X-Git-Url: https://pere.pagekite.me/gitweb/text-free-culture-lessig.git/blobdiff_plain/6c09c40fb5d23b93d027160cb7be6f2b753c10ec..49a738ead949e897d598a377aa20ebe01e45d04d:/freeculture.xml

diff --git a/freeculture.xml b/freeculture.xml
index 54531b1..d9a651d 100644
--- a/freeculture.xml
+++ b/freeculture.xml
@@ -18,11 +18,13 @@
 
  <abbrev>"freeculture"</abbrev>
 
- <subtitle>HOW BIG MEDIA USES TECHNOLOGY AND THE LAW TO LOCK DOWN
- CULTURE AND CONTROL CREATIVITY</subtitle>
+ <subtitle>How big media uses technology and the law to lock down
+ culture and control creativity</subtitle>
 
  <pubdate>2004-03-25</pubdate>
 
+ <edition>1</edition>
+
  <releaseinfo>Version 2004-02-10</releaseinfo>
 
  <authorgroup>
@@ -30,6 +32,20 @@
    <firstname>Lawrence</firstname>
    <surname>Lessig</surname>
   </author>
+<!--
+  Keep these out to avoid showing up as author in the PDF.
+
+  <editor>
+   <firstname>Petter</firstname>
+   <surname>Reinholdtsen</surname>
+  </editor>
+
+  <othercredit role='converter'>
+    <firstname>Petter</firstname>
+    <surname>Reinholdtsen</surname>
+    <contrib>Created this Docbook version from an earlier version</contrib>
+  </othercredit>
+-->
  </authorgroup>
 
 <!-- <subjectset> and cover <mediaobject> Based on example from
@@ -52,8 +68,8 @@
 
 
  <publisher>
-   <publishername>The Penguin Press</publishername>
-   <address><city>New York</city></address>
+   <publishername>Petter Reinholdtsen</publishername>
+   <address><city>Oslo</city></address>
  </publisher>
 
  <copyright>
@@ -76,21 +92,20 @@
    </para>
 
    <para>
-This version of <citetitle>Free Culture</citetitle> is licensed under
-a Creative Commons license. This license permits non-commercial use of
-this work, so long as attribution is given.  For more information
-about the license, click the icon above, or visit
+This book is licensed under a Creative Commons license. This license
+permits non-commercial use of this work, so long as attribution is
+given.  For more information about the license visit
 <ulink url="http://creativecommons.org/licenses/by-nc/1.0/">http://creativecommons.org/licenses/by-nc/1.0/</ulink>
    </para>
  </legalnotice>
 
  <abstract>
-  <title>ABOUT THE AUTHOR</title>
+  <title>About the author</title>
   <para>
-LAWRENCE LESSIG 
+Lawrence Lessig
 (<ulink url="http://www.lessig.org">http://www.lessig.org</ulink>),
-professor of law and a John A. Wilson Distinguished Faculty Scholar
-at Stanford Law School, is founder of the Stanford Center for Internet
+professor of law and a Roy L. Furman Professor of Law and Leadership
+at Harvard Law School, is founder of the Stanford Center for Internet
 and Society and is chairman of the Creative Commons
 (<ulink url="http://creativecommons.org">http://creativecommons.org</ulink>).
 The author of The Future of Ideas (Random House, 2001) and Code: And
@@ -98,11 +113,11 @@ Other Laws of Cyberspace (Basic Books, 1999), Lessig is a member of
 the boards of the Public Library of Science, the Electronic Frontier
 Foundation, and Public Knowledge. He was the winner of the Free
 Software Foundation's Award for the Advancement of Free Software,
-twice listed in BusinessWeek's <quote>e.biz 25,</quote> and named one of Scientific
-American's <quote>50 visionaries.</quote> A graduate of the University of
-Pennsylvania, Cambridge University, and Yale Law School, Lessig
-clerked for Judge Richard Posner of the U.S. Seventh Circuit Court of
-Appeals.
+twice listed in BusinessWeek's <quote>e.biz 25,</quote> and named one
+of Scientific American's <quote>50 visionaries.</quote> A graduate of
+the University of Pennsylvania, Cambridge University, and Yale Law
+School, Lessig clerked for Judge Richard Posner of the U.S. Seventh
+Circuit Court of Appeals.
   </para>
  </abstract>
 
@@ -124,50 +139,64 @@ Appeals.
 -->
  </mediaobject>
 
- <biblioid class="isbn">1-59420-006-8</biblioid>
+ <biblioid class="isbn">978-82-8067-010-6</biblioid>
 
 <!-- LCCN from
      http://catalog.loc.gov/cgi-bin/Pwebrecon.cgi?v3=1&DB=local&CMD=010a+2003063276&CNT=10+records+per+page
      -->
   <biblioid class="libraryofcongress">2003063276</biblioid>
 
