1 <?xml version=
"1.0" encoding=
"ISO-8859-1"?>
2 <rss version='
2.0' xmlns:lj='http://www.livejournal.org/rss/lj/
1.0/'
>
4 <title>Petter Reinholdtsen - Entries from July
2015</title>
5 <description>Entries from July
2015</description>
6 <link>http://people.skolelinux.org/pere/blog/
</link>
10 <title>Mimes brønn, norsk utgave av Alaveteli / WhatDoTheyKnow, endelig lansert
</title>
11 <link>http://people.skolelinux.org/pere/blog/Mimes_br_nn__norsk_utgave_av_Alaveteli___WhatDoTheyKnow__endelig_lansert.html
</link>
12 <guid isPermaLink=
"true">http://people.skolelinux.org/pere/blog/Mimes_br_nn__norsk_utgave_av_Alaveteli___WhatDoTheyKnow__endelig_lansert.html
</guid>
13 <pubDate>Thu,
9 Jul
2015 11:
40:
00 +
0200</pubDate>
14 <description><p
>I går fikk vi endelig lansert en norsk version av mySocietys
15 <a href=
"https://www.whatdotheyknow.com/
">WhatDoTheyKnow
</a
>.
16 Tjenesten heter Mimes brønn, og ble
17 <a href=
"http://www.nuug.no/news/NUUG_lanserer_innsynstjenesten_Mimes_Br_nn.shtml
">annonsert
18 av NUUG
</a
> via blog, epost og twitter til NUUG-assosierte personer.
19 Det har tatt noen år, men de siste dagene fikk vi endelig tid til å få
20 på plass de siste bitene. Vi er to, Gorm og meg selv, som har vært
21 primus motor for det hele, men vi har fått hjelp med oversettelser og
22 oppsett fra mange flere. Jeg vil si tusen takk til hver og en av dem,
23 og er veldig fornøyd med at vi klarte å få tjenesten opp å kjøre før
24 ferietiden slo inn for fullt.
</p
>
26 <p
>Vi er usikker på hvor mye belastning den virtuelle maskinen der
27 tjenesten kjører klarer, så vi har lansert litt i det stille og ikke
28 til for mange folk for å se hvordan maskinen klarer seg over sommeren,
29 før vi går mer aktivt ut og annonserer til høsten. Ta en titt, og se
30 om du kanskje har et spørsmål til det offentlige som er egnet å sende
31 inn via Mimes brønn.
</p
>
33 <p
>Hvis du lurer på hva i alle dager en slik tjenestes kan brukes til,
34 anbefaler jeg deg å se
35 <a href=
"http://beta.frikanalen.no/video/
625321">TED-foredraget til
36 Heather Brook
</a
> om hvordan hun brukte WhatDoTheyKnow til å lære
37 hvordan offentlige midler ble misbrukt. Det er en inspirerende
43 <title>MPEG LA on
"Internet Broadcast AVC Video
" licensing and non-private use
</title>
44 <link>http://people.skolelinux.org/pere/blog/MPEG_LA_on__Internet_Broadcast_AVC_Video__licensing_and_non_private_use.html
</link>
45 <guid isPermaLink=
"true">http://people.skolelinux.org/pere/blog/MPEG_LA_on__Internet_Broadcast_AVC_Video__licensing_and_non_private_use.html
</guid>
46 <pubDate>Tue,
7 Jul
2015 09:
50:
00 +
0200</pubDate>
47 <description><p
>After asking the Norwegian Broadcasting Company (NRK)
48 <a href=
"http://people.skolelinux.org/pere/blog/Hva_gj_r_at_NRK_kan_distribuere_H_264_video_uten_patentavtale_med_MPEG_LA_.html
">why
49 they can broadcast and stream H
.264 video without an agreement with
50 the MPEG LA
</a
>, I was wiser, but still confused. So I asked MPEG LA
51 if their understanding matched that of NRK. As far as I can tell, it
54 <p
>I started by asking for more information about the various
55 licensing classes and what exactly is covered by the
"Internet
56 Broadcast AVC Video
" class that NRK pointed me at to explain why NRK
57 did not need a license for streaming H
.264 video:
59 <p
><blockquote
>
62 <a href=
"http://www.mpegla.com/Lists/MPEG%
20LA%
20News%
20List/Attachments/
226/n-
10-
02-
02.pdf
">a
63 MPEG LA press release dated
2010-
02-
02</a
>, there is no charge when
64 using MPEG AVC/H
.264 according to the terms of
"Internet Broadcast AVC
65 Video
". I am trying to understand exactly what the terms of
"Internet
66 Broadcast AVC Video
" is, and wondered if you could help me. What
67 exactly is covered by these terms, and what is not?
