses of a book. - +
booksthree types of uses of copyright lawcopies as core issue of @@ -7551,7 +7540,7 @@ acts do not make a copy.
Examples of unregulated uses of a book. - +
Obviously, however, some uses of a copyrighted book are regulated @@ -7572,7 +7561,7 @@ that remain unregulated because the law considers these fair uses.
Republishing stands at the core of this circle of possible uses of a copyrighted work. - +
Constitution, U.S.First Amendment to First Amendment @@ -7588,12 +7577,12 @@ for public policy (and possibly First Amendment) reasons.
Unregulated copying considered <quote>fair uses.</quote> - +
Uses that before were presumptively unregulated are now presumptively regulated. - +
copyrightusage restrictions attached to @@ -7931,7 +7920,7 @@ a button at the bottom called Permissions.
Picture of an old version of Adobe eBook Reader - +
If you click on the Permissions button, you'll see a list of the @@ -7939,7 +7928,7 @@ permissions that the publisher purports to grant with this book.
List of the permissions that the publisher purports to grant. - +
@@ -7958,7 +7947,7 @@ translation): Aristotle's Politics.
E-book of Aristotle;s <quote>Politics</quote> - +
According to its permissions, no printing or copying is permitted @@ -7967,7 +7956,7 @@ the book.
List of the permissions for Aristotle;s <quote>Politics</quote>. - +
Future of Ideas, The (Lessig) Lessig, Lawrence @@ -7979,7 +7968,7 @@ Ideas:
List of the permissions for <quote>The Future of Ideas</quote>. - +
No copying, no printing, and don't you dare try to listen to this book! @@ -8065,7 +8054,7 @@ following report:
List of the permissions for <quote>Alice's Adventures in Wonderland</quote>. - +
@@ -8414,7 +8403,7 @@ and bad uses.
VCR/handgun cartoon. - +
Conrad, Paul @@ -8628,7 +8617,7 @@ pattern better than a thousand words could do:
Pattern of modern media ownership. - +
@@ -10026,7 +10015,7 @@ creativity generally. Free market and free culture depend upon vibrant competition. Yet the effect of the law today is to stifle just this kind of competition. The effect is to produce an overregulated culture, just as the effect of too much control in the market is to -produce an overregulatedregulated market. +produce an overregulated-regulated market. The building of a permission culture, rather than a free culture, is @@ -12718,7 +12707,7 @@ unfair. But the punch in the face felt exactly like that.
Tom the Dancing Bug cartoon - + Bolling, Ruben
@@ -15586,24 +15575,37 @@ grateful for her perpetual patience and love. -THE PENGUIN PRESS, a member of Penguin Group (USA) Inc. 375 Hudson Street New -York, New York +This digital book was published by Petter Reinholdtsen in 2014. -Copyright © Lawrence Lessig. All rights reserved. +The original hardcover paper book was published in 2004 by The Penguin +Press, a member of Penguin Group (USA) Inc. 375 Hudson Street New +York, New York. -Excerpt from an editorial titled The Coming of Copyright Perpetuity, -The New York Times, January 16, 2003. Copyright -© 2003 by The New York Times Co. Reprinted with permission. +Copyright © Lawrence Lessig. Some rights reserved. -Cartoon in by Paul Conrad, copyright Tribune -Media Services, Inc. All rights reserved. Reprinted with permission. +This version of Free Culture is licensed under +a Creative Commons license. This license permits non-commercial use of +this work, so long as attribution is given. For more information +about the license, click the icon above, or visit +http://creativecommons.org/licenses/by-nc/1.0/ -Diagram in courtesy of the office of FCC -Commissioner, Michael J. Copps. +Excerpt from an editorial titled The Coming of Copyright +Perpetuity, The New York Times, January +16, 2003. Copyright © 2003 by The New York Times Co. Reprinted +with permission. + + +Cartoon in by Paul +Conrad, copyright Tribune Media Services, Inc. All rights +reserved. Reprinted with permission. + + +Diagram in +courtesy of the office of FCC Commissioner, Michael J. Copps. Library of Congress Cataloging-in-Publication Data @@ -15619,54 +15621,81 @@ p. cm. Includes index. - -ISBN 1-59420-006-8 (hardcover) - -1. Intellectual property—United States. 2. Mass media—United States. + + + + + ISBN + Format / MIME-type + + + + + 978-82-92812-XX-Y + text/plain + + + + 978-82-92812-XX-Y + application/pdf + + + 978-82-92812-XX-Y + text/html + + + 978-82-92812-XX-Y + application/epub+zip + + + 978-82-92812-XX-Y + application/docbook+xml + + + 978-82-92812-XX-Y + application/x-mobipocket-ebook + + + + + -3. Technological innovations—United States. 4. Art—United States. I. Title. +1. Intellectual property—United States. -KF2979.L47 +2. Mass media—United States. -343.7309'9—dc22 +3. Technological innovations—United States. -This book is printed on acid-free paper. +4. Art—United States. I. Title. -Printed in the United States of America +KF2979.L47 2004 -1 3 5 7 9 10 8 6 4 +343.7309'9—dc22 2003063276 + -Designed by Marysarah Quinn +The source of this version of the text is written using DocBook +notation and the other formats are derived from the DocBook source. +The DocBook source is based on a +DocBook XML version +created by Hans Schou, and extended with formatting and index +references by Petter Reinholdtsen. The source files of this book is +available as +a +github project. &translationblock; - -Without limiting the rights under copyright reserved above, no part of -this publication may be reproduced, stored in or introduced into a -retrieval system, or transmitted, in any form or by any means -(electronic, mechanical, photocopying, recording or otherwise), -without the prior written permission of both the copyright owner and -the above publisher of this book. - - -The scanning, uploading, and distribution of this book via the -Internet or via any other means without the permission of the -publisher is illegal and punishable by law. Please purchase only -authorized electronic editions and do not participate in or encourage -electronic piracy of copyrighted materials. Your support of the -author's rights is appreciated. -