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+++ b/freeculture.xml
@@ -18,8 +18,8 @@
"freeculture"
- HOW BIG MEDIA USES TECHNOLOGY AND THE LAW TO LOCK DOWN
- CULTURE AND CONTROL CREATIVITY
+ How big media uses technology and the law to lock down
+ culture and control creativity
2004-03-25
@@ -93,15 +93,15 @@
This version of Free Culture is licensed under
a Creative Commons license. This license permits non-commercial use of
this work, so long as attribution is given. For more information
-about the license, click the icon above, or visit
+about the license visit
http://creativecommons.org/licenses/by-nc/1.0/
- ABOUT THE AUTHOR
+ About the author
-LAWRENCE LESSIG
+Lawrence Lessig
(http://www.lessig.org),
professor of law and a John A. Wilson Distinguished Faculty Scholar
at Stanford Law School, is founder of the Stanford Center for Internet
@@ -118,6 +118,11 @@ Pennsylvania, Cambridge University, and Yale Law School, Lessig
clerked for Judge Richard Posner of the U.S. Seventh Circuit Court of
Appeals.
+
+
+
+
+
@@ -138,7 +143,7 @@ Appeals.
-->
- 978-82-92812-XX-Y
+ 978-82-8067-010-6
-
+
To Eric Eldred — whose work first drew me to this cause, and for whom
it continues still.
-
+
@@ -259,7 +266,7 @@ c INDEX
-PREFACE
+Preface
Pogue, David
At the end of his review of my first
@@ -414,7 +421,7 @@ book is written.
-INTRODUCTION
+Introduction
Wright brothers
On December 17, 1903, on a windy North Carolina beach for just
@@ -1070,7 +1077,7 @@ to which most of us remain oblivious.
-<quote>PIRACY</quote>
+<quote>Piracy</quote>
copyright lawEnglish
@@ -1253,7 +1260,7 @@ context the current battles about behavior labeled piracy.
-Creators
+Chapter One: Creators
animated cartoons
cartoon films
filmsanimated
@@ -1782,7 +1789,7 @@ free culture. It is becoming much less so.
-<quote>Mere Copyists</quote>
+Chapter Two: <quote>Mere Copyists</quote>
Daguerre, Louis
camera technology
photography
@@ -2745,7 +2752,7 @@ quipped to me in a rare moment of despondence.
-Catalogs
+Chapter Three: Catalogs
Jordan, Jesse
RPIRensselaer Polytechnic Institute (RPI)
Rensselaer Polytechnic Institute (RPI)
@@ -3003,7 +3010,7 @@ wrong message. And he wants to correct the record.
-<quote>Pirates</quote>
+Chapter Four: <quote>Pirates</quote>
piracyin development of content industry
if value, then right
theory
@@ -3551,7 +3558,7 @@ last. Every generation—until now.
-<quote>Piracy</quote>
+Chapter Five: <quote>Piracy</quote>
There is piracy of copyrighted
material. Lots of it. This piracy comes in many forms. The most
@@ -4609,7 +4616,7 @@ is protected.
-<quote>PROPERTY</quote>
+<quote>Property</quote>
@@ -4690,7 +4697,7 @@ from the implications that the copyright warriors would have us draw.
-Founders
+Chapter Six: Founders
booksEnglish copyright law developed for
copyright lawdevelopment of
copyright lawEnglish
@@ -5293,7 +5300,7 @@ protected.
-Recorders
+Chapter Seven: Recorders
copyright lawfair use and
documentary film
Else, Jon
@@ -5526,7 +5533,7 @@ not.
-Transformers
+Chapter Eight: Transformers
Allen, Paul
Alben, Alex
Microsoft
@@ -5887,7 +5894,7 @@ curse, reserved for the few.
-Collectors
+Chapter Nine: Collectors
archives, digital
bots
@@ -6251,7 +6258,7 @@ that Kahle and others would exercise.
-<quote>Property</quote>
+Chapter Ten: <quote>Property</quote>
Johnson, Lyndon
Kennedy, John F.
@@ -9273,11 +9280,11 @@ lawyer.
-PUZZLES
+Puzzles
-Chimera
+Chapter Eleven: Chimera
chimeras
Wells, H. G.
Country of the Blind, The
(Wells)
@@ -9556,7 +9563,7 @@ and will kill opportunities that could be extraordinarily valuable.
-Harms
+Chapter Twelve: Harms
To fight piracy,
to
protect property,
the content industry has launched a
@@ -10974,7 +10981,7 @@ effort through our democracy to change our law?