</p
>
69 <p
>The only source of more information I have been able to find is a
71 <a href=
"http://www.mpegla.com/main/programs/avc/Documents/avcweb.pdf
">AVC
72 Patent Portfolio License Briefing
</a
>, which states this about the
76 <li
>Where End User pays for AVC Video
78 <li
>Subscription (not limited by title) –
100,
000 or fewer
79 subscribers/yr = no royalty;
&gt;
100,
000 to
250,
000 subscribers/yr =
80 $
25,
000;
&gt;
250,
000 to
500,
000 subscribers/yr = $
50,
000;
&gt;
500,
000 to
81 1M subscribers/yr = $
75,
000;
&gt;
1M subscribers/yr = $
100,
000</li
>
83 <li
>Title-by-Title -
12 minutes or less = no royalty;
&gt;
12 minutes in
84 length = lower of (a)
2% or (b) $
0.02 per title
</li
>
85 </ul
></li
>
87 <li
>Where remuneration is from other sources
89 <li
>Free Television - (a) one-time $
2,
500 per transmission encoder or
90 (b) annual fee starting at $
2,
500 for
&gt;
100,
000 HH rising to
91 maximum $
10,
000 for
&gt;
1,
000,
000 HH
</li
>
93 <li
>Internet Broadcast AVC Video (not title-by-title, not subscription)
94 – no royalty for life of the AVC Patent Portfolio License
</li
>
95 </ul
></li
>
98 <p
>Am I correct in assuming that the four categories listed is the
99 categories used when selecting licensing terms, and that
"Internet
100 Broadcast AVC Video
" is the category for things that do not fall into
101 one of the other three categories? Can you point me to a good source
102 explaining what is ment by
"title-by-title
" and
"Free Television
" in
103 the license terms for AVC/H
.264?
</p
>
105 <p
>Will a web service providing H
.264 encoded video content in a
106 "video on demand
" fashing similar to Youtube and Vimeo, where no
107 subscription is required and no payment is required from end users to
108 get access to the videos, fall under the terms of the
"Internet
109 Broadcast AVC Video
", ie no royalty for life of the AVC Patent
110 Portfolio license? Does it matter if some users are subscribed to get
111 access to personalized services?
</p
>
113 <p
>Note, this request and all answers will be published on the
115 </blockquote
></p
>
117 <p
>The answer came quickly from Benjamin J. Myers, Licensing Associate
118 with the MPEG LA:
</p
>
120 <p
><blockquote
>
121 <p
>Thank you for your message and for your interest in MPEG LA. We
122 appreciate hearing from you and I will be happy to assist you.
</p
>
124 <p
>As you are aware, MPEG LA offers our AVC Patent Portfolio License
125 which provides coverage under patents that are essential for use of
126 the AVC/H
.264 Standard (MPEG-
4 Part
10). Specifically, coverage is
127 provided for end products and video content that make use of AVC/H
.264
128 technology. Accordingly, the party offering such end products and
129 video to End Users concludes the AVC License and is responsible for
130 paying the applicable royalties.
</p
>
132 <p
>Regarding Internet Broadcast AVC Video, the AVC License generally
133 defines such content to be video that is distributed to End Users over
134 the Internet free-of-charge. Therefore, if a party offers a service
135 which allows users to upload AVC/H
.264 video to its website, and such
136 AVC Video is delivered to End Users for free, then such video would
137 receive coverage under the sublicense for Internet Broadcast AVC
138 Video, which is not subject to any royalties for the life of the AVC
139 License. This would also apply in the scenario where a user creates a
140 free online account in order to receive a customized offering of free
141 AVC Video content. In other words, as long as the End User is given
142 access to or views AVC Video content at no cost to the End User, then
143 no royalties would be payable under our AVC License.