+  <biblioid class="uri">http://free-culture.cc/</biblioid>
+
 </bookinfo>
-<!--PAGE BREAK 1-->
-<dedication id="salespoints">
-<title></title>
-<para>
-You can buy a copy of this book by clicking on one of the links below:
-</para>
-<itemizedlist mark="number" spacing="compact">
-<listitem><para><ulink url="http://www.amazon.com/">Amazon</ulink></para></listitem>
-<listitem><para><ulink url="http://www.barnesandnoble.com/">B&amp;N</ulink></para></listitem>
-<listitem><para><ulink url="http://www.penguin.com/">Penguin</ulink></para></listitem>
-<!-- <ulink url="">Local Bookstore</ulink> -->
-</itemizedlist>
-</dedication>
-<!-- PAGE BREAK 2 -->
 <!-- PAGE BREAK 3 -->
 <dedication id="alsobylessig">
-<title></title>
-<para>
-ALSO BY LAWRENCE LESSIG
-</para>
-<para>
+<title>
+Also by Lawrence Lessig
+</title>
+
+<itemizedlist>
+
+<listitem><para>
+<!-- 2014 -->
+The USA is lesterland: The nature of congressional corruption
+</para></listitem>
+<listitem><para>
+<!-- 2011, 2012 -->
+Republic, lost: How money corrupts Congress - and a plan to stop it 
+</para></listitem>
+<listitem><para>
+<!-- 2008 -->
+Remix: Making art and commerce thrive in the hybrid economy
+</para></listitem>
+<listitem><para>
+<!-- 2006 -->
+Code: Version 2.0
+</para></listitem>
+<listitem><para>
+<!-- 2001, 2002 -->
 The Future of Ideas: The Fate of the Commons in a Connected World
-</para>
-<para>
+</para></listitem>
+<listitem><para>
+<!-- 1999 -->
 Code: And Other Laws of Cyberspace
-</para>
+</para></listitem>
+</itemizedlist>
 </dedication>
 <!-- PAGE BREAK 4 -->
 <!-- PAGE BREAK 5 -->
 <!-- PAGE BREAK 6 -->
 <!-- PAGE BREAK 7 -->
 <dedication><title></title>
+<!-- FIXME figure out how to do this better in dblatex and docbook-xsl -->
+<?latex {\Huge \centering
+?>
 <para>
-To Eric Eldred&mdash;whose work first drew me to this cause, and for whom
+To Eric Eldred &mdash; whose work first drew me to this cause, and for whom
 it continues still.
 </para>
+<?latex } % \Huge \centering
+?>
 </dedication>
 
 <toc id="toc"></toc>
@@ -235,7 +264,7 @@ c      INDEX
 <!-- PAGE BREAK 11 -->
 
 <preface id="preface">
-<title>PREFACE</title>
+<title>Preface</title>
 <indexterm id='idxpoguedavid' class='startofrange'><primary>Pogue, David</primary></indexterm>
 <para>
 <emphasis role="bold">At the end</emphasis> of his review of my first
@@ -389,8 +418,8 @@ book is written.
 <!-- PAGE BREAK 15 -->
 
 <!-- PAGE BREAK 16 -->
-<chapter label="0" id="c-introduction">
-<title>INTRODUCTION</title>
+<chapter label="" id="c-introduction">
+<title>Introduction</title>
 <indexterm id='idxwrightbrothers' class='startofrange'><primary>Wright brothers</primary></indexterm>
 <para>
 <emphasis role="strong">On December 17</emphasis>, 1903, on a windy North Carolina beach for just
@@ -914,9 +943,9 @@ independent. We have built a kind of cultural nobility; those within
 the noble class live easily; those outside it don't. But it is
 nobility of any form that is alien to our tradition.
 </para>
-<!-- PAGE BREAK 26. FIXME: Should "Is it" be "It is" ? -->
+<!-- PAGE BREAK 26. FIXME: Ask author if "Is it" should be "It is" ? -->
 <para>
-The story that follows is about this war. Is it not about the
+The story that follows is about this war. It is not about the
 <quote>centrality of technology</quote> to ordinary life. I don't believe in gods,
 digital or otherwise. Nor is it an effort to demonize any individual
 or group, for neither do I believe in a devil, corporate or
@@ -1046,7 +1075,7 @@ to which most of us remain oblivious.
 </chapter>
 <!-- PAGE BREAK 29 -->
 <part id="c-piracy">
-<title><quote>PIRACY</quote></title>
+<title><quote>Piracy</quote></title>
 <partintro>
 <!-- PAGE BREAK 30 -->
 <indexterm><primary>copyright law</primary><secondary>English</secondary></indexterm>
@@ -1229,7 +1258,7 @@ context the current battles about behavior labeled <quote>piracy.</quote>
 