-BALANCES
+Balances
@@ -11033,7 +11040,7 @@ success will require.
-Eldred
+Chapter Thirteen: Eldred
Eldred, Eric
Hawthorne, Nathaniel
@@ -12770,7 +12777,7 @@ better lawyer would have made them see differently.
-Eldred II
+Chapter Fourteen: Eldred II
The day
Eldred was decided, fate would have it that I
@@ -13166,7 +13173,7 @@ controlled by this dead (and often unfindable) hand of the past.
-CONCLUSION
+Conclusion
Africa, medications for HIV patients in
AIDS medications
antiretroviral drugs
@@ -13971,7 +13978,7 @@ potential is ever to be realized.
-AFTERWORD
+Afterword
@@ -14002,7 +14009,7 @@ sketch changes that Congress could make to better secure a free culture.
-US, NOW
+Us, now
Common sense is with the copyright
warriors because the debate so far has been framed at the
@@ -14519,7 +14526,7 @@ creativity to spread more easily.
-THEM, SOON
+Them, soon
We will not reclaim a free culture
by individual action alone. It will also take important reforms of
@@ -14601,7 +14608,7 @@ developed by others.
-REGISTRATION AND RENEWAL
+Registration and renewal
Under the old system, a copyright owner had to file a registration
with the Copyright Office to register or renew a copyright. When
@@ -14650,7 +14657,7 @@ of registrations that would facilitate the licensing of content.
-MARKING
+Marking
It used to be that the failure to include a copyright notice on a
creative work meant that the copyright was forfeited. That was a harsh
@@ -15529,7 +15536,7 @@ keep your lawyers away.
-NOTES
+Notes
Throughout this text, there are references to links on the World Wide
Web. As anyone who has tried to use the Web knows, these links can be
@@ -15544,13 +15551,14 @@ the material.
-
+
-ACKNOWLEDGMENTS
+Acknowledgments
This book is the product of a long and as yet unsuccessful struggle that
began when I read of Eric Eldred's war to keep books free. Eldred's
@@ -15622,15 +15630,32 @@ grateful for her perpetual patience and love.
-
-
+
+
+
+
Free culture: How big media uses technology and the law to lock down
culture and control creativity / Lawrence Lessig.
-Copyright © Lawrence Lessig. Some rights reserved.
+Copyright © 2004 Lawrence Lessig. Some rights reserved.
+
+
+
+
+
This version of Free Culture is licensed under
a Creative Commons license. This license permits non-commercial use of
@@ -15638,11 +15663,13 @@ this work, so long as attribution is given. For more information
about the license visit
http://creativecommons.org/licenses/by-nc/1.0/
+
-This digital book was published by Petter Reinholdtsen in 2015. The
-original hardcover paper book was published in 2004 by The Penguin
-Press.
+Published 2015 by Petter Reinholdtsen in his spare time. First
+published 2004 by The Penguin Press. Thomas Gramstad Forlag donated
+the ISBN numbers.
+
Excerpt from an editorial titled The Coming of Copyright
Perpetuity,
The New York Times, January
@@ -15677,21 +15704,16 @@ Classifications: (Dewey)
(ACM CRCS) K.4.1
-
+
-Typeset using the Crimson Text font and dblatex. The dblatex author
-provided valuable help in formatting the print version of this book.
-Thomas Gramstad Forlag provided the ISBN numbers.
-
-
-
-The source of this version of the book is written using DocBook
-notation and the other formats are derived from the DocBook source.
-The DocBook source is based on a DocBook XML version created by Hans
-Schou, and extended by Petter Reinholdtsen with formatting and index
-references. The source files for this book are available from
+The book source is in DocBook notation and the other formats are
+derived from this. The source is based on a version from Hans Schou.
+Typeset using Crimson Text and formatted using dblatex. Many thanks
+to the dblatex developer for his help. The source is available from
.
+Please report any problems using the GitHub issue tracker.
@@ -15709,37 +15731,26 @@ references. The source files for this book are available from
- 978-82-92812-XX-Y
+ 978-82-8067-010-6
Paper copy from XXX
- N/A
- text/plain
-
-
- 978-82-92812-XX-Y
+ 978-82-8067-011-3
application/pdf
- N/A
- text/html
-
-
- 978-82-92812-XX-Y
+ 978-82-8067-012-0
application/epub+zip
- 978-82-92812-XX-Y
- application/docbook+xml
-
-
- 978-82-92812-XX-Y
+ 978-82-8067-013-7
application/x-mobipocket-ebook
-
+