</p
>
145 <p
>On the other hand, if End Users pay for access to AVC Video for a
146 specific period of time (e.g., one month, one year, etc.), then such
147 video would constitute Subscription AVC Video. In cases where AVC
148 Video is delivered to End Users on a pay-per-view basis, then such
149 content would constitute Title-by-Title AVC Video. If a party offers
150 Subscription or Title-by-Title AVC Video to End Users, then they would
151 be responsible for paying the applicable royalties you noted below.
</p
>
153 <p
>Finally, in the case where AVC Video is distributed for free
154 through an
"over-the-air, satellite and/or cable transmission
", then
155 such content would constitute Free Television AVC Video and would be
156 subject to the applicable royalties.
</p
>
158 <p
>For your reference, I have attached
159 <a href=
"http://people.skolelinux.org/pere/blog/images/
2015-
07-
07-mpegla.pdf
">a
160 .pdf copy of the AVC License
</a
>. You will find the relevant
161 sublicense information regarding AVC Video in Sections
2.2 through
162 2.5, and the corresponding royalties in Section
3.1.2 through
3.1.4.
163 You will also find the definitions of Title-by-Title AVC Video,
164 Subscription AVC Video, Free Television AVC Video, and Internet
165 Broadcast AVC Video in Section
1 of the License. Please note that the
166 electronic copy is provided for informational purposes only and cannot
167 be used for execution.
</p
>
169 <p
>I hope the above information is helpful. If you have additional
170 questions or need further assistance with the AVC License, please feel
171 free to contact me directly.
</p
>
172 </blockquote
></p
>
174 <p
>Having a fresh copy of the license text was useful, and knowing
175 that the definition of Title-by-Title required payment per title made
176 me aware that my earlier understanding of that phrase had been wrong.
177 But I still had a few questions:
</p
>
179 <p
><blockquote
>
180 <p
>I have a small followup question. Would it be possible for me to get
181 a license with MPEG LA even if there are no royalties to be paid? The
182 reason I ask, is that some video related products have a copyright
183 clause limiting their use without a license with MPEG LA. The clauses
184 typically look similar to this:
186 <p
><blockquote
>
187 This product is licensed under the AVC patent portfolio license for
188 the personal and non-commercial use of a consumer to (a) encode
189 video in compliance with the AVC standard (
"AVC video
") and/or (b)
190 decode AVC video that was encoded by a consumer engaged in a
191 personal and non-commercial activity and/or AVC video that was
192 obtained from a video provider licensed to provide AVC video. No
193 license is granted or shall be implied for any other use. additional
194 information may be obtained from MPEG LA L.L.C.
195 </blockquote
></p
>
197 <p
>It is unclear to me if this clause mean that I need to enter into
198 an agreement with MPEG LA to use the product in question, even if
199 there are no royalties to be paid to MPEG LA. I suspect it will
200 differ depending on the jurisdiction, and mine is Norway. What is
201 MPEG LAs view on this?
</p
>
202 </blockquote
></p
>
204 <p
>According to the answer, MPEG LA believe those using such tools for
205 non-personal or commercial use need a license with them:
