+ <item>
+ <title>Typesetting DocBook footnotes as endnotes with dblatex</title>
+ <link>http://people.skolelinux.org/pere/blog/Typesetting_DocBook_footnotes_as_endnotes_with_dblatex.html</link>
+ <guid isPermaLink="true">http://people.skolelinux.org/pere/blog/Typesetting_DocBook_footnotes_as_endnotes_with_dblatex.html</guid>
+ <pubDate>Thu, 16 Jul 2015 18:10:00 +0200</pubDate>
+ <description><p>I'm still working on the Norwegian version of the
+<a href="http://free-culture.cc/">Free Culture book by Lawrence
+Lessig</a>, and is now working on the final typesetting and layout.
+One of the features I want to get the structure similar to the
+original book is to typeset the footnotes as endnotes in the notes
+chapter. Based on the
+<a href="https://bugs.debian.org/685063">feedback from the Debian
+maintainer and the dblatex developer</a>, I came up with this recipe I
+would like to share with you. The proposal was to create a new LaTeX
+class file and add the LaTeX code there, but this is not always
+practical, when I want to be able to replace the class using a make
+file variable. So my proposal misuses the latex.begindocument XSL
+parameter value, to get a small fragment into the correct location in
+the generated LaTeX File.</p>
+
+<p>First, decide where in the DocBook document to place the endnotes,
+and add this text there:</p>
+
+<pre>
+&lt;?latex \theendnotes ?&gt;
+</pre>
+
+<p>Next, create a xsl stylesheet file dblatex-endnotes.xsl to add the
+code needed to add the endnote instructions in the preamble of the
+generated LaTeX document, with content like this:</p>
+
+<pre>
+&lt;?xml version='1.0'?&gt;
+&lt;xsl:stylesheet xmlns:xsl="http://www.w3.org/1999/XSL/Transform" version='1.0'&gt;
+ &lt;xsl:param name="latex.begindocument"&gt;
+ &lt;xsl:text&gt;
+\usepackage{endnotes}
+\let\footnote=\endnote
+\def\enoteheading{\mbox{}\par\vskip-\baselineskip }
+\begin{document}
+ &lt;/xsl:text&gt;
+ &lt;/xsl:param&gt;
+&lt;/xsl:stylesheet&gt;
+</pre>
+
+<p>Finally, load this xsl file when running dblatex, for example like
+this:</p>
+
+<pre>
+dblatex --xsl-user=dblatex-endnotes.xsl freeculture.nb.xml
+</pre>
+
+<p>The end result can be seen on github, where
+<a href="https://github.com/petterreinholdtsen/free-culture-lessig">my
+book project</a> is located.</p>
+</description>
+ </item>
+
+ <item>
+ <title>Mimes brønn, norsk utgave av Alaveteli / WhatDoTheyKnow, endelig lansert</title>
+ <link>http://people.skolelinux.org/pere/blog/Mimes_br_nn__norsk_utgave_av_Alaveteli___WhatDoTheyKnow__endelig_lansert.html</link>
+ <guid isPermaLink="true">http://people.skolelinux.org/pere/blog/Mimes_br_nn__norsk_utgave_av_Alaveteli___WhatDoTheyKnow__endelig_lansert.html</guid>
+ <pubDate>Thu, 9 Jul 2015 11:40:00 +0200</pubDate>
+ <description><p>I går fikk vi endelig lansert en norsk version av mySocietys
+<a href="https://www.whatdotheyknow.com/">WhatDoTheyKnow</a>.
+Tjenesten heter Mimes brønn, og ble
+<a href="http://www.nuug.no/news/NUUG_lanserer_innsynstjenesten_Mimes_Br_nn.shtml">annonsert
+av NUUG</a> via blogg, epost og twitter til NUUG-assosierte personer.