 <!-- PAGE BREAK 34 -->
 <chapter label="1" id="creators">
-<title>CHAPTER ONE: Creators</title>
+<title>Chapter One: Creators</title>
 <indexterm id='idxanimatedcartoons' class='startofrange'><primary>animated cartoons</primary></indexterm>
 <indexterm id='idxcartoonfilms' class='startofrange'><primary>cartoon films</primary></indexterm>
 <indexterm id='idxfilmsanimated' class='startofrange'><primary>films</primary><secondary>animated</secondary></indexterm>
@@ -1550,7 +1579,7 @@ flourish. As American graphic novelist Judd Winick said to me, <quote>The
 early days of comics in America are very much like what's going on
 in Japan now. &hellip; American  comics were born out of copying each
 <!-- PAGE BREAK 40 -->
-other. &hellip; That's how [the artists] learn to draw&mdash;by going into comic
+other. &hellip; That's how [the artists] learn to draw &mdash; by going into comic
 books and not tracing them, but looking at them and copying them</quote>
 and building from them.<footnote><para>
 <!-- f5 -->
@@ -1646,8 +1675,8 @@ The term <citetitle>intellectual property</citetitle> is of relatively recent or
 Siva Vaidhyanathan, <citetitle>Copyrights and Copywrongs</citetitle>, 11 (New York: New York
 University Press, 2001). See also Lawrence Lessig, <citetitle>The Future of Ideas</citetitle>
 (New York: Random House, 2001), 293 n. 26. The term accurately
-describes a set of <quote>property</quote> rights&mdash;copyright, patents,
-trademark, and trade-secret&mdash;but the nature of those rights is
+describes a set of <quote>property</quote> rights &mdash; copyright, patents,
+trademark, and trade-secret &mdash; but the nature of those rights is
 very different.
 </para></footnote>
 A large, diverse society cannot survive without property; a large,
@@ -1758,7 +1787,7 @@ free culture. It is becoming much less so.
 <!-- PAGE BREAK 44 -->
 </chapter>
 <chapter label="2" id="mere-copyists">
-<title>CHAPTER TWO: <quote>Mere Copyists</quote></title>
+<title>Chapter Two: <quote>Mere Copyists</quote></title>
 <indexterm><primary>Daguerre, Louis</primary></indexterm>
 <indexterm id='idxcameratechnology' class='startofrange'><primary>camera technology</primary></indexterm>
 <indexterm id='idxphotography' class='startofrange'><primary>photography</primary></indexterm>
@@ -2721,7 +2750,7 @@ quipped to me in a rare moment of despondence.
 <!-- PAGE BREAK 61 -->
 </chapter>
 <chapter label="3" id="catalogs">
-<title>CHAPTER THREE: Catalogs</title>
+<title>Chapter Three: Catalogs</title>
 <indexterm><primary>Jordan, Jesse</primary></indexterm>
 <indexterm><primary>RPI</primary><see>Rensselaer Polytechnic Institute (RPI)</see></indexterm>
 <indexterm id='idxrensselaer' class='startofrange'><primary>Rensselaer Polytechnic Institute (RPI)</primary></indexterm>
@@ -2765,7 +2794,6 @@ access to material from that institution.  Businesses do this all the
 time, enabling employees to have access to material that people
 outside the business can't get. Universities do it as well.
 </para>
-<indexterm startref='idxuniversitycomputernetworksppsharingon' class='endofrange'/>
 <indexterm id='idxjordanjesse' class='startofrange'><primary>Jordan, Jesse</primary></indexterm>
 <indexterm id='idxmicrosoftnetworkfilesystemof' class='startofrange'><primary>Microsoft</primary><secondary>network file system of</secondary></indexterm>
 <para>
@@ -2980,7 +3008,7 @@ wrong message. And he wants to correct the record.</quote>
 <!-- PAGE BREAK 66 -->
 </chapter>
 <chapter label="4" id="pirates">
-<title>CHAPTER FOUR: <quote>Pirates</quote></title>
+<title>Chapter Four: <quote>Pirates</quote></title>
 <indexterm id='idxpiracyindevelopmentofcontentindustry' class='startofrange'><primary>piracy</primary><secondary>in development of content industry</secondary></indexterm>
 <indexterm><primary><quote>if value, then right</quote> theory</primary></indexterm>
 <para>
@@ -3528,7 +3556,7 @@ last. Every generation&mdash;until now.
 </section>
 </chapter>
 <chapter label="5" id="piracy">
-<title>CHAPTER FIVE: <quote>Piracy</quote></title>
+<title>Chapter Five: <quote>Piracy</quote></title>
 <para>
 <emphasis role='strong'>There is piracy</emphasis> of copyrighted
 material. Lots of it. This piracy comes in many forms. The most
@@ -3779,9 +3807,10 @@ and how much p2p sharing harms before we know how strongly the
 law should seek to either prevent it or find an alternative to assure the
 author of his profit.
 </para>
-<indexterm><primary>innovation</primary></indexterm>
-<indexterm><primary>Fanning, Shawn</primary></indexterm>
 <para>
+<indexterm><primary>Fanning, Shawn</primary></indexterm>
+<indexterm><primary>innovation</primary></indexterm>
+<indexterm id='idxnapster' class='startofrange'><primary>Napster</primary></indexterm>
 Peer-to-peer sharing was made famous by Napster. But the inventors of
 the Napster technology had not made any major technological
 innovations.  Like every great advance in innovation on the Internet
@@ -3802,6 +3831,9 @@ Christensen's ideas, see Lawrence Lessig, <citetitle>Future</citetitle>, 89&ndas
 put together components that had been developed independently.
 </para>
 <para>
+<indexterm><primary>Kazaa</primary></indexterm>
+<indexterm><primary>Napster</primary><secondary>number of registrations on</secondary></indexterm>
+<indexterm><primary>Napster</primary><secondary>replacement of</secondary></indexterm>
 The result was spontaneous combustion. Launched in July 1999,
 Napster amassed over 10 million users within nine months. After
 eighteen months, there were close to 80 million registered users of the
@@ -3822,6 +3854,7 @@ users to make content available to any number of other users. With a
 p2p system, you can share your favorite songs with your best friend&mdash;
 or your 20,000 best friends.
 </para>
+<indexterm startref='idxnapster' class='endofrange'/>
 <para>
 According to a number of estimates, a huge proportion of Americans
 have tasted file-sharing technology. A study by Ipsos-Insight in
@@ -4206,14 +4239,13 @@ found only with time.
 just what you call type A sharing?</quote>
 </para>
 <para>
-You would think. And we should hope. But so far, it is not. The 
-		effect
+You would think. And we should hope. But so far, it is not. The effect
 of the war purportedly on type A sharing alone has been felt far
-beyond that one class of sharing. That much is obvious from the 
-		Napster
-case itself. When Napster told the district court that it had 
-		developed
-a technology to block the transfer of 99.4 percent of identified
+beyond that one class of sharing. That much is obvious from the
+Napster case itself. When Napster told the district court that it had
+developed a technology to block the transfer of 99.4 percent of
+identified
+
 <!-- PAGE BREAK 87 -->
 infringing material, the district court told counsel for Napster 99.4
 percent was not good enough. Napster had to push the infringements
@@ -4582,7 +4614,7 @@ is protected.</quote>
 </chapter>
 </part>
 <part id="c-property">
-<title><quote>PROPERTY</quote></title>
+<title><quote>Property</quote></title>
 <partintro>
 <para>
 
@@ -4663,7 +4695,7 @@ from the implications that the copyright warriors would have us draw.
 