</p
>
207 <p
><blockquote
>
209 <p
>With regard to the Notice to Customers, I would like to begin by
210 clarifying that the Notice from Section
7.1 of the AVC License
213 <p
>THIS PRODUCT IS LICENSED UNDER THE AVC PATENT PORTFOLIO LICENSE FOR
214 THE PERSONAL USE OF A CONSUMER OR OTHER USES IN WHICH IT DOES NOT
215 RECEIVE REMUNERATION TO (i) ENCODE VIDEO IN COMPLIANCE WITH THE AVC
216 STANDARD (
"AVC VIDEO
") AND/OR (ii) DECODE AVC VIDEO THAT WAS ENCODED
217 BY A CONSUMER ENGAGED IN A PERSONAL ACTIVITY AND/OR WAS OBTAINED FROM
218 A VIDEO PROVIDER LICENSED TO PROVIDE AVC VIDEO. NO LICENSE IS GRANTED
219 OR SHALL BE IMPLIED FOR ANY OTHER USE. ADDITIONAL INFORMATION MAY BE
220 OBTAINED FROM MPEG LA, L.L.C. SEE HTTP://WWW.MPEGLA.COM
</p
>
222 <p
>The Notice to Customers is intended to inform End Users of the
223 personal usage rights (for example, to watch video content) included
224 with the product they purchased, and to encourage any party using the
225 product for commercial purposes to contact MPEG LA in order to become
226 licensed for such use (for example, when they use an AVC Product to
227 deliver Title-by-Title, Subscription, Free Television or Internet
228 Broadcast AVC Video to End Users, or to re-Sell a third party
's AVC
229 Product as their own branded AVC Product).
</p
>
231 <p
>Therefore, if a party is to be licensed for its use of an AVC
232 Product to Sell AVC Video on a Title-by-Title, Subscription, Free
233 Television or Internet Broadcast basis, that party would need to
234 conclude the AVC License, even in the case where no royalties were
235 payable under the License. On the other hand, if that party (either a
236 Consumer or business customer) simply uses an AVC Product for their
237 own internal purposes and not for the commercial purposes referenced
238 above, then such use would be included in the royalty paid for the AVC
239 Products by the licensed supplier.
</p
>
241 <p
>Finally, I note that our AVC License provides worldwide coverage in
242 countries that have AVC Patent Portfolio Patents, including
245 <p
>I hope this clarification is helpful. If I may be of any further
246 assistance, just let me know.
</p
>
247 </blockquote
></p
>
249 <p
>The mentioning of Norwegian patents made me a bit confused, so I
250 asked for more information:
</p
>
252 <p
><blockquote
>
254 <p
>But one minor question at the end. If I understand you correctly,
255 you state in the quote above that there are patents in the AVC Patent
256 Portfolio that are valid in Norway. This make me believe I read the
257 list available from
&lt;URL:
258 <a href=
"http://www.mpegla.com/main/programs/AVC/Pages/PatentList.aspx
">http://www.mpegla.com/main/programs/AVC/Pages/PatentList.aspx
</a
>
259 &gt; incorrectly, as I believed the
"NO
" prefix in front of patents
260 were Norwegian patents, and the only one I could find under Mitsubishi
261 Electric Corporation expired in
2012. Which patents are you referring
262 to that are relevant for Norway?
</p
>
264 </blockquote
></p
>
266 <p
>Again, the quick answer explained how to read the list of patents
267 in that list:
</p
>
269 <p
><blockquote
>
271 <p
>Your understanding is correct that the last AVC Patent Portfolio
272 Patent in Norway expired on
21 October
2012. Therefore, where AVC
273 Video is both made and Sold in Norway after that date, then no
274 royalties would be payable for such AVC Video under the AVC License.
275 With that said, our AVC License provides historic coverage for AVC
276 Products and AVC Video that may have been manufactured or Sold before
277 the last Norwegian AVC patent expired. I would also like to clarify
278 that coverage is provided for the country of manufacture and the
279 country of Sale that has active AVC Patent Portfolio Patents.
</p
>
281 <p
>Therefore, if a party offers AVC Products or AVC Video for Sale in
282 a country with active AVC Patent Portfolio Patents (for example,
283 Sweden, Denmark, Finland, etc.), then that party would still need
284 coverage under the AVC License even if such products or video are
285 initially made in a country without active AVC Patent Portfolio
286 Patents (for example, Norway). Similarly, a party would need to
287 conclude the AVC License if they make AVC Products or AVC Video in a
288 country with active AVC Patent Portfolio Patents, but eventually Sell
289 such AVC Products or AVC Video in a country without active AVC Patent
290 Portfolio Patents.
</p
>
291 </blockquote
></p
>
293 <p
>As far as I understand it, MPEG LA believe anyone using Adobe
294 Premiere and other video related software with a H
.264 distribution
295 license need a license agreement with MPEG LA to use such tools for
296 anything non-private or commercial, while it is OK to set up a
297 Youtube-like service as long as no-one pays to get access to the
298 content. I still have no clear idea how this applies to Norway, where
299 none of the patents MPEG LA is licensing are valid. Will the
300 copyright terms take precedence or can those terms be ignored because
301 the patents are not valid in Norway?