+Det har tatt noen år, men de siste dagene fikk vi endelig tid til å få
+på plass de siste bitene. Vi er to, Gorm og meg selv, som har vært
+primus motor for det hele, men vi har fått hjelp med oversettelser og
+oppsett fra mange flere. Jeg vil si tusen takk til hver og en av dem,
+og er veldig fornøyd med at vi klarte å få tjenesten opp å kjøre før
+ferietiden slo inn for fullt.</p>
+
+<p>Vi er usikker på hvor mye belastning den virtuelle maskinen der
+tjenesten kjører klarer, så vi har lansert litt i det stille og ikke
+til for mange folk for å se hvordan maskinen klarer seg over sommeren,
+før vi går mer aktivt ut og annonserer til høsten. Ta en titt, og se
+om du kanskje har et spørsmål til det offentlige som er egnet å sende
+inn via Mimes brønn.</p>
+
+<p>Hvis du lurer på hva i alle dager en slik tjenestes kan brukes til,
+anbefaler jeg deg å se
+<a href="http://beta.frikanalen.no/video/625321">TED-foredraget til
+Heather Brook</a> om hvordan hun brukte WhatDoTheyKnow til å lære
+hvordan offentlige midler ble misbrukt. Det er en inspirerende
+historie.</p>
+</description>
+ </item>
+
+ <item>
+ <title>MPEG LA on "Internet Broadcast AVC Video" licensing and non-private use</title>
+ <link>http://people.skolelinux.org/pere/blog/MPEG_LA_on__Internet_Broadcast_AVC_Video__licensing_and_non_private_use.html</link>
+ <guid isPermaLink="true">http://people.skolelinux.org/pere/blog/MPEG_LA_on__Internet_Broadcast_AVC_Video__licensing_and_non_private_use.html</guid>
+ <pubDate>Tue, 7 Jul 2015 09:50:00 +0200</pubDate>
+ <description><p>After asking the Norwegian Broadcasting Company (NRK)
+<a href="http://people.skolelinux.org/pere/blog/Hva_gj_r_at_NRK_kan_distribuere_H_264_video_uten_patentavtale_med_MPEG_LA_.html">why
+they can broadcast and stream H.264 video without an agreement with
+the MPEG LA</a>, I was wiser, but still confused. So I asked MPEG LA
+if their understanding matched that of NRK. As far as I can tell, it
+does not.</p>
+
+<p>I started by asking for more information about the various
+licensing classes and what exactly is covered by the "Internet
+Broadcast AVC Video" class that NRK pointed me at to explain why NRK
+did not need a license for streaming H.264 video:
+
+<p><blockquote>
+
+<p>According to
+<a href="http://www.mpegla.com/Lists/MPEG%20LA%20News%20List/Attachments/226/n-10-02-02.pdf">a
+MPEG LA press release dated 2010-02-02</a>, there is no charge when
+using MPEG AVC/H.264 according to the terms of "Internet Broadcast AVC
+Video". I am trying to understand exactly what the terms of "Internet
+Broadcast AVC Video" is, and wondered if you could help me. What
+exactly is covered by these terms, and what is not?</p>
+
+<p>The only source of more information I have been able to find is a
+PDF named
+<a href="http://www.mpegla.com/main/programs/avc/Documents/avcweb.pdf">AVC
+Patent Portfolio License Briefing</a>, which states this about the
+fees:</p>
+
+<ul>
+ <li>Where End User pays for AVC Video
+ <ul>
+ <li>Subscription (not limited by title) – 100,000 or fewer
+ subscribers/yr = no royalty; &gt; 100,000 to 250,000 subscribers/yr =
+ $25,000; &gt;250,000 to 500,000 subscribers/yr = $50,000; &gt;500,000 to
+ 1M subscribers/yr = $75,000; &gt;1M subscribers/yr = $100,000</li>
+
+ <li>Title-by-Title - 12 minutes or less = no royalty; &gt;12 minutes in
+ length = lower of (a) 2% or (b) $0.02 per title</li>
+ </ul></li>
+
+ <li>Where remuneration is from other sources
+ <ul>
+ <li>Free Television - (a) one-time $2,500 per transmission encoder or
+ (b) annual fee starting at $2,500 for &gt; 100,000 HH rising to
+ maximum $10,000 for &gt;1,000,000 HH</li>
+
+ <li>Internet Broadcast AVC Video (not title-by-title, not subscription)
+ – no royalty for life of the AVC Patent Portfolio License</li>
+ </ul></li>
+</ul>
+
+<p>Am I correct in assuming that the four categories listed is the
+categories used when selecting licensing terms, and that "Internet
+Broadcast AVC Video" is the category for things that do not fall into
+one of the other three categories? Can you point me to a good source
+explaining what is ment by "title-by-title" and "Free Television" in
+the license terms for AVC/H.264?</p>
+
+<p>Will a web service providing H.264 encoded video content in a
+"video on demand" fashing similar to Youtube and Vimeo, where no
+subscription is required and no payment is required from end users to
+get access to the videos, fall under the terms of the "Internet