 <!-- PAGE BREAK 96 -->
 <chapter label="6" id="founders">
-<title>CHAPTER SIX: Founders</title>
+<title>Chapter Six: Founders</title>
 <indexterm id='idxbooksenglishcopyrightlawdevelopedfor' class='startofrange'><primary>books</primary><secondary>English copyright law developed for</secondary></indexterm>
 <indexterm id='idxcopyrightlawdevelopmentof' class='startofrange'><primary>copyright law</primary><secondary>development of</secondary></indexterm>
 <indexterm id='idxcopyrightlawenglish' class='startofrange'><primary>copyright law</primary><secondary>English</secondary></indexterm>
@@ -5266,7 +5298,7 @@ protected.
 <!-- PAGE BREAK 106 -->
 </chapter>
 <chapter label="7" id="recorders">
-<title>CHAPTER SEVEN: Recorders</title>
+<title>Chapter Seven: Recorders</title>
 <indexterm id='idxcopyrightlawfairuseand' class='startofrange'><primary>copyright law</primary><secondary>fair use and</secondary></indexterm>
 <indexterm id='idxdocumentaryfilm' class='startofrange'><primary>documentary film</primary></indexterm>
 <indexterm id='idxelsejon' class='startofrange'><primary>Else, Jon</primary></indexterm>
@@ -5499,7 +5531,7 @@ not.
 <!-- PAGE BREAK 111 -->
 </chapter>
 <chapter label="8" id="transformers">
-<title>CHAPTER EIGHT: Transformers</title>
+<title>Chapter Eight: Transformers</title>
 <indexterm><primary>Allen, Paul</primary></indexterm>
 <indexterm id='idxalbenalex1' class='startofrange'><primary>Alben, Alex</primary></indexterm>
 <indexterm><primary>Microsoft</primary></indexterm>
@@ -5745,9 +5777,12 @@ room of over 250 well-entertained judges. Taking an ominous tone, he
 began his talk with a question: <quote>Do you know how many federal laws
 were just violated in this room?</quote>
 </para>
-<indexterm><primary>Boies, David</primary></indexterm>
-<indexterm><primary>Alben, Alex</primary></indexterm>
 <para>
+<indexterm><primary>Alben, Alex</primary></indexterm>
+<indexterm><primary>Boies, David</primary></indexterm>
+<indexterm><primary>Court of Appeals</primary><secondary>Ninth Circuit</secondary></indexterm>
+<indexterm><primary>Ninth Circuit Court of Appeals</primary></indexterm>
+<indexterm><primary>Napster</primary></indexterm>
 For of course, the two brilliantly talented creators who made this
 film hadn't done what Alben did. They hadn't spent a year clearing the
 rights to these clips; technically, what they had done violated the
@@ -5857,7 +5892,7 @@ curse, reserved for the few.
 <!-- PAGE BREAK 119 -->
 </chapter>
 <chapter label="9" id="collectors">
-<title>CHAPTER NINE: Collectors</title>
+<title>Chapter Nine: Collectors</title>
 <indexterm id='idxarchivesdigital1' class='startofrange'><primary>archives, digital</primary></indexterm>
 <indexterm><primary>bots</primary></indexterm>
 <para>
@@ -6221,7 +6256,7 @@ that Kahle and others would exercise.
 <!-- PAGE BREAK 127 -->
 </chapter>
 <chapter label="10" id="property-i">
-<title>CHAPTER TEN: <quote>Property</quote></title>
+<title>Chapter Ten: <quote>Property</quote></title>
 <indexterm><primary>Johnson, Lyndon</primary></indexterm>
 <indexterm><primary>Kennedy, John F.</primary></indexterm>
 <para>
@@ -6464,7 +6499,7 @@ how four different modalities of regulation interact to support or
 weaken the right or regulation. I represented it with this diagram:
 </para>
 <figure id="fig-1331">
-<title>How four different modalities of regulation interact to support or weaken the right or regulation.</title>
+<title></title>
 <graphic fileref="images/1331.svg" align="center" width="50%"></graphic>
 </figure>
 <indexterm><primary>Madonna</primary></indexterm>
@@ -6593,7 +6628,7 @@ driving.
 <indexterm startref='idxdrivingspeedconstraintson' class='endofrange'/>
 <indexterm startref='idxspeedingconstraintson' class='endofrange'/>
 <figure id="fig-1361">
-<title>Law has a special role in affecting the three.</title>
+<title></title>
 <graphic fileref="images/1361.svg" align="center" width="50%"></graphic>
 
 </figure>
@@ -6657,7 +6692,7 @@ Let's say this is the picture of copyright's regulation before the
 Internet:
 </para>
 <figure id="fig-1371">
-<title>Copyright's regulation before the Internet.</title>
+<title></title>
 <graphic fileref="images/1331.svg" align="center" width="50%"></graphic>
 
 </figure>
@@ -6703,7 +6738,7 @@ after the fall of Saddam, but this time no government is justifying the
 looting that results.
 </para>
 <figure id="fig-1381">
-<title>effective state of anarchy after the Internet.</title>
+<title></title>
 <graphic fileref="images/1381.svg" align="center" width="50%"></graphic>
 
