X-Git-Url: https://pere.pagekite.me/gitweb/text-free-culture-lessig.git/blobdiff_plain/036a6411a72ebdc62c4aa3ff55cbdb293c984d91..68de86b730f9e9467dbbc01acd16cb5714dc798d:/freeculture.xml

diff --git a/freeculture.xml b/freeculture.xml
index 3f3493d..088bfee 100644
--- a/freeculture.xml
+++ b/freeculture.xml
@@ -30,6 +30,20 @@
    <firstname>Lawrence</firstname>
    <surname>Lessig</surname>
   </author>
+<!--
+  Keep these out to avoid showing up as author in the PDF.
+
+  <editor>
+   <firstname>Petter</firstname>
+   <surname>Reinholdtsen</surname>
+  </editor>
+
+  <othercredit role='converter'>
+    <firstname>Petter</firstname>
+    <surname>Reinholdtsen</surname>
+    <contrib>Created this Docbook version from an earlier version</contrib>
+  </othercredit>
+-->
  </authorgroup>
 
 <!-- <subjectset> and cover <mediaobject> Based on example from
@@ -134,26 +148,50 @@ Appeals.
 </bookinfo>
 <!-- PAGE BREAK 3 -->
 <dedication id="alsobylessig">
-<title></title>
-<para>
-ALSO BY LAWRENCE LESSIG
-</para>
-<para>
+<title>
+Also by Lawrence Lessig
+</title>
+
+<itemizedlist>
+
+<listitem><para>
+<!-- 2014 -->
+The USA is lesterland: The nature of congressional corruption
+</para></listitem>
+<listitem><para>
+<!-- 2011, 2012 -->
+Republic, lost: How money corrupts Congress - and a plan to stop it 
+</para></listitem>
+<listitem><para>
+<!-- 2008 -->
+Remix: Making art and commerce thrive in the hybrid economy
+</para></listitem>
+<listitem><para>
+<!-- 2006 -->
+Code: Version 2.0
+</para></listitem>
+<listitem><para>
+<!-- 2001, 2002 -->
 The Future of Ideas: The Fate of the Commons in a Connected World
-</para>
-<para>
+</para></listitem>
+<listitem><para>
+<!-- 1999 -->
 Code: And Other Laws of Cyberspace
-</para>
+</para></listitem>
+</itemizedlist>
 </dedication>
 <!-- PAGE BREAK 4 -->
 <!-- PAGE BREAK 5 -->
 <!-- PAGE BREAK 6 -->
 <!-- PAGE BREAK 7 -->
 <dedication><title></title>
+<!-- FIXME figure out how to do this better in dblatex and docbook-xsl -->
+<?latex {\Huge \centering ?>
 <para>
 To Eric Eldred &mdash; whose work first drew me to this cause, and for whom
 it continues still.
 </para>
+<?latex } ?>
 </dedication>
 
 <toc id="toc"></toc>
@@ -370,7 +408,8 @@ by extremism in the property rights that define it. That is what I
 fear about our culture today. It is against that extremism that this
 book is written.
 </para>
-
+<!-- Hack to get correct chapter numbering with dblatex -->
+<?latex \setcounter{chapter}{-1} ?>
 </preface>
 <!-- PAGE BREAK 15 -->
 
@@ -900,9 +939,9 @@ independent. We have built a kind of cultural nobility; those within
 the noble class live easily; those outside it don't. But it is
 nobility of any form that is alien to our tradition.
 </para>
-<!-- PAGE BREAK 26. FIXME: Should "Is it" be "It is" ? -->
+<!-- PAGE BREAK 26. FIXME: Ask author if "Is it" should be "It is" ? -->
 <para>
-The story that follows is about this war. Is it not about the
+The story that follows is about this war. It is not about the
 <quote>centrality of technology</quote> to ordinary life. I don't believe in gods,
 digital or otherwise. Nor is it an effort to demonize any individual
 or group, for neither do I believe in a devil, corporate or
@@ -1215,7 +1254,7 @@ context the current battles about behavior labeled <quote>piracy.</quote>
 