+Broadcast AVC Video", ie no royalty for life of the AVC Patent
+Portfolio license? Does it matter if some users are subscribed to get
+access to personalized services?</p>
+
+<p>Note, this request and all answers will be published on the
+Internet.</p>
+</blockquote></p>
+
+<p>The answer came quickly from Benjamin J. Myers, Licensing Associate
+with the MPEG LA:</p>
+
+<p><blockquote>
+<p>Thank you for your message and for your interest in MPEG LA. We
+appreciate hearing from you and I will be happy to assist you.</p>
+
+<p>As you are aware, MPEG LA offers our AVC Patent Portfolio License
+which provides coverage under patents that are essential for use of
+the AVC/H.264 Standard (MPEG-4 Part 10). Specifically, coverage is
+provided for end products and video content that make use of AVC/H.264
+technology. Accordingly, the party offering such end products and
+video to End Users concludes the AVC License and is responsible for
+paying the applicable royalties.</p>
+
+<p>Regarding Internet Broadcast AVC Video, the AVC License generally
+defines such content to be video that is distributed to End Users over
+the Internet free-of-charge. Therefore, if a party offers a service
+which allows users to upload AVC/H.264 video to its website, and such
+AVC Video is delivered to End Users for free, then such video would
+receive coverage under the sublicense for Internet Broadcast AVC
+Video, which is not subject to any royalties for the life of the AVC
+License. This would also apply in the scenario where a user creates a
+free online account in order to receive a customized offering of free
+AVC Video content. In other words, as long as the End User is given
+access to or views AVC Video content at no cost to the End User, then
+no royalties would be payable under our AVC License.</p>
+
+<p>On the other hand, if End Users pay for access to AVC Video for a
+specific period of time (e.g., one month, one year, etc.), then such
+video would constitute Subscription AVC Video. In cases where AVC
+Video is delivered to End Users on a pay-per-view basis, then such
+content would constitute Title-by-Title AVC Video. If a party offers
+Subscription or Title-by-Title AVC Video to End Users, then they would
+be responsible for paying the applicable royalties you noted below.</p>
+
+<p>Finally, in the case where AVC Video is distributed for free
+through an "over-the-air, satellite and/or cable transmission", then
+such content would constitute Free Television AVC Video and would be
+subject to the applicable royalties.</p>
+
+<p>For your reference, I have attached
+<a href="http://people.skolelinux.org/pere/blog/images/2015-07-07-mpegla.pdf">a
+.pdf copy of the AVC License</a>. You will find the relevant
+sublicense information regarding AVC Video in Sections 2.2 through
+2.5, and the corresponding royalties in Section 3.1.2 through 3.1.4.
+You will also find the definitions of Title-by-Title AVC Video,
+Subscription AVC Video, Free Television AVC Video, and Internet
+Broadcast AVC Video in Section 1 of the License. Please note that the
+electronic copy is provided for informational purposes only and cannot
+be used for execution.</p>
+
+<p>I hope the above information is helpful. If you have additional
+questions or need further assistance with the AVC License, please feel
+free to contact me directly.</p>
+</blockquote></p>
+
+<p>Having a fresh copy of the license text was useful, and knowing
+that the definition of Title-by-Title required payment per title made
+me aware that my earlier understanding of that phrase had been wrong.
+But I still had a few questions:</p>
+
+<p><blockquote>
+<p>I have a small followup question. Would it be possible for me to get
+a license with MPEG LA even if there are no royalties to be paid? The
+reason I ask, is that some video related products have a copyright
+clause limiting their use without a license with MPEG LA. The clauses
+typically look similar to this:
+
+<p><blockquote>
+ This product is licensed under the AVC patent portfolio license for
+ the personal and non-commercial use of a consumer to (a) encode
+ video in compliance with the AVC standard ("AVC video") and/or (b)
+ decode AVC video that was encoded by a consumer engaged in a
+ personal and non-commercial activity and/or AVC video that was
+ obtained from a video provider licensed to provide AVC video. No
+ license is granted or shall be implied for any other use. additional
+ information may be obtained from MPEG LA L.L.C.