 </figure>
@@ -7027,14 +7062,14 @@ particular concentration of market power. In terms of our model, we
 started here:
 </para>
 <figure id="fig-1441">
-<title>Copyright's regulation before the Internet.</title>
+<title></title>
 <graphic fileref="images/1331.svg" align="center" width="50%"></graphic>
 </figure>
 <para>
 We will end here:
 </para>
 <figure id="fig-1442">
-<title><quote>Copyright</quote> today.</title>
+<title></title>
 <graphic fileref="images/1442.svg" align="center" width="50%"></graphic>
 </figure>
 <para>
@@ -7529,8 +7564,8 @@ We can see this point abstractly by beginning with this largely
 empty circle.
 </para>
 <figure id="fig-1521">
-<title>All potential uses of a book.</title>
-<graphic fileref="images/1521.svg" align="center" width="50%"></graphic>
+<title></title>
+<graphic fileref="images/1521.svg" align="center" width="40%"></graphic>
 </figure>
 <indexterm id='idxbooksthreetypesofusesof' class='startofrange'><primary>books</primary><secondary>three types of uses of</secondary></indexterm>
 <indexterm id='idxcopyrightlawcopiesascoreissueof2' class='startofrange'><primary>copyright law</primary><secondary>copies as core issue of</secondary></indexterm>
@@ -7553,19 +7588,25 @@ it up, those acts are not regulated by copyright law, because those
 acts do not make a copy.
 </para>
 <figure id="fig-1531">
-<title>Examples of unregulated uses of a book.</title>
-<graphic fileref="images/1531.svg" align="center" width="50%"></graphic>
+<title></title>
+<graphic fileref="images/1531.png" align="center" width="40%"></graphic>
 </figure>
 <para>
 Obviously, however, some uses of a copyrighted book are regulated
 by copyright law. Republishing the book, for example, makes a copy. It
 is therefore regulated by copyright law. Indeed, this particular use stands
 at the core of this circle of possible uses of a copyrighted work. It is the
-paradigmatic use properly regulated by copyright regulation (see first
-diagram on next page).
+paradigmatic use properly regulated by copyright regulation (see  
+diagram in figure <xref xrefstyle="template:%n" linkend="fig-1541"/>).
 </para>
 <indexterm startref='idxderivativeworkspiracyvs4' class='endofrange'/>
 <indexterm startref='idxpiracyderivativeworkvs4' class='endofrange'/>
+
+<figure id="fig-1541">
+<title></title>
+<graphic fileref="images/1541.svg" align="center" width="40%"></graphic>
+</figure>
+
 <indexterm id='idxfairuse' class='startofrange'><primary>fair use</primary></indexterm>
 <indexterm id='idxcopyrightlawfairuseand2' class='startofrange'><primary>copyright law</primary><secondary>fair use and</secondary></indexterm>
 <para>
@@ -7573,10 +7614,6 @@ Finally, there is a tiny sliver of otherwise regulated copying uses
 that remain unregulated because the law considers these <quote>fair uses.</quote>
 </para>
 <!-- PAGE BREAK 153 -->
-<figure id="fig-1541">
-<title>Republishing stands at the core of this circle of possible uses of a copyrighted work.</title>
-<graphic fileref="images/1541.png" align="center" width="50%"></graphic>
-</figure>
 <indexterm><primary>Constitution, U.S.</primary><secondary>First Amendment to</secondary></indexterm>
 <indexterm><primary>First Amendment</primary></indexterm>
 <para>
@@ -7590,13 +7627,8 @@ but the law denies the owner any exclusive right over such <quote>fair uses</quo
 for public policy (and possibly First Amendment) reasons.
 </para>
 <figure id="fig-1542">
-<title>Unregulated copying considered <quote>fair uses.</quote></title>
-<graphic fileref="images/1542.png" align="center" width="50%"></graphic>
-</figure>
-<para> </para>
-<figure id="fig-1551">
-<title>Uses that before were presumptively unregulated are now presumptively regulated.</title>
-<graphic fileref="images/1551.png" align="center" width="50%"></graphic>
+<title></title>
+<graphic fileref="images/1542.svg" align="center" width="40%"></graphic>
 </figure>
 <indexterm id='idxcopyrightusagerestrictionsattachedto' class='startofrange'><primary>copyright</primary><secondary>usage restrictions attached to</secondary></indexterm>
 <para>
@@ -7658,6 +7690,10 @@ then whenever you read the book (or any portion of it) beyond the
 fifth time, you are making a copy of the book contrary to the
 copyright owner's wish.
 </para>
+<figure id="fig-1551">
+<title></title>
+<graphic fileref="images/1551.svg" align="center" width="40%"></graphic>
+</figure>
 <para>
 There are some people who think this makes perfect sense. My aim
 just now is not to argue about whether it makes sense or not. My aim
@@ -7915,9 +7951,14 @@ software that publishers use to deliver e-books. It provides the
 technology, and the publisher delivers the content by using the
 technology.
 </para>
+<figure id="fig-example-adobe-ebook-reader" float="1">
+<title></title>
+<graphic fileref="images/example-adobe-ebook-reader.png" align="center" width="50%"></graphic>
+</figure>
 <para>
-On the next page is a picture of an old version of my Adobe eBook
-Reader.
+In figure
+<xref xrefstyle="template:%n" linkend="fig-example-adobe-ebook-reader"/>
+is a picture of an old version of my Adobe eBook Reader.
 </para>
 <para>
 As you can see, I have a small collection of e-books within this
@@ -7932,16 +7973,12 @@ copy of
 <citetitle>Middlemarch</citetitle>, you'll see a fancy cover, and then
 a button at the bottom called Permissions.
 </para>
-<figure id="fig-1611">
-<title>Picture of an old version of Adobe eBook Reader</title>
-<graphic fileref="images/1611.png" align="center" width="50%"></graphic>
-</figure>
 <para>
 If you click on the Permissions button, you'll see a list of the
 permissions that the publisher purports to grant with this book.
 </para>
 <figure id="fig-1612">
-<title>List of the permissions that the publisher purports to grant.</title>
+<title></title>
 <graphic fileref="images/1612.png" align="center" width="50%"></graphic>
 </figure>
 <para>
@@ -7960,8 +7997,8 @@ Here's the e-book for another work in the public domain (including the
 translation): Aristotle's <citetitle>Politics</citetitle>.
 </para>
 <figure id="fig-1621">
-<title>E-book of Aristotle;s <quote>Politics</quote></title>
-<graphic fileref="images/1621.png" align="center" width="50%"></graphic>
+<title></title>
+<graphic fileref="images/aristotele-ebook.png" align="center" width="50%"></graphic>
 </figure>
 <para>
 According to its permissions, no printing or copying is permitted
@@ -7969,7 +8006,7 @@ at all. But fortunately, you can use the Read Aloud button to hear
 the book.
 </para>
 <figure id="fig-1622">
-<title>List of the permissions for Aristotle;s <quote>Politics</quote>.</title>
+<title></title>
 <graphic fileref="images/1622.png" align="center" width="50%"></graphic>
 </figure>
 <indexterm><primary>Future of Ideas, The (Lessig)</primary></indexterm>
@@ -7981,7 +8018,7 @@ Ideas</citetitle>:
 </para>
 <!-- PAGE BREAK 162 -->
 <figure id="fig-1631">
-<title>List of the permissions for <quote>The Future of Ideas</quote>.</title>
+<title></title>
 <graphic fileref="images/1631.png" align="center" width="50%"></graphic>
 </figure>
 <para>
@@ -8066,8 +8103,7 @@ domain. Yet when you clicked on Permissions for that book, you got the
 following report:
 </para>
 <figure id="fig-1641">
-<title>List of the permissions for <quote>Alice's Adventures in
-Wonderland</quote>.</title>
+<title></title>
 <graphic fileref="images/1641.png" align="center" width="50%"></graphic>
 </figure>
 <!-- PAGE BREAK 164-->
@@ -8391,8 +8427,10 @@ some uses that were illegal, the court held the companies producing
 the VCR responsible.
 </para>
 <para>
-This led Conrad to draw the cartoon below, which we can adopt to
-the DMCA.
+This led Conrad to draw the cartoon in figure
+<xref xrefstyle="template:%n"
+linkend="fig-1711-vcr-handgun-cartoonfig"/>, which we can adopt to the
+DMCA.
 <indexterm><primary>Conrad, Paul</primary></indexterm>
 </para>
 <para>
@@ -8415,9 +8453,11 @@ practice or to protect against an intruder. At least some would say that
 such a use would be good. It, too, is a technology that has both good
 and bad uses.
 </para>
-<figure id="fig-1711-vcr-handgun-cartoonfig">
-<title>VCR/handgun cartoon.</title>
-<graphic fileref="images/1711.png" align="center" width="70%"></graphic>
+<figure id="fig-1711-vcr-handgun-cartoonfig" float="1">
+<title>&mdash; On which item have the courts ruled that manufacturers and
+retailers be held responsible for having supplied the
+equipment?</title>
+<graphic fileref="images/vcr-comic.png" align="center" width="100%"></graphic>
 </figure>
 <indexterm><primary>Conrad, Paul</primary></indexterm>
 <para>
@@ -8630,8 +8670,8 @@ owning as many outlets of media as possible. A picture describes this
 pattern better than a thousand words could do:
 </para>
 <figure id="fig-1761-pattern-modern-media-ownership">
-<title>Pattern of modern media ownership.</title>
-<graphic fileref="images/1761.png" align="center" width="90%"></graphic>
+<title></title>
+<graphic fileref="images/pattern-modern-media-ownership.png" align="center" width="90%"></graphic>
 </figure>
 <para>
 <!-- PAGE BREAK 175 -->
@@ -9109,7 +9149,7 @@ we could say the law began to look like this:
  </row>
  <row>
  <entry>Noncommercial</entry>
- <entry>&copy;/Free</entry>
+ <entry>&copy; / Free</entry>
  <entry>Free</entry>
  </row>
 </tbody>
@@ -9240,11 +9280,11 @@ lawyer.
 </chapter>
 </part>
 <part id="c-puzzles">
-<title>PUZZLES</title>
+<title>Puzzles</title>
 
