X-Git-Url: https://pere.pagekite.me/gitweb/text-free-culture-lessig.git/blobdiff_plain/6c09c40fb5d23b93d027160cb7be6f2b753c10ec..016e99a75bbf433a0f234d2e500c9e278ec6e54b:/freeculture.xml
diff --git a/freeculture.xml b/freeculture.xml
index 54531b1..c3737b9 100644
--- a/freeculture.xml
+++ b/freeculture.xml
@@ -165,7 +165,7 @@ Code: And Other Laws of Cyberspace
-To Eric Eldred—whose work first drew me to this cause, and for whom
+To Eric Eldred — whose work first drew me to this cause, and for whom
it continues still.
@@ -1550,7 +1550,7 @@ flourish. As American graphic novelist Judd Winick said to me, The
early days of comics in America are very much like what's going on
in Japan now. … American comics were born out of copying each
-other. … That's how [the artists] learn to draw—by going into comic
+other. … That's how [the artists] learn to draw — by going into comic
books and not tracing them, but looking at them and copying them
and building from them.
@@ -1646,8 +1646,8 @@ The term intellectual property is of relatively recent or
Siva Vaidhyanathan, Copyrights and Copywrongs, 11 (New York: New York
University Press, 2001). See also Lawrence Lessig, The Future of Ideas
(New York: Random House, 2001), 293 n. 26. The term accurately
-describes a set of property
rights—copyright, patents,
-trademark, and trade-secret—but the nature of those rights is
+describes a set of property
rights — copyright, patents,
+trademark, and trade-secret — but the nature of those rights is
very different.
A large, diverse society cannot survive without property; a large,