 <!-- PAGE BREAK 34 -->
 <chapter label="1" id="creators">
-<title>CHAPTER ONE: Creators</title>
+<title>Creators</title>
 <indexterm id='idxanimatedcartoons' class='startofrange'><primary>animated cartoons</primary></indexterm>
 <indexterm id='idxcartoonfilms' class='startofrange'><primary>cartoon films</primary></indexterm>
 <indexterm id='idxfilmsanimated' class='startofrange'><primary>films</primary><secondary>animated</secondary></indexterm>
@@ -1744,7 +1783,7 @@ free culture. It is becoming much less so.
 <!-- PAGE BREAK 44 -->
 </chapter>
 <chapter label="2" id="mere-copyists">
-<title>CHAPTER TWO: <quote>Mere Copyists</quote></title>
+<title><quote>Mere Copyists</quote></title>
 <indexterm><primary>Daguerre, Louis</primary></indexterm>
 <indexterm id='idxcameratechnology' class='startofrange'><primary>camera technology</primary></indexterm>
 <indexterm id='idxphotography' class='startofrange'><primary>photography</primary></indexterm>
@@ -2707,7 +2746,7 @@ quipped to me in a rare moment of despondence.
 <!-- PAGE BREAK 61 -->
 </chapter>
 <chapter label="3" id="catalogs">
-<title>CHAPTER THREE: Catalogs</title>
+<title>Catalogs</title>
 <indexterm><primary>Jordan, Jesse</primary></indexterm>
 <indexterm><primary>RPI</primary><see>Rensselaer Polytechnic Institute (RPI)</see></indexterm>
 <indexterm id='idxrensselaer' class='startofrange'><primary>Rensselaer Polytechnic Institute (RPI)</primary></indexterm>
@@ -2751,7 +2790,6 @@ access to material from that institution.  Businesses do this all the
 time, enabling employees to have access to material that people
 outside the business can't get. Universities do it as well.
 </para>
-<indexterm startref='idxuniversitycomputernetworksppsharingon' class='endofrange'/>
 <indexterm id='idxjordanjesse' class='startofrange'><primary>Jordan, Jesse</primary></indexterm>
 <indexterm id='idxmicrosoftnetworkfilesystemof' class='startofrange'><primary>Microsoft</primary><secondary>network file system of</secondary></indexterm>
 <para>
@@ -2966,7 +3004,7 @@ wrong message. And he wants to correct the record.</quote>
 <!-- PAGE BREAK 66 -->
 </chapter>
 <chapter label="4" id="pirates">
-<title>CHAPTER FOUR: <quote>Pirates</quote></title>
+<title><quote>Pirates</quote></title>
 <indexterm id='idxpiracyindevelopmentofcontentindustry' class='startofrange'><primary>piracy</primary><secondary>in development of content industry</secondary></indexterm>
 <indexterm><primary><quote>if value, then right</quote> theory</primary></indexterm>
 <para>
@@ -3514,7 +3552,7 @@ last. Every generation&mdash;until now.
 </section>
 </chapter>
 <chapter label="5" id="piracy">
-<title>CHAPTER FIVE: <quote>Piracy</quote></title>
+<title><quote>Piracy</quote></title>
 <para>
 <emphasis role='strong'>There is piracy</emphasis> of copyrighted
 material. Lots of it. This piracy comes in many forms. The most
@@ -4653,7 +4691,7 @@ from the implications that the copyright warriors would have us draw.
 