 <!-- PAGE BREAK 186 -->
 <chapter label="11" id="chimera">
-<title>CHAPTER ELEVEN: Chimera</title>
+<title>Chapter Eleven: Chimera</title>
 <indexterm id='idxchimera' class='startofrange'><primary>chimeras</primary></indexterm>
 <indexterm id='idxwells' class='startofrange'><primary>Wells, H. G.</primary></indexterm>
 <indexterm id='idxtcotb' class='startofrange'><primary><quote>Country of the Blind, The</quote> (Wells)</primary></indexterm>
@@ -9523,7 +9563,7 @@ and will kill opportunities that could be extraordinarily valuable.
 <!-- PAGE BREAK 192 -->
 </chapter>
 <chapter label="12" id="harms">
-<title>CHAPTER TWELVE: Harms</title>
+<title>Chapter Twelve: Harms</title>
 <para>
 <emphasis role='strong'>To fight</emphasis> <quote>piracy,</quote> to
 protect <quote>property,</quote> the content industry has launched a
@@ -9610,7 +9650,7 @@ on remote topics of science or culture. There is a vast amount of creative
 work spread across the Internet. But as the law is currently crafted, this
 work is presumptively illegal.
 </para>
-<indexterm><primary>Worldcom</primary></indexterm>
+<indexterm><primary>WorldCom</primary></indexterm>
 <indexterm><primary>copyright infringement lawsuits</primary><secondary>exaggerated claims of</secondary></indexterm>
 <indexterm><primary>copyright infringement lawsuits</primary><secondary>in recording industry</secondary></indexterm>
 <indexterm><primary>doctors malpractice claims against</primary></indexterm>
@@ -9634,7 +9674,7 @@ See Lynne W. Jeter, <citetitle>Disconnected: Deceit and Betrayal at WorldCom</ci
 the settlement, see MCI press release, <quote>MCI Wins U.S. District Court
 Approval for SEC Settlement</quote> (7 July 2003), available at
 <ulink url="http://free-culture.cc/notes/">link #37</ulink>.
-<indexterm><primary>Worldcom</primary></indexterm>
+<indexterm><primary>WorldCom</primary></indexterm>
 </para></footnote>
 And under legislation being pushed in Congress right now, a doctor who
 negligently removes the wrong leg in an operation would be liable for
@@ -10941,7 +10981,7 @@ effort through our democracy to change our law?
 </chapter>
 </part>
 <part id="c-balances">
-<title>BALANCES</title>
+<title>Balances</title>
 <partintro>
 
 <!-- PAGE BREAK 218 -->
@@ -11000,7 +11040,7 @@ success will require.
 