</p
>
306 <title>New laptop - some more clues and ideas based on feedback
</title>
307 <link>http://people.skolelinux.org/pere/blog/New_laptop___some_more_clues_and_ideas_based_on_feedback.html
</link>
308 <guid isPermaLink=
"true">http://people.skolelinux.org/pere/blog/New_laptop___some_more_clues_and_ideas_based_on_feedback.html
</guid>
309 <pubDate>Sun,
5 Jul
2015 21:
40:
00 +
0200</pubDate>
310 <description><p
>Several people contacted me after my previous blog post about my
311 need for a new laptop, and provided very useful feedback. I wish to
312 thank every one of these. Several pointed me to the possibility of
313 fixing my X230, and I am already in the process of getting Lenovo to
314 do so thanks to the on site, next day support contract covering the
315 machine. But the battery is almost useless (I expect to replace it
316 with a non-official battery) and I do not expect the machine to live
317 for many more years, so it is time to plan its replacement. If I did
318 not have a support contract, it was suggested to find replacement parts
319 using
<a href=
"http://www.francecrans.com/
">FrancEcrans
</a
>, but it
320 might present a language barrier as I do not understand French.
</p
>
322 <p
>One tip I got was to use the
323 <a href=
"https://skinflint.co.uk/?cat=nb
">Skinflint
</a
> web service to
324 compare laptop models. It seem to have more models available than
325 prisjakt.no. Another tip I got from someone I know have similar
326 keyboard preferences was that the HP EliteBook
840 keyboard is not
327 very good, and this matches my experience with earlier EliteBook
328 keyboards I tested. Because of this, I will not consider it any further.
330 <p
>When I wrote my blog post, I was not aware of Thinkpad X250, the
331 newest Thinkpad X model. The keyboard reintroduces mouse buttons
332 (which is missing from the X240), and is working fairly well with
333 Debian Sid/Unstable according to
334 <a href=
"http://www.corsac.net/X250/
">Corsac.net
</a
>. The reports I
335 got on the keyboard quality are not consistent. Some say the keyboard
336 is good, others say it is ok, while others say it is not very good.
337 Those with experience from X41 and and X60 agree that the X250
338 keyboard is not as good as those trusty old laptops, and suggest I
339 keep and fix my X230 instead of upgrading, or get a used X230 to
340 replace it. I
'm also told that the X250 lack leds for caps lock, disk
341 activity and battery status, which is very convenient on my X230. I
'm
342 also told that the CPU fan is running very often, making it a bit
343 noisy. In any case, the X250 do not work out of the box with Debian
344 Stable/Jessie, one of my requirements.
</p
>
346 <p
>I have also gotten a few vendor proposals, one was
347 <a href=
"http://pro-star.com
">Pro-Star
</a
>, another was
348 <a href=
"http://shop.gluglug.org.uk/product/libreboot-x200/
">Libreboot
</a
>.
349 The latter look very attractive to me.
</p
>
351 <p
>Again, thank you all for the very useful feedback. It help a lot
352 as I keep looking for a replacement.
</p
>
354 <p
>Update
2015-
07-
06: I was recommended to check out the
355 <a href=
"">lapstore.de
</a
> web shop for used laptops. They got several
357 <a href=
"http://www.lapstore.de/f.php/shop/lapstore/f/
411/lang/x/kw/Lenovo_ThinkPad_X_Serie/
">old
358 thinkpad X models
</a
>, and provide one year warranty.
</p
>
363 <title>Time to find a new laptop, as the old one is broken after only two years
</title>
364 <link>http://people.skolelinux.org/pere/blog/Time_to_find_a_new_laptop__as_the_old_one_is_broken_after_only_two_years.html
</link>
365 <guid isPermaLink=
"true">http://people.skolelinux.org/pere/blog/Time_to_find_a_new_laptop__as_the_old_one_is_broken_after_only_two_years.html
</guid>
366 <pubDate>Fri,
3 Jul
2015 07:
10:
00 +
0200</pubDate>
367 <description><p
>My primary work horse laptop is failing, and will need a
368 replacement soon. The left
5 cm of the screen on my Thinkpad X230
369 started flickering yesterday, and I suspect the cause is a broken
370 cable, as changing the angle of the screen some times get rid of the
371 flickering.
</p
>
373 <p
>My requirements have not really changed since I bought it, and is
375 <a href=
"http://people.skolelinux.org/pere/blog/Thank_you_Thinkpad_X41__for_your_long_and_trustworthy_service.html
">I
376 described them in
2013</a
>. The last time I bought a laptop, I had
378 <a href=
"http://www.prisjakt.no/category.php?k=
353">prisjakt.no
</a
>
379 where I could select at least a few of the requirements (mouse pin,
380 wifi, weight) and go through the rest manually. Three button mouse
381 and a good keyboard is not available as an option, and all the three
382 laptop models proposed today (Thinkpad X240, HP EliteBook
820 G1 and
383 G2) lack three mouse buttons). It is also unclear to me how good the
384 keyboard on the HP EliteBooks are. I hope Lenovo have not messed up
385 the keyboard, even if the quality and robustness in the X series have
386 deteriorated since X41.