 <!-- PAGE BREAK 96 -->
 <chapter label="6" id="founders">
-<title>CHAPTER SIX: Founders</title>
+<title>Founders</title>
 <indexterm id='idxbooksenglishcopyrightlawdevelopedfor' class='startofrange'><primary>books</primary><secondary>English copyright law developed for</secondary></indexterm>
 <indexterm id='idxcopyrightlawdevelopmentof' class='startofrange'><primary>copyright law</primary><secondary>development of</secondary></indexterm>
 <indexterm id='idxcopyrightlawenglish' class='startofrange'><primary>copyright law</primary><secondary>English</secondary></indexterm>
@@ -5256,7 +5294,7 @@ protected.
 <!-- PAGE BREAK 106 -->
 </chapter>
 <chapter label="7" id="recorders">
-<title>CHAPTER SEVEN: Recorders</title>
+<title>Recorders</title>
 <indexterm id='idxcopyrightlawfairuseand' class='startofrange'><primary>copyright law</primary><secondary>fair use and</secondary></indexterm>
 <indexterm id='idxdocumentaryfilm' class='startofrange'><primary>documentary film</primary></indexterm>
 <indexterm id='idxelsejon' class='startofrange'><primary>Else, Jon</primary></indexterm>
@@ -5489,7 +5527,7 @@ not.
 <!-- PAGE BREAK 111 -->
 </chapter>
 <chapter label="8" id="transformers">
-<title>CHAPTER EIGHT: Transformers</title>
+<title>Transformers</title>
 <indexterm><primary>Allen, Paul</primary></indexterm>
 <indexterm id='idxalbenalex1' class='startofrange'><primary>Alben, Alex</primary></indexterm>
 <indexterm><primary>Microsoft</primary></indexterm>
@@ -5850,7 +5888,7 @@ curse, reserved for the few.
 <!-- PAGE BREAK 119 -->
 </chapter>
 <chapter label="9" id="collectors">
-<title>CHAPTER NINE: Collectors</title>
+<title>Collectors</title>
 <indexterm id='idxarchivesdigital1' class='startofrange'><primary>archives, digital</primary></indexterm>
 <indexterm><primary>bots</primary></indexterm>
 <para>
@@ -6214,7 +6252,7 @@ that Kahle and others would exercise.
 <!-- PAGE BREAK 127 -->
 </chapter>
 <chapter label="10" id="property-i">
-<title>CHAPTER TEN: <quote>Property</quote></title>
+<title><quote>Property</quote></title>
 <indexterm><primary>Johnson, Lyndon</primary></indexterm>
 <indexterm><primary>Kennedy, John F.</primary></indexterm>
 <para>
@@ -7554,8 +7592,8 @@ Obviously, however, some uses of a copyrighted book are regulated
 by copyright law. Republishing the book, for example, makes a copy. It
 is therefore regulated by copyright law. Indeed, this particular use stands
 at the core of this circle of possible uses of a copyrighted work. It is the
-paradigmatic use properly regulated by copyright regulation (see first
-diagram on next page).
+paradigmatic use properly regulated by copyright regulation (see  
+diagram in <xref linkend="fig-1541"/>).
 </para>
 <indexterm startref='idxderivativeworkspiracyvs4' class='endofrange'/>
 <indexterm startref='idxpiracyderivativeworkvs4' class='endofrange'/>
@@ -7909,8 +7947,8 @@ technology, and the publisher delivers the content by using the
 technology.
 </para>
 <para>
-On the next page is a picture of an old version of my Adobe eBook
-Reader.
+In <xref linkend="fig-example-adobe-ebook-reader"/> is a picture of an old version of my
+Adobe eBook Reader.
 </para>
 <para>
 As you can see, I have a small collection of e-books within this
@@ -7925,9 +7963,9 @@ copy of
 <citetitle>Middlemarch</citetitle>, you'll see a fancy cover, and then
 a button at the bottom called Permissions.
 </para>
-<figure id="fig-1611">
+<figure id="fig-example-adobe-ebook-reader">
 <title>Picture of an old version of Adobe eBook Reader</title>
-<graphic fileref="images/1611.svg" align="center" width="50%"></graphic>
+<graphic fileref="images/example-adobe-ebook-reader.png" align="center" width="50%"></graphic>
 </figure>
 <para>
 If you click on the Permissions button, you'll see a list of the
@@ -7953,7 +7991,7 @@ Here's the e-book for another work in the public domain (including the
 translation): Aristotle's <citetitle>Politics</citetitle>.
 </para>
 <figure id="fig-1621">
-<title>E-book of Aristotle;s <quote>Politics</quote></title>
+<title>E-book of Aristotle's <quote>Politics</quote></title>
 <graphic fileref="images/1621.png" align="center" width="50%"></graphic>
 </figure>
 <para>
@@ -7962,7 +8000,7 @@ at all. But fortunately, you can use the Read Aloud button to hear
 the book.
 </para>
 <figure id="fig-1622">
-<title>List of the permissions for Aristotle;s <quote>Politics</quote>.</title>
+<title>List of the permissions for Aristotle's <quote>Politics</quote>.</title>
 <graphic fileref="images/1622.png" align="center" width="50%"></graphic>
 </figure>
 <indexterm><primary>Future of Ideas, The (Lessig)</primary></indexterm>
@@ -8624,7 +8662,7 @@ pattern better than a thousand words could do:
 </para>
 <figure id="fig-1761-pattern-modern-media-ownership">
 <title>Pattern of modern media ownership.</title>
-<graphic fileref="images/1761.png" align="center" width="90%"></graphic>
+<graphic fileref="images/pattern-modern-media-ownership.png" align="center" width="90%"></graphic>
 </figure>
 <para>
 <!-- PAGE BREAK 175 -->
@@ -9102,7 +9140,7 @@ we could say the law began to look like this:
  </row>
  <row>
  <entry>Noncommercial</entry>
- <entry>&copy;/Free</entry>
+ <entry>&copy; / Free</entry>
  <entry>Free</entry>
  </row>
 </tbody>
@@ -9237,7 +9275,7 @@ lawyer.
 