 <!-- PAGE BREAK 220 -->
 <chapter label="13" id="eldred">
-<title>CHAPTER THIRTEEN: Eldred</title>
+<title>Chapter Thirteen: Eldred</title>
 <indexterm id='idxeldrederic' class='startofrange'><primary>Eldred, Eric</primary></indexterm>
 <indexterm id='idxhawthornenathaniel' class='startofrange'><primary>Hawthorne, Nathaniel</primary></indexterm>
 <para>
@@ -12714,14 +12754,15 @@ in a time of such fruitful creative ferment.
 <para>
 The best responses were in the cartoons. There was a gaggle of
 hilarious images&mdash;of Mickey in jail and the like. The best, from
-my view of the case, was Ruben Bolling's, reproduced on the next page
-(<xref linkend="fig-18"/>). The <quote>powerful and wealthy</quote> line is a bit
-unfair. But the punch in the face felt exactly like that.
+my view of the case, was Ruben Bolling's, reproduced in figure
+<xref xrefstyle="template:%n" linkend="fig-18"/>. The <quote>powerful
+and wealthy</quote> line is a bit unfair. But the punch in the face
+felt exactly like that.
 <indexterm><primary>Bolling, Ruben</primary></indexterm>
 </para>
-<figure id="fig-18">
-<title>Tom the Dancing Bug cartoon</title>
-<graphic fileref="images/18.png" align="center" width="95%"></graphic>
+<figure id="fig-18" float="1">
+<title></title>
+<graphic fileref="images/tom-the-dancing-bug.png" align="center" width="100%"></graphic>
 <indexterm><primary>Bolling, Ruben</primary></indexterm>
 </figure>
 <para>
@@ -12736,7 +12777,7 @@ better lawyer would have made them see differently.
 <!-- PAGE BREAK 254 -->
 </chapter>
 <chapter label="14" id="eldred-ii">
-<title>CHAPTER FOURTEEN: Eldred II</title>
+<title>Chapter Fourteen: Eldred II</title>
 <para>
 <emphasis role='strong'>The day</emphasis>
 <citetitle>Eldred</citetitle> was decided, fate would have it that I
@@ -13131,8 +13172,8 @@ controlled by this dead (and often unfindable) hand of the past.
 <!-- PAGE BREAK 264 -->
 </chapter>
 </part>
-<chapter label="15" id="c-conclusion">
-<title>CONCLUSION</title>
+<chapter label="" id="c-conclusion">
+<title>Conclusion</title>
 <indexterm id='idxafricamedicationsforhivpatientsin' class='startofrange'><primary>Africa, medications for HIV patients in</primary></indexterm>
 <indexterm id='idxaidsmedications' class='startofrange'><primary>AIDS medications</primary></indexterm>
 <indexterm id='idxantiretroviraldrugs' class='startofrange'><primary>antiretroviral drugs</primary></indexterm>
@@ -13936,8 +13977,8 @@ potential is ever to be realized.
 
 </para>
 </chapter>
-<chapter label="16" id="c-afterword">
-<title>AFTERWORD</title>
+<chapter label="" id="c-afterword">
+<title>Afterword</title>
 <para>
 
 <!-- PAGE BREAK 280 -->
@@ -13968,7 +14009,7 @@ sketch changes that Congress could make to better secure a free culture.
 <!-- PAGE BREAK 281 -->
 
 <section id="usnow">
-<title>US, NOW</title>
+<title>Us, now</title>
 <para>
 <emphasis role='strong'>Common sense</emphasis> is with the copyright
 warriors because the debate so far has been framed at the
@@ -14485,7 +14526,7 @@ creativity to spread more easily.
 </section>
 </section>
 <section id="themsoon">
-<title>THEM, SOON</title>
+<title>Them, soon</title>
 <para>
 <emphasis role='strong'>We will</emphasis> not reclaim a free culture
 by individual action alone. It will also take important reforms of
@@ -14567,7 +14608,7 @@ developed by others.
 <!-- PAGE BREAK 294 -->
 
 <section id="registration">
-<title>REGISTRATION AND RENEWAL</title>
+<title>Registration and renewal</title>
 <para>
 Under the old system, a copyright owner had to file a registration
 with the Copyright Office to register or renew a copyright. When
@@ -14616,7 +14657,7 @@ of registrations that would facilitate the licensing of content.
 
 </section>
 <section id="marking">
-<title>MARKING</title>
+<title>Marking</title>
 <para>
 It used to be that the failure to include a copyright notice on a
 creative work meant that the copyright was forfeited. That was a harsh
@@ -15494,8 +15535,8 @@ keep your lawyers away.
 </section>
 </section>
 </chapter>
-<chapter label="17" id="c-notes">
-<title>NOTES</title>
+<chapter label="" id="c-notes">
+<title>Notes</title>
 <para>
 Throughout this text, there are references to links on the World Wide
 Web. As anyone who has tried to use the Web knows, these links can be
@@ -15510,13 +15551,14 @@ the material.
 </para>
 
 <!-- insert endnotes here -->
-<?latex \theendnotes ?>
+
+<index type="endnotes"/>
 