+</blockquote></p>
+
+<p>It is unclear to me if this clause mean that I need to enter into
+an agreement with MPEG LA to use the product in question, even if
+there are no royalties to be paid to MPEG LA. I suspect it will
+differ depending on the jurisdiction, and mine is Norway. What is
+MPEG LAs view on this?</p>
+</blockquote></p>
+
+<p>According to the answer, MPEG LA believe those using such tools for
+non-personal or commercial use need a license with them:</p>
+
+<p><blockquote>
+
+<p>With regard to the Notice to Customers, I would like to begin by
+clarifying that the Notice from Section 7.1 of the AVC License
+reads:</p>
+
+<p>THIS PRODUCT IS LICENSED UNDER THE AVC PATENT PORTFOLIO LICENSE FOR
+THE PERSONAL USE OF A CONSUMER OR OTHER USES IN WHICH IT DOES NOT
+RECEIVE REMUNERATION TO (i) ENCODE VIDEO IN COMPLIANCE WITH THE AVC
+STANDARD ("AVC VIDEO") AND/OR (ii) DECODE AVC VIDEO THAT WAS ENCODED
+BY A CONSUMER ENGAGED IN A PERSONAL ACTIVITY AND/OR WAS OBTAINED FROM
+A VIDEO PROVIDER LICENSED TO PROVIDE AVC VIDEO. NO LICENSE IS GRANTED
+OR SHALL BE IMPLIED FOR ANY OTHER USE. ADDITIONAL INFORMATION MAY BE
+OBTAINED FROM MPEG LA, L.L.C. SEE HTTP://WWW.MPEGLA.COM</p>
+
+<p>The Notice to Customers is intended to inform End Users of the
+personal usage rights (for example, to watch video content) included
+with the product they purchased, and to encourage any party using the
+product for commercial purposes to contact MPEG LA in order to become
+licensed for such use (for example, when they use an AVC Product to
+deliver Title-by-Title, Subscription, Free Television or Internet
+Broadcast AVC Video to End Users, or to re-Sell a third party's AVC
+Product as their own branded AVC Product).</p>
+
+<p>Therefore, if a party is to be licensed for its use of an AVC
+Product to Sell AVC Video on a Title-by-Title, Subscription, Free
+Television or Internet Broadcast basis, that party would need to
+conclude the AVC License, even in the case where no royalties were
+payable under the License. On the other hand, if that party (either a
+Consumer or business customer) simply uses an AVC Product for their
+own internal purposes and not for the commercial purposes referenced
+above, then such use would be included in the royalty paid for the AVC
+Products by the licensed supplier.</p>
+
+<p>Finally, I note that our AVC License provides worldwide coverage in
+countries that have AVC Patent Portfolio Patents, including
+Norway.</p>
+
+<p>I hope this clarification is helpful. If I may be of any further
+assistance, just let me know.</p>
+</blockquote></p>
+
+<p>The mentioning of Norwegian patents made me a bit confused, so I
+asked for more information:</p>
+
+<p><blockquote>
+
+<p>But one minor question at the end. If I understand you correctly,
+you state in the quote above that there are patents in the AVC Patent
+Portfolio that are valid in Norway. This make me believe I read the
+list available from &lt;URL:
+<a href="http://www.mpegla.com/main/programs/AVC/Pages/PatentList.aspx">http://www.mpegla.com/main/programs/AVC/Pages/PatentList.aspx</a>
+&gt; incorrectly, as I believed the "NO" prefix in front of patents
+were Norwegian patents, and the only one I could find under Mitsubishi
+Electric Corporation expired in 2012. Which patents are you referring
+to that are relevant for Norway?</p>
+
+</blockquote></p>
+
+<p>Again, the quick answer explained how to read the list of patents
+in that list:</p>
+
+<p><blockquote>
+
+<p>Your understanding is correct that the last AVC Patent Portfolio
+Patent in Norway expired on 21 October 2012. Therefore, where AVC
+Video is both made and Sold in Norway after that date, then no
+royalties would be payable for such AVC Video under the AVC License.
+With that said, our AVC License provides historic coverage for AVC
+Products and AVC Video that may have been manufactured or Sold before
+the last Norwegian AVC patent expired. I would also like to clarify
+that coverage is provided for the country of manufacture and the
+country of Sale that has active AVC Patent Portfolio Patents.</p>
+
+<p>Therefore, if a party offers AVC Products or AVC Video for Sale in
+a country with active AVC Patent Portfolio Patents (for example,
+Sweden, Denmark, Finland, etc.), then that party would still need
+coverage under the AVC License even if such products or video are
+initially made in a country without active AVC Patent Portfolio
+Patents (for example, Norway). Similarly, a party would need to
+conclude the AVC License if they make AVC Products or AVC Video in a
+country with active AVC Patent Portfolio Patents, but eventually Sell
+such AVC Products or AVC Video in a country without active AVC Patent
+Portfolio Patents.</p>
+</blockquote></p>
+
+<p>As far as I understand it, MPEG LA believe anyone using Adobe
+Premiere and other video related software with a H.264 distribution
+license need a license agreement with MPEG LA to use such tools for
+anything non-private or commercial, while it is OK to set up a
+Youtube-like service as long as no-one pays to get access to the
+content. I still have no clear idea how this applies to Norway, where
+none of the patents MPEG LA is licensing are valid. Will the
+copyright terms take precedence or can those terms be ignored because
+the patents are not valid in Norway?</p>
+</description>
+ </item>
+
projects / homepage.git / blobdiff