</p
>
388 <p
>I wonder how I can find a sensible laptop when none of the options
389 seem sensible to me? Are there better services around to search the
390 set of available laptops for features? Please send me an email if you
391 have suggestions.
</p
>
396 <title>MakerCon Nordic videos now available on Frikanalen
</title>
397 <link>http://people.skolelinux.org/pere/blog/MakerCon_Nordic_videos_now_available_on_Frikanalen.html
</link>
398 <guid isPermaLink=
"true">http://people.skolelinux.org/pere/blog/MakerCon_Nordic_videos_now_available_on_Frikanalen.html
</guid>
399 <pubDate>Thu,
2 Jul
2015 14:
10:
00 +
0200</pubDate>
400 <description><p
>Last oktober I was involved on behalf of
401 <a href=
"http://www.nuug.no/
">NUUG
</a
> with recording the talks at
402 <a href=
"http://www.makercon.no/
">MakerCon Nordic
</a
>, a conference for
403 the Maker movement. Since then it has been the plan to publish the
404 recordings on
<a href=
"http://www.frikanalen.no/
">Frikanalen
</a
>, which
405 finally happened the last few days. A few talks are missing because
406 the speakers asked the organizers to not publish them, but most of the
407 talks are available. The talks are being broadcasted on RiksTV
408 channel
50 and using multicast on Uninett, as well as being available
409 from the Frikanalen web site. The unedited recordings are
410 <a href=
"https://www.youtube.com/user/MakerConNordic/
">available on
411 Youtube too
</a
>.
</p
>
413 <p
>This is the list of talks available at the moment. Visit the
414 <a href=
"http://beta.frikanalen.no/video/?q=makercon
">Frikanalen video
415 pages
</a
> to view them.
</p
>
419 <li
>Evolutionary algorithms as a design tool - from art
420 to robotics (Kyrre Glette)
</li
>
422 <li
>Make and break (Hans Gerhard Meier)
</li
>
424 <li
>Making a one year school course for young makers
425 (Olav Helland)
</li
>
427 <li
>Innovation Inspiration - IPR Databases as a Source of
428 Inspiration (Hege Langlo)
</li
>
430 <li
>Making a toy for makers (Erik Torstensson)
</li
>
432 <li
>How to make
3D printer electronics (Elias Bakken)
</li
>
434 <li
>Hovering Clouds: Looking at online tool offerings for Product
435 Design and
3D Printing (William Kempton)
</li
>
437 <li
>Travelling maker stories (Øyvind Nydal Dahl)
</li
>
439 <li
>Making the first Maker Faire in Sweden (Nils Olander)
</li
>
441 <li
>Breaking the mold: Printing
1000’s of parts (Espen Sivertsen)
</li
>
443 <li
>Ultimaker — and open source
3D printing (Erik de Bruijn)
</li
>
445 <li
>Autodesk’s
3D Printing Platform: Sparking innovation (Hilde
448 <li
>How Making is Changing the World – and How You Can Too!
449 (Jennifer Turliuk)
</li
>
451 <li
>Open-Source Adventuring: OpenROV, OpenExplorer and the Future of
452 Connected Exploration (David Lang)
</li
>
454 <li
>Making in Norway (Haakon Karlsen Jr., Graham Hayward and Jens
457 <li
>The Impact of the Maker Movement (Mike Senese)
</li
>
461 <p
>Part of the reason this took so long was that the scripts NUUG had
462 to prepare a recording for publication were five years old and no
463 longer worked with the current video processing tools (command line
464 argument changes). In addition, we needed better audio normalization,
465 which sent me on a detour to
466 <a href=
"http://people.skolelinux.org/pere/blog/Measuring_and_adjusting_the_loudness_of_a_TV_channel_using_bs1770gain.html
">package
467 bs1770gain for Debian
</a
>. Now this is in place and it became a lot
468 easier to publish NUUG videos on Frikanalen.
</p
>