 <!--PAGE BREAK 336-->
 
 </chapter>
-<chapter label="18" id="c-acknowledgments">
-<title>ACKNOWLEDGMENTS</title>
+<chapter label="" id="c-acknowledgments">
+<title>Acknowledgments</title>
 <para>
 This book is the product of a long and as yet unsuccessful struggle that
 began when I read of Eric Eldred's war to keep books free. Eldred's
@@ -15588,67 +15630,84 @@ grateful for her perpetual patience and love.
 </chapter>
 <index></index>
 <colophon>
+<!--
+Hack to get rid of chapter heading on colophon page and provide a more
+conventional Colophon page.  The disadvantage is a useless blank page
+where the empty chapter title is printed.
+-->
+<title></title>
+<?latex {\centering
+?>
 <para>
-THE PENGUIN PRESS, a member of Penguin Group (USA) Inc.  375 Hudson Street New
-York, New York
-</para>
-<para>
-Copyright &copy; Lawrence Lessig.  All rights reserved.
-</para>
-<para>
-Excerpt from an editorial titled <quote>The Coming of Copyright Perpetuity,</quote>
-<citetitle>The New York Times</citetitle>, January 16, 2003. Copyright
-&copy; 2003 by The New York Times Co.  Reprinted with permission.
-</para>
-<para>
-Cartoon in <xref linkend="fig-1711-vcr-handgun-cartoonfig"/> by Paul Conrad, copyright Tribune
-Media Services, Inc.  All rights reserved. Reprinted with permission.
-</para>
-<para>
-Diagram in <xref linkend="fig-1761-pattern-modern-media-ownership"/> courtesy of the office of FCC
-Commissioner, Michael J. Copps.
-</para>
-<para>
-Library of Congress Cataloging-in-Publication Data
-</para>
-<para>
-Lessig, Lawrence.
-Free culture : how big media uses technology and the law to lock down 
+Free culture: How big media uses technology and the law to lock down
 culture and control creativity / Lawrence Lessig.
 </para>
 <para>
-p. cm.
-</para>
-<para>
-Includes index.
+Copyright &copy; 2004 Lawrence Lessig.  Some rights reserved.
 </para>
+
 <para>
-ISBN 1-59420-006-8 (hardcover)
+<ulink url="http://free-culture.cc/"/>
 </para>
 
 <para>
-1. Intellectual property&mdash;United States. 2. Mass media&mdash;United States.
+Published 2015 by Petter Reinholdtsen in his spare time.  First
+published 2004 by The Penguin Press.  Thomas Gramstad Forlag donated
+the ISBN numbers.
 </para>
+
 <para>
-3. Technological innovations&mdash;United States. 4. Art&mdash;United States. I. Title.
+Excerpt from an editorial titled <quote>The Coming of Copyright
+Perpetuity,</quote> <citetitle>The New York Times</citetitle>, January
+16, 2003. Copyright &copy; 2003 by The New York Times Co.  Reprinted
+with permission.
 </para>
 <para>
-KF2979.L47
+Cartoon in figure
+<xref xrefstyle="template:%n" linkend="fig-1711-vcr-handgun-cartoonfig"/> by
+Paul Conrad, copyright Tribune Media Services, Inc.  All rights
+reserved. Reprinted with permission.
 </para>
 <para>
-343.7309'9&mdash;dc22
+Diagram in figure
+<xref xrefstyle="template:%n" linkend="fig-1761-pattern-modern-media-ownership"/>
+courtesy of the office of FCC Commissioner, Michael J. Copps.
 </para>
+
 <para>
-This book is printed on acid-free paper.
+Includes index.
 </para>
+
 <para>
-Printed in the United States of America
+Classifications: (Dewey)
+306.4
+306.40973
+306.46
+341.7582
+343.7309/9,
+(UDK) 347.78
+(US Lib. of Congress) KF2979.L47 2004
+(ACM CRCS) K.4.1
 </para>
+
+<?latex } %\centering
+?>
+
 <para>
-1 3 5 7 9 10 8 6 4
+This book is licensed under a Creative Commons license. This license
+permits non-commercial use of this work, so long as attribution is
+given.  For more information about the license visit
+<ulink url="http://creativecommons.org/licenses/by-nc/1.0/">http://creativecommons.org/licenses/by-nc/1.0/</ulink>
 </para>
+
 <para>
-Designed by Marysarah Quinn
+The book source is in DocBook notation and the other formats are
+derived from this.  The source is based on a version from Hans Schou.
+Typeset using Crimson Text and formatted using dblatex.  Many thanks
+to the dblatex developer Benoît Guillon for his help.  The source is
+available from
+<ulink url="https://github.com/petterreinholdtsen/free-culture-lessig"/>.
+Please report any problems using the GitHub issue tracker.
 </para>
 
 <para>
@@ -15656,20 +15715,34 @@ Designed by Marysarah Quinn
 </para>
 
 <para>
-Without limiting the rights under copyright reserved above, no part of
-this publication may be reproduced, stored in or introduced into a
-retrieval system, or transmitted, in any form or by any means
-(electronic, mechanical, photocopying, recording or otherwise),
-without the prior written permission of both the copyright owner and
-the above publisher of this book.
-</para>
-<para>
-The scanning, uploading, and distribution of this book via the
-Internet or via any other means without the permission of the
-publisher is illegal and punishable by law.  Please purchase only
-authorized electronic editions and do not participate in or encourage
-electronic piracy of copyrighted materials. Your support of the
-author's rights is appreciated.
+<informaltable id="isbn">
+<tgroup cols="2" align="left">
+<thead>
+ <row>
+ <entry>ISBN</entry>
+ <entry>Format / MIME-type</entry>
+ </row>
+</thead>
+<tbody>
+ <row>
+ <entry>978-82-8067-010-6</entry>
+ <entry>Printed copy from Lulu</entry>
+ </row>
+ <row>
+ <entry>978-82-8067-011-3</entry>
+ <entry>application/pdf</entry>
+ </row>
+ <row>
+ <entry>978-82-8067-012-0</entry>
+ <entry>application/epub+zip</entry>
+ </row>
+ <row>
+ <entry>978-82-8067-013-7</entry>
+ <entry>application/x-mobipocket-ebook</entry>
+ </row>
+</tbody>
+</tgroup>
+</informaltable>
 </para>
 </colophon>
 </book>