 <!-- PAGE BREAK 186 -->
 <chapter label="11" id="chimera">
-<title>CHAPTER ELEVEN: Chimera</title>
+<title>Chimera</title>
 <indexterm id='idxchimera' class='startofrange'><primary>chimeras</primary></indexterm>
 <indexterm id='idxwells' class='startofrange'><primary>Wells, H. G.</primary></indexterm>
 <indexterm id='idxtcotb' class='startofrange'><primary><quote>Country of the Blind, The</quote> (Wells)</primary></indexterm>
@@ -9516,7 +9554,7 @@ and will kill opportunities that could be extraordinarily valuable.
 <!-- PAGE BREAK 192 -->
 </chapter>
 <chapter label="12" id="harms">
-<title>CHAPTER TWELVE: Harms</title>
+<title>Harms</title>
 <para>
 <emphasis role='strong'>To fight</emphasis> <quote>piracy,</quote> to
 protect <quote>property,</quote> the content industry has launched a
@@ -9603,7 +9641,7 @@ on remote topics of science or culture. There is a vast amount of creative
 work spread across the Internet. But as the law is currently crafted, this
 work is presumptively illegal.
 </para>
-<indexterm><primary>Worldcom</primary></indexterm>
+<indexterm><primary>WorldCom</primary></indexterm>
 <indexterm><primary>copyright infringement lawsuits</primary><secondary>exaggerated claims of</secondary></indexterm>
 <indexterm><primary>copyright infringement lawsuits</primary><secondary>in recording industry</secondary></indexterm>
 <indexterm><primary>doctors malpractice claims against</primary></indexterm>
@@ -9627,7 +9665,7 @@ See Lynne W. Jeter, <citetitle>Disconnected: Deceit and Betrayal at WorldCom</ci
 the settlement, see MCI press release, <quote>MCI Wins U.S. District Court
 Approval for SEC Settlement</quote> (7 July 2003), available at
 <ulink url="http://free-culture.cc/notes/">link #37</ulink>.
-<indexterm><primary>Worldcom</primary></indexterm>
+<indexterm><primary>WorldCom</primary></indexterm>
 </para></footnote>
 And under legislation being pushed in Congress right now, a doctor who
 negligently removes the wrong leg in an operation would be liable for
@@ -10993,7 +11031,7 @@ success will require.
 
 <!-- PAGE BREAK 220 -->
 <chapter label="13" id="eldred">
-<title>CHAPTER THIRTEEN: Eldred</title>
+<title>Eldred</title>
 <indexterm id='idxeldrederic' class='startofrange'><primary>Eldred, Eric</primary></indexterm>
 <indexterm id='idxhawthornenathaniel' class='startofrange'><primary>Hawthorne, Nathaniel</primary></indexterm>
 <para>
@@ -12707,14 +12745,14 @@ in a time of such fruitful creative ferment.
 <para>
 The best responses were in the cartoons. There was a gaggle of
 hilarious images&mdash;of Mickey in jail and the like. The best, from
-my view of the case, was Ruben Bolling's, reproduced on the next page
-(<xref linkend="fig-18"/>). The <quote>powerful and wealthy</quote> line is a bit
+my view of the case, was Ruben Bolling's, reproduced in
+<xref linkend="fig-18"/>. The <quote>powerful and wealthy</quote> line is a bit
 unfair. But the punch in the face felt exactly like that.
 <indexterm><primary>Bolling, Ruben</primary></indexterm>
 </para>
 <figure id="fig-18">
 <title>Tom the Dancing Bug cartoon</title>
-<graphic fileref="images/18.png" align="center" width="95%"></graphic>
+<graphic fileref="images/tom-the-dancing-bug.png" align="center" width="95%"></graphic>
 <indexterm><primary>Bolling, Ruben</primary></indexterm>
 </figure>
 <para>
@@ -12729,7 +12767,7 @@ better lawyer would have made them see differently.
 <!-- PAGE BREAK 254 -->
 </chapter>
 <chapter label="14" id="eldred-ii">
-<title>CHAPTER FOURTEEN: Eldred II</title>
+<title>Eldred II</title>
 <para>
 <emphasis role='strong'>The day</emphasis>
 <citetitle>Eldred</citetitle> was decided, fate would have it that I
@@ -15581,13 +15619,10 @@ grateful for her perpetual patience and love.
 </chapter>
 <index></index>
 <colophon>
+<?latex {\footnotesize ?>
 <para>
-This digital book was published by Petter Reinholdtsen in 2014.
-</para>
-<para>
-The original hardcover paper book was published in 2004 by The Penguin
-Press, a member of Penguin Group (USA) Inc. 375 Hudson Street New
-York, New York.
+Free culture: How big media uses technology and the law to lock down
+culture and control creativity / Lawrence Lessig.
 </para>
 <para>
 Copyright &copy; Lawrence Lessig.  Some rights reserved.
@@ -15596,10 +15631,15 @@ Copyright &copy; Lawrence Lessig.  Some rights reserved.
 This version of <citetitle>Free Culture</citetitle> is licensed under
 a Creative Commons license. This license permits non-commercial use of
 this work, so long as attribution is given.  For more information
-about the license, click the icon above, or visit
+about the license visit
 <ulink url="http://creativecommons.org/licenses/by-nc/1.0/">http://creativecommons.org/licenses/by-nc/1.0/</ulink>
 </para>
 <para>
+This digital book was published by Petter Reinholdtsen in 2015.  The
+original hardcover paper book was published in 2004 by The Penguin
+Press.
+</para>
+<para>
 Excerpt from an editorial titled <quote>The Coming of Copyright
 Perpetuity,</quote> <citetitle>The New York Times</citetitle>, January
 16, 2003. Copyright &copy; 2003 by The New York Times Co.  Reprinted
@@ -15614,19 +15654,34 @@ reserved. Reprinted with permission.
 Diagram in <xref linkend="fig-1761-pattern-modern-media-ownership"/>
 courtesy of the office of FCC Commissioner, Michael J. Copps.
 </para>
+
 <para>
-Library of Congress Cataloging-in-Publication Data
+The source of this version of the book is written using DocBook
+notation and the other formats are derived from the DocBook source.
+The DocBook source is based on a DocBook XML version created by Hans
+Schou, and extended by Petter Reinholdtsen with formatting and index
+references.  The source files for this book are available from
+<ulink url="https://github.com/petterreinholdtsen/free-culture-lessig"/>.
 </para>
+
 <para>
-Lessig, Lawrence.
-Free culture : how big media uses technology and the law to lock down 
-culture and control creativity / Lawrence Lessig.
+&translationblock;
 </para>
+
 <para>
-p. cm.
+Includes index.
 </para>
+
 <para>
-Includes index.
+Classifications: (Dewey)
+306.4
+306.40973
+306.46
+341.7582
+343.7309/9,
+(UDK) 347.78
+(US Lib. of Congress) KF2979.L47 2004
+(ACM CRCS) K.4.1
 </para>
 
 <para>
@@ -15643,7 +15698,6 @@ Includes index.
  <entry>978-82-92812-XX-Y</entry>
  <entry>text/plain</entry>
  </row>
-
  <row>
  <entry>978-82-92812-XX-Y</entry>
  <entry>application/pdf</entry>
@@ -15668,39 +15722,6 @@ Includes index.
 </tgroup>
 </informaltable>
 </para>
-
-<para>
-1. Intellectual property&mdash;United States.
-</para>
-<para>
-2. Mass media&mdash;United States.
-</para>
-<para>
-3. Technological innovations&mdash;United States.
-</para>
-<para>
-4. Art&mdash;United States. I. Title.
-</para>
-<para>
-KF2979.L47 2004
-</para>
-<para>
-343.7309'9&mdash;dc22 2003063276
-</para>
-
-<para>
-The source of this version of the text is written using DocBook
-notation and the other formats are derived from the DocBook source.
-The DocBook source is based on a DocBook XML version created by Hans
-Schou, and extended with formatting and index references by Petter
-Reinholdtsen.  The source files of this book is available as
-<ulink url="https://github.com/petterreinholdtsen/free-culture-lessig">a
-github project</ulink>.
-</para>
-
-<para>
-&translationblock;
-</para>
-
+<?latex } %\tiny ?>
 </colophon>